On 21.12.2005 David W. Fenton wrote:
Please explain to me why you need to do this. I don't get it, since
the settings for most things in parts are controllable simply by
setting them in the default parts page layout or at the time that you
extract parts.
What aspects of layout are fixed by
John Howell [EMAIL PROTECTED] wrote:
At 11:53 AM + 12/21/05, Javier Ruiz wrote:
Hola a todos,
Is there an standard wide vibrato sign?
Speaking as a string player rather than a
notation specialist, my answer would be no. In
fact there is no vibrato sign, period. If you
want something
On 22.12.2005 [EMAIL PROTECTED] wrote:
Is it a practical idea to link only some elements?
In reading another thread about parts extraction, it seems that
linked parts (if ever implemented) would *have* to link only some of
the elements.
No, actually, it should link everything, with the
Johannes Gebauer wrote:
On 22.12.2005 [EMAIL PROTECTED] wrote:
Is it a practical idea to link only some elements?
In reading another thread about parts extraction, it seems that linked
parts (if ever implemented) would *have* to link only some of the
elements.
No, actually, it should
At 11:08 PM 12/21/2005, Robert Patterson wrote:
Either you enter it once in the score and once in the part,
or you enter once in the score and once in the parts score and then
copy from the parts score to the part. In this case, the parts score
seems like an unnecessary extra step.
Yes and no. I
Hi D.
It is some kind of vocal vibrato. BTW what is karkoschka?
Thanks, Javier.
P.S. This is my _last_ copying work. New year, you know...
At 11:53 AM 12/21/05 +, Javier Ruiz wrote:
Is there an standard wide vibrato sign?
Javier,
Except for me, the responses have been about string
At 01:55 PM 12/22/05 +, Javier Ruiz wrote:
It is some kind of vocal vibrato. BTW what is karkoschka?
Erhard Karkoschka, Notation in New Music. Praeger, 1972. ISBN 0275534405.
It is out of print now, but a must have book for modern notation. Aside
from the scores themselves, my three
every now and then I find it beneficial to
re-extract the parts.
Once I have extracted a part, I still have to invest a huge amount of time in
it, mainly for page layout, page turns, and tweaking the music spacing.
(Another big item is that I often concatenate extracted results from several
At 10:50 AM 12/22/2005, Robert Patterson wrote:
Once I have extracted a part, I still have to invest a huge amount of
time in it, mainly for page layout, page turns, and tweaking the music
spacing.
Yes, I do the same.
It is
nearly inconceivable that I would ever undertake that work twice.
Dear Karen,I just remembered that my friend (former student) Greg Hamilton www.greghamiltonmusic.comwill be coming to LA to work for a week sometime soon, and I suggested that he look you up. I don't remember when this is happening, but I also suggested he look at your web site but lost the link
Johannes Gebauer
Wouldn't it be easier to do this in the Parts-Score, ie once, instead of
for every part?
In theory, perhaps. In practice, I don't trust Copy/Insert well enough. (It has
many bugs and omissions, even in Fin06 which I still don't use.) There are some
other obstacles as well,
On Dec 21, 2005, at 4:33 PM, David W. Fenton wrote:
I've never heard of pincé being considered a form of vibrato -- it's
a form of ornament, similar to what we'd call an inverted mordant in
Bach's keyboard music.
This kind of mistake is one I would not expect from David. Pincé is
simply
Lawrence David Eden / 2005/12/21 / 05:09 PM wrote:
Although my present set-up works flawlessly, I want to know if there
are any advantages/disadvantages to making the connection with a
serial cable instead of MIDI cables.
This is totally depending on the device and/or its driver.
You still
The development process at MM was obviously broken in some way for
such a serious bug to make it into shipping code. It's one thing for
an installer to have a problem (and that got through due to
inadequate testing, too), it's entirely another for the data loss bug
to have slipped through.
Simon Troup / 2005/12/22 / 12:30 PM wrote:
About the installer problem.
The symptom was loss of preferences if I remember. Now, most beta
testers will test in a fresh install, not in their regular account,
NOD's are full of disclaimers against data loss. Just goes to show the
testers aren't all
How do you get a rinfz to play back in GPO? I need a step by step guide,
as I really can't get the hang of excecutable shapes at all.
I want a effect.
Thanks,
Johannes
--
http://www.musikmanufaktur.com
http://www.camerata-berolinensis.de
___
Finale
At 10:50 AM 12/22/2005, Robert Patterson wrote:
Once I have extracted a part, I still have to invest a huge amount of
time in it, mainly for page layout, page turns, and tweaking the music
spacing.
It is
nearly inconceivable that I would ever undertake that work twice.
Interesting. I
OK, this sent me scrambling to the ornaments
article in New Grove, where I found, as I
expected to, that the terminology is anything but
cut and dried!
Ornaments, III: Shakes, 2. The Vibrato (Fr.
plainte, flattement, langueur, aspiration,
tremblement mineur, tremblement sans appuyer,
On 22.12.2005 Robert Patterson wrote:
BTW: an absolutely essential tool for laying out parts is the free
plugin, JW Space Systems. It is vastly superior to the built-in
system spacing tools, which I have never been able to figure out how
to use. (Why bother, when JW Space Systems works so
Johannes Gebauer
(About JW Space Systems)
The
only difference is the extra options for extra page margins, which can
avoid rounding errors which still happen occasionally (with both JW and
the built int tool).
But that is precisely its power. The ability to provide extra margins combined
Hi all,
Andy Homzy sent me this link, and it just tickled me, so I thought
I'd share it.
Happy Holidays,
Chuck
http://www.reuters.hu/card_dom/index_content.html
Chuck Israels
230 North Garden Terrace
Bellingham, WA 98225-5836
phone (360) 671-3402
fax (360) 676-6055
www.chuckisraels.com
Hi,
In some rare cases is better to make a super-score with all the parts in
separated staves. Then extract the parts, layout them and print them and
after that mix the parts creating staves with several instruments to make a
nice conductor's score.
Javier Ruiz
Hi, Brad.
Recheck show mesaure number would not be needed if you check always show in
top staff when you define the measure region.
Javier.
The 21/12/05 21:53, Brad Beyenhof escribió/wrote:
way. Most of the work I do requires all measure numbers to be
displayed on the parts, so I change the
I'm using a PPCG4 1.25GHz DP Mirror Door OSX 10.3.9 and a new
PowerbookG4 1.67GHz OSX 10.4.2 with FinMac 2k6b.
Even though I upgraded to 2k6b I'm still having flaky behaviour with
Mass Edit and copying/pasting.
I'm working on a chamber opera score in an 'avant garde' style with
all staves
On 22.12.2005 Robert Patterson wrote:
But that is precisely its power. The ability to provide extra margins
combined with the take existing gaps into account option saves eons
of time over what I've tried with the built in tool.
Suppose a particular page has a couple of systems that need
On 22 Dec 2005 at 15:19, John Howell wrote:
OK, this sent me scrambling to the ornaments
article in New Grove, where I found, as I
expected to, that the terminology is anything but
cut and dried!
Ornaments, III: Shakes, 2. The Vibrato (Fr.
plainte, flattement, langueur, aspiration,
On 22 Dec 2005 at 17:30, Simon Troup wrote:
The development process at MM was obviously broken in some way for
such a serious bug to make it into shipping code. It's one thing for
an installer to have a problem (and that got through due to
inadequate testing, too), it's entirely another for
Love it!! Thanks Chuck!
-Karen
(toes still a-tappin')
On Dec 22, 2005, at 1:34 PM, Chuck Israels wrote:
Hi all,
Andy Homzy sent me this link, and it just tickled me, so I thought
I'd share it.
Happy Holidays,
Chuck
http://www.reuters.hu/card_dom/index_content.html
Chuck Israels
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