Stacey sed:
Well his remixes of the covers were definetly great. I feel that his
sister's vocals and his production put the original Greatest Dancer by I
believe Sister Sledge to shame.
I don't think so. Except for the initial curiosity, I would rather have
heard the record.
Rob
was not
Interesting and optomistic post, Stacey...
I wish I had been there to see Rob Hood, since he put on such a fantastic
show at I/o many many months back. I don't see how anyone could have such
a disdain for a techno artist doing "covers". Sounds like a homage to the
things that make Mr. Hood tick, a
Well his remixes of the covers were definetly great. I feel that his
sister's vocals and his production put the original Greatest Dancer by I
believe Sister Sledge to shame. Rob did a great job with both his dj set and
his live set...it just seems sometimes people are trying to critique the
m
also, i saw pacou, who was surprisngly very dissapointing. He is definitely
a much better producer than dj. Rob Hood, however, was incredible. His dj
set was phenominal and his live set was even better; his flawless live
performance and the live female vocals were definitely the highlight of th
hmm..i beg to differ. The reason i asked if its still in print is because
there are some excellent tracks on it produced by juan atkins, shake,kenny
larkin, claude young,eddie fowlkes and little joe...
also, i saw pacou, who was surprisngly very dissapointing. He is definitely
a much better produc
hmm..i beg to differ. The reason i asked if its still in print is because
there are some excellent tracks on it produced by juan atkins, shake,kenny
larkin, claude young,eddie fowlkes and little joe...
also, i saw pacou, who was surprisngly very dissapointing. He is definitely
a much better produc
There you go, shows what I know. And here I was accusing the little
silver box of helping Josh Wink abuse braincells worldwide.
(I say this with some affection for Josh as someone who *does* appreciate
Detroit techno; Higher State was just an indication that he knows
exactly how to get the attent
> Sent: Monday, December 11, 2000 5:22 AM
> To: R Vincent
> Cc: 313@hyperreal.org
> Subject: Re: [313] True People: Detroit Techno Comp
>
>
> Hello,
>
> I believe that this comp came out in 1996 on Sony/React. I do not know
> for sure if it is in print or not, but I would bet
Back in the day when this one came out, the UK magazine Muzik came up
with an article called the "Detroit Debate" which featured lots of
people on the tracklist of the compilation.
The good thing about it was, that it provided some background on the
tracks these artitsts did. For example: the tr
On 11 Dec 2000 [EMAIL PROTECTED] wrote:
> Definition of what is NOT "tactful 303 usage":
>
> 'Higher State of Consciousness'
and that's a track made with mc-202. :)
sakke
--
working at http://www.teraflops.com/
website at http://www.vip.fi/~sakke/
Definition of what is NOT "tactful 303 usage":
'Higher State of Consciousness'
Any questions??
:) :)
phred
It's the sound of an overused instrument being used in a really great
sounding way.
On Mon, 11 Dec 2000, Hugh G. Blaze wrote:
>
> >
> >Blake Baxter's "where's the love" rocks hard with extremely tactful 303
> >usage.
>
> What exactly is "tactful 303 usage". Enlighten me.
>
> (Not to sound cur
Blake Baxter's "where's the love" rocks hard with extremely tactful 303
usage.
What exactly is "tactful 303 usage". Enlighten me.
(Not to sound curt, but, I'm not looking for a defination of what a tb-303
is, or acid house, or trance anthems either.)
___
-Original Message-
From: [EMAIL PROTECTED] <[EMAIL PROTECTED]>
To: R Vincent <[EMAIL PROTECTED]>
Cc: 313@hyperreal.org <313@hyperreal.org>
Date: Sunday, December 10, 2000 11:13 PM
Subject: Re: [313] True People: Detroit Techno Comp
>Hello,
>
>I believe that th
Hey Mike,
Well.. I can certainly see people viewing it as a disappointment, but when
I bought this comp back in late 96, it became my first who's-who
names-to-faces piece of detroit techno. Sentimental value... it's got the
stars on it for sure.
At the time, the two(three) biggest detroit artist
Hello,
I believe that this comp came out in 1996 on Sony/React. I do not know
for sure if it is in print or not, but I would bet that it isn't. I have
not heard this comp in years, but I remember it as being a
disappointment. Anybody care to comment?
Also, did anyone catch Rob Hood or Pacou this
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