Thanks Noel.
It's a strange ommission. Makes it very hard when using a lot a text boxes
especially if they have specific fonts and sizes. It would be much easier to
create one text box in the style and then copy and paste them as needed then
the user would only have to edit the information but
At 4:23 PM -0700 10/25/06, Dean M. Estabrook wrote:
Thanks .. I read somewhere it may involve wetting the thumb first.
If so, I wonder what sort of sound is produced. I assume the fingers
would be catching the jingles while the thumb is moving ...?
My son could explain this clearly, but in my
Beeswax applied around the edge of the head where the thumb is to be
drug across works extremely well to help produce a consistent thumb
roll on a tambourine with a head attached. Mind you rock tambourines
cannot achieve this effect.
_
On 25 Oct 2006 at 16:37, Chuck Israels wrote:
> The moisture is to make the thumb alternately dig into the head and
> then slip as it is rubbed around producing the "roll." I suppose
> rosin might do as well, or maybe that's too sticky. I haven't tried
> it, but it doesn't seem to be all that
Chuck Israels / 2006/10/25 / 07:37 PM wrote:
>The moisture is to make the thumb alternately dig into the head and
>then slip as it is rubbed around producing the "roll."
Chuck is right. This is a required technique for Brazilian Pandero player.
--
- Hiro
Hiroaki Honshuku, A-NO-NE Music, Bo
No Dean,
The moisture is to make the thumb alternately dig into the head and
then slip as it is rubbed around producing the "roll." I suppose
rosin might do as well, or maybe that's too sticky. I haven't tried
it, but it doesn't seem to be all that hard (no insult to
percussionists, who
Thanks .. I read somewhere it may involve wetting the thumb first. If
so, I wonder what sort of sound is produced. I assume the fingers
would be catching the jingles while the thumb is moving ...?
Dean
On Oct 25, 2006, at 4:20 PM, Chuck Israels wrote:
No percussion maven, I - but I think yo
No percussion maven, I - but I think you just hold the tambourine in
one hand (by the place on the rim where it is normally held) and rub
your other thumb across the head. I usually see this done with the
thumb moving in a circular motion about an inch in from the
circumference of the head
Percussion mavens ... how is a thumb roll produced on a tambourine?
Dean
Dean M. Estabrook
[EMAIL PROTECTED]
Have you ever heard of an eleven or thirteen step program?
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Trent Johnston wrote:
Hello everyone,
Is there a way in either Finale 2005 (current version I'm using) or the new
2007 to copy and paste measure based text boxes. I can't seem to find a way
to do this. Selecting a text box only allows me to edit it not copy and
paste it somewhere else.
Not as
On 25 Oct 2006 at 16:48, Noel Stoutenburg wrote:
> Andrew Stiller wrote:
> >
> > On Oct 25, 2006, at 11:27 AM, Noel Stoutenburg wrote:
> >
> >> I don't perceive advantages of having text and notation in a single
> >> font.
> >
> > Fonts of this type are called "music in text" fonts, and they are
>
Hello everyone,
Is there a way in either Finale 2005 (current version I'm using) or the new
2007 to copy and paste measure based text boxes. I can't seem to find a way
to do this. Selecting a text box only allows me to edit it not copy and
paste it somewhere else.
Any help appreciated.
Trent
Andrew Stiller wrote:
On Oct 25, 2006, at 11:27 AM, Noel Stoutenburg wrote:
I don't perceive advantages of having text and notation in a single
font.
Fonts of this type are called "music in text" fonts, and they are
essential for any writing that includes musical examples.
It is understoo
On Oct 25, 2006, at 11:27 AM, Noel Stoutenburg wrote:
I don't perceive advantages of having text and notation in a single
font.
Fonts of this type are called "music in text" fonts, and they are
essential for any writing that includes musical examples.
It is understood that such fonts do no
G GRIFFITHS wrote:
I don't usually do this, but I need a set of orchestra parts for some songs,
in rather a hurry.
If Ever I Would Leave You (in Bb)
Chorus of the Hebrew Slaves (in F#)
Someone to Watch Over Me (in F!)
I thought I had these in my library, but can't find them, and the band call
i
I don't usually do this, but I need a set of orchestra parts for some songs,
in rather a hurry.
If Ever I Would Leave You (in Bb)
Chorus of the Hebrew Slaves (in F#)
Someone to Watch Over Me (in F!)
I thought I had these in my library, but can't find them, and the band call
is imminent. Anyone ha
Thanks Michael, you're great!
Minke
-Oorspronkelijk bericht-
Van: Michael Cook
You want group barlines only at the end of each system? I can't
think
of a way to get that done automatically, but here's a method that
might be faster than d
Will Denayer wrote:
Aaron, Phil, The file I downloaded is in pdf.
Best regards, Will
While there is a tool for reading scans and changing them into Finale
notation, there are many errors and it is very fussy to do so. The
easiest way is for you to enter it into Finale in the usual way by
Hi all,
"Failed to load VST DLL. VST services are unavailable."
This message appeared after installing the MusicXML full version, and
MusicXML wouldn't work. It went away when I uninstalled it, but so did
MusicXML.
I just installed the latest Patterson plugins and got the same message. The
plugi
> Aaron, Phil, The file I downloaded is in pdf.
> Best regards, Will
While there is a tool for reading scans and changing them into Finale
notation, there are many errors and it is very fussy to do so. The
easiest way is for you to enter it into Finale in the usual way by
hand.
Even impor
David,
Regarding a part of what you wrote, viz., I'm curious
I often have 4 or 5 music fonts in use (Maestro, Fughetta, Toccatta,
Bach, etc.) in one piece. It's *not* transparent at all for many
things, because you have to know which font has which characters in
it.
..
The music font
You want group barlines only at the end of each system? I can't think
of a way to get that done automatically, but here's a method that
might be faster than drawing them by hand:
- Set the group to have barlines drawn through staves. Now of course
you have many barlines where you don't want
Thanks Michael, it works!
But the answer from Rafael about closing barlines was not what I meant: I
meant closing just the GROUP barline at the end of the system, not of the
entire orchestra.
Is there anyone who knows this?
Thanks for now,
Minke
NB: Barbara, I will call you!
-Oorsp
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