Thank Johannes. I was surprised why Darktable add those history to JPEG.
Do other software do it (E.g. Light Room)? Just to know.
~Kasun
On Tue, 2013-03-05 at 09:45 +1300, johannes hanika wrote:
> exiftool -all= *.jpg
>
> will strip all metadata. there's probably also a switch to only remove
> th
Am Montag, 4. März 2013, 20:23:28 schrub francis:
> I have observed the same things about the metadata editing fields using
> 1.1.3 on Ubuntu 12.04.
>
> Can anyone confirm that the expander arrows work on their system?
That arrow isn't meant to get a multi-line input field. It's a regular
combob
exiftool -all= *.jpg
will strip all metadata. there's probably also a switch to only remove
the xmp stuff, not the exif one.
j.
On Tue, Mar 5, 2013 at 8:46 AM, Kasun Chathuranga wrote:
> Hello,
> After I exported JPEGs, it contains whole history which I did to
> original RAW image. Is there way
Hello,
After I exported JPEGs, it contains whole history which I did to
original RAW image. Is there way to restrict those information export?
Exported JPEG Image: https://dl.dropbox.com/u/46559763/flying-cat.jpg
What it is in XMP Other (Screenshot in eog):
https://dl.dropbox.com/u/46559763/exif-ot
I have observed the same things about the metadata editing fields using
1.1.3 on Ubuntu 12.04.
Can anyone confirm that the expander arrows work on their system?
Thanks,
Francis
-
Island Light Photography
www.islandlight.ca
On 13-03-01 04:41 PM, Phil Forrest wrote:
The metadata editing fi
Rob, you could accomplish that with symlinks and a template .xmp
I copy and rename all my DCIM folders as they are and add a "symlinks"
folder pointing to my 100CANON or 101,103 etc. In that folder all I have
are symlinks and .xmp files and I can make copies of the symlinks folder
and segregate t
could be interesting but we are obviiously in feature freeze here...
look how the overexpose plugin works. you probably want to do something
similar
On Mon, Mar 4, 2013 at 7:58 PM, Alexander Wagner wrote:
> Hi!
>
> Just a suggestion.
>
> blendif() is pretty powerful, but at least to the uniniti
Hi!
Just a suggestion.
blendif() is pretty powerful, but at least to the uninitiated a bit
difficult to use as it requires to visualize the image decomposed to
it's channels to see where which ones to use and where to put the
sliders. One can work around with the colour picker of course but it
I think Jo's advice on file management is spot on , and in fact not only do I
keep raws and exports in different directories but I keep them in separate file
systems with my originals/raws in a dedicated storage location. Not keeping
them separate would cause too much trouble in working out w
Le 04/03/2013 17:16, David Vincent-Jones a écrit :
> Is there a technical reason for offering this advice ... it would seem
> to me that keeping jpg and tif files in the same directory as the raw
> would make for easier overall file management.
No and this for multiple reason:
1. Backup the RAW(+
there is at least one reason : it avoids importing the output when
reimporting the directory. If you import RAW only it should be safe but
there is more space for bad manipulations
On Mon, Mar 4, 2013 at 5:16 PM, David Vincent-Jones wrote:
>
> On 13-03-03 11:15 PM, johannes hanika wrote:
>
> i d
On Mon, Mar 4, 2013 at 5:16 PM, David Vincent-Jones
wrote:
>
> On 13-03-03 11:15 PM, johannes hanika wrote:
>
> i don't think
> it's a good idea to export files to the same directory but whatever
> suits your workflow.
>
> Jo;
>
> Is there a technical reason for offering this advice ... it would s
On 13-03-03 11:15 PM, johannes hanika wrote:
i don't think
it's a good idea to export files to the same directory but whatever
suits your workflow.
Jo;
Is there a technical reason for offering this advice ... it would seem
to me that keeping jpg and tif files in the same directory as the raw
On Mon, Mar 4, 2013 at 5:05 PM, Francesco Scaglioni wrote:
> Hi,
>
> Having now it seems migrated to the GIT version of DT. ANy
> thoghts on how often to update or on how to ascertain when
> to update (as previously I had taken the lazy route and just
> waited for Pascal's ppa to squirt something
Hi,
Having now it seems migrated to the GIT version of DT. ANy
thoghts on how often to update or on how to ascertain when
to update (as previously I had taken the lazy route and just
waited for Pascal's ppa to squirt something at me )
TIA
Francesco
Well, yes I like this too. But getting your head around the wonders of the
equalizer is possibly the hardest thing in dt and not something I would
recommend when starting.
Rgds,
Rob.
From: John P Santos [mailto:jpsan...@greenbeemedia.ca]
Sent: 04 March 2013 01:14
To: Markus Jung
Cc: darktable
The real answer is that the modules to use are the ones that do what you want
to do on the image and we can't answer that for you.
But in an attempt to be a bit more helpful, for ones that are easy to use and
often helpful I would recommend the 'Shadows and highlights' and 'Vibrance'
tools. No
I briefly ran Gimp 2.9 on my 6G system and it was OK.
Rgds,
Rob.
From: Colin Adams [mailto:colinpaulad...@gmail.com]
Sent: 03 March 2013 07:32
To: johannes hanika
Cc: darktable-users
Subject: Re: [Darktable-users] Best way to export to GIMP?
On 2 March 2013 20:25, johannes hanika
mailto:hana..
Am Samstag, 2. März 2013, 18:40:22 schrub Martin Kaffanke:
> Hi there,
Hi.
> I now found that my camera had the wrong date and time while making the
> pictures. Is it possible to change the exif data for all Pictures by
> exactly +1 day and +1 hour for the whole Set?
You can use the geotagging
On Sun, 2013-03-03 at 15:44 -0600, Leonard Evens wrote:
> I am now comfortably using darktable to process NEF images from my
> Nikon.
>
> I regularly use lens correction, crop and roatate, white balance, tone
> curve and sharpen.
>
> I think I pretty much understand those. Which additional modul
In addition, as you noticed, dt creates a XMP file for each image you open.
These contain, amongst with other information, which plugins you applied,
with which parameters and other information.
HTH
Ste
On Mon, Mar 4, 2013 at 8:41 AM, Jose Carlos Garcia Sogo wrote:
>
>
> El lunes, 4 de marzo d
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