I made one using Dom Casual (or Dom Regular) but it can never be what
you would call beautiful because of inherent problems with character
thickness and spacing when the root has a sharp or flat (G#m7 doesn't
space the same way as Gm7 or Gbm7.) I'll share it for free, but I'll
have to send
Picking up this thread and relating to chord, is there anyone in this
list that built a beautiful, well readable jazz chord library and would
be kind to share it (after payment of a fee, too)?
I know about that beautiful font pack that one of the late contributors
(sorry I cannot remember his na
On Oct 22, 2008, at 11:24 AM, Dana Friedman wrote:
In my area b13 is the norm on
Do you mean area of music? Area geographically? Culturally?
Heh, heh! All three, but I was really referring to Montreal. I find
some aspects of notation, especially in jazz, tend to be regional.
Nice cat
In my area b13 is the norm on
Do you mean area of music? Area geographically? Culturally?
Best,
Dana
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On Oct 22, 2008, at 9:35 AM, Dana Friedman wrote:
I always stayed away from the - because most people use + to mean
augmented. Though I have seen some people stay way from the + by
writing things like C7#5.. But..if I'm to to reduce the amount
a player has to read, I wouldn't want th
On Oct 22, 2008, at 4:33 AM, dhbailey wrote:
Darcy James Argue wrote:
You should *never* use just "M" or "m" for chord symbols,
regardless of the font.
I know Christopher disagrees, but I prefer either the geometric
symbols ("∆" and "-"), or "MA" and "mi".
I believe Christopher uses "Cmaj
At 12:42 AM 10/22/2008, you wrote:
Darcy James Argue wrote:
You should *never* use just "M" or "m" for chord symbols,
regardless of the font.
I know Christopher disagrees, but I prefer either the geometric
symbols ("?" and "-"), or "MA" and "mi".
I believe Christopher uses "Cmaj7" (which is oka
If you find the JazzFont too thick, then the Inkpen font from
Sibelius is positively stubby. I find it next to unusable (though I
haven't tried it in Finale, only in Sibelius).
Christopher
On Oct 22, 2008, at 8:49 AM, Marcello Noia wrote:
Unfortunately Mr. Sigler got his Jazz font bundled
Unfortunately Mr. Sigler got his Jazz font bundled with Finale then
completely dismissed the updates (and did not reply to
emails about problems with his other Swingfont I bought many years ago).
And think how beatiful are the fonts used in latest Sher Real Books
Anyone has tried to use Inkpe
Oh don't get me started on the JazzText font! The Z and the 2, the H
and the M, the stupid 5...
Before long I am going to have convinced myself to make my own inkpen
font...
Christopher
On Oct 21, 2008, at 11:39 PM, Leigh Daniels wrote:
And make the capital M and the lower case M look d
Darcy James Argue wrote:
You should *never* use just "M" or "m" for chord symbols, regardless of
the font.
I know Christopher disagrees, but I prefer either the geometric symbols
("∆" and "-"), or "MA" and "mi".
I believe Christopher uses "Cmaj7" (which is okay, though I *greatly*
prefer
Leigh Daniels wrote:
And make the capital M and the lower case M look different!
You mean we're supposed to read the letters, too? Wow --
the things I learn on this list! ;-)
--
David H. Bailey
[EMAIL PROTECTED]
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Darcy James Argue wrote:
You should *never* use just "M" or "m" for chord symbols, regardless of
the font.
I know Christopher disagrees, but I prefer either the geometric symbols
("?" and "-"), or "MA" and "mi".
I believe Christopher uses "Cmaj7" (which is okay, though I *greatly*
prefer CM
You should *never* use just "M" or "m" for chord symbols, regardless
of the font.
I know Christopher disagrees, but I prefer either the geometric
symbols ("∆" and "-"), or "MA" and "mi".
I believe Christopher uses "Cmaj7" (which is okay, though I *greatly*
prefer CMA7) and "Cm7" (which is
And make the capital M and the lower case M look different!
**Leigh
On Tue, Oct 21, 2008, Ray Horton <[EMAIL PROTECTED]> wrote:
>But, good lord, somebody fix that damn natural so it doesn't look like a
>sharp.
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I laughed the first time I heard of the "jazz" font, myself, but I do
understand the purpose of it working to overcome some of the prejudice
against computer-printed charts in the commercial industry. I've even
used it, on occasion, when I've retyped a missing page of a handwritten
part, etc.
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