Re: [Finale] [OT] Re: Horns and intonation

2004-02-24 Thread Robert Patterson
FWIW: Many professional players these days are playing triple horns. A triple horn adds the tubing-length of a mellophone as an option that is engaged with a thumb trigger. Phil Myers, principal horn of the NY Phil, has stated that since he started using the triple, his accuracy has improved dra

Re: [Finale] [OT] Re: Horns and intonation

2004-02-24 Thread Mr. Liudas Motekaitis
> Kind of silly, but we love the horn, in spite of its flaws (or > perhaps because of them!) > > Christopher Not silly in the least. I know people in the recording business who are already convinced that operatic singing is outdated and unnecessary simply because today's technologies in sound rein

Re: [Finale] [OT] Re: Horns and intonation

2004-02-24 Thread Christopher BJ Smith
At 9:49 AM +0200 2/24/04, Mr. Liudas Motekaitis wrote: > The narrow, cookie-cutter rim on a horn mouthpiece doesn't help with reliability, either. What would happen if you put a trumpet mouthpiece on a horn? Obviously it would be worse, but in what way, since you say the present horn mouthpiece d

Re: [Finale] [OT] Re: Horns and intonation

2004-02-24 Thread David H. Bailey
The cup shape of a trumpet mouthpiece doesn't lend itself to playing in the extreme upper register of the overtone series. That's why trumpet players have to work so hard to play above high-C. Put a horn mouthpiece into a trumpet and the high notes pop out (not well-controlled, but easy to pr

Re: [Finale] [OT] Re: Horns and intonation

2004-02-23 Thread Mr. Liudas Motekaitis
> The narrow, cookie-cutter rim on a horn mouthpiece doesn't help with > reliability, either. What would happen if you put a trumpet mouthpiece on a horn? Obviously it would be worse, but in what way, since you say the present horn mouthpiece doesn't help with reliability? Liudas ___

Re: [Finale] [OT] Re: Horns and intonation

2004-02-23 Thread Christopher BJ Smith
At 3:24 PM -0500 2/23/04, Andrew Stiller wrote: I have long wondered whether or not the french horn could be considered the most difficult orchestral instrument to master. Liudas ___ The bore of a horn is the same length as that of a bass trombone. Yo

Re: [Finale] [OT] Re: Horns and intonation

2004-02-23 Thread Andrew Stiller
I have long wondered whether or not the french horn could be considered the most difficult orchestral instrument to master. Liudas ___ The bore of a horn is the same length as that of a bass trombone. Because the harmonics come so close together at the

Re: [Finale] [OT] Re: Horns and intonation

2004-02-23 Thread Robert Patterson
Personally, I thought the cello was much more difficult than the horn, when I was studying both. However, once you have mastered it it is much more predictable. The horn is not the most difficult, but it is perhaps the most unreliable. All brass players miss notes, but it tends to be more notic

Re: [Finale] [OT] Re: Horns and intonation

2004-02-23 Thread Mr. Liudas Motekaitis
Please don't, especially horn players on this list, take this as an insult in any way, but I have long wondered whether or not the french horn could be considered the most difficult orchestral instrument to master. I often notice that besides piccolo and clarinet in high registers it is almost a ru