> i know there is alot of it around..alot of it being less than
adequate
> to satisfy my 303 needs but lovers acid by luke vibert on planet
mu is
> pretty spot on...
>
> jus catching the right frequency and squelch that i crave
>
> worth checking for madder acid on the flip
respect to th
> i love it too...opinions seem divided amongst my mates tho.
>
> i can see some thinking that it's a bit 'pop'
>
I think the trick is to hear it loud - when i bought it it was one of
the "just walked into the shop and it's on really loud" moments - the
bassline comes alive, it's got an acidic qua
o for me either. I'm sure Kevin will get over it.
Cheers,
Andrew
- Original Message -
From: "Robert Taylor" <[EMAIL PROTECTED]>
To: "Andrew Hodgson" <[EMAIL PROTECTED]>;
<313@hyperreal.org>
Sent: Thursday, March 10, 2005 11:52 AM
Subject:
>>I was at that lost and thought May was excellent. Strings of life
at the end was wicked. But FK just dont do it for me when he plays
techno.
course, the bit at the end was wicked! and my girl got her ticket
signed by may and fk! gents the pair of em.
> sorted - the vip is basically inside the main room but on a
balcony,
> so you get the sound without the crowds! and a bar about 10 metres
> away.
>but what if you're not a VIP?
Hold on, I'm not a VIP! I'm simply (un)fortunate enough to know a
couple of folk who can sort it out when there's a
>>I was at that lost and thought May was excellent. Strings of life
at the end was wicked. But FK just dont do it for me when he plays
techno.
That's odd, coz I thought May was far too banging! Horses for
courses!
I loved the way FK played bits of different styles of techno/house,
tempo up and
>> as is Fabric's crowd by all accounts
sorted - the vip is basically inside the main room but on a balcony,
so you get the sound without the crowds! and a bar about 10 metres
away.
'the crowd' is pretty much 'your mates'! (plus the odd tosser but
hey, that's london.)
saw herbert a little while
>> FK in techno mode is a bit lame tho
Interesting this, coz I saw him at Lost that time with Mayday and
thought his tech set was excellent. reports since then have been
mixed to say the least!
> >oh yeah, then it's FK and Danny Wang up at Fabric. COME ON
>
> result.
>
> Danny Wang rules.
>
> : )
Haven't seen him yet but looking much forward to. Heard mixed reports
but, well, it's a notebook and pencil night. choo choo! (actually,
most night are - must invest in a pda. actually, tha
> >anyone going?
>
> not if you are
>
> ; )
right.
outside.
now.
-->
anyway, you're just jealous coz we're gonna see special K in a tiny
bar in brixton town. ha!
oh yeah, then it's FK and Danny Wang up at Fabric. COME ON
:-)))
anyone going?
> >> Look at Tony Montana... he cut out the middleman.. then again
look
> >> where he ended up, face down in a pool of blood. "The World Is
> >> Yours."
> >
> > Earth calling Matt
> >
> > -_-
>
> hehh, i figured SOMEONE would get the reference, i mean, come on,
it
> had a Giorgio Moroder soun
> Look at Tony Montana... he cut out the middleman.. then again look
> where he ended up, face down in a pool of blood. "The World Is
Yours."
Earth calling Matt
-_-
Speaking of fulton, anyone get 'mom, I think the video broke' (whatever it's
called)?
It's crazy. (On tirk records.)
Starts with a drum kit and ends with a kick, with nasty moog throughout. Top
tune.
>>-Original Message-
>>From: Stoddard, Kamal [mailto:[EMAIL PROTECTED]
>>Sent: 08 March
Among other things...
Library stuff - Reggae For Real, KPM's (Reggae Explosion, Beat Industrial,
The Big Beat etc.), Percussion Library (red ones)...
Disco stuff - Direct Current 'Everybody here must party', Lady B's version
of DC, Saturday Night Band 'Come on Dance Dance', Trussel 'Love injection
>>> Did I miss the Analord discussion?
>>
>>yes!
Ahhh! Just my luck!
>>> People liking them so far?
>>>
>>> I think they're great.
>>
>>I've got 01, it's great; 02, 03 and 04 are waiting in the shop 'til i
>>get more money next week.
Ooh ooh you're in for treat - they get better.
Hope RDJ keep
Did I miss the Analord discussion?
People liking them so far?
I think they're great.
Cheers.
Andrew.
You're just jealous Alex.
>>-Original Message-
>>From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
>>Sent: 07 March 2005 17:13
>>To: 313@hyperreal.org
>>Subject: Re: (313) Denver this coming weekend? Any suggestions?
>>
>>
>>
>>>And since someone might know -- What about a good shooting
Distance - lovely tune :-)
>>-Original Message-
>>From: Andrew Duke Cognition Audioworks
>>[mailto:[EMAIL PROTECTED]
>>Sent: 07 March 2005 16:01
>>To: [EMAIL PROTECTED]
>>Cc: 313@hyperreal.org
>>Subject: Re: (313) Chez Damier
>>
>>
>>I really like the vocal cut he did called "So Close" o
It's bollocks. That's it.
;)
Seriously tho, Kathy Brown's vocal is great, but is it necessary? In one ear
out the other for me.
Would be interested to see what DM thinks...
:)
>>-Original Message-
>>From: robin [mailto:[EMAIL PROTECTED]
>>Sent: 07 March 2005 13:23
>>To: Enar Essenso
Hi there,
Been off the list for a while, but nice to be back. :-P
Seems like there's some new cool people around doing classic sounding stuff,
some have been so for a while, but I've just been slow to clock onto them,
folk like:
Matthew Jonson
Omar S
Luciano
...any more???
And Alex, what is t
sh*t if we didn't develop and move along we'd all be discussing the
latest
tunes sung on Sesame Street.
Hey, cut down the Sesame bashing!! ^_^
--
------
Andrew Hodgson - Engineering x5235
--
Jim Henson's Creature Shop, Camden
--
...is the title of a book I'm reading at the minute, by Anthony Storr.
It talks about music's function in society, and it's meaning for people,
why it has the effect it has, etc. etc. It's a fascinating book and I
thought some people out there might appreciate it. It's well worth a
look if you're i
That's cool, I guess what I meant was I love HEARING acid house music,
but I hate 'official' revivals that the press/style arses get hold of
and abuse. I love the old school nights as well, but to be honest I'd
hate it if loads of kids started wearing the old kind of dress, I just
think 'get a new
Matt Hellige wrote:
>
> [Fabrizio Nahum <[EMAIL PROTECTED]>]
> > i guess we agree on this :)
> >
> > i cant wait for the early-to-midnineties-uk-melodictechno-revival! i think
> > it will be a little hard to market though ;)
> >
>
> And I can't wait for the "Kanzleramt: the early years" revival!
Brendan Nelson wrote:
>
> > I thought Robin meant:
> >
> > 1st Wave: Jimmy Saville (50's) to Levan etc. (early 80's)
> >
> > 2nd Wave: Acid House (85-ish) to Now (general beatmatching,
> > DJing as an artform, big money etc.)
> >
> > 3rd Wave: The future? (Digital mixing from laptops, personal
> >
"Langsman, Marc" wrote:
>
> > You could probably use one of your midi faders as a X-over...
> > hmm, Kenton or someone should manufacture a MiDI mixer - a
> > product of the future!!
>
> That was kinda where I went with my final year uni project - basically a
> software core running DSP filters i
[EMAIL PROTECTED] wrote:
>
> >Can anyone give me a couple of sentances on how this is done and what
> equipment is needed ?
>
> actually, I'd be pretty interested to know that too...
>
> is it the kind of thing you do on the fly, or is it something you have to
> sit down and think about and sort
robin pinning wrote:
>
> > But to *really* step into the world of 3rd wave DJing, the best thing to
> > do is get hold of a MIDI controller keyboard which has lots of knobs and
> > sliders on it - map the sliders and knobs and keys to various Ableton
> > controls (mutes, volume levels, effects sen
"Odeluga, Ken" wrote:
>
> OK - info pls. 'Think Twice': Is it a cover of the Donald Byrd song? (have
> had to curb record buying this month or, or *else* :-)
>
> Ta,
>
> k
Great track - has anyone heard the Jaydee version (from 'Welcome To
Detriot' on BBE)? Super smooth.
Seems weird that *ano
Has anyone mentioned 'Sightings in the Abyss'? Something about that
track is sooo spooky, I just wish it was longer.
'Wavejumper' on the flip is probably equal for me, it seems totally
live. I guess both tracks were recorded live and jammed out, they
sounds raw as f*ck, but very funky.
Drexc
Hello,
So, can you tell me exactly who did which tracks?
Thanks,
Andrew
***
This email is confidential and may well also be legally privileged.
If you have received this email in error, you are in notice of its status.
Ple
loud,
you've probably got bigger worries than poor production.
An over-compressed track is like a black and white photograph that's
90% flat white and 10% flat black black, with no grey in between.
But then I prefer digital to vinyl . . .
*runs away*
Andrew Hodgson
Transmission Ope
Far be it for me to enter into a 'debate', but I didn't assert that
Pro-Tools performs composition. However it can have a decisive effect on
'sound'. This is due to numerous factors, such as the A/D converters used
(Digidesign, MOTU, Apogee etc.) and the software itself, i.e. the TDM
system of
I'm sorry, but I'm not blaming anything on Pro-Tools, it's the people
using it with no imagination, a different point. When a producer stops
using his/her brain and lets Pro-Tools take over their sound, then we get
the situation we have now, with lots of boring tracks - but this is so
obvious t
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