Hello,
I just got my computer functioning after a hard drive crash, so couldn't respond
sooner (didn't even see the messages until a half hour ago). It is not
uncommon for me to play in 8 or 9 sharps or flats. When I play tuba I usually
use an E-flat tuba. I read it in treble clef, add 3
.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
[EMAIL PROTECTED]
Sent: Friday, October 29, 2004 5:49 AM
To: [EMAIL PROTECTED]
Subject: Re: [Hornlist] Theoretical Minor Keys revisited
Indeed. However
!!Ha ha ha ha h ah a h!!!
Bob Dickow
Lionel Hampton School of Music
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
Patrick Morgan
Sent: Thursday, October 28, 2004 9:45 PM
To: The Horn List
Subject: Re: [Hornlist] Theoretical Minor Keys?
Just
]
Sent: Thursday, October 28, 2004 11:19 PM
To: [EMAIL PROTECTED]
Subject: [Hornlist] Theoretical Minor Keys?
I'm doing a quickie music theory worksheet where we have to
go through and rapidly write down all the minor key
signatures based on the note letter given.
Pretty simple really, you
In a message dated 10/29/2004 6:21:52 AM Eastern Standard Time,
[EMAIL PROTECTED] writes:
I wonder if that individual reported his/her math professor for teaching
calculus.
I think it more likely that his or her philosophy professor was reported for
teaching ethics.
Dave Weiner
I do the same thing with my students. It is handy for them to be comfortable
with the concept that Bb major and B major have a seven accidental
difference. Demonstrating with D# major and such simply reinforces the
concept. But this is certainly different from learning to play scales.
Jeremy
don't remember it.
-S-
-Original Message-
From:
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du] On Behalf Of [EMAIL PROTECTED]
Sent: Thursday, October 28, 2004 11:19 PM
To: [EMAIL PROTECTED]
Subject: [Hornlist] Theoretical Minor Keys?
I'm doing a quickie music theory
Is this perhaps why much modern 20th century music and etudes with many
double sharps and double flats (anything Hindemith, some of the Maxim-Alphonse
book 6 etudes) encounter much sight-reading trouble with most students of music?
Of course apart from extremely tough intervals and rhythms
, October 29, 2004 2:33 PM
To: The Horn List
Subject: Re: [Hornlist] Theoretical Minor Keys?
Hello,
Tuba players who have learned in Brass bands only to play
from Eb treble clef parts, when confronted with bass clef in
C often transpose the part by reading for Eb treble clef and
adding 3
I just did some written work and figured out that indeed there would be
theoretical 'double flat' key signatures for d flat, g flat and c flat:
The c # minor scale:
C# D# E F# G# A B C#
Which translates to this in d flat minor:
Db Eb Fb Gb Ab Bbb Cb Db
So you would get a 7 flat key
I pray to the theory gods there is no music written in those keys...
that would make for excedrin filled days
DM
Le 29 oct. 04, à 00:40, [EMAIL PROTECTED] a écrit :
I just did some written work and figured out that indeed there would be
theoretical 'double flat' key signatures for d flat, g
Indeed. However, it might actually be quite satirical to try to write
something with 7 sharps and 5 double sharps...
*spolier*
Its just the key of C...
*end of spoiler*
However I wonder how many minutes it would take most musicians to see the
humor in that and not be thoroughly angry
Makes me want to do that now... its like the next degree of
Cage-humour. Except this is intentionally funny
DM
Le 29 oct. 04, à 00:49, [EMAIL PROTECTED] a écrit :
Indeed. However, it might actually be quite satirical to try to write
something with 7 sharps and 5 double sharps...
*spolier*
Its
it could be attempted débussy-esque, but then I'd either get sleepy, or
vomit from the overwhelmingly etherial-ness(sp?)
DM
Le 29 oct. 04, à 01:05, [EMAIL PROTECTED] a écrit :
Sounds like something Stravinksy would try. Charles Ives maybe,
although it
would have to be conflicting key
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