For the 313: What do you think a *stereotypical* Detroit techno release
consists of in terms of cover art and song names.
in my mind a stereo typical detoirt release has NO cover art... just label
art, and should be in a black jacket... and i don't give a shit what the
song is named... cause
For the 313: What do you think a *stereotypical* Detroit techno release
consists of in terms of cover art and song names.
My answer: It usually has blue metallic or electronic looking things
on
the cover (why do I think BLUE when I think Detroit?), and the songs
are
two words or less, like
cyborg elpH wrote:
I hate it when they sell out, but I only wish for one thing: when they do
sell out, THEY SHOULD CAHNGE THEIR NAME. That way, I could buy
'Artist X' without being confused with the artist's new sellout shit.
spaeaking of 'Artist X' the album reminds me of something I
sometimes you can tell just by reading into the names of tracks.
like with trance records you'll see pretty words like 'flowers', 'beautiful',
'angel' ect... and with gabber its easy, just look for more hostile or
offensive words like 'k***' or 'f***'.
True, but sometimes I have been fooled
If Luke is sick of the elitist-starving artist-purist techno community
and all the political snobbery associated with the underground techno
scene, I can understand him selling out.
Why not experiment with electronica, maybe those trend hungry raver kids
in the US will make you a millionaire.
Actually Luke Slaters All Exhale is getting high praise from the
progressive house-funky breaks crowd. These are the people who like dj
keoki, dj icey, rabbit in the Moon, the Crystal Method ect...ect
they pretty much dominate the club and rave scene where I live.
If Luke is sick of the
