ThomaStudios / 08.3.21 / 2:37 PM wrote:
IIRC, say you want 2 G's, put in one G and then enter an F double
sharp, put the cursor over this note, and hit 9.
This was the one I was looking for. Thank you so much!
--
- Hiro
Hiroaki Honshuku, A-NO-NE Music, Boston, MA
http://a-no-ne.com
For the curious:
Finally, hide all the triplets and render the partial triplets graphically.
in this example you would only need it on m2-3, then m1 notated normally.
great solution, but i don't like the fact that you can't actually use
finale's tuplets at all in your explanation. so i
Took me a while to find it in the menus but it's good to know the
hotkey again. So who at Make Music decides to keep moving these
things around? I opened an older file in Fin2004 file the other day
and it was only then that I realised just how much they've buggered
around with all menu
Adam Golding wrote:
is there a way to ...snippage... have a single
page have two columns of music? (i'm using page view with forced system
breaks every 4 measures to help me think about the phrase structure of a
melody i'm writing, but i'd like to see 2 pages of it at once on my
widescreen
Happy to return a very small favor Hiro, after all your incredible
help on this list.
J D Thomas
ThomaStudios
On Mar 22, 2008, at 12:51 AM, A-NO-NE Music wrote:
ThomaStudios / 08.3.21 / 2:37 PM wrote:
IIRC, say you want 2 G's, put in one G and then enter an F double
sharp, put the
On 22 Mar 2008, at 9:10 AM, shirling neueweise wrote:
For the curious:
Finally, hide all the triplets and render the partial triplets
graphically.
in this example you would only need it on m2-3, then m1 notated
normally.
Well, mm.2-4, actually, with m.1 and m.5 notated normally, but
Dear Finale Listers,
I have received some interest in this from some of you on this list
in the past, and I have contacted those individually, but I thought I
would send another message about this year's event to the List in
general. Please excuse the duplicates.
Hi all,
I ended up blogging about this -- my post includes more extensive
instructions and visual examples. I also include audio of the bassline
in question: two versions, with two different clicks:
http://secretsociety.typepad.com/darcy_james_argues_secret/2008/03/till-this-bitte.html
A slight digression, perhaps, but I take issue with the line in the blog
which says You can't start in 5/6 -- you have to be chugging merrily
along in 4/4 or whatever, and then switch gears to go into 5/6 for a
measure, and then go back to a rational time signature.
One example which goes
Hi Owain,
The point I was trying to make is that unlike standard time
signatures, a tuplet-base time signature like 5/6 can't stand on its
own -- it only makes sense relative to a non-tuplet-base time sig.
Even if the first measure is 5/6, your mental countoff still has to be
quarter
OK. I don't know if I was too tired, or what but in rereading what I
wrote to Adam:
I have done this in two different ways for different purposes,
starting from scratch. The general procedure was to define the staff
system, and the layout of the systems on the page. In one case, I had
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