How far is the nerve damaged ? It all depends on that not
just on the repair of teeth. The nerve is all, teeth can be
replaced easily with todays technique.
Franz Soellner, fine third & second horn of the Vienna
Philharmonic & also superb chamber musician, he fell in his
dining room accidentally t
Looks to me like the Horsck wrap described by Cabbage.
Herb Foster
--- Alan Cole <[EMAIL PROTECTED]> wrote:
> I've seen plenty of odd-looking instruments, both hornish &
> non-hornish. Here's 1 that defies recognition:
>
>
http://cgi.ebay.com/Musical-Instrument_W0QQitemZ7357680114QQcategoryZ1
Michelle,
Get some VOCAL music (SSAA unaccompanied) and have them play as written. No
transposition is necessary and it should be well within their range. Teach
them to SING through their horns. There is plenty to choose
from...renaissance motets through jazz and pop.
Paul
- Original Messag
In a message dated 10/14/2005 2:33:34 PM Eastern Daylight Time,
[EMAIL PROTECTED] writes:
The modern G# switch point is a good choice because the music we play
now is harder and the Bb horn is more responsive to fast technique in
that range. That said, there are also many pieces which can bene
In a message dated 10/14/2005 6:49:40 PM Eastern Daylight Time,
[EMAIL PROTECTED] writes:
Sure is. I've owned various examples, but they've all been a more
conventional wrap. I haven't seen one that bypasses the second valve on the
way in, then connects the bell to it. Anyone recognize the ma
I just want to expand a little bit on Hans' suggestions for cleaning a horn.
He is correct in noting that nickel and gold brass horns are more corrosion
resistant than brass - however, the build up of copper carbonate (that hard
greenish stuff), is what will do the damage to a horn - and it will bu
Yes, I agree, but if the horn is cleaned inside regularly,
no accumulated copper carbonate will build up. It is up to
the players care of the instrument. My own instruments look
like just bought even after twenty years of use. That´s it.
-Original Mess
I guess that I would like to stress that even if you "can't" sing, you should
at least try to sing through etudes and the like, it really does help
strengthen one's inner sense of pitch relationships. Additonally one can often
discover the most sensible articulations by vocalizing the melodies.
Absolutely. There is a reason most music schools require singing, and
singing on note names or solfege syllable at that - it makes one a better
musician.
-S-
> -Original Message-
> From:
> [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED]
> du] On Behalf Of David Jewell
> Sent: Saturday, O
But Ken,
Doesn't putting oil down your leadpipe just end up washing slide grease
through the horn? And then you'll have to deal with rinsing out green slime
every month or so? Or am I doing it wrong?
Aleks Ozolins
NYC
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] O
I'd like to add one more point - if you do not wish to sing, for whatever
reason, you have my deepest sympathy but there is another thing you can try
that involves only your horn:
Do not buy music, just think of a song you know "by ear" - a children's song
like Twinkle, Twinkle, Little Star, a fol
The late S. Earl Saxton was a very fine gentleman, a scholar,
pedagogue, and a skilled horn player . He had several articles
published on what he called "Hornsinging." The point being that one's
horn can sing when played well even if your vocal talents are not very
good. He was right. Ther
It is indeed a Buescher cornet. In the early 1900s, Conn made a similar
model which is sometimes called a "crossover" model because of the way the
connections between the valves cross over instead of just going in line from
one to
the next. In the 1870s, Conn made some way more outlandish lo
Dave Weiner wrote:
Hey, here's a good exercise: play all your scales, arpeggios, and other
warm
up studies, but where you would normally play on your F side, play the Bb
side, and vice versa. When I used to have a particularly difficult passage
on
piano, I'd practice it backwards. It forces
It's been my impression that the more years you go back, the higher the
switch point was thought to be. I've wondered if, when the double horn first
came into use, if it wasn't thought of something like the descant horn is
today. Primarily a horn in F but with the Bb horn available for par
Buescher double horns are very interesting, but little known. I believe the
early ones were stencils made by Alexander. Later they had Conn make them a
version of the 6D that, in my opinion, plays much more professionally than the
Conn version. Very similar to a good Kruspe, and with unbeliev
Since suffering a stroke, I've found my Paxman 42 descant is egonomically my
easiest horn to play, so I'm using it for all my playing. Most of my pro
playing, many years ago, tended to be as a 4th specialist, and I was taught to
rely heavily on the Bb horn, and develop my tone concept from effe
Hi
Counting rests today during a rehearsal I noticed a list of music on the back
cover of Beethoven's First Symphony (Breitkopf & Härtels edition). My curiosity
was aroused and so far a google search hasn't helped.
Do any of you know anything about any of the following works (availability,
diff
Awesome --- thanks! I posted to the list quite late last night, and the
sectional was today --- so I have just read messages now, after the
fact. I did take some motets and trios to play -- and sing! Nice to
know that my singing approach was "on". If I do the clinic again next
year, I will do e
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