[Frameworks] XTOL for processing Tri-X Super8 (7266)

Hi there Frameworks, Does anyone know a recipe for developing Tri-X Super8 (7266) with XTOL? many thanks Nisha -- -- *- Nisha Platzer -* E-mail: nishaplat...@gmail.com ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com

Re: [Frameworks] The Flicker

It's not meant to be McClure loud. It was just 16mm optical track after all. At 22:10 -0500 27/02/17, Jonathan Walley wrote: Thanks Chuck, and thanks also to Pip, Scott, Steve, and Esperanza for their insights. I think tomorrow's screening will be do-able. My only real frustration at this

Re: [Frameworks] The Flicker

Thanks Chuck, and thanks also to Pip, Scott, Steve, and Esperanza for their insights. I think tomorrow’s screening will be do-able. My only real frustration at this point is how quite the DVD track is. Maybe I’ve been watching too much Bruce McClure, but I remember The Flicker as bring pretty

Re: [Frameworks] The Flicker

I love this thread—crowdsourcing at its finest! Seriously, the spirit of sharing knowlege and experience warms me on a cold day in these Trump times. Chuck Kleinhans ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com

Re: [Frameworks] Seeking 16mm print of Begone Dull Care

Thanks, everyone, for your advice. I've reached out to the NFB and MoMA. Darren On Mon, Feb 27, 2017 at 3:32 PM, Patrick Friel wrote: > Hi Darren, > > The Museum of Modern Art Circulating Film and Video Library has it. >

Re: [Frameworks] Seeking 16mm print of Begone Dull Care

Hi Darren, The Museum of Modern Art Circulating Film and Video Library has it. https://www.moma.org/research-and-learning/research-resources/circulatingfil m Also, the New York Public Library does, too. Not sure if it¹s part of their circulating collection.

Re: [Frameworks] The Flicker

Hi Jonathan, I have struck prints recently and I can confirm that there is an optical sound neg synched to the optical picture neg. However there is no precise correspondence between how the flicker flickers and how the audio clicks evolve. The soundtrack starts with 30s music over the three

Re: [Frameworks] The Flicker

I can confirm that in 2009, when Tony Conrad appeared in person at San Francisco Cinematheque, *The Flicker *was screened with soundtrack from a CD provided by Conrad. He specifically informed us that this was a *stereo* version of the usual 16mm mono soundtrack. I do not recall his instructions

Re: [Frameworks] The Flicker

Hi Jonathan, That is very strange. I have projected *The Flicker *2 or 3 times so far; print always came from LUX and the sound of course was optical and on the print. I believe the light patterns (the actual flick) are synchronized with sound in a very precise manner, as there is a crescendo in

Re: [Frameworks] The Flicker

*Hey Jonathan,* *Canyon rents a print with a soundtrack-on-film. * *Not sure whether the tape begins with the music that on sound prints accompanies the Warning. I've always assumed the sync during the flicker itself is not all that precise between the track and the images. Originally the film

[Frameworks] Big Ears Festival film lineup

Dear all, Back in October we posted a call for submissions here for Big Ears Festival in Knoxville, TN. As a followup we wanted to share the (mostly) complete film lineup, which features visiting filmmakers Roger Beebe, Jem Cohen, Jonathan Demme, Kevin Jerome Everson, Janie Geiser, and Bill

[Frameworks] The Flicker

Hello everyone, I’m showing The Flicker tomorrow in a seminar, and the print arrived from Filmmakers’ Coop with sound on CD (no optical track), which surprised me. When I’ve rented the film in the past, the print came had an optical track; to confirm my memory of this, I looked at images of