Howard Sanner sent a message to the horn list regarding the sudden
death of one of my students, Madalyn Byrne. Mady was a Sophomore Music
Education Major. She would have made a great teacher. I will share
with you the contents I wrote on the Yahoo list. My response to an
obviously crushed Mr. S
I recommend Procession of the Nobles. My horn choir is playing it for solo
and ensemble. Every part is featured and the parts encompass 2-3 different
playing levels. It would work well for 5 players only or for a choir. The
trumpet solos are being played as a solo - giving rest to those who nee
_www.pelicanmusicpublishing_ (http://www.pelicanmusicpublishing) has a
selection of good quartets available:
de Falla's The Magic Circle and the Finale from "El Amor Brujo"
and two of my favorites... Fog Horns Waltz by Mary Ann Tilford and
Sibelius' Finlandia arranged by Mort Shafer.
Agreed - which I'm sure we both agree to be an absurd amount of negative
attention being paid to an excellent player's rather trivial mistake.
-Original Message-
SNIP-
so it is all gone with the wind (other than the ensuing brouhaha) at
this point.
Peter
_
Jeremy,
For the record, neither concert transmission was "live". I think the actual
performance was streamed on the net at 4AM EST yesterday. Now, I'm sure you
are right about the logistics of plugging in a few notes without the
benefit of a second take or performance, but at least there was half-
Just using a regular double plus using special horns for
special tasks, not just one instrument for everything,
that´s the best. I do not blame the multi-sport-models by
Schmid (their finish is nearly unbeatable, but I do not like
their sound much). I did not blame nobody. Things happen.
But the mo
Thank you Bill, that was very informative.
Your mention of the saxhorn reminds me of a story related in the
autobiography of the clarinettist Jack Brymer, concerning Richard
Strauss' last ever concert in London. He was conducting Sinfonia
Domestica, which requires huge forces, including 4 saxophon
Hans I.,
Thanks for the links. I thought it was a very good performance. The NY
section is one of the very finest in the world. Man, Phil can even miss a
note and still sound great! They performed the Schumann Konzertstuck with
us a few years ago. It was absolutely flawless! The most thr
I have a copy in stock. Please see my webpage:
http://www.mayhews.us/CI/Music/Sheetmusic.htm. Just send me an email if you
want to order it.
Loren Mayhew, Owner
Computer Intelligence LLC, dba
CI Music
[EMAIL PROTECTED]
www.mayhews.us/CI/Finke
001 (520) 289-0700
-Original Message-
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You mean I could have been blaming my horn for all of my mistakes this
entire time??
Dangit, why didn't I get the memo?!
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Wednesday, February 27, 2008 10:58 AM
To: [EMAIL PROTECTED]; horn@music.memphis.edu
Subjec
Thats definitely interesting. If they ran a version which had no
blipped horn run, then they had to have run a previous recording.
Thanks to the laws of physics, there's really no way to splice such a
section in from a previous or different concert without half or more of
the listening public to
I'm wondering if I missed something. The NY Phil horn section is one
fantastic horn section and if somebody missed a note it's hardly a hanging
offense, even here in Massachusetts. I don't think any of them need any
excuses.
Bob Osmun
www.osmun.com
-Original Message-
From: [EMAIL PROTECTE
Ah Peter, I am hanging in Boston and did not see the broadcast. the lanky guy
is Thomas and he is on third with Eric "elevated" to acting Associate. The
orchestra hired Dave Smith just after Jerry's passing to play until someone was
hired.
So i assume that is who you saw.
Now the seating cou
Hi!
You can find a recording under:
Part 1:
http://mfile.akamai.com/39759/wmv/artegeie.download.akamai.com/39759/mfile/arteprod/A7_SGT_ENC_02_039276-001-A_PG_MQ_DE.wmv?obj=9614f77576cf6ec288d09b301efda745
Part 2:
http://mfile.akamai.com/39759/wmv/artegeie.download.akamai.com/39759/mfile/arteprod/A
This whole thread is amusing in what it reveals of the poster's attitudes
and I won't attempt to compound or rebut any specific post other than to
echo Debbie by saying we've all "been there, done that" on some level when
things just did not come together the way they were supposed to for
whatever
So, just out of curiousity, if the Schmid horns are to blame for these
troubles, then what would you recommend to the NY Philharmonic section that
they play instead?
Dave Weiner
Brass Arts Unlimited
-Original Message-
From: [EMAIL PROTECTED] <[EMAIL PROTECTED]>
To: The Horn List
S
Any elk hunters out there?
http://www.nytimes.com/2008/02/27/us/27elk.html?_r=1&scp=1&sq=elk&st=nyt&oref=slogin
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post: horn@music.memphis.edu
unsubscribe or set options at
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I have a copy in stock. Please see my webpage:
http://www.mayhews.us/CI/Music/Sheetmusic.htm. Just send me an email if you
want to order it.
Loren Mayhew, Owner
Computer Intelligence LLC, dba
CI Music
[EMAIL PROTECTED]
www.mayhews.us/CI/Finke
001 (520) 289-0700
-Original Message-
This is great information, William. Thank you. Do you know anything about the
Kent horn? It seems to have been played by horn players as well as by trumpet
players.
Eric James
- Original Message
From: William Melton <[EMAIL PROTECTED]>
To: horn@music.memphis.edu
Sent: Wednesday, Fe
I'm curious as to what instrument Mahler had in mind (and what
instrument is commonly used today, if different) to play the Tenor
Horn part for the first movement of Mahler 7.
Jonathan, though players outside central Europe to find it hard to
accept, Mahler did
indeed write the piece for Tenor
I'm curious as to what instrument Mahler had in mind (and what
instrument is commonly used today, if different) to play the Tenor
Horn part for the first movement of Mahler 7. I've never had the
opportunity to see a live performance.
>From listening to it on CD, it sounds rather like a euphonium.
Why not mixing all four Brahms Symphonies note by note &
perform them ? And perhaps the no.5 symphony ? Someone
understands, what I am speaking off ? The no.5 Brahms ???
Could be one, sounds like one ?
From: "Richard V. West" <[EMAIL PROTECTED]>
The way it works, actually, is that each of us (in alphabetical order of
course) plays every fourth note. In each part. It's quite a virtuoso
performance. We'd hoped to hand off the horns as well, but that made our
conductor just a w
There was a performance of the Concert Rondo by Mozart at the Manchester Horn
Festival 1986, played by six players & every note by another player. It was
stunning & funny the same time.
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h
Debbie, the problem is not what happen to the player during the symphony. These
things happen due to unknown factor. They just happen. We are not machines.
But there is no space for excuses like allergy, food, hot water, sun, snow, or
as you mentioned arrests. Why arrests ? If people get drunk a
Steve:
The way it works, actually, is that each of us (in alphabetical order of
course) plays every fourth note. In each part. It's quite a virtuoso
performance. We'd hoped to hand off the horns as well, but that made our
conductor just a wee bit nervous.
Richard in Seattle
Steve Haflich wr
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