Re: [313] trading on napster / digital mixing

2000-11-30 Thread FRED MCMURRY
PROTECTED] CC: 313 313@hyperreal.org Subject: Re: [313] trading on napster / digital mixing Date: Wed, 29 Nov 2000 18:25:39 -0600 (CST) I don't stick with it for sentimental reasons, its the simplicity that attracts me... whose to say a simpler, more intuitive interface can't be created? Oh

RE: [313] trading on napster / digital mixing

2000-11-30 Thread Topping, Micah
Oh, and your record will never crash, or you needle with never have an irq conflict... yes but your digital file won't get a scratch in it, and it won't be a 500 press run that is almost impossible to find... now thats good and bad i dont think digital file mixers/tables are going to be too

Re: [313] trading on napster / digital mixing

2000-11-30 Thread Paul Hudson
Why has no one mentioned the sound quality in this debat (or have they and I've missed it). For me, the most important thing about music is not the ideas behind it, not who's written it or from where, not what format it's on or how easy it is to mix. The most important thing, for me anyway, is

Re: [313] trading on napster / digital mixing

2000-11-30 Thread Sakari Karipuro
On Thu, 30 Nov 2000, Paul Hudson wrote: Vinyl sounds better than CD and CD sounds better than MP3. While the popular media say Mp3's sound as good as CD's, I don't think anyone believes them do they? I mean, just play a CD next to a high quality MP3 on quality Hi-Fi. They tow don't even

Re: [313] trading on napster / digital mixing

2000-11-30 Thread Nick Walsh
It depends on how it's been coded. 256kbps isn't too bad... the problem is that you have to have a really high level of kbps to get anything like something worth purchasing which obviously means massive files. I don't see why anyone would wanna BUY mp3's so they're not really commercially viable

Re: [313] trading on napster / digital mixing

2000-11-30 Thread Sakari Karipuro
On Thu, 30 Nov 2000, Nick Walsh wrote: It depends on how it's been coded. 256kbps isn't too bad... the problem is that you have to have a really well, if one wants quality, one buys audioactive production studio. otherwise, lame does almost as good job. occasionally better, depending on the

Re: [313] trading on napster / digital mixing

2000-11-29 Thread darw_n
.com/darw_n http://www.sphereproductions.com/topic/Darwin.html http://www.mannequinodd.com - Original Message - From: Chris Ege [EMAIL PROTECTED] To: 313 313@hyperreal.org Sent: Wednesday, November 29, 2000 3:39 PM Subject: [313] trading on napster / digital mixing I'm always surprised

Re: [313] trading on napster / digital mixing

2000-11-29 Thread Fred Giannelli
I'm always surprised at how reactionary people get when the subject of replacing turntables with a superior (yet not so sentimental) alternative comes up. You'd think someone had suggested to the pope that the earth isn't the center of the universe! surprisingly enough, the technics sl-1200mk2

Re: [313] trading on napster / digital mixing

2000-11-29 Thread Chris Ege
I don't stick with it for sentimental reasons, its the simplicity that attracts me... whose to say a simpler, more intuitive interface can't be created? Oh, and your record will never crash, or you needle with never have an irq conflict... your records can warp, your needles can break.