On 2010/01/04, at 12:01, Jari Williamsson wrote:
> I'll e-mail a scan of how he wanted it notated.
Instead of posting to your glorious site?!
:-)
--
- Hiro
Hiroaki Honshuku, A-NO-NE Music, Greater Boston
http://a-no-ne.com http://anonemusic.com
http://www.youtube.com/results?search_query=pe
SN jef chippewa wrote:
is there a standard way of notating the string buzz caused by holding
the pedal between 2 of the 3 positions?
There's a Salzedo notation available for the metallic sound you want.
I'll e-mail a scan of how he wanted it notated.
Best regards,
Jari Williamsson
At 5:59 PM -0800 1/2/10, Mariposa Symphony Orchestra wrote:
Yup, John - I'm a harpist but in a bit of a time crunch at the moment.
The described effect certainly IS possible and quite easy to accomplish;
Thanks for your authoritative explanation, Les. I wasn't too far
off, which is fairly am
sa.org/symphony.html
Marsden Marx Pages: http://tinyurl.com/ygpj7og
- Original Message -
From: SN jef chippewa
To: finale@shsu.edu
Sent: Saturday, January 02, 2010 8:27 PM
Subject: Re: [Finale] OT: harp notation
les, thanks for the details, very much appreciated!!! i am in f
les, thanks for the details, very much appreciated!!! i am in fact
aware of the mechanical aspects of the instrument but am trying to
better understand the actual results and what can actually be
controlled and to what degree.
Now - in practice: of course it's possible to micro-tone any pi
Therefore I see no way that you could have all 3 string pitches at once.
whoa there cowboy, that was never the intention!
You could have Bb/B natural or you could have B natural/B#. But it
isn't as simple as producing two different pitches, because neither
pitch would be clean and obvious,
poration of Mariposa County
http://arts-mariposa.org/symphony.html
Marsden Marx Pages: http://tinyurl.com/ygpj7og
- Original Message -
From: John Howell
To: finale@shsu.edu
Sent: Saturday, January 02, 2010 3:35 PM
Subject: Re: [Finale] OT: harp notation
At 10:30 PM +0100 1/2
On Sat Jan 2, at SaturdayJan 2 4:30 PM, SN jef chippewa wrote:
anyone have the sequenza handy and can cross-ref?
--
ok, i thought that there was a salzedo-sanctioned notaton for this.
the composer has said to block the pedal at natural(^) or natural
(v), but if i understood chris right, th
At 10:30 PM +0100 1/2/10, SN jef chippewa wrote:
anyone have the sequenza handy and can cross-ref?
--
ok, i thought that there was a salzedo-sanctioned notaton for this.
the composer has said to block the pedal at natural(^) or
natural(v), but if i understood chris right, these would produce
anyone have the sequenza handy and can cross-ref?
--
ok, i thought that there was a salzedo-sanctioned notaton for this.
the composer has said to block the pedal at natural(^) or natural(v),
but if i understood chris right, these would produce two different
pitches, either b or nat but never
On Sat Jan 2, at SaturdayJan 2 10:15 AM, SN jef chippewa wrote:
is there a standard way of notating the string buzz caused by holding
the pedal between 2 of the 3 positions?
While there is admittedly no standard, in my *Handbook of
Instrumentation* (p. 324) I recommend notating the lower
On Sat Jan 2, at SaturdayJan 2 10:15 AM, SN jef chippewa wrote:
is there a standard way of notating the string buzz caused by
holding the pedal between 2 of the 3 positions?
I've done this before. The harpist said no, there isn't a standard
way, so upon her suggestion I wrote the lower
is there a standard way of notating the string buzz caused by holding
the pedal between 2 of the 3 positions?
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