David Nalesnik-2 wrote
Here's my hack!
A while back I was experimenting with defining new grobs, and a
chord-parenthesizer was one of them. It's based on a rewrite of
`arpeggio-engraver.cc' and incorporates material from `stencil.scm'
(to draw the parentheses) and uses the approach found
On 23/09/12 17:12, TaoCG wrote:
David Nalesnik-2 wrote
Here's my hack!
A while back I was experimenting with defining new grobs, and a
chord-parenthesizer was one of them. It's based on a rewrite of
`arpeggio-engraver.cc' and incorporates material from `stencil.scm'
(to draw the
On Fri, Sep 21, 2012 at 3:37 PM, David Kastrup d...@gnu.org wrote:
Janek Warchoł janek.lilyp...@gmail.com writes:
However, the idea of creating another shortcut (p seems to be a good
name) appeals to me. I would design p to repeat chords as well as
pitches.
When writing c e c q p, what
Am 23.09.2012 13:01, schrieb James:
Hello,
On 23 September 2012 09:34, Janek Warchoł janek.lilyp...@gmail.com wrote:
On Fri, Sep 21, 2012 at 3:37 PM, David Kastrup d...@gnu.org wrote:
Janek Warchoł janek.lilyp...@gmail.com writes:
However, the idea of creating another shortcut (p seems to
2012/9/22 Hartmut Leister haleis...@gmx.de:
Hello everybody,
On Fri, 21 Sep 2012 23:53 -0700 (PDT), eluze elu...@gmail.com wrote:
since this is an English speaking list I reply in English
Oh, I am sorry. I totally forgot about this.
for the first question you should have a look at
Thomas Morley thomasmorle...@googlemail.com writes:
\version 2.16.0
x =
#(define-music-function (parser location rhythm)(ly:duration?)
#{
\once \override ChordName #'stencil =
#(lambda (grob)
(grob-interpret-markup grob (markup #:small x)))
r $rhythm
Janek Warchoł janek.lilyp...@gmail.com writes:
An example which shows that when you have shortcuts you don't even
need functions for automated manipulation:
bong = { q16 q q q q16 q8. }
{ c' e' g'2 \bong c' f' a'2 \bong d' g' b'2 \bong }
But bong does not include the original chord of
2012/9/23 David Kastrup d...@gnu.org:
[...]
I'd replace \once \override with \tweak and remove the = sign (untested
though). If it works, it takes less chances interfering with stuff
possibly happening at the same time. I haven't actually tried, so no
guarantee.
Testing:
x =
So, i still think that we shouldn't allow c2 4 4 despite some
really nice benefits it could bring us.
Well, it won't affect previously valid programs. And it would have
some nice side effects, including
c4~ | 1~ | 2.
with or without bar checks or spaces, and reasonably
Thomas Morley thomasmorle...@googlemail.com writes:
2012/9/23 David Kastrup d...@gnu.org:
[...]
I'd replace \once \override with \tweak and remove the = sign (untested
though). If it works, it takes less chances interfering with stuff
possibly happening at the same time. I haven't actually
Werner LEMBERG w...@gnu.org writes:
So, i still think that we shouldn't allow c2 4 4 despite some
really nice benefits it could bring us.
Well, it won't affect previously valid programs. And it would have
some nice side effects, including
c4~ | 1~ | 2.
with or without bar checks or
Am 23.09.2012 14:40, schrieb James:
Hello,
[...]
This construct doesn't allow for mixing single notes with
chords.
I see. Hmm...yes that's awkward.
There are instruments and music styles which greatly
benefit from having 'q' available, whereas others don't,
I write a lot of music for
Hello,
I have a piece for singer and piano. I want to write the notes for the
piano. The words should be written above the piano notes as the would
appear when the singer's staff is visible. But since the piano melody is
mostly the same as the singer's melody the singers staff should be
Marc Hohl m...@hohlart.de writes:
Am 23.09.2012 14:40, schrieb James:
From a novice's point of view q on the face of it is handy, but handy
in the sense that some of the LSR hacks are handy, it just seems so
unlike/inconsistent with any of the other commands we use in LP. I
don't personally
Marc Hohl m...@hohlart.de writes:
Ok, that's another possibility – *if* we could use variable names like
em7, c7b5 and store chords in that, this would be even better, but
this yields to yet another big amount of philosophical mails ;-)
It would make more sense to improve the configurability
- Original Message -
From: Helge Kruse helge.kr...@gmx.net
To: lilypond-user@gnu.org
Sent: Sunday, September 23, 2012 5:25 PM
Subject: Suppressing staff
Hello,
I have a piece for singer and piano. I want to write the notes for the
piano. The words should be written above the piano
Thank you for all your work on Frescobaldi. I really like the automatic
formatting and .pdf preview. It saves me a lot of time.
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/ANN-Frescobaldi-2-0-8-tp132939p133404.html
Sent from the User mailing list archive at
Hi LilyPond coders,
I'm quite happy to tell you that I just finished a new version of my
'lilyglyphs' package. This is not a release, but just a progress from a
0.0.1 version to a 0.0.2, so don't expect anything polished here.
For those who missed the first announcement a few weeks ago:
Dear Lilyfriends,
I'm very happy to announce you that I've now finished my Ph.D.
research project: the critical edition of Tommaso Traetta's
/Enea nel Lazio/ (1760), a beautiful (and mastodontical) opera
seria with libretto of Vittorio Amedeo
On 12-09-23 07:15 PM, Luca Rossetto Casel wrote:
Dear Lilyfriends,
I'm very happy to announce you that I've now finished my Ph.D.
research project: the critical edition of Tommaso Traetta's
/Enea nel Lazio/ (1760), a beautiful (and mastodontical) opera
Congratulations, Luca!
I'm very happy to announce you that I've now finished my Ph.D.
research project: the critical edition of Tommaso Traetta's
/Enea nel Lazio/ (1760), a beautiful (and mastodontical) opera
seria with libretto of Vittorio Amedeo
I've tried everything but I can't get the first bar without square brackets to
look like the second bar with square brackets. Can someone make it so.
\version 2.16.0
\language english
#(set-global-staff-size 24)
\score {
\context Voice = one {
\key g \major \time 4/4
pabuhr pab...@fastmail.fm writes:
I've tried everything but I can't get the first bar without square brackets to
look like the second bar with square brackets. Can someone make it so.
\version 2.16.0
\language english
#(set-global-staff-size 24)
\score {
\context Voice = one {
23 matches
Mail list logo
