agreed, tis very good. anyone who'd like to check it,
it's online in full in RA here: http://techno.ca/cognition
Danny Wolfers wrote:
I got a 2 track 7 from $tinkworx on the US Down Low label today.
Its their first release I think (dl001)...
Raw dry funky disco-tech with a (as best described
Any going to philly on may 27th for whistle. They got a dope lineup, and they
also got marco corola on 3 tables.
You can check it out at www.local13.com
Peace
Z.
delete if you're not interested in coming to detroit science...
thought that i'd pass this along to the list, so that those in detroit can
utilize if wanted. save the email, because the 2-4-1 cyberinvite is good
for the entire month of april, not any date in particular. just print it
out
now online in full in RealAudio
on Cognition: http://techno.ca/cognition
Signer's Giving It Up To Feel Effected
album (NZ Involve/Kog Transmissions;
to be released commercially in late April).
Signer also records as Aspen, and, with
Jet Jaguar, as Patio. Signer's material
is apt to please both
This might be of interest to Ersatz Audio
Suction fans:
http://news.bbc.co.uk/hi/english/uk/wales/newsid_703000/703865.stm
e. rautio, also known as pHinn
* the webmaster of pHinnWeb - the old skool, the nu skool *
* and the pHuture skool of Finnish electronic music *
* [EMAIL PROTECTED]
-Original Message-
From: Tom Churchill [EMAIL PROTECTED]
To: Kent williams [EMAIL PROTECTED]; 313 313@hyperreal.org
Date: Thursday, April 06, 2000 5:44 AM
Subject: Re: (313) Fwd: How To Rock a Show 101
Kent:
Seriously. I'd think Cox would always get love in Detroit.
1. He is a first
Definitely a nice record. Also check out a polish label's 001, Polish
Recognition by 'jacek sienkiewicz'. A kinda hood 'percussive
melodic' 4-tracker. Definitely worth checking if you can get the
obscure.
I about flipped when I heard this on Cognition a ways back and stumbled
across it at the
...It's got this guy saying the names of famous (mostly black) musicians,
activists, revolutionaries and leaders over sweeping synth chords, a
half-speed bassline and pounding 909 beats. At the beginning the bloke says
something like It's a black face, you better understand. There must be
abacus 'black thanx'.
this was orignally released on guidance--analog trax vol 1 (1997). was
re-released with a new mix on airtight last year.
it's also on my mix cd 'houseatonic' which is at temple records in new york.
james
Will Adams [EMAIL PROTECTED] on 04/07/2000 09:01:58 AM
To:
hello all,
i hope someone can help me. i will be in germany all of may, and i need
something to do. any suggestions about clubs, dj schedules, record stores,
etc.? i will take some side trips to france and the netherlands, and
possibly belgium.
thanks,
maia
sorry, i posted about the cyberinvite and then didn't send it through...
g
__
Get Your Private, Free Email at http://www.hotmail.com
16b is a guy from London called Omid Nourizadeh. He has released a lot of
stuff on his own Alola label, and he also has another label called
Disclosure, that's where he releases more techno-trancey material. He also
did a full album on Eye Q UK, that is worth checking. Some of his latest
releases
Secrets is a personal favorite of mine...Brilliant Track.
16B
aka. - Omid Nourizadeh
Eye Q (6), Alola (2)
1998 Sounds from Another Room Eye Q (Album)
1996 Secrets Alola
1997 Trail of Dreams Stronghouse
1997 Voices in the Sky Alola
1997 Water Ride Eye Q
1998 Black Hole Eye Q
[EMAIL PROTECTED] wrote:
and then there's 2 recent 12 on Airtight recordings
That are quite good. Some of the 16b material tends to be a bit noodly,
but these two pack a decent punch.
He also did some tracks with Kevin McKay of Glasgow underground as 16
souls...very good stuff indeed.
i know that the 808 was used a lot in mainstream music in the 80's and
whatnot. does anyone know how widely used it is today in hiphop/rnb/etc?
the rnb group blaque has a track called 808 and although im not a fan of
rnb, i was attracted to the song at first cause they sang about an 808
Just a quick reminder:
309 Productions proudly presents:
Attack and Decay - Trackmode Recordings Tour Featuring:
BRETT DANCER - NYC - Founder and owner of Trackmode Records
MIKE CLARK - DETROIT - Trackmode, Planet E
NORM TALLEY - DETROIT - Trackmode, Chisel
DANNY - LANSING - 309 Productions
In a message dated 4/7/00 4:33:41 PM, [EMAIL PROTECTED] writes:
i know that the 808 was used a lot in mainstream music in the 80's and
whatnot. does anyone know how widely used it is today in hiphop/rnb/etc?
One word: Timbaland.
a.
www.puresonikrecords.net
Well...not to disagree too publicly, but I'm not hearing it. The 808
kick is almost certainly used, but I'm almost as certain that it's
sampled, not played off the original machine. The other distinctive
elements (cowbell, clave, etc) aren't really present from what I've
heard.
The other thing is
blair: many of today's pop musicians don't have the
reverence for the 808 and other classic gear like
those on a list such as this might have. so, when
an 808's sounds do make it into one of today's
pop songs, it is likely just another drum sample,
nothing special,
to the person using it ie just
hello,
The 808 was a mainstay back in the 80's, but that stuff is rarely used
anymore. Ever since the first sampling drum machines started coming out
in the late 80's and early 90's (EMU sp-1200, Roger Linn's Akai
MPC-60...) the 808 has been fading out. You can really start to hear the
shift
while we're on the subject, anybody know of any recent tracks (the last few
years) with lots of 808 cowbells. i'm a sucka for that sound.
james
At 20:32 04/07/2000 +, Blair McBride wrote:
i know that the 808 was used a lot in mainstream music in the 80's and
whatnot. does anyone know how widely used it is today in hiphop/rnb/etc?
The Beastie Boys still use it.
Lyric excerpt from BB's Super Disco Breakin' :
' Everybody getting
Since this thread was inspired by the song 808 by Blaque Ivory, it should be
pointed out that it was actually produced by R Kelly outta Chicago, not the
group. So he's the one behind the 808 reference, I would say. The production
overall is very Timbaland-like, it's only the vocal arrangements
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