thought people might be interested
http://www.nuyoshi.com/wbmx.htm
On Wed, 24 Oct 2007, Dan Bean wrote:
Formula Sound PM80
Badass mixer.
I've been lurking this mixer from ebay for some time now. I had a chance
to play once with it and even though the feel was interesting, the sound
quality rocked.
Now here is my question; is the newer pm-90 anywhere
Nobody calls me a liberal and gets away with it, foo!
As for mythical beasts, it is -true- that I worked for a music
and arts newspaper in Washington DC three decades ago called the
Unicorn Times. It was B.I. (before the Internets) so you youngsters
can't look it up on Wikiplayer.
We were
I can confirm about Cielo -- saw Francois K there about a month ago
for Deep Space and the sound was quite good. FK was kind of so-so,
but then so was the crowd :)
fh
-
funktion one also make some brilliant sounding speakers. cielo in new
york has a system of theirs and it is
Thank you!
A friend in Chicago who grew up on this stuff tried to get me to get
some of his recorded tapes of the shows to transcribe, but he only had
a couple.
This is great!
On 10/25/07, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote:
thought people might be interested
Having never been on the producer side of things, I'm curious if
anyone can illuminate some of the basics when it comes to artist
compensation for small record labels (the kind most of us buy our
vinyl from).
So if Producer A writes a track, how does he/she sell it to a small
electronic label?
A friend of mine just gives the artist 10% of the pressed copies to
sell at shows or whatnot. no idea how standard that is.
On Oct 25, 2007, at 1:50 PM, Arturo Lopez wrote:
Having never been on the producer side of things, I'm curious if
anyone can illuminate some of the basics when it comes
At the small end of the scale I think it really depends on the label's
business model and (hopefully) what works out best for both parties.
Things I have seen are (and not mutually exclusive)
* copies of the work instead of $
* outright payment - although I would never advise anyone to 'sell'
Well, in my experience label and artist split the profit of a release
50/50. If you're lucky you'll get an advance on this one. For that
you'll give the label the permission to do whatever they feel is right
with this particular recording.
Cheers!
Jan
-
(disrupt)
yikes, this is definitely a trip on the 'wayback' machine. it all puts a
smile on my face...thanks for the links.
m.
On Thu, October 25, 2007 1:18 am, [EMAIL PROTECTED] wrote:
thought people might be interested
http://www.nuyoshi.com/wbmx.htm
News and other info can be found at the bottom of this message.
The last four programs are always archived online. Visit www.antonbanks.com
to hear them.
Many thanks to Dirtybird for contributing this set. For information about
her, please visit either www.DirtybirdMusic.com or www.Volatl.com.
On Thu, October 25, 2007 1:18 am, tevans wrote:
thought people might be interested
http://www.nuyoshi.com/wbmx.htm
Hmm. Whoever created that page just made direct links to MP3s in the
DHP Mix Archive:
http://www.deephousepage.com/mixes.php
There are some sweet old Ron Hardy
this is the way how I've worked for about ten years now.
split the profit of a release 50/50, and an advance on this one.
an other option is a percentage of all sales,
mostly ranging kinsda 15% - 20% -
sometimes better for artist - as you're then not involved on cost side
of the label
13 matches
Mail list logo
