I deleted the original message, but 'someone' asked about it.
sorry 4 bandwidth, but it seems a little more like 313 lately.
Satellite Records has the Temple of Transparent Balls CD listed
I see myself spending more and more time there.
www.satelliterecords.com
mystro
NP: Kooky Scientist's
and my favorite
Moving In
Stereo/All Mixed Up..i love the way that song flows. maybe its not
their
moving in stereo is a great song,
I'm not a HUGE The Cars fan, but they really pushed the
envelope with this, not like The Beatles Sergeant Pepper's or anything,
but
stereo experimentation is
Stacey Pullen means by Silent Phase? I
Has anyone else thought about the reason of Stacey's pseudonymn
of Slilent Phase, does it have anything to do with his initials, or is it
coincedence.
I probably shouldn't think about trivial sh%t like this, just wondering.
If it was a conscious
How about this for a perfectly 313 oriented question: Favorite Mills
track?
Humana all the way, It's not on the Humana record but it's called that
on the Axis CD,
it's B2 on the Growth record (Black Side). Maybe someone can clear it
up.
The epic electronic wiggle it has. Open a set with this
Who made SID 7?
[EMAIL PROTECTED]
S.I.D. 7
UR
(Blue Label with neutron like balls surrounding UR, Islamic moon in
corner)
Side A: Radioactive Rhythms
Side B: Subversive Communications
A Thousand Questions
Two very rhythmic tracks, both good, until a wailing metallic gong-hat
melody
When was Bounce your body to the box made?
You can tell it's older but not exactly how much.
That side (of planet E release) along with You don't know how to play
our music
both just JACK. Circa early nineties maybe, or older?
He definitely utilizes his instruments to the max.
Thats what
Harthouse was(is?) in Offenbach, Germany according to 1996 the Phat
Jive Sleeve
Where's Patrick Lindsey from? He's one funky mofo.
What's he up to now?
Wasn't Harthouse based in Frankfurt as well? Eye-Q?
Derrick's Strings of life b side still slayin me after all these years.
Especially the
I think that different races have their strengths and weaknesses.
that's just evolution. This isn't a list to vent philosophies (or is it)
I guess i am racist. I'm white, I'll buy a black guys music before I buy
a white guys
I guess it's reverse racism.... whatever man
might realize how formulaic and trite their shit really is. Adam
Beyer is
no exception.
Formulaic?, you could say that about anyone. Just cause they use a 909
it's
formulaic. Whatever Adam Beyer's formula is it's sure working for me.
occasionally Creepy vibe, precise drum programming, I
Does anybody out there in 313 land know which release this track is
on?
Club Scam II 1997 Frictional 6
PLUGGED in; ScatterBRAINED; the FLOOR filler; frictional BEAT no. 3,
version 2
Great rekkid, I gotta find more of his stuff.
mystro
np --BEAT no 3
From what I've heard he's been up to a few things.
Basketball Heroes Part 2 this summer,
collaboration with Chris Liberator, and Tommie Sunshine (separate
projects)
not sure of labels,or date of release,or even validity of information.
Just what I've heard.
the Maestro
np: various Jonah
r. i guess we'll see what Relief means
GINO VITTORI- Relief 2000
good to hear this sound resurrected
Is it just me or does this sound a lot like what Velvet
would do himself, regardless, I like it, electrionic
as for Glenn Underground or Evangelical Boo Williams they're
more Cajual (when that
sat night
Roy Wilkins Auditorium, St. Paul MN
Dave Clarke:1am to 2:30 am
Nice tracks including: Orange, DJ rush's new one with him
ranting about you gotta believe over a Velvetlike beat,
that percussive japanese track on F Communications (records not in front
of me)
nice and bangin. A bit
oOo Caltrop oOo wrote:
I've noticed that the label Warlock is reissueing old dance
classics.
speaking of re-issues, I picked a gem up the other day.
it's called Back to Back- retro classics on Network records (NTW #3)
It has I Wanna Go Higher from our own TP, Liberty City's Some Lovin
and two
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