o;?And while we're about it, what about E Power Biggs' pedal harpsichord ?
-- Original Message --
From: John Howell john.how...@vt.edu
To: finale@shsu.edu
Subject: Re:
The German Wikipedia has most of them, one or two are missing.
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
On 03.09.2009 Martin Banner wrote:
Amen, hence my initial post about the compatibility of Finale 2008. After years of
using (quite happily) Finale 2003, I finally upgraded to 2008 two years ago. Plus I
bought a 24 iMac. Kinda sad that I won't be able to upgrade to Snow Leopard
since I plan to
There is that, but if TGTools is not going to be updated then that
would be a deal breaker for meTGTools is essential for me to
continue to use Finale...
On Sep 4, 2009, at 6:00 AM, Johannes Gebauer wrote:
On 03.09.2009 Martin Banner wrote:
Amen, hence my initial post about
On 4 Sep 2009 at 8:17, 73357.3...@compuserve.com wrote:
what about E Power Biggs' pedal harpsichord ?
What about it? Mozart owned a pedal fortepiano, so it wouldn't
surprise me if there were pedal harpsichords at the time. Biggs was a
big promoter of Flentrop, the Dutch maker of tracker
I still find Quickeys to be an essential tool and that's especially
true with Finale. (It is slightly less important now that Apple's
customizable keyboard commands work so well.)
If you are using Quickeys 4 with Snow Leopard, at this time there are
incompatibilities that stop Quickeys
David W. Fenton wrote:
On 4 Sep 2009 at 8:17, 73357.3...@compuserve.com wrote:
what about E Power Biggs' pedal harpsichord ?
What about it? Mozart owned a pedal fortepiano, so it wouldn't
surprise me if there were pedal harpsichords at the time. Biggs was a
big promoter of Flentrop, the
The beta seems to be working well. No problems on my end so far.
Jeff Tanner
Funky Bear Music
www.funkybearmusic.com
On Sep 4, 2009, at 12:11 PM, Randolph Peters wrote:
I still find Quickeys to be an essential tool and that's especially
true with Finale. (It is slightly less important
On 4 Sep 2009 at 13:57, dhbailey wrote:
Certainly the start of the quoted blurb seems to indicate
that the people who put the webpage up thought it would have
been common during the Baroque.
Just Googling around, I found these tidbits:
1. Bach's estate included a pedal clavichord:
I created a file back in FinMac 2K2 that had quartertones defined for
playback as pitchwheel alterations. Now I find that under OS 10.3.9,
these alterations do not play back in either 2K4 or 2K7. What can I do
to get them back?
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/
Hi all,
Is there a boilerplate sheet music rental license available online
anywhere I could take a look at?
I never thought I'd be in a situation where I would want to license my
music for a specific performance only, but there's a trumpet player in
my band who wants to perform one of my
Solve the problem by setting the licensing fee at $70.
Mark the score each part with an expiration date for the rental license.
Will cost you some work, but should teach the band a lesson. If they like the
music, they will have to buy it from you once more.
Klaus
--- On Fri, 9/4/09, Darcy
Hi Klaus,
They aren't willing to pay a rental fee at all! Obviously, if it
weren't for the fact that a player in my band really wants to perform
this piece in the competition, I would not be sending them the music.
I may take the trouble to watermark the score and parts, though, as
you
How do these people think composers are supposed to survive? Nuts!
Chuck
On Sep 4, 2009, at 2:01 PM, Darcy James Argue wrote:
Hi Klaus,
They aren't willing to pay a rental fee at all! Obviously, if it
weren't for the fact that a player in my band really wants to
perform this piece in
in the items to copy box you can specify Notehead , accidental and tablature
string alterations
Mark McCarron
--- On Thu, 9/3/09, Stephen Lamb jstephenl...@jslweb.com wrote:
From: Stephen Lamb jstephenl...@jslweb.com
Subject: [Finale] Copying guitar tab
To: finale@shsu.edu
Date: Thursday,
Didn't you know that that's why God gave us computers? So that composers
could have jobs!
How do these people think composers are supposed to survive? Nuts!
Chuck
On Sep 4, 2009, at 2:01 PM, Darcy James Argue wrote:
Hi Klaus,
They aren't willing to pay a rental fee at all! Obviously,
Chuck Israels wrote:
How do these people think composers are supposed to survive? Nuts!
Remember, it's not the Army Band who is asking for the
music, but rather the competition organizers. Why aren't
they paying for the music? The other person person who is
participating in the
arabu...@cowtown.net wrote:
Didn't you know that that's why God gave us computers? So that composers
could have jobs!
Q. What's a performance major say?
A. Would you like fries with that?
--
David H. Bailey
dhbai...@davidbaileymusicstudio.com
I'm not much up on this subject
but if you own it and it is published by you
you get royalities on any performance correct?
May not be big bucks though.
You could write up the document for one time performance yourself
it would be very straight forward
Terry
On Sep 4, 2009, at 3:37 PM, dhbailey wrote:
Chuck Israels wrote:
How do these people think composers are supposed to survive? Nuts!
Remember, it's not the Army Band who is asking for the music, but
rather the competition organizers. Why aren't they paying for the
music? The other
Hi Terry,
If I were a classical composer, I would (theoretically) get BMI or
ASCAP royalties on all live performances. Because I'm a jazz composer,
I get nada -- at least, for US performances.
What's especially galling is that venues like the Jazz Gallery still
have to pay for BMI and
Darcy ... I'm just curious ... have you published any pieces, and if
so, have any been bought? If so, I assume you have received, or
will receive your 10 or whatever percent of said sales.
Dean
On Sep 4, 2009, at 3:58 PM, Darcy James Argue wrote:
Hi Terry,
If I were a classical
Hi Dean,
Some of my pieces are published via Really Good Music, the rest I self-
publish.
But that's got nothing to do with live performance royalties from BMI
or ASCAP!
Cheers,
- Darcy
-
djar...@earthlink.net
Brooklyn, NY
On 4 Sep 2009, at 7:12 PM, Dean M. Estabrook wrote:
Darcy
terry cano wrote:
I'm not much up on this subject
but if you own it and it is published by you
you get royalities on any performance correct?
May not be big bucks though.
You could write up the document for one time performance yourself
it would be very straight forward
Terry
I believe the
Hi David,
It's a jazz trumpet competition, so no band -- military or not --
would ever pay any performance royalties for a performance of a jazz
work. That just doesn't happen.
The venue -- a university theatre -- is still responsible for paying
royalties to ASCAP and BMI, but that money
You must be joking right? Apple is certainly not heading towards a
system registry like Windows. And all it's DLL mess. Or all the virus
problems. Or malware. Or security issues.
I suggest you check out roughlydrafted.com and enlighten yourself. Or
just to debunk some of the things Windows
No no, TGTools needs to be where it is. I'd rather have Tobias take
his time and make sure it works before updating. Can you imagine
MakeMusic breaking something in TGTools, and then NOT fixing it until
Finale 2011.forget that!
On Sep 4, 2009, at 6:53 PM, Leigh Daniels wrote:
I
I can't imagine how that would be true. ALL compositions are supposed
to be eligible to get royalties, no matter what the style, as it
isn't up to ASCAP or BMI to make any kind of judgement about that at
all.
If you were a classical composer and one of your works was
performed in a club,
In regard to our recent discussion of the old delete your
preferences file troubleshooting trick for Finale users on Mac, I
was just reading Ars Technica's fascinating review of Snow Leopard
and came across this:
Images are PNGs or JPEGs, audio is AAC, video is MPEG-4, even
preference
I consider TGTools essential, too. Especially the Transfer Layout tool
for parts. I wrote Tobias a few weeks back and he said there would be an
update soon. If MakeMusic were smart (big if), they would just buy
TGTools from Tobias and continue to update them along with Finale.
Can Sibelius copy a
Hi Chris,
Believe me, I have talked to the people at SOCAN about this multiple
times. I've talked to BMI (my US affiliate) as well as a number of US-
based jazz composers. I have always gotten the same answer:
BMI and ASCAP do not compensate composers for live performances of non-
It looks like it is still there: http://www.henle.de/index.cfm?open=04lang=en
Andrew
2009/9/5 mu...@rgsmithmusic.com:
A couple of years ago, there was a video from Henle that showed the
process of engraving music on lead plates for offset press. It seems the
video is no longer available from
Dennis huh? Hmmm...and whom was talking about reading comprehension?
Apple is buying itself the same kind of problem here that Microsoft
had with early implementations of the System Registry
Not sure how you can make the quantum leap from Apple compressing
files to Windows
On 4 Sep 2009 at 20:27, Eric Dannewitz wrote:
Dennis huh? Hmmm...and whom was talking about reading comprehension?
I apologize for calling you Dennis -- I don't know how that happened,
given that I recall when I wrote the line I thought I'd better look
at his name and distinctly remember
Pedal harpsichords existed in C18, although they were comparatively
rare, and served more as parctice instruments for organists. They
were separate instruments designed to be place on the floor under a
regular harpsichord. Some had connections to the upper instrument so
the strings could be
On 4 Sep 2009 at 11:17, John Howell wrote:
I don't know what Biggs played, but I'd guess it was one of the
German factory models which were the only things available for quite
a while, and were heavily marketed to their niche market.
While googling this earlier today, I encountered a
36 matches
Mail list logo
