Hello Eric!
Am 28.02.2011 um 22:41 schrieb Eric Dannewitz:
> I don't think I'd want Finale 3.2 resurrected on a modern platform anymore
> than I'd want Photoshop 1.0 even if the source code was available and someone
> toiled on it for no financial gain to make it run. What happens if something
At 8:34 AM +0100 3/1/11, Pierre Bailleul wrote:
Hi all,
Do you know the placement from the bottom up of string mark (II or
D) with fingering and bowing mark :
- all above and only string mark below?
- all above?
Thanks.
Pierre
Quite honestly it's been a long time since I've seen a string
des
Hi all,
In my experience, Finale 2011b is one of the best Finale versions for
converting older Finale files. When we do Finale file translations
here, we need to get files into at least Finale 2004 to export the
MusicXML with the best possible results - and the later the Finale
version, the better
Am 28.02.2011 um 23:47 schrieb David W. Fenton:
> On 28 Feb 2011 at 22:35, Gerhard Torges wrote:
>
>> Am 28.02.2011 um 21:22 schrieb David W. Fenton:
>>
>>> I don't think conversion is really an option, as it requires
>>> completely redoing the layout (or, at least, proofing to make sure
>>> t
Hello David!
Am 28.02.2011 um 23:56 schrieb David W. Fenton:
> On 28 Feb 2011 at 23:26, Gerhard Torges wrote:
>
>> The main difference is not "paid" vs. "unpaid".
>> It is "open" (for examination and tweaking or repair) or "closed".
>
> If open source software was not so bad in terms of user in
Hello Richard!
Am 01.03.2011 um 00:46 schrieb Richard Yates:
>>> As I struggle with updating the archives of the Vermont Composers (as
>>> well as my own work), I wonder: Who will do this? Will the work of an
>>> entire generation be lost?
>>
>> Not if it's taken care of.
>>
>> This is, transfe
Hello Dennis!
Am 01.03.2011 um 00:47 schrieb Dennis Bathory-Kitsz:
> On Mon, February 28, 2011 5:16 pm, Gerhard Torges wrote:
>>
>> Am 28.02.2011 um 21:54 schrieb Dennis Bathory-Kitsz:
>>
>>> As I struggle with updating the archives of the Vermont Composers (as well
>>> as
>>> my own work), I w
On 1 Mar 2011 at 22:03, Gerhard Torges wrote:
> Am 28.02.2011 um 23:47 schrieb David W. Fenton:
>
> > On 28 Feb 2011 at 22:35, Gerhard Torges wrote:
> >
> >> Am 28.02.2011 um 21:22 schrieb David W. Fenton:
> >>
> >>> I don't think conversion is really an option, as it requires
> >>> completely
> -Original Message-
> From: finale-boun...@shsu.edu [mailto:finale-boun...@shsu.edu] On Behalf
Of
> Gerhard Torges
> Sent: Tuesday, March 01, 2011 1:17 PM
> To: finale@shsu.edu
> Subject: Re: [Finale] OS X 10.7 Lion drops support for Rosetta (PPC) apps
>
> Hello Richard!
>
> Am 01.03.2
On 1 Mar 2011 at 22:10, Gerhard Torges wrote:
> Am 28.02.2011 um 23:56 schrieb David W. Fenton:
>
> > It's a very Libertarian kind of thing, which is one of the reasons I
> > have a lot of suspicion of the hype.
>
> So that's an interesting statement.
> You're from the US, right?
> So what is so
On Tue, March 1, 2011 4:15 pm, Gerhard Torges wrote:
> In ancient Greece, I'm sure the poets also hat costumes, masks etc. for a
> play. And they would have recorded them if they had been able to.
> But they weren't, and so only their texts remain.
> And these texts are valuable enough, don't you t
Thanks for your aid.
As a pianist I have no experience in reading sheet music violin. And rules
for positionning the fingering are really different...
Pierre
-Message d'origine-
From: John Howell
Sent: Tuesday, March 01, 2011 5:58 PM
To: finale@shsu.edu
Subject: Re: [Finale] Violin st
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