Re: [pinhole-discussion] Fixer on the negative (Was Re: Sally Mann)

2001-10-27 Thread RObrien630
Nancy Spencer is using a similar fixer on negative or print in her series 
from Greece seen in the Pinhole Journal...Renee



Re: [pinhole-discussion] Fixer on the negative (Was Re: Sally Mann)

2001-10-27 Thread Brockhagen
The article was in the Sept./Oct. 1999 isue of View Camera Magazine. Title: 
Sally Mann -I Was Aware Of the Ghosts


Re: [pinhole-discussion] Fixer on the negative (Was Re: Sally Mann)

2001-10-27 Thread Guy Glorieux
Hi leezy,

Perhaps I should experiment with paper and see what happens.

I guess that what I would do is to place the exposed sheet of paper
in-and-out of the fix bath, then rince it for 10-to-20 minutes, then put it
in the developper bath.  Whatever amount of silver halyde which has not been
fixed during the brief plunge in the fix would then be developped, while the
rest would stay clear.

Interesting idea.  I'll report when I have had a chance to try it, perhaps
this weekend.

Cheers,

Guy

b2myo...@aol.com wrote:

 In a message dated 10/27/01 2:16:33 AM, guy.glori...@sympatico.ca writes:

  Hmmm...  That sounds very interesting.  Do you
 have more information on what she does exactly?
 Is anybody on the list familiar with doing this?
 I'd like to try that.  Seems that it would fit
 with my current work.

 Cheers,

 Guy 

 I'm interested in this too.
 Any information that can be provided will be greatly appreciated...
 or
 the source for the information.
 Thank you.
 leezy




Re: [pinhole-discussion] Fixer on the negative (Was Re: Sally Mann)

2001-10-27 Thread GarfinkelDesign
Leezy: and others I heard about the fixer technique and the teas so both 
have some validity... The fixer might have been used but not as heavily 
Wendy


Wendy Garfinkel
Garfinkel Design
185 Shadow Moss Drive 
Athens, GA 30605-3467
===
phone: (706) 369-6831
fax: (706) 369-1761



Re: [pinhole-discussion] Fixer on the negative (Was Re: Sally Mann)

2001-10-27 Thread GarfinkelDesign
Yes I too remember the tea as well...I know about this as I was fascinated by 
the Motherland Series and inquired to a teacher about this and she knew alot 
about these images...

Wendy



Re: [pinhole-discussion] Fixer on the negative (Was Re: Sally Mann)

2001-10-27 Thread GarfinkelDesign
Hi Guy:

Yes. I heard about this (fixing tequnique) through a photo teacher of mine. 
Best I can say is to experiment. You may want to try diluting it. I think at 
times one can put too much of the fixer on and then it looks like fixer is 
there (when you know) 

I have a letter, in my files here - I have to look for it from Nancy Renner 
who also used this technique on her negs. This is even featured in her photos 
in one of the magazines that she and Eric put outPinhole Journal called 
Millennia - images from Greece and Turkey.

Wendy Garfinkel


Wendy Garfinkel
Garfinkel Design
185 Shadow Moss Drive 
Athens, GA 30605-3467
===
phone: (706) 369-6831
fax: (706) 369-1761



Re: [pinhole-discussion] Fixer on the negative (Was Re: Sally Mann)

2001-10-27 Thread B2MYOUNG
In a message dated 10/27/01 2:16:33 AM, guy.glori...@sympatico.ca writes:

 Hmmm...  That sounds very interesting.  Do you
have more information on what she does exactly?
Is anybody on the list familiar with doing this?
I'd like to try that.  Seems that it would fit
with my current work.

Cheers,

Guy 

I'm interested in this too.
Any information that can be provided will be greatly appreciated...
or
the source for the information.
Thank you.
leezy



Re: [pinhole-discussion] Fixer on the negative (Was Re: Sally Mann)

2001-10-27 Thread DAlfrey
someone correct me if I am wrong here, but I cant recall which magazine it 
was, either View Camera, or Camera Arts , but there was an article done on 
Sally Mann's works , and I paraphrase here, but she used a 8X10 camera set up 
on cinder (concrete )blocks to hold the camera steady, used old soft  
portrait lenses that many of the old studios were discarding( Verito 
Professionals maybe (?) ) and if memory serves me , she toned her prints in a 
dilute mixture of brewed teas/coffees, to give the prints a sepia effect, 
anyone else recall this anecdote ?