Re. the bar numbers in parts, in the score I have bold condensed centred
numbers on the bottom staff of the score, for every bar (conductors LOVE
this). This is in addition to the 'normal' ones on the left hand side of
the staff.
But obviously not in the parts, so I select the Measure tool, drag
The violins play the part an octave higher. It just means that they
_function_ as the bass part. It is not uncommon notation. It is more
often found when all string parts play in octave unisons (ie in the
Manchester manuscript of the four seasons). However, I have seen this
more than once.
Jo
On Sun, Feb 22, 2009 at 11:02 PM, David W. Fenton
wrote:
> In this particular movement, do the violin parts get anything other
> than the bass line? Do the parts ever diverge?
Vn 1 and Vn 2 do not diverge, i.e. they're the same. This movement consists
of 2 Passepieds, in Passepied no 1, the stri
Ah so ... thank you. It's my habit, upon "finishing" a score, to save
three copies: Score; Score for parts; and a score for playback. Then
I can mess around with the latter two in any given way without
screwing up the original.
Dean
Dean
On Feb 22, 2009, at 6:19 PM, Christopher Smith wro
At 12:07 AM -0500 2/23/09, Kim Patrick Clow wrote:
On Sun, Feb 22, 2009 at 11:01 PM, John Howell wrote:
And incidentally, while modern flutists play this music (and often play it
very well), it was written for recorder, NOT for transverse flute. The range
fits like a glove.
The source I have s
On Sun, Feb 22, 2009 at 11:01 PM, John Howell wrote:
And incidentally, while modern flutists play this music (and often play it
very well), it was written for recorder, NOT for transverse flute. The range
fits like a glove.
The source I have specifically has "flute" not the typical recorder mark
On 22 Feb 2009 at 22:41, Kim Patrick Clow wrote:
> David, your point about the Telemann scores being somewhat of a mess is
> true. Some of cantatas are even worse, if you can believe that!
You flatter me, Kim -- I was making any such point, just asking what
the situation is.
Surely there is som
At 8:12 PM -0500 2/22/09, Kim Patrick Clow wrote:
Gutten Tag:
I am working on a performing edition of Telemann's "famous" A minor suite
for Flute/Recorder (TWV 55:a2). I'm working on the next to last movement(s):
Passepied 1 & 2. The 2nd Passepied modulates to A major, and I'm not sure
what's go
On Sun, Feb 22, 2009 at 10:20 PM, David W. Fenton
wrote:
>>You say it was a copyist's score -- what is the situation with these
>>sources and Telemann's autographs?
Very few of Telemann's instrumental works (and I believe that none of the
orchestral suites) survive in autograph form; Telemann sp
On 22 Feb 2009 at 22:13, Kim Patrick Clow wrote:
> On Sun, Feb 22, 2009 at 9:51 PM, Harold Owen wrote:
>
> > That is the bass part - the continuo. Violins don't play there.
> >
> But there are *two* staves, and only one was marked as basso continuo.
I've never seen any score from this period th
On Sun, Feb 22, 2009 at 9:51 PM, Harold Owen wrote:
> That is the bass part - the continuo. Violins don't play there.
>
> But there are *two* staves, and only one was marked as basso continuo.
In fact, in the next system, the copyist put treble clefs, but cancelled
them and put bass clefs in.
T
That is the bass part - the continuo. Violins don't play there.
Hal Owen
Gutten Tag:
I am working on a performing edition of Telemann's "famous" A minor suite
for Flute/Recorder (TWV 55:a2). I'm working on the next to last movement(s):
Passepied 1 & 2. The 2nd Passepied modulates to A major, a
Yes, enharmonics do, as well as actual note changes and reassignments
of dynamics and new expressions. But most minor nudges do NOT
transfer back to the score, unless you hold down the override key (on
Mac, the apple key.)
On Feb 22, 2009, at 7:34 PM, Dean M. Estabrook wrote:
On Feb 22,
you know, as soon i see the subject line "linked parts" i get shivers
and stomach cramps. before you do anything in your score:
1. complain about insufficient and incomplete implemention of the
linked parts feature to the powers-that-be (check the list archives
if you need clarifications fo
Gutten Tag:
I am working on a performing edition of Telemann's "famous" A minor suite
for Flute/Recorder (TWV 55:a2). I'm working on the next to last movement(s):
Passepied 1 & 2. The 2nd Passepied modulates to A major, and I'm not sure
what's going on with the 1st and 2nd violin. I have uploaded
On Feb 22, 2009, at 4:09 PM, Christopher Smith wrote:
But in my experience (MacFin07) ... if I change something in a part
(which I almost invariably must), it also goes back to the score
and changes it too. At least it seems that way to me, maybe I'm
just not noticing.
Dean
I don't
On Feb 22, 2009, at 6:35 PM, David Froom wrote:
I'm only now getting around to learning linked parts. I have run
into the standard limitations -- measure numbers is the HUGE one.
Why oh why would Finale want to force the same measure number sizes
and other choices on parts and scores? A
I'm only now getting around to learning linked parts. I have run into
the standard limitations -- measure numbers is the HUGE one. Why oh
why would Finale want to force the same measure number sizes and other
choices on parts and scores? Anyone have a workaround other than a
separate sco
On 22 Feb 2009, at 1:00 PM, Matthew Hindson
wrote:
In the 'old' days, i.e. pre-Finale 2009, when applying a dynamic to
one
staff in a piano part, it would play back the dynamic for both of
the staves
(presuming of course that they are on the same instrument).
In 2009 it seems to be mo
I just realised that I forgot to set my piano group to NOT show the
group name in my piano-vocal extraction. I have optimised and
respaced individual staves very carefully, which I will lose if I
remove optimisation, set the group name not to appear, then optimise
again. Now that I have opt
Jari Williamsson wrote:
Hello!
I'm looking for a specific "notation sample" page that was posted on
this list about 10 years ago. It's was a hand written page - created
completely as a joke - with all kinds of impossible and contradicting
musical notation all over the page. If I recall correc
While I see Jari is here: Have you closed the finaletips site?
Johannes
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Jari Williamsson wrote:
Hello!
I'm looking for a specific "notation sample" page that was posted on
this list about 10 years ago. It's was a hand written page - created
completely as a joke - with all kinds of impossible and contradicting
musical notation all over the page. If I recall correc
Magic, Lawrence!
To be performed at your next concert, Jari?
David McKay
2009/2/22 Lawrence Yates
> Is it the Faeries Aire and Death Waltz?
>
> You can find it here:
>
> http://www.well.com/user/bryan/waltz.html
>
> There is also a video on Youtube of someone claiming to be playing it (I
> haven
Is it the Faeries Aire and Death Waltz?
You can find it here:
http://www.well.com/user/bryan/waltz.html
There is also a video on Youtube of someone claiming to be playing it (I
haven't seen it yet)
http://www.youtube.com/watch?v=QkjX7Q-b1IM
Cheers,
Lawrence
--
Lawrenceyates.co.uk
_
Hello!
I'm looking for a specific "notation sample" page that was posted on
this list about 10 years ago. It's was a hand written page - created
completely as a joke - with all kinds of impossible and contradicting
musical notation all over the page. If I recall correctly, it was
created by s
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