Hi Keith. Live in Katoomba. Contact me any time. (02) 4784 1971 or
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- Original Message -
From: "keith helgesen" <[EMAIL PROTECTED]>
To:
Sent: Wednesday, June 28, 2006 2:05 PM
Subject: RE: [Finale] Re:OTmusic getting louder - was Trombones
Whereabouts in
Whereabouts in OZ are you, Rod?
Cheers K
Keith Helgesen.
Director of Music, Canberra City Band.
Ph: (02) 62910787. Mob 0417-042171
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Rod McDonald
Sent: Wednesday, 28 June 2006 12:20 PM
To: finale@shsu.edu
Sub
On 27 Jun 2006 at 22:29, Christopher Smith wrote:
> On Jun 27, 2006, at 9:58 PM, Lon Price wrote:
>
> > I'm working on a piece by Paganini for a client, and his handling of
> > tuplets got me wondering about the standards for notating them.
> > This piece is a theme and variations, and when he w
Rod,
I opted for the smaller bell of the 2905 because I prefer
a punchier tone--TO ME, the bigger-bell horns
seem less "pungent" or I don't respond to them as well.
BTW, the 2905 does away with all the "armor
plate" on bottom and side the horn, Those plates add
significantly to the price of a W
On Jun 27, 2006, at 9:58 PM, Lon Price wrote:
I'm working on a piece by Paganini for a client, and his handling of
tuplets got me wondering about the standards for notating them. This
piece is a theme and variations, and when he writes sextuplets the
first two show the numbers, and then he l
Interesting thread. I play a 2950 for 3 years now. The decibel level resides
solely with the practitioner! I chose the 2950 because of the 'Large Bore'
and also decided on the Bach Stradivarius with a 'Large Bore'. Sound is
delightful. Full, round and with the option of 'decibels' to the max, i
On Jun 27, 2006, at 8:16 PM, Dean M. Estabrook wrote:
Yo, guys and girls ... inre MacFin07, will it run ok on my ten month
old G5, as opposed to the new intel processor, and has anyone (e.g.,
Darcy) Beta Tested this thing?
On the website they claim it runs natively on Intel AND Power PC b
Dean,
Last year I did make the switch from a Besson Sovereign to a
Willson 2905--one of only a handful of 2905s they made.
Am I lucky!!! And I do take care not to contribute to excess
decibels!! ;-)
Do you play a 2900 or a 2950?
Jim (12 years until I hit 66) Williams
-Original Message-
F
Yeah, my Wilsun Euphonium takes more air to fill than I am able to
develop at age 66 ... it is overpowering me.
Dean
On Jun 27, 2006, at 3:44 PM, Williams, Jim wrote:
As I may have mentioned in an earlier post, I was amazed when I
played the euphonium that had belonged to the Sousa Ba
Hi Jim et al,
This issue doesn't come up at my school, where most of the students
lack a concept of basic breathing and support. My reference has been
professional circumstances.
Three brief anecdotes:
Many years ago, I kept my friend Dave Taylor company while he
auditioned for the bass
Yo, guys and girls ... inre MacFin07, will it run ok on my ten month
old G5, as opposed to the new intel processor, and has anyone (e.g.,
Darcy) Beta Tested this thing?
Dean
On Jun 27, 2006, at 12:01 PM, Mariposa Symphony Orchestra wrote:
Well, Gang-
It's now out; the most widely-ad
On 27 Jun 2006 at 12:18, John Howell wrote:
> At 8:40 AM -0400 6/27/06, David W. Fenton wrote:
> >On 26 Jun 2006 at 22:57, Owain Sutton wrote:
> >
> >> > -Original Message-
> >> > From: [EMAIL PROTECTED]
> >> > [mailto:[EMAIL PROTECTED] On Behalf Of David W. Fenton
> >> > Sent: 26 June
Chuck and list...
I am also of the opinion that things are getting louder, especially in
orchestras...I had a discussion with Harvey Phillips a while back about it, and
he feels the same way. Compared to 50 or so years ago, the low brass are
gigantic in bore size. What was a bass trombone back
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED] On Behalf Of Christopher Smith
> Sent: 27 June 2006 23:14
> To: finale@shsu.edu
> Subject: Re: [Finale] Finale 2007
>
>
>
> On Jun 27, 2006, at 5:48 PM, Owain Sutton wrote:
>
> > Put me in the cynic camp
>
Normally the MM-skeptic, I must say I'll be
right up there waving my wallet at the front of the line for this upgrade; the
linked parts/score feature is (for me) well worth the price of
admission alone. Provided, of course, it actually
works. And provided, of course, the entire upgrade
OK, Andrew,
I am not nearly as knowledgeable as you about older music, but I am
surprised by the 1910 - 1935 comparison. I don't doubt that you have
good information about this, and I am curious about it.
In my own 70 years (I realize that's the history of me, not the
history of music!),
Does it look like they've fixed the "tie" problem as far as not being
able to put "half ties" in certain places?!
- Jacki
___
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On Jun 27, 2006, at 5:48 PM, Owain Sutton wrote:
Put me in the cynic camp
"Authorization Improvements" are NOT a feature.
The group/bracket stuff seems more like bug-fix level stuff than real
advances. As does the cross-staff implementation, especially the
augmentation dots ('Enhanced d
>Did Cowell's "The Banshee"
> exist in conventional notation?
>
I'm pretty sure it's written in conventional notation, with just a few
additional symbols to indicate how to play particular passages. This is
based on twenty minutes with a pianist friend who was experimenting with
the piece, a
At 5:32 PM -0400 6/27/06, Andrew Stiller wrote:
On Jun 24, 2006, at 6:02 PM, John Howell wrote:
At 4:12 PM -0400 6/24/06, Dennis Bathory-Kitsz wrote:
At 02:14 PM 6/24/06 -0400, John Howell wrote:
And let's not forget that the development of non-traditional
notations in the 20th century was dr
Put me in the cynic camp
"Authorization Improvements" are NOT a feature.
The group/bracket stuff seems more like bug-fix level stuff than real
advances. As does the cross-staff implementation, especially the
augmentation dots ('Enhanced default positioning' my arse, it's just
that it's now
On Jun 24, 2006, at 6:02 PM, John Howell wrote:
At 4:12 PM -0400 6/24/06, Dennis Bathory-Kitsz wrote:
At 02:14 PM 6/24/06 -0400, John Howell wrote:
And let's not forget that the development of non-traditional
notations in the 20th century was driven by one and only one
non-musical requirement
periods of compositional
conservatism like the rather extreme one we're experiencing,
Dennis
Hardly. In a period of extreme conservatism, one would expect that
compositions created at any given time would be stylistically
indistinguishable from those created many decades or even cent
On Jun 25, 2006, at 3:24 PM, Chuck Israels wrote:
The history of music is the history of music getting louder. Good or
not, depending on the use and circumstance, but that's the fact.
It's not that simple. I strongly doubt, for instance, that music in
1650 averaged louder than that of 159
Hmm, Finale enhancements just for Mac include:
Font embedding in EPS files (we were supposed to have had that already
- the option appears in black, accepts my click, but doesn't actually
do it, for several versions now)
Better speed and redraws. I'll have to see that to know HOW much
faster
Besides the linked parts, which is huge, there seems little else
offered. Quick Change? Update Groups/Brackets? I don't see a huge need
for that. It's kind of like last year's update with the Copyright
symbol. Yeah, woohoo.
Vertical Collision looks interesting. Latin Percussion as well.
So, b
You have to wait a while till the video loads.
On Jun 27, 2006, at 3:23 PM, Bill Thompson wrote:
And this has to be a bit embarrassing... their web site is not
working... at least the last five times I tried...
Bet a bunch of folks are hitting it...
Bill
Mariposa Symphony Orchestra wrote:
And this has to be a bit embarrassing... their web site is not
working... at least the last five times I tried...
Bet a bunch of folks are hitting it...
Bill
Mariposa Symphony Orchestra wrote:
> Well, Gang-
>
> It's now out; the most widely-advance-discussed upgrade seems to be
> (drum roll
Well, Gang-It's now out; the most
widely-advance-discussed upgrade seems to be (drum roll) linked
parts. I guess they DO listen to our discussions when Sibelius'
advancements are praised
http://www.finalemusic.com/finale/features/new/linkedparts.aspx
Best,LesLes MarsdenFounding Mu
At 8:40 AM -0400 6/27/06, David W. Fenton wrote:
On 26 Jun 2006 at 22:57, Owain Sutton wrote:
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED] On Behalf Of David W. Fenton
> Sent: 26 June 2006 20:18
> To: finale@shsu.edu
> Subject: Re: [Finale] Notation;
On 26 Jun 2006 at 22:57, Owain Sutton wrote:
> > -Original Message-
> > From: [EMAIL PROTECTED]
> > [mailto:[EMAIL PROTECTED] On Behalf Of David W. Fenton
> > Sent: 26 June 2006 20:18
> > To: finale@shsu.edu
> > Subject: Re: [Finale] Notation; was RE: Tremolos
> >
> > On 26 Jun 2006 at 7
Arnold,
The full version of GPO has keyswitched brass instruments (marked
with the "KS") suffix that include muted versions. Getting muted
playback is as simple as creating a "mute" or "con sord." etc
expression -- Human Playback handles the rest automatically.
If you have only GPO Finale
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