On 23.05.2002 6:45 Uhr, John Howell wrote
I'd like to contact the person on the list who was compiling a
multi-lingual dictionary of musical terms, but can't remember who it was.
Please drop me a note off-list. Thanks!
There already is such a dictionary, published by Bärenreiter. I own it,
I'd like to contact the person on the list who was compiling a
multi-lingual dictionary of musical terms, but can't remember who it was.
Please drop me a note off-list. Thanks!
There already is such a dictionary, published by Bärenreiter. I own it, and
could give you more details, but I
Does the following count?
The Manhattan Transfer did a song based on the James Bond tune (on the
album with masks on the cover, also with Nightingale Sang on Berkeley
Square). I believe it was called Spies in the Night.
About halfway through, you can hear someone dialing a phone number
I recently purchased the two-volume paperback edition, affordable. I think
hard cover may be out of print.
Steve Sherrill
-Original Message-
From: Andrew Stiller [mailto:[EMAIL PROTECTED]]
Sent: Thursday, May 23, 2002 10:08
To: finale list
Subject: Re: [Finale] Who?
I'd like to
Dear all -
First of all - I am posting this query to both Orchestra-list and
Finale-list - so my apologies to those of you on both lists!
As part of my new job in the fall, I will be teaching two high-school music
elective courses, each one semester long. The first is called Electronic
Music,
Before you get too carried away in suppressing key changes in
percussion parts, please consider the following. As a percussionist,
it's helpful for me to know where the key changes in a piece are,
even if they don't affect any of the instruments I'm playing. Why?
- They give clues to the
Crystal Premo writes:
I did a piano/vocal for a composer who decided she wanted two repeat
sections taken out to eliminate having to turn back. I accomplished
this in Scroll View by adding blank measure, copying the entries
without the lyrics, cutting and pasting the second verse into the
It sounds as if you have fixed checked in Options/Select Default
Fonts/Verse. When you change page percentage, lyrics will remain the same
size. If you remove the check for fixed you may have to change the point
size for the whole document (not really a problem, though).
Hm. I only looked
Title: Re: [Finale] TAN - Help with class
curricula
At 11:46 AM -0700 5/23/02, Chuck Israels wrote:
Dear Jamin:
This article may prove interesting and
useful.
www.jazzinstituteofchicago.org/jazzgram/
commentary/kenburns/contents.asp
Very interesting! I liked your comments particularly, as
Title: Re: [Finale] TAN - Help with class
curricula
At 12:49 PM -0500 5/23/02, Jamin Hoffman wrote:
The History of Jazz course should be a little easier.
It's based on the
Ken Burns video series, and uses the video a lot throughout the
curriculum
(which has already established).
Careful,
At 04:44 PM 5/23/02 -0400, Christopher BJ Smith wrote:
Mr. Orwell, there's a package from Mr. Burns and Mr. Marsalis for you
at the front desk. George Orwell to the front counter, please.
Indeed. I thought I was the only one who felt the Burns series had a gaping
hole in its contemporary
I am aware of the benefits of indicating key changes to Percists. That
really wasn't the point of my question. Mark Lew explains it very well in
his response. Regards, Keith in OZMessage -
From: David Larrick [EMAIL PROTECTED]
Before you get too carried away in suppressing key changes in
On Wed, 22 May 2002 12:19:55 +0100, John Bell [EMAIL PROTECTED] wrote:
Has anyone else written a song about their phone number?
I can't believe no one has mentioned 867-5309 (Jenny) yet!
--Bill
___
Finale mailing list
[EMAIL PROTECTED]
Listsibs:
Up til now, I've not needed to make use of staff styles, but may be
about to do so for the first time. So, if I may:
I am using Fin2Kc to prepare a sonata for solo instrument and piano, and
in this sonata, at one point, the solo instrument will have a time
signature displayed, where
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