Re: [Finale] berlioz notation programme

2007-05-27 Thread M. Perticone
hello, strange isn't it? in most latin american countries lots of folks think their culture is threatened by the ever growing use of english language. just my 2 cents (of devaluated peso) marcelo Yeah, well there are lots of folks here who think that American culture is threatened by the

[Finale] garritan full and winfin2k6

2006-12-16 Thread M. Perticone
hello listers, a friend has installed garritan full version. then he installed winfin 2k6 (i'm not sure which update) but he can't see garritan listed in the native instruments vst setup. has someone run into this? any advice is welcome. please reply privately if this topic was previously

Re: [Finale] OT: fort. in baroque manuscripts versus modern F

2006-10-13 Thread M. Perticone
hello patrick, fort in french may mean as in italian molto. so pp fort probably means molto pianissimo. any francophone please confirm this. thanks, marcelo - Original Message - From: Kim Patrick Clow [EMAIL PROTECTED] To: finale@shsu.edu Sent: Friday, October 13, 2006 1:59 PM Subject:

[Finale] testing new isp - please ignore

2006-05-27 Thread M. Perticone
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[Finale] noteheads on the 'wrong' side

2006-05-24 Thread M. Perticone
hello finalisters, i'm writing a piece where the there's a solo part and another second very complementary less demanding part. as some notes are played with the same duration i put both notes on the first staff and then i cross-staff the bottom note. no problems with that. but as i'm recurrently

Re: [Finale] loudspeaker font

2006-04-30 Thread M. Perticone
: Dennis Bathory-Kitsz [EMAIL PROTECTED] To: finale@shsu.edu Sent: Saturday, April 29, 2006 9:36 PM Subject: Re: [Finale] loudspeaker font At 04:11 PM 4/29/06 -0300, M. Perticone wrote: sometime ago i came across a font which included some little loudspeakers. anyone remembers or knows

[Finale] loudspeaker font

2006-04-29 Thread M. Perticone
hello fin-listers, sometime ago i came across a font which included some little loudspeakers. anyone remembers or knows it? or any other font that includes such symbol? thanks in advance, marcelo ___ Finale mailing list Finale@shsu.edu

Re: [Finale] Very OT: what is this

2006-04-19 Thread M. Perticone
hello, it resembles albinoni's concerto in g minor for organ and strings - adagio. remo giazotto credited as arranger and sometimes as composer. it seems giazotto found a fragment of a trio-sonata by albinoni, while working in a dresden library (after the allies's air-raid bombings in 1945). he

Re: [Finale] hyphenation in portugese

2006-03-06 Thread M. Perticone
hello éric, that is probably a ancient portuguese or a dialect. perhaps something near galego, the galician language, or other spanish dialect, as there are ñ's, a letter from the spanish alphabet. in modern portuguese you'll find desconhecido (unknown) and tenho (I have). hope this helps,

Re: [Finale] US copyright question [ot]

2005-09-08 Thread M. Perticone
hello mr. stiller and listers, if i recall well, there's a notice acknowledging permission from various publishers. i don't have it at hand, but i'll check it tomorrow at my studio. regards, marcelo From: Andrew Stiller As long as we're talking about this, there's a question I've wondered

Re: [Finale] US copyright question

2005-09-08 Thread M. Perticone
ok, i checked it out. here's what you'll find in the full score of this masterpiece, written for and commissioned by the new york philharmonic. and it's dedicated to leaonard bernstein. - We would like to express our cordial thanks to the

Re: [Finale] Hey! What's wrong with Creston's 12/12?

2005-07-07 Thread M. Perticone
Christopher Smith wrote: and I would put a bracketed 3 tuplet over the first group, and the same over the second group (even though there are only TWO notes in it) for clarity. while i certainly agree with your post i think that tuplets are redundant here, as the /12 is meaning that already.

Re: [Finale] Re: BBC

2005-02-05 Thread M. Perticone
you need realplayer (old versions won't work) if you're a windows user. however you'll see the 'bbc radio player', which is only a sort of front end for realaudio. http://www.bbc.co.uk/radio/aod/radio3_aod.shtml?radio3/hearandnow will take you to it and to 'hear and now'. programme for this week

Re: [Finale] Garritan and other stuff

2005-02-03 Thread M. Perticone
hello mr. fenton and listers, But if there's no dissonance, there's also no consonance. You can't change the definition of one without altering the definition of the other, [snip] of course i understand what you say it's true from a musical syntax standpoint. but from a more acoustical

Re: [Finale] Garritan and other stuff

2005-01-29 Thread M. Perticone
hello lon, i mean no offense to you either, really, but what do you think about all those real engravers that lost their job? and what about algorithmically composed music? should be banned in favor of flesh-and-bone composers? should i turn off my pc and hire two or three secretarial workers?

Re: [Finale] was Looking for a Jazz Font Substitute. now: dim and halfdim

2005-01-06 Thread M. Perticone
hello, my teacher also insisted on that (and we concurred). we used to called them dominant ninth chords with tacit root. From: Christopher Smith when I was a classical undergraduate, one of my theory teachers insisted that we call these chords incV7b9 and incV9 (incomplete dominants

Re: [Finale] RE: was MIDI transcriptionism now John Williams

2005-01-03 Thread M. Perticone
not two but three: john williams, guitar legend. regards, marcelo From: Williams, Jim BE CAREFUL!! There are two John Williamses IIRC--one a jazz pianist and one a movie composer. Likewise with John Eaton-one jazz pianist, one composer. Jim no relation to either Williams -Original