Like a "glissando" - is that all what you care about in Firebird ?
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Sent: Sunday, November 07, 2004 4:10 AM
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BRAVO! EXCEPTIONALLY WELL SAID. it is true. the better the musicians i have
met. the humbler(there be such a word) they are. shooting everything
straight from your brain without refining it through your vocal cords does
show obnoxiousity(once again, there be such a word) and arrogance. its not
All links in my Franz Strauss pages should work now including the MP3
samples, recorded with his own horn & mouthpiece should work now. For
the German readers: die wichtigsten Seiten haben jetzt auch einen
deutschen Text.
Have fun - viel Spaß
By the way: several new quartets & quintets by Wunder
Have you or Steve ever played with conductors like Dr.Karl Boehm or
Leinsdorf or Kubelik or Muti or whoever of these great calibres, you
might say still that they were humble figures - privately - but not when
conducting. Other example come to mind: Fritz Reiner & Arturo Toscanini.
Even looking at
All:
Has anyone on the list performed Michael Haydn's
Concertino for Horn and Alto Trombone? If so, do you
have any recommendations for good, representative CD
recordings? My younger brother is in his final year of
study as a trombone major, and is putting together his
final recital. Any recommend
Hello!
Does anyone on the list know the differences between the Wendell Hoss
Transcriptions of the Cello Suites and those by Francis Orval? There is a
15.00 dollar price difference...is it justified?
Thank you,
Paul R.
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uns
Jim wrote:
Snip..
The faster I tongue, the more it goes away since I suppose the mouth doesn't
have a chance to set up to 'chew'. I've done 'alright' up to this point
playing-wise but think I could do much better and things would be much
better and simpler if I eliminated this embouchure problem.
Hans writes:
>>>Hans Pizka
Principal horn in the orchestra were Mozart brought his first great
opera to premiere; studied in Vienna, where Mozart first performed most
of his greater opera (from opus, opus - includes concerti, symphonies,
operas, etc.), - thus my source of Mozart tradition & style
Dennis Brains recordings of the Mozart concerti are singular,
representing true respect for the Mozartian text & showing the same time
Dennis Brains unique style.
I regard Michael Hoeltzels recordings of the Mozart concerti as the best
regarding true Mozart style. There is no EGO in his recordings
On Sunday, November 7, 2004, at 12:17 PM, John Dutton wrote:
From: "John Dutton" <[EMAIL PROTECTED]>
Date: Sun Nov 7, 2004 12:17:13 PM US/Eastern
To: "Memphis Hornlist" <[EMAIL PROTECTED]>
Subject: [Hornlist] Chewing-embouchure problem
Reply-To: The Horn List <[EMAIL PROTECTED]>
Jim wrote:
Snip..
I'm looking for Christmas music (or other music that might be available)
for 2 flutes (or flute and oboe), 2 clarinets, and horn. Anything out
there?
Joyce
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Can you make a your comments for the February issue mostly concerning this
event? The reminder will be coming out in a week or so.
Thanks,
Heather
PS. Scott Meland says, hello.
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> I'm looking for Christmas music (or other music that might be available)
> for 2 flutes (or flute and oboe), 2 clarinets, and horn. Anything out
> there?
>
> Joyce
My project of presenting Danish hymns and carols in modular arrangements
allowing for very flexible instrumentation:
http://laun
> You can try several things to eradicate unwanted twa-twa
As a matter of addition (NOT disagreement!), Dave Krehbiel used to use a
neat little ditty to work this out of one's playing.
It assumes at least SOME ability to double-tongue, so is not of much use for
beginners. It is, however, a great
This debate over musicality fascinates me. It begs me to ask the question,
"Why do we perform music and why do we strive to perform well?" Do I play
simply to gratify myself and prove to myself how good I am? If this were the
case, I would love to believe that I have an innate ability in me t
You might want to check the Salvation Army Christmas books. The parts come
in a wide variety of keys so that you can mix and match to fit a variety of
odd membered ensembles. Check this attachment, it lists the keys and which
part so that you can mix and match as needed. If there is any probl
The attachment is a link to Florida Music Service. They have the Carolers
Favorites for a wide varitey of instruments so that you can mix and match as
you need. I hope that this helps. If the attachment does not work, simply
go to www.floridamusicservice.com their site is pretty easy to naviga
"Say, where is he these days? I lost e-mail contact with him about
a year
after he retired from SanFran."
Dave Krehbiel is currently living in central California, close to
Fresno. I was lucky enough to be able to study with him briefly while he
was teaching at Cal State Fresno.
Jena
E
My own suggestions have been forwarded to the list. That fact will not make
avoid to support Chris' suggestion by discussing the needs for a special
grouping like the one of Joyce.
That group has 3 instruments with a fairly even projection and dynamic
potential over most of their range: the clarin
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