Message text written by The Horn List
>Well, you should agree with other sections on which zigzag
of the conductors beat all should release their sound. If
you play after the beat (as trombones do too often !), you
will be late.<
Dear All
Reminds me of a rehearsal many years ago where the conduct
In a message dated 10/10/05 2:14:56 PM, [EMAIL PROTECTED] writes:
> But the main problems for recordings is the feed-back, so to
> say the SALE. As long as pop music could pay for classical
> recordings, the world was in good order,
>
Hi Hans,
I was refering mostly to commercial recordings- stu
[EMAIL PROTECTED]
Sent: Monday, October 10, 2005 6:45 PM
To: horn@music.memphis.edu
Subject: Re: [Hornlist] Anticipating the Beat
In a message dated 10/10/05 6:48:54 AM,
[EMAIL PROTECTED] writes:
> You wonder what goes through the minds of the producers.
>
David and all,
Unfortun
In a message dated 10/10/05 6:48:54 AM, [EMAIL PROTECTED] writes:
> You wonder what goes through the minds of the
> producers.
>
David and all,
Unfortunately, one of the big concerns of producers today (as I have
witnessed on many recording sessions), is that the cost of recording (studio
tim
In a message dated 10/10/05 6:48:54 AM, [EMAIL PROTECTED] writes:
> You wonder what goes through the minds of the
> producers.
>
David and all,
Unfortunately, one of the big concerns of producers today (as I have
witnessed on many recording sessions), is that the cost of recording (studio
tim
& you will be in
heaven. Viel Spass !!!
=
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Loren Mayhew
Sent: Monday, October 10, 2005 5:46 PM
To: 'The Horn List'
Subje
There are several reasons suggested for this problem. Unless the horns
are miked and tracked separately, it doesn't seem likely to blame the delay
on the sound engineers. The fact that the horns are the only ones late
suggests that it is not a problem understanding the conductor's beet. Rather
i
In a message dated 10/9/2005 9:42:00 PM Eastern Daylight Time,
[EMAIL PROTECTED] writes:
A quarter of a beat is pretty extreme, and if the conductor was not
complaining, and you felt like you were playing exactly with everyone else,
there might
be more to the problem than meets the ear.
I wond
Well, you should agree with other sections on which zigzag
of the conductors beat all should release their sound. If
you play after the beat (as trombones do too often !), you
will be late. Everybody has to come with the beat, which
means, all have to link in with the conductors beat, feel it
& pla
Hi Nick,
It is really up to the conductor to fix this problem. I have had situations
when I had to anticipate a bit to give the conductor what he wanted. Other
times, I played along with what I heard and all was well. What I DO know is
that you cannot completely trust the recording. Microph
Hi, Nick -
I don't know about your particular situation, but I've found that it's good
to have something behind the horns other than curtains, 100 percussionists,
etc. My favorite place to sit is to the right of the WW's. The only
downside to this is being close to the second violins.
Also, for m
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