Dear Frameworkers:
I am working on a new film project with the Ealaíontóirí Mhuscraí
(that's Irish for the Muskerry Region Artists Group)
Part of the project will involve film / video making workshops where I will
show
them works from experimental film, creative documentary and artists' moving
im
Three is a severe limitation, but if you insist, one way to get at it is to
start not with films but with major traditions since mid-century and select
exemplary works within them. So for example abstract (Brakhage), minimalist
(Warhol, Wavelength), essayistic (Marker, Farocki, Forgacs). I inclu
] On Behalf Of
Donal OCeilleachair
Sent: March 27, 2015 1:43 PM
To: Experimental Film Discussion List
Subject: [Frameworks] What are the 3 Essential Films that you would show
Artists on their first foray into the Moving Image Realm ?
Dear Frameworkers:
I am working on a new film project with the
] What are the 3 Essential Films that you would show
Artists on their first foray into the Moving Image Realm ?
There are dozens, no, hundreds of “essential” films for artists to see. But
here are three I might use: Stan Brakhage, “Dog Star Man,” Robert Breer, “A Man
and his Dog Out for Air,” Phil
frameworks-boun...@jonasmekasfilms.com] on behalf of
> William Wees, Dr. [william.w...@mcgill.ca]
> *Sent:* Friday, March 27, 2015 7:45 PM
> *To:* Experimental Film Discussion List
> *Subject:* Re: [Frameworks] What are the 3 Essential Films that you would
> show Artists on their first foray into the Mo
I taught an introductory course in which I framed things under the
terms "underground," "avant-garde," "studio-art video," "video as
technology," "documentary," and a concluding section called "film
culture" (histories of organizing, concluding with Cashmere's Incite
issue devoted to exhibition).
Wavelength (Snow, 1967); Zorns Lemma (Frampton, 1970); Arnulf Rainer
(Kubelka, 1960) - in that order.
Peter
(Perth)
On 28/03/2015 9:47 am, "Bernard Roddy" wrote:
>I taught an introductory course in which I framed things under the
>terms "underground," "avant-garde," "studio-art video," "video as
thers, it's essential,
Nicky.
-Original Message-
From: Peter Mudie
To: Experimental Film Discussion List
Sent: Sat, 28 Mar 2015 2:38
Subject: Re: [Frameworks] What are the 3 Essential Films that you would show
Artists on their first foray into the Moving Image Realm ?
er Mudie
> To: Experimental Film Discussion List
> Sent: Sat, 28 Mar 2015 2:38
> Subject: Re: [Frameworks] What are the 3 Essential Films that you would show
> Artists on their first foray into the Moving Image Realm ?
>
> Wavelength (Snow, 1967); Zorns Lemma (Frampton, 1970); Ar
2015 6:56 PM
To: Frameworks Listserv
Subject: Re: [Frameworks] What are the 3 Essential Films that you would show
Artists on their first foray into the Moving Image Realm ?
Three is a severe limitation, but if you insist, one way to get at it is to
start not with films but with major traditions since
; per Vicky Smith's post)
> --
> *From:* FrameWorks on behalf of
> Gene Youngblood
> *Sent:* Friday, March 27, 2015 6:56 PM
> *To:* Frameworks Listserv
> *Subject:* Re: [Frameworks] What are the 3 Essential Films that you would
> show Artis
-
>> *From:* FrameWorks on behalf of
>> Gene Youngblood
>> *Sent:* Friday, March 27, 2015 6:56 PM
>> *To:* Frameworks Listserv
>> *Subject:* Re: [Frameworks] What are the 3 Essential Films that you
>> would show Artists on their firs
> Youngblood
>> Sent: Friday, March 27, 2015 6:56 PM
>> To: Frameworks Listserv
>> Subject: Re: [Frameworks] What are the 3 Essential Films that you would show
>> Artists on their first foray into the Moving Image Realm ?
>>
>> Three is a severe limita
To: Frameworks Listserv
Subject: Re: [Frameworks] What are the 3 Essential Films that you would show
Artists on their first foray into the Moving Image Realm ?
Three is a severe limitation, but if you insist, one way to get at it is to
start not with films but with major traditions since mi
dfilmfest.org.uk> wrote:
>
>> The problem with this list, as is often the case, is that women
>> filmmakers are written out of the 'canon'. Please include Maya Deren! (as
>> per Vicky Smith's post)
>> --------------
>> *From:* Fr
rameworks] What are the 3 Essential Films that you would show
Artists on their first foray into the Moving Image Realm ?
Three is a severe limitation, but if you insist, one way to get at it is to
start not with films but with major traditions since mid-century and select
exemplary works w
There are no three possible to represent the entire world of experimental
film.
But for women, you might want to start with Suspense by Lois Weber and
Philip Smalley. It's extremely experimental for the year it was made.
And with Shirley Clarke, having seen all of them now about two dozen times
e
RIP Cecile Starr. She championed so many experimental filmmakers,
especially those who were women, and yes, it, gender, it is an important
distinction. Few would know about Mary Ellen Bute (and Ted Nemeth), or
(Alexander Alexeieff and) Claire Parker (or Starr and her husband, recently
newly widowed
To say three film ? I would start with the history of Film / then the Man
with the moive camera ?
On Sat, Mar 28, 2015 at 11:29 PM, Elizabeth McMahon
wrote:
> RIP Cecile Starr. She championed so many experimental filmmakers,
> especially those who were women, and yes, it, gender, it is an impor
Although your question is for a specific purpose, the implications open up a
broader and deeper debate than choosing three films. Having been in higher
education for a long time and shown many works to different groups of students
(fine art in particular), certain works have come to the fore:
ahhhahaaa
http://listverse.com/2011/08/11/top-10-avant-garde-filmmakers/
jonas on top
so here we are:
http://en.wikipedia.org/wiki/Experimental_film
its a good entry actually but i think it misses some info we have here in
the minds on this listserv - i want to remind of the importance of
wik
Subject: Re: [Frameworks] What are the 3 Essential Films that you would
> show Artists on their first foray into the Moving Image Realm ?
> RIP Cecile Starr. She championed so many experimental filmmakers,
> especially those who were women, and yes, it, gender, it is an important
>
usic.org
> CVM email is cvmaccess (at) gmail.com
>
>>
>>
>>
>> -- Forwarded message --
>> From: Elizabeth McMahon
>> To: Experimental Film Discussion List
>> Cc:
>> Date: Sat, 28 Mar 2015 18:29:04 -0400
>> Subject: Re:
t;
>>
>> -- Forwarded message ------
>> From: Elizabeth McMahon
>> To: Experimental Film Discussion List
>> Cc:
>> Date: Sat, 28 Mar 2015 18:29:04 -0400
>> Subject: Re: [Frameworks] What are the 3 Essential Films that you would
>> show A
27;s Bute collection clearly prove this is a film by director Mary Ellen
>> Bute
>>
>> best regards,
>> Cindy Keefer
>> Center for Visual Music
>> www.centerforvisualmusic.org
>> CVM email is cvmaccess (at) gmail.com
>>
>>>
>>>
>
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