There was meSorry.
Could you give me your mail address, I'll send you your gate back.
sincerely yours,
arturas
- Original Message -
From: Roger Stevens <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Wednesday, November 01, 2000 6:20 PM
Subject: Re: FLUXLIST: Take offense? That's
hi aaron. i'm interested.
i'll be glad if you send that word attachment to:
[EMAIL PROTECTED]
thank you.
ceyda
> I probably shouldn't post the entire A._S.L.O.T.H. text. It's quite long,
> but I can send it directly to whoever is interested. (As a MS Wor
LAbas mano zydrasis drauge.
Tikiuosi, kad tau dar yr.
Kadangi taip, tai va.
Juk rytmeèio breksna, tau gali mai¹yti,
aaa!
Ne koks tai lapu snaresys.
Atleisk, kad neatejau i pasimatyma, juk ir man jo
reikejo.
Vakar vakaro tustinimasis man primine, kaip ir tau,
juk ta pati anga.
Su meile tavo v
I think this well speaks to YOUR sensibility which sounds very generous
but does not allow that there are many others, other ways and focusses
towards art, or what we are getting at here as meaning "art"
or meaning "meaning"!
when you speak of practicalities isnt' that what it com
i think this discussion--
it betrays too much anxiety
somehow to me is having too little faith in the work
maybe i am just getting to be old idiot anymore
i think the only questions with art are the practical ones
relations among the materi
Cecil,
I'm not sure there are definitive answers to any of your questions but I'm
sure they will stimulate interesting debate. Debates like these tend to
bring up to the surface our values and assumptions - that's what I like
about them.
Personally speaking, I'm more interested in compassion than
"excerpts from 'assemblages, environments & happenings"
alan kaprow
in
"happenings and other acts"
a compilation of texts edited by mariellen r. sandford
-routledge- 1995 first published
p. 239-240
chao
...pez
At 09:29 am -0600 2/11/00, cecil touchon wrote:
>That was very good Pez! What was the
Cecil:
I agree/relate sooo much with what you are saying
here. I use, what could easily seem to others, a
complicated process based on chance operations
concerning the projects that I'm working on and
the time (incl. *amount* of time) in which to do
these things. So, I therefore create a *game*
s
"Art should problematize popular relationships: work/play,
usefulness/uselessness, public/private, engaged/dis-engaged etc. For
example, art creates tension where it is both commodity (valuable) and
non-work (useless play). Art then, does not escape capitalism,
replacing it with a powerless ut
(apologies for cross-posting)
finally, the site is updated and we are featuring:
||TAM TALKS with GH HOVAGIMYAN |
http://alternativemuseum.org/home.html
In this RealAudio Video by Lee Songe Tam Monitor editor Cristine Wang talks
to media artist GH Hovagimyan at his home + studio in tr
-- Forwarded message --
Date: Sun, 05 Nov 2000 13:29:11 +0100
From: boek861 <[EMAIL PROTECTED]>
To: Vesna Milicevic <[EMAIL PROTECTED]>
Subject: Svjetlana Mimica/Mail Art
A//INGLES
B//ESPAÑOL
A//
INTERNATIONAL MAIL ART PROJECT
Theme: THE VILLAGE OF STARS
Size: FREE
Deadline
yes me too!
cecil
Sol Nte wrote:
> >I probably shouldn't post the entire A._S.L.O.T.H. text. It's quite long,
> but I can send it directly to whoever is interested. (As a MS Word
> attachment preferably)<
>
> Please do send it directly to me... [EMAIL PROTECTED]
>
> Thanks.
>
> >But then the a
> hi aaron,
> please send me a copy, will i be able to read it on my mac?
> the subject of work is an interesting one for the artist; so often i feel that
> people think i'm playing, which is true, however they don't say it in a nice
> way but infer that their endeavors are much more worth while s
Terrence writes;
Finite and Infinite games. This is a book that i have read. It gave me
some meaning and insight into my creative processes and evidential
objects. It could be just the book to understand what work and art
activity can mean and what things gives meaning to a creative life. You
are
>I probably shouldn't post the entire A._S.L.O.T.H. text. It's quite long,
but I can send it directly to whoever is interested. (As a MS Word
attachment preferably)<
Please do send it directly to me... [EMAIL PROTECTED]
Thanks.
>But then the art
itself wasn't considered "work".<
Well the ke
Aha!
But that's no defence is it?
>Oh yes, that was the...
>
>Right To Remain Silent Event
>
>Steal something rediculous like somebody's gate
>wait for police to show up
>remain silent no matter what from then on.
>
>Cecil Touchon Nov. 2, 2000
>
>
>Roger Stevens wrote:
>
>> ah, but the police th
[EMAIL PROTECTED],.Internet writes:
>I probably shouldn't post the entire A._S.L.O.T.H. text. It's quite
>long,
>but I can send it directly to whoever is interested. (As a MS Word
>attachment preferably)
Aaron - can you send me a copy of the entire doc at [EMAIL PROTECTED],
thanks. . . .
On th
For me the ideal is to do what one would do as one's leisure in such a way that
is becomes one's work or at least appears to. That's what I do and have been
doing for ten years now with great success. I use the idea of work - schedule,
dedicated space, business technique etc. - to fund myself and
> Interestingly Fluxus extols hard work as a means to an end. Maciunas
> considered work important to fund the art projects carried out in one's
> "leisure time".
>
> cheers,
> Sol.
Very true Sol. (and thanks for the additional resources) But then the art
itself wasn't considered "work".
Besides,
Oh yes, that was the...
Right To Remain Silent Event
Steal something rediculous like somebody's gate
wait for police to show up
remain silent no matter what from then on.
Cecil Touchon Nov. 2, 2000
Roger Stevens wrote:
> ah, but the police then appeared
> and the man found himself a good law
That was very good Pez! What was the source?
cecil
"narvis & ...pez" wrote:
> "in the near future, plans may be developed which take
> their cue from games and atlhetics, where the regulations
> provide for a variety of moves that make the outcome always uncertaint. a
> score might be written, s
-- Forwarded message --
IF YOU REALLY LISTENED TO THE DEBATES
Jim Lehrer: Welcome to the second presidential debate between Vice
President Al Gore and Gov. George W. Bush.
The candidates have agreed on these rules: I will ask a question. The
candidate will ignore the question an
The sight of Allen's nose as a face certainly sacres me! -Don
_
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Well, Ken would have printed it, anyway, it contains indeed some script,
that may infect, but I think it isnt dangerous.
H.
Sol wrote, in part:
Maciunas
considered work important to fund the art projects carried out in one's
"leisure time".
I read recently Frank Zappa's advice on being a composer; the last
instruction was along the lines of "Get a part-time job so you can afford to
do this more often."
I lucked ou
today in the mail-e
- Original Message -
From: "Susan Petersen" <[EMAIL PROTECTED]>
To: "Beatles-Collectors" <[EMAIL PROTECTED]>
Sent: Wednesday, November 01, 2000 4:35 PM
Subject: [Beatles-Collectors] Beatles Dot Com
> The Beatles will launch their first official Web site this month,
Hi Aaron,
Interesting text. Is art always play? Would it be possible to see the whole
text (uncut)?
Actually I'd forgotten about Bob Black and his call for the ludic revolution
in "The Abolition of Work"...it's the best thing he ever wrote I think.
Many have theorised against work. Bertrand Rus
-- Forwarded message --
Date: Thu, 2 Nov 2000 09:34:51 -
From: Peter Wagner <[EMAIL PROTECTED]>
To: FreeBSD List <[EMAIL PROTECTED]>
Subject: US PRESIDENT AND FBI SECRETS =PLEASE VISIT => (http://WWW.2600.CO
M)<=
VERY JOKE..! SEE PRESIDENT AND FBI TOP SECRET PICTURES..
Voila, lets see what the robots do more..
-- Forwarded message --
Date: Thu, 2 Nov 2000 08:43:56 +0100
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED], [EMAIL PROTECTED], [EMAIL PROTECTED]
Subject: ALERTE: VIRUS DETECTE DANS UN MESSAGE ENVOYE PAR
[EMAIL PROTECTED]
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