The cup shape of a trumpet mouthpiece doesn't lend itself to playing in the extreme upper register of the overtone series. That's why trumpet players have to work so hard to play above high-C. Put a horn mouthpiece into a trumpet and the high notes pop out (not well-controlled, but easy to produce).

A trumpet-type mouthpiece won't work on a horn.

By the time a horn player reaches the upper notes on the treble staff, the notes can practically all be played just with the lips. That's just part of the acoustics of the horn.

The mellophone was the abortive attempt to make the "horn" sound be more controllable, since it uses a cup mouthpiece and is half the length of a horn so the player is playing essential in the same overtone range as the other valved brass.

If you've ever heard a mellophone play a horn part, you would understand why the horn has to be left as it is to get that beautiful horn tone.

If you've NEVER heard a mellophone, well, it's nothing to lose any sleep over -- your musical life is certainly not deficient for the lack. :-)

David H. Bailey



Mr. Liudas Motekaitis wrote:

The narrow, cookie-cutter rim on a horn mouthpiece doesn't help with
reliability, either.


What would happen if you put a trumpet mouthpiece on a horn? Obviously it
would be worse, but in what way, since you say the present horn mouthpiece
doesn't help with reliability?

Liudas

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-- David H. Bailey [EMAIL PROTECTED]

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