lto:[EMAIL PROTECTED] On Behalf
Of [EMAIL PROTECTED]
Sent: Saturday, February 25, 2006 1:12 AM
To: horn@music.memphis.edu
Subject: Re: [Hornlist] curious pricing
yet again it is assumed that the beginning horn student starts out with a
private teacherthis is false, maybe in Europe, but no
WIlliam Botte wrote:
A young oboist in the local high school band was required to play a bell
front F marching horn. She was annoyed to discover that the notes she
was playing sounded lower than read. Her remarks, "Who dreamed up this
stupid system!",
I guess she'd never gotten to play the
In a message dated 2/25/06 5:06:29 PM, [EMAIL PROTECTED] writes:
> On Feb 25, 2006, at 4:58 PM, WIlliam Botte wrote:
> > Why continue this nonesence?
> > Republish every thing horn in F or C. In one clef.
>
I am not sure whether anyone has mentioned it yet, but
one of the reasons for having th
Just a few questions:
1.. Shall we have the music put in tenor or alto clef?
2.. Who will make sure that all publishers co-operate?
3.. What do we do when and older part is the only one available and none of
the hornists knows how to read it?
Most instruments have some aspects of their notat
On Feb 25, 2006, at 4:58 PM, WIlliam Botte wrote:
Why continue this nonesence?
Republish every thing horn in F or C. In one clef.
It's a simple matter to republish everything, not quite so simple
getting anyone to buy it. Why should an orchestra buy a new set of
parts for Beethoven 5 when
Orlando Pandolfi wrote:
> This brings ups some interesting questions that I
> have had for a while now. As one who has taught
> both in the US and in Europe, I must say that the
> system of solfege, clef reading, and ear training
> that formed the basis of musicianship for my
> European stu
perhaps some historical perspective from Hans and
others who have been in the business much longer than I.
Orlando
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of Hans.Pizka
Sent: Saturday, February 25, 2006 2:21 AM
To: 'The Horn List'
Subject: RE:
yes Hans, we do live on different planets, but we agree on one thing, the
bottom line is the music! Some will study many many years and never get it.
Thanks for the info
Larry
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OTECTED] On
Behalf Of [EMAIL PROTECTED]
Sent: Saturday, February 25, 2006 7:12 AM
To: horn@music.memphis.edu
Subject: Re: [Hornlist] curious pricing
yet again it is assumed that the beginning horn student
starts out with a private teacherthis is false, maybe in
Europe, but not here in the
yet again it is assumed that the beginning horn student starts out with a
private teacherthis is false, maybe in Europe, but not here in the states.
Usually a young student picks up the horn on the first day of school and then
has to sit next to everyone else in band class and learn to play
In one of my various careers I was a Structural Engineer. I started that
profession at the same time electronic calculators and computers were
replacing slide rules and electric calculators.(*) There were methods for
analyzing the behavior of building under load that had been developed for
hand cal
Hello all,
Larry, please don't speak for me! I've been playing and studying the
horn for over 35 years (some professionally), still practice daily,
including such mundane things as scales, long tones and 'non-
transposed' orchestral excerpts, and don't consider myself a
"nobody". No German
lto:[EMAIL PROTECTED] On
Behalf Of [EMAIL PROTECTED]
Sent: Friday, February 24, 2006 8:23 PM
To: horn@music.memphis.edu
Subject: Re: [Hornlist] curious pricing
simple task of transposing?? Maybe simple to you. Was there
once a time when the great Hans, was not so great at
transposition? Maybe even
simple task of transposing?? Maybe simple to you. Was there once a time when
the great Hans, was not so great at transposition? Maybe even a bit scared? I
know you would never admit that!
I have seen many young students play the heck out of Ravel's Piano Concerto
in G...they were too young to b
It does raise some interesting "philosophical" questions. At what point
does change in available technology become a blessing or a curse?
As to Tuckwell's participation, well there is a story involving the actor
Michael Caine and I believe Sir John Gielgud that occurred early in Caine's
career.
stics".
===
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of [EMAIL PROTECTED]
Sent: Friday, February 24, 2006 5:02 AM
To: horn@music.memphis.edu
Subject: Re: [Hornlist] curious pricing
Do you have to slam everything Hans? I have some ne
ell
Sent: Thursday, February 23, 2006 8:54 PM
To: The Horn List
Subject: RE: [Hornlist] curious pricing
"Hans.Pizka" <[EMAIL PROTECTED]> wrote:
Or do you meanthere were e.g. two parts for every concert,
the original part to be transposed & the other part
transposed allready?
pson
Sent: Thursday, February 23, 2006 8:43 PM
To: horn@music.memphis.edu
Subject: RE: [Hornlist] curious pricing
>If one is not capable to
>transpose a simple Mozart text with a minimum of
accidentals & most
>simple melodies plus a few runs or arpeggios to E-flat, he
or she is
>not
Do you have to slam everything Hans? I have some news for you, some of us
don't count every time we play the long call and don't post it on our website.
Believe it or not there are people out there who play the horn for fun, not to
defecate all over the great Wolfgang Mozart by using the sacrile
"Hans.Pizka" <[EMAIL PROTECTED]> wrote:
Or do you meanthere were e.g. two parts for every concert, the original
part to be transposed & the other part transposed allready?
By "natural horn part" I simply meant the original part for horn in D
and horn in Eb. I was using the t
>If one is not capable to
>transpose a simple Mozart text with a minimum of accidentals
>& most simple melodies plus a few runs or arpeggios to
>E-flat, he or she is not worth playing this genius.
>Punctum !
Then should it follow then that if one can't spell and grammatically write
English proper
Salesmen have used the old 'two for the price of three' routine since
money was invented. If they get too greedy remind them that, you can
fleece a sheep over and over, but you can only skin it once.
-Original Message-
From: David Jewell <[EMAIL PROTECTED]>
To: horngroup <[EMAIL PROTECT
Sorry, I did not know that there was a separate natural horn
part for the Mozart concerti. Was I doing wrong using the
original parts when playing them on my original 18th century
natural horn ? Please, enlight me kindly. Or do you mean
there were e.g. two parts for every concert, the original
part
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