be
possible for individual messages to also have the reply-to field
automatically going to the list, instead of to the individual that
posted. it would seem normal to me to be able to have this option
today in maillist programmes. 6-7 years ago maybe not, but today it
should be a standard opt
all seems fine via this
method. i wonder if the initial tif could have been altered through
their or my email programme: some mailers have the option to compress
outgoing docs.
no other ideas...
jef
--
shirling & neueweise \/ new music notation specialists
mailto:[
placement of text on the pages i
prepare, and anyways, i should be able to do this... what are some
possible causes for the reduction of resolution?
jef
--
shirling & neueweise \/ new music notation specialists
mailto:[EMAIL PROTECTED] :.../ htt
which cases it can't identify, please inform.
cheers,
jef
--
shirling & neueweise \/ new music notation specialists
mailto:[EMAIL PROTECTED] :.../ http://newmusicnotation.com
++
to that point only used inkjets and their
drivers].
jef
--
shirling & neueweise \/ new music notation specialists
mailto:[EMAIL PROTECTED] :.../ http://newmusicnotation.com
++
__
terpretation = more $$$ for the recording industry.
>
>
>>it all depends on the perspective from which you employ the term "perfection".
>
>[...] I thought I explained quite well in my last post that the perfection I speak
>of is of informational content d
of the tradition [of western european "art" music].
(*) to which Christopher BJ Smith seems to agree:
>In my studies of folk music, I discovered that this effect actually
>makes better music (by folk standards) as the tune is passed down.
jef
--
shirling & neueweise \.
ent project... grrr...
jef
--
shirling & neueweise \/ new music notation specialists
mailto:[EMAIL PROTECTED] :.../ http://newmusicnotation.com
++
___
Finale mail
ay that the least perfect is notation, then memory, and
>then recording.
although i don't entirely disagree with your claim, it fails completely in the case of
a recorded performance which doesn't respect or understand the composition/composer.
jef
--
shirling & neueweise \..
shops, but
also formats that music publishers use.
thanks,
jef
--
shirling & neueweise \/ new music notation specialists
mailto:[EMAIL PROTECTED] :.../ http://newmus
and socio-political concerns of
the composers, performers and public changed... and are still changing... and will
keep changing...
jef
--
shirling & neueweise \/ new music notation specialists
mailto:[EMAIL PROT
claim that experiencing stockhausen had a significant effect on
their musical development, then stockhausen is largely responsible for the influence
that the beatles have on this audience you refer to. hallucinogenic drugs had a big
influence on the beatles too.
i have no idea what you mean
>There's also a song by
>Sting called 'Seven days' that is in 5/4 throughout.
ooops. 1/4 per day actually... 7 days = 7/4...
jef
--
shirling & neueweise \/ new music notation specialists
mailto:[EMAIL PROTECTED] :.../ ht
s absolutely nothing to do with the lameness of the composer]... this ought to
be contextualized and qualified: was the music "new" or an obvious replication of
styles of the past?
jef
--
shirling & neueweise \/ new music notation specialists
mailto:shirling@;new
d to be at the following address, which doesn't work anymore,
does anyone know of it's new home?
http://next.rug.ac.be/Notatieindex.html
cheers,
jef
--
shirling & neueweise \/ new music notation specialists
mailto:shirling@;newmusicnotation.com :.../ htt
such archaisms [quarter = dotted
quarter, without some form of text or graphic indication] is to invite ambiguity and
fault in the interpretation, one way or the other.
there you have it, my polemic contribution.
jef
--
shirling & neueweise \/ new music notation sp
ugh the last one is quite funny, notes
[remarks] of grace. i was looking for a page of already translated terminology [yeah
i know, buy stiller's book...]. cheers anyways,
jef
--
shirling & neueweise \/ new music notation specialists
mailto:shirling@;newmusic
have been coordinated by jari, but i can't find anything
of the sort on his pages.
it is up/available somewhere? i would be especially interesed in english<->german.
jef
--
shirling & neueweise \/ new music notation specialists
mailto:shirling@;newmus
>What am I missing?
hm... aside from the copy layer items PI, i don't know. i don't remember how or where
i got it. it was just there one day when i woke up. it's a strange world.
philip? help?
jef
--
shirling & neueweise \/ new musi
From: [EMAIL PROTECTED] (Mark D. Lew)
>A similar function, which I would find useful, is a utility which will copy
>from one layer to another while leaving the original layer intact.
copy items PI by philip aker
http://www.aker.ca
jef
--
shirling & neueweise \/
September 3, 2002, at 02:13 AM, Dennis W. Manasco wrote:
>
>> Your best bet is to use StuffIt, or something similar, to pack your
>> f2000 application..
>
>Or use "Disk Copy" to create a disk image from the Finale Folder. I use the
>compressed kind to freeze an ap
ion handles on the page have shapes within them, if one
doesn't, un-attach it from the note/measure, and/or edit it: select all, delete, exit,
recreate the shape [don't reuse it, the problem may reappear].
jef
--
shirling & neueweise \/ new music notation specialist
a look at the two piano reduction - by igor himself - would likely clear up the
confusion regarding 'proper' register in at least some of the cases.
jef
--
shirling & neueweise \/ new music notation specialists
mailto:[EMAIL PROTECTED] :.../ http://newmus
al
>piano notation.
there are actually two ledger lines between the upper two and between the lower two
staves.
jef
--
shirling & neueweise \/ new music notation specialists
m
es containing mirrors.
jef
--
shirling & neueweise \/ new music notation specialists
mailto:[EMAIL PROTECTED] :.../ http://newmusicnotation.com
++
___
Finale mail
ings to always have
clef x when defined through wizard... if this is the case: open the instruments.txt
file. edit.
jef
--
shirling & neueweise \/ new music notation specialists
mailto:[EMAIL PROTECTED] :.
tart over.
cmd-sh-d on mac brings up the delete pages command in the document menu.
jef
--
shirling & neueweise \/ new music notation specialists
mailto:[EMAIL PROTECTED] :.../ http:
;t yet figured out the pattern to report on it...
jef
--
shirling & neueweise \/ new music notation specialists
mailto:[EMAIL PROTECTED] :.../ http://newmusicnotation.com
++
__
d
>Subject: Re: Finale digest, Vol 1 #290 - 32 msgs
jef
--
shirling & neueweise \/ new music notation specialists
mailto:[EMAIL PROTECTED] :.../ http://newmusicnotation.com
++
From: "David W. Fenton" <[EMAIL PROTECTED]>
>Other than deleting the whole thing and re-entering it, is there any
>solution?
don't draw the hairpins across barlines they aren't intended to cross [suggestion for
the future, of course].
jef
--
shirling &a
trument, ending an 8ve above the 1st open string.
ask a string player to play it. did you write that crescendo/accelerando in the
score?
jef
--
shirling & neueweise \/ new music notation specialists
mailto:[EMAIL PROTECTED] :.../ h
dialogue box, add four
vertical lines properly spaced. then assign to note/measure.
jef
--
shirling & neueweise \/ new music notation specialists
mailto:[EMAIL PROTECTED] :.../ http://newmusicnotation.com
ery music stand is a gently glowing flat
>display, and paper and pages are gone from the scene!
oh...
jef
--
shirling & neueweise \/ new music notation specialists
mailto:[EMAIL PROTECTED] :.../
iting one measure. different versions - and thus mirror sources -
have to be used for different time signatures.
cheers,
jef
--
shirling & neueweise \/ new music notation specialists
mailto:[EMAIL P
.
if it doesn't work, it is too much of an inconvenience and has to be resolved 8^)
jef
--
shirling & neueweise \/ new music notation specialists
mailto:[EMAIL PROTECTED] :.../ http://newmusicnotation.com
og boxes seem
to be machine-specific.
not an answer, but rather a solution to avoid frustrations of this type in the future:
i _always_ print only one page before sending batches.
jef
--
shirling & neueweise \/ new music notation specialists
mailto:[EMAIL PROT
line thicknesses, yes?
jef
--
shirling & neueweise \/ new music notation specialists
mailto:[EMAIL PROTECTED] :.../ http://newmusicnotation.com
++
___
Finale mai
range, and i
didn't realize it until i was beyond being able to multiple-undo to fix it.
i might be able to fix it using tgtools shift optimization... but would still be good
to know if a PI exists for this task.
jef
--
shirling & neueweise \/ new music notation spec
>Are you going to create a PC version of your fonts???
in the next couple of days, i'll repost when it's done.
cheers,
jef
--
shirling & neueweise \/ new music notation specialists
mailto:[EMAIL PROTECTED] :.../ http://new
aving a child named after me... but if
you insist on paying some form of tribute to me through your next child, please name
h-- "bob" if she's a girl, "ack" if he's a boy.
jef
--
shirling & neueweise \/ new music notation speciali
, since attempting to do so on this
list would certainly never come to concensus. where large lack of consensus occurs
[not uncommon here], those requests could be in a separate section of the document, or
submitted by the various factions individually.
jef
--
shirling & neueweise \.
r frame.
on the subject of metatools, is there a way with more recent versions [i am using
2001d] to define the functioning of metatools so that when a measure-attached metatool
is created, the staff list dialogue pops up, instead of the expression being applied
by default to all staves?
jef
e there.
1/2 = 1 half note, 1/3 = 1 half note triplet value [1/3 of a whole note], so a 2/3
time sig represents two *half note triplet* values.
jef
--
shirling & neueweise \/ new music notation specialists
>From: Colin Broom
>...indications for registral stops for the accordion...
this is something i intend to incorporate into a font set i am currently developing.
i might do it sooner than intended if you are interested in a copy. contact me
privately.
jef
--
shirling &
the font might possibly
solve the problem.
good luck,
jef
--
shirling & neueweise \/ new music notation specialists
mailto:[EMAIL PROTECTED] :.../ http://newmusicnotation.com
++
johannes,
i enter them as articulations, you can [as you know] specify them to remain outside
the staff, or not, as needed.
jef
--
shirling & neueweise \/ new music notation specialists
mailto:[EMAIL PROTECTED] :.../ http://newmusicnotation
blem of
item inaccessibility described above isn't an issue.
in both cases, further spacing adjustments using mass mover will not be problematic,
as they are with the use of "extra" notes with the current functioning of bob. also
bob will then only need to be run once.
cheers,
command-click the single selected staff.
jef
--
shirling & neueweise \/ new music notation specialists
mailto:[EMAIL PROTECTED] :.../ http://newmusicnotation.com
++
_
>From: Johannes Gebauer
>There is one problem I can see with fixed point sizes: It will no
>longer be possible to convert A4 scores to A3 and vice versa.
euh... was meinst du eigentlich? in which way[s]?
jef
--
shirling & neueweise \/ new music notation speci
ge number text
blocks benefits the user who employs page reduction, and won't even
be noticed by the user who uses system reduction exclusively.
voilà, c'est tout.
jef
--
shirling & neueweise \/ new music notation
s so i can now type
with these, but the problem is that the file will pass back and forth
[mac-pc] several times. so essentially i will have to convert the
text each time we transfer the doc, is that correct? grr.
jef
--
shirling & neueweise \/ new music notation spe
>From: [EMAIL PROTECTED] (=?iso-8859-1?Q?J=F6rg_Peltzer?=)
>http://joergpeltzer.bei.t-online.de/engravingfun.htm
i don't want to nitpick, but this is just a little too flagrant to
let it pass... rehearsal "N" is 'somewhat' redundant.
jef
--
shirling & neu
fonts, and
all was fine [the lyrics are in book antiqua]. i think it is a
keyboard layout that i need to get, but am unsure where to go for
this.
the document was created on a pc, in case this is an issue.
cheers,
jef
--
shirling & neueweise \/ new music notation spec
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