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I read somewhere Fatboy Slim still uses (or at least did on his first
album) Notator on an Atari ST.
G.
spw [EMAIL PROTECTED] on 06/02/2003 15:10:55
To:
cc: 313@hyperreal.org
Subject: Re: (313) production and mastering
In a couple of years I probably still be using old software on
a
Jazz FM 102.2 (London) from 10pm - 1am Mon - Fri
The Late Lounge with Clare Anderson plays some blissful beats and downtempo
marvels.
They're on the Net too.
http://www.jazzfm.com/
G.
Wibo Lammerts [EMAIL PROTECTED] on 28/01/2003 13:58:32
To: 'Andrew' [EMAIL PROTECTED],
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I was experimenting last night with two tunes which I recorded into Cubase
on seperate tracks, one being an Acapella vocal which I chopped up and was
laying over the other. The only problem with working in that way and within
the Cubase protocol is keeping both audio tracks in Sync. I matched
It's all about the 'ghost notes' in drum patterns that fill in the gaps
for funk. Also, the way the Bassline works with the beats is key. I've
studied dance beats for around 12 years and always wondered how a certain
track was swinging so much. To begin with I thought the Hats must be off
the
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Replacing my 15 year old Wharfdale's too!
I think I'd like to try NS-10's purely for the 'everyone used/es them'
factor but they seem hard to come by these days or last time I looked
anyway. Off to do some research on the Berhinger Truths...
Bergz.
Please respond to [EMAIL PROTECTED]
Very good advice!
Thanks for all your help.
Bergz.
Brendan Nelson [EMAIL PROTECTED] on 05/12/2002 15:44:22
To: [EMAIL PROTECTED], [EMAIL PROTECTED] Org 313@hyperreal.org
cc:
Subject: RE: (313) Studio Monitors
You also need to consider the dimensions and acoustics of the room in
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