Ah, THAT is a strange thing, but I have seen it often! If you move one instance
of a repeat marking, it doesn't move in other parts until you update layout.
You have to jump through hoops a bit to get them to obey where you put them,
and it all changes as soon as a staff has different sizing. Th
Yes, I have had Signs and Coda symbols move to a completely different
place after all the staves are locked.
I have also been seeing a weird one that isn't really related to
printing (I hope). I have some parts entered two-to-a-staff using
layers 1 and 2. When I do playback, some of the stems
On a side note and if you’d not come across it:
Jari’s ‘JW Copy Part Layout’ plugin is tremendous and saves a huge amount of
time.
Steve P.
> On 30 Dec 2014, at 20:09, Aaron Sherber wrote:
>
> I've done that and *still* had Finale print a page differently than it
> appears on screen. Not oft
I've done that and *still* had Finale print a page differently than it
appears on screen. Not often, though.
Aaron.
On 12/29/2014 7:06 PM, Darcy James Argue wrote:
> On Dec 29, 2014, at 4:00 PM, Williams, Jim
> wrote:
>
>> Maybe I ought to lock everything before printing!
> Of course you sho
On Dec 29, 2014, at 4:00 PM, Williams, Jim
wrote:
> Maybe I ought to lock everything before printing!
Of course you should!
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
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What causes that parsing while printing?
That has bitten me on several occasions.
Reformatting while printing is bad enough as it is,
but reformatting so illogically while printing is
very annoying.
It reminds me of the "feature" that messes with mm rests
unless I uncheck that program (or document
Thanks!
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com
On Sun, Dec 28, 2014 at 4:03 PM, Christopher Smith <
christopher.sm...@videotron.ca> wrote:
> "Linked parts", I imagine you know that it only me
"Linked parts", I imagine you know that it only means that the parts are
contained in the same file as the score. "Voiced" means that 2 flutes can share
the same score staff, yet each have their own separate linked part, using the
"voicing rules" you set up in the part definition. Say, flute 1 u
I appreciate all suggestions, but I don't think that was the problem,
Andrew. I'll observe more closely if it happens again.
On Dec 28, 2014 1:35 PM, "Andrew Levin" wrote:
> Hi all
>
> Just to state the obvious, when moving measures that affect systems 10 and
> 11 and you do an update layout, yo
Hi all
Just to state the obvious, when moving measures that affect systems 10 and 11
and you do an update layout, you must do so at least from the page that
contains system 10. Update layout doesn't work globally but only from the
current location forward.
Andrew Levin
> Often, when I move s
On Sun, Dec 28, 2014 at 11:59 AM, Christopher Smith <
christopher.sm...@videotron.ca> wrote:
> "
> voiced linked parts
> "
>
???
>
>
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com
Yes, I am sure you are right. But you also have to repeat the "break locks" FOR
EVERY SEPARATE PART. So this little fix might end up taking a few minutes for a
large orchestra score. And large orchestra scores with voiced linked parts are
exactly the type of file that benefits from having a temp
What could be going on with the OP is that the default file used to start
the project contained the locks already. A long-term issue with Finale is
that if you create a piece with locked systems, especially if only a system
is locked here and there, when you delete the measures the locks are
retain
Sent from my iPhone, so please pardon all the typos.
> On Dec 28, 2014, at 11:14 AM, Christopher Smith
> wrote:
>
> I've too often had Finale parse the spacing
> differently while printing and I end up with my 6-bar system as 5
> bars plus one bar by itself on its own line, then the part
I, like you, wait until the end to enact staff system locks. But then
I lock EVERYTHING! I've too often had Finale parse the spacing
differently while printing and I end up with my 6-bar system as 5
bars plus one bar by itself on its own line, then the part runs to
four pages instead of thr
I guess my work flow is different from many. I work about 95% in scroll
mode until it is time to do final parts layouts. This seems so much
faster, getting more of the most useful content on the screen,
especially when using staff views aggressively.
Even so, when I do switch over to page vie
On Mac, cmd-sh M (probably ctr sh M on Windows) is the Fit Music command. You
have to choose a passage first.
Christopher
On Sun Dec 28, at SundayDec 28 10:09 AM, Robert Patterson wrote:
> There used to be a spacing option somewhere that forced X-number of
> measures on each system. For the li
There used to be a spacing option somewhere that forced X-number of
measures on each system. For the life of me I can't find it now, but that
might be the source of the problem if it still exists.
On Sun, Dec 28, 2014 at 8:37 AM, Raymond Horton
wrote:
> I should try scroll view / page view prior
I should try scroll view / page view prior to printing. When I get home. No
one else has experienced this?
On Dec 28, 2014 6:55 AM, "David H. Bailey" <
dhbai...@davidbaileymusicstudio.com> wrote:
> On 12/27/2014 7:49 PM, Craig Parmerlee wrote:
> > Is this a facet of the page view mode? I work alm
On 12/27/2014 7:49 PM, Craig Parmerlee wrote:
> Is this a facet of the page view mode? I work almost exclusively in
> scroll mode until the final layout time and this just doesn't come up
> much as an issue.
>
It should never be any sort of an issue in scroll view, since there is
only one very lo
Yes, page view. Thanks
On Dec 27, 2014 7:50 PM, "Craig Parmerlee" wrote:
> Is this a facet of the page view mode? I work almost exclusively in
> scroll mode until the final layout time and this just doesn't come up
> much as an issue.
>
>
>
> On 12/27/2014 10:22 AM, Lawrence David Eden wrote:
>
Is this a facet of the page view mode? I work almost exclusively in
scroll mode until the final layout time and this just doesn't come up
much as an issue.
On 12/27/2014 10:22 AM, Lawrence David Eden wrote:
> Thanks, I know that method and am forced to use it every time I move a
> measure to
Often, when I move systems, the file fails to update and shows one system
in two places at once. Alt-U doesn't help. If I exit the file (or even
exit the part I am editing) and come back, all is well, but herein lies the
rub: If I print without doing one of those exits, I get multiple copies of
Ah, but that's exactly the issue -- you're moving measures by hand to
another system. Finale has used its spacing algorithm to decide where it
thinks measures should go, and you're overriding that. If Finale
*didn't* lock the systems, then your measure would just pop back to
where it came from.
Thanks, I know that method and am forced to use it every time I move a measure
to another system. I am looking for a way to eliminate locked systems. I
don’t want Finale to lock anything automatically.
Larry
On Dec 27, 2014, at 1:28 AM, Craig Parmerlee wrote:
> And you can easily clear
And you can easily clear all locks by selecting the entire score and
doing ctl-shft-L (I believe that is the command on Windows).
On 12/22/2014 3:38 PM, j...@thomastudios.com wrote:
> To my knowledge, the only time Finale will lock the systems is either by the
> keyboard command, CMD-L, or i
To my knowledge, the only time Finale will lock the systems is either by the
keyboard command, CMD-L, or if you physically move a measure to another system
using the old Mass Mover tool, now the Selection tool. Otherwise they stay
unlocked. I know this because there have been many times where
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