On Feb 25, 2007, at 8:38 AM, Aaron Sherber wrote:
At 01:30 AM 2/25/2007, Christopher Smith wrote:
>I don't have any problem with gliss lines being vertically
displaced.
Do you really mean *vertically* displaced? I think Darcy was
talking about shortening the gliss line -- that is, shor
At 01:30 AM 2/25/2007, Christopher Smith wrote:
>I don't have any problem with gliss lines being vertically displaced.
Do you really mean *vertically* displaced? I think Darcy was talking
about shortening the gliss line -- that is, shortening it along its
own diagonal. And the TGTools plugin
On 24-Feb-07, at 8:08 PM, shirling & neueweise wrote:
When using the straight line gliss, I usually like to have the
line attach directly to the noteheads. But what if there's an
intervening accidental that gets in the way? What's your preferred
solution in this case? End the line before
Hi Darcy,
I always end the gliss before the accidental. I don't think making
the accidental "incidental" by putting it above the note is a
solution I'd be happy with. When spacing is tight, and there's no
room for hand spacing, I sometimes choose to move the gliss to a
position above th
I usually just treat it like a harp gliss and specify the scale above the
gliss YMMV
TC
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-Original Message-
From: Darcy James Argue <[EMAIL PROTECTED]>
Date: Sat, 24 Feb 2007 19:49:48
To:finale@shsu.edu
Subject: [Finale] Straight line g
> -Original Message-
> there are many reasons why the "convention" might not be feasible, as
> in the example i posted a little while ago. ferneyhough's writing
> would certainly encourage some creative compromises... check out time
> and motion study 2 for vc. heh heh. good times.
>
No idea whether this matches up to any convention, though.
the "convention" is to make the gliss line match as closely as
possible to the actual resulting sound;
A quick glance at a couple of scores (Ravel and Ferneyhough) turns
up all sorts of inconsistencies in both.
there are many rea
My preference is to move the accidental slightly closer to the notehead,
increase the spacing between the two notes slightly, and to end the line
visibly (i.e. between staff lines), and at an angle so that it still
points to the notehead. No idea whether this matches up to any
convention, though.
When using the straight line gliss, I usually like to have the line
attach directly to the noteheads. But what if there's an intervening
accidental that gets in the way? What's your preferred solution in
this case? End the line before the accidental (although sometimes
spacing is very tight a
