Ryan Beard wrote:
Hey folks,
Like many of you (probably), I use several different
kinds of paper throughout a particular project. Letter
size, tabloid size (11x17), different weights, cheap
paper, fancy paper, etc. Up till now, I've been
keeping a ream or two on the floor near my desk for
easy acce
Ryan Beard wrote:
But, I'd really like to find some paper trays [that hold 11 x 17 paper]
or SOMETHING to get organized and make my apartment presentable to others
and Alan Fisher wrote, in part
On a somewhat related topic, I'm looking for something that I could use to
carry big sheets of paper
Gosh it's good to have friends that are artists. Most art supply stores
will sell portfolio for that stuff. Kinda spendy for a college student tho'
Am 04.08.2004 14:00 Uhr, schrieb: "Allen Fisher" <[EMAIL PROTECTED]>
> On a somewhat related topic, I'm looking for something that I could use to
> >
> > Agreed. How difficult would it be for the application to scan the
> > perucssion staves for instrument names when it's scanning for playback
and
> > automatically change the playback note (or remember that this staff line
=
> > this instrument). Then the need for percussion maps would be
On a somewhat related topic, I'm looking for something that I could use to
carry big sheets of paper (tabloid and larger) around in kinda like one of
those accordion fold type folders or something like those leather-sided
things that art students often carry their drawings in (those are a bit too
l
Oddly, (and I don't know if they'd give them to you) but Kinko's has paper
trays in tabloid size. You can always ask.
Am 04.08.2004 13:32 Uhr, schrieb: "Ryan Beard" <[EMAIL PROTECTED]>
> Hey folks,
>
> Like many of you (probably), I use several different
> kinds of paper throughout a particula
Hey folks,
Like many of you (probably), I use several different
kinds of paper throughout a particular project. Letter
size, tabloid size (11x17), different weights, cheap
paper, fancy paper, etc. Up till now, I've been
keeping a ream or two on the floor near my desk for
easy access. But, I'd real
At 11:03 AM 08/04/2004, dhbailey wrote:
>Have you tried it in your score? Does it work?
No, actually, it doesn't work. So the next question is: Why is it there?
> I think they put those
>numbers in just for placeholders, expecting each person to have to put
>the exact playback note number they nee
On Wed, 4 Aug 2004 10:04:40 -0700, Harold Owen <[EMAIL PROTECTED]> wrote:
> Do you have MIDI Thru set to "Smart" so that Speedy Entry will give
> you the instrument sound set for the staff you are working on?
Actually, I have it set to "Off." I just listen to my keyboard, and I
don't worry about p
Dear Brad,
Do you have MIDI Thru set to "Smart" so that Speedy Entry will give
you the instrument sound set for the staff you are working on?
Hal
On Tue, 03 Aug 2004 20:12:22 -0400, Aaron Sherber <[EMAIL PROTECTED]> wrote:
I think the main conceptual problem with the interface is that it require
Between your two posts, I am beginning to see the light at the end of
the tunnel. I played around yesterday with a new score, as an
experiment, just adding staves and trying new instruments, and learned
quite a bit. I also watched the 24k video blurb on creating a map and
got something out o
Aaron Sherber wrote:
Hi all,
All this talk about percussion maps has got me looking in more detail at
the interface, and now I've got a question.
I've always based my percussion maps on the General MIDI Entry and
Playback map. As I said in my earlier post, if I want snare (for
example) on the t
On Aug 4, 2004, at 5:04 AM, Jari Williamsson wrote:
dhbailey writes:
I could see something like Matthew's point if Finale would provide a
function whereby we could define the percussion patch sounds once (a
variation of the Instrument List?) as a library for each sound module
we
might use.
Isn't t
On Aug 3, 2004, at 11:31 PM, Brad Beyenhof wrote:
Well, I was actually unaware that it was possible to set the entered
pitch separate from the playback pitch (I assume that was covered in
David's tutorial, but as my current method works fine for me I haven't
read it). That does sound interesting, b
Hi all,
All this talk about percussion maps has got me looking in more detail at
the interface, and now I've got a question.
I've always based my percussion maps on the General MIDI Entry and Playback
map. As I said in my earlier post, if I want snare (for example) on the
third line, I map MIDI
Jari Williamsson wrote:
dhbailey writes:
I could see something like Matthew's point if Finale would provide a
function whereby we could define the percussion patch sounds once (a
variation of the Instrument List?) as a library for each sound module we
might use.
Isn't that what the Percussion
dhbailey writes:
> I could see something like Matthew's point if Finale would provide a
> function whereby we could define the percussion patch sounds once (a
> variation of the Instrument List?) as a library for each sound module we
> might use.
Isn't that what the Percussion Maps library is
Matthew Hindson Fastmail Account wrote:
--*Much* more user-friendly percussion playback--and I don't mean
drum sets. How about frinstance crash, sizzle, suspended cymbals,
tamtam, and gong that all sound different, are available at different
pitch levels, and can be easily assigned to instrument-na
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