On Thu, Jul 31, 2014 at 2:44 PM, MING TSANG wrote:
Hi, lilyponders:
I try to engrave a hymn which has two staff - one for SA and one for
TB. At measure 70 to the end (measure 91) SA staff split into two S
& A and each contains two voices. TB stays on one staff till the end.
SA measure 1 to
On Thu, Jul 31, 2014 at 08:36:43PM +, Marten wrote:
>
> Yes, Jim, that's what I'm trying to do.
>
> However, in your code, with two \new Voice statements, you will break the
> piece and an ambitus will be displayed at the beginning of each Voice.
So use the abitus engraver in the Staff cont
tisimst gmail.com> writes:
>
> Simon Albrecht-2 wrote
> > Am 29.07.2014 01:28, schrieb Marten:
> >> Hello Abraham, Simon,
> >>
> >> Thanks for your solutions and quick replies :)
> >>
> >> I decided to try to implement Simon's third solution, as it explicitly
> >> keeps the melody of the stanzas
2014-07-31 21:26 GMT+02:00 Martyn Quick :
> Thanks for the suggestion - I was actually aware of the use of \shape to
> adjust the slur, but hadn't implemented it since I thought it more sensible
> (perhaps naively) to get all the notes in place and then adjust the slurs
> at the end of the process
Hi, lilyponders:
I try to engrave a hymn which has two staff - one for SA and one for TB. At
measure 70 to the end (measure 91) SA staff split into two S & A and each
contains two voices. TB stays on one staff till the end.
SA measure 1 to 69 then it split into S & A measure 70 to 91. Each S
Hi Abraham,
tisimst wrote
> I would think so. I didn't do anything that would make them so impervious
> to user's overrides :)
That's great to hear, this would be a deal breaker for me :)
tisimst wrote
> BTW, I could make a full-fledged font with these flags if people have
> enough interest.
Jim Long umpquanet.com> writes:
>
> On Mon, Jul 28, 2014 at 07:47:17PM +, Marten wrote:
> > Dear all,
> >
> > Trying to typeset a song I am faced with the following problem for
which I
> > can;t find a solution in the manual or snippet repository. I kindly
request
> > your help.
> >
>
Thanks for the suggestion - I was actually aware of the use of \shape to adjust
the slur, but hadn't implemented it since I thought it more sensible (perhaps
naively) to get all the notes in place and then adjust the slurs at the end of
the process.
However, for me introducing this doesn't fix
On 14-07-29 05:27 PM, James Harkins wrote:
http://lilypond.org/doc/v2.18/Documentation/notation/horizontal-spacing-overview
says:
~~
The most common shortest duration is determined as follows: in every
measure, the shortest duration is determined. The most common shortest
duration is taken as
Hi,
2014-07-30 20:39 GMT+02:00 Janek Warchoł :
> Hi,
>
> 2014-07-30 0:54 GMT+02:00 David Kastrup :
>> Janek Warchoł writes:
>>> As i said, defining new instrument contexts is very cheap - you can just do
>>>
>>> \newInstrument "ViolinI" "Violin" "StaffGroup"\with { } \with { }
>>> \newInstrument
On 31. Juli 2014 20:04:21 MESZ, James wrote:
>On 31/07/14 14:23, tisimst wrote:
>...
>>
>> Regards,
>> Abraham
>>
>> P.S. The new fonts website is *nearing completion*. Yay! Also, who'd
>like to
>> help me get the patch submitted for official review? I've never done
>that
>> before and I don't
On 31/07/14 14:23, tisimst wrote:
...
>
> Regards,
> Abraham
>
> P.S. The new fonts website is *nearing completion*. Yay! Also, who'd like to
> help me get the patch submitted for official review? I've never done that
> before and I don't expect it to be approved in its current state. I just
> wa
Gilberto Agostinho wrote
>
> tisimst wrote
>> And thank you, Gilberto for bringing that to my attention. Not sure how I
>> missed it :) I'll put up a new image shortly.
> No problems, Abraham, my pleasure. Good luck with this work, these new
> fonts look stunning!
>
> Gilberto
>
> PS: quick ques
tisimst wrote
> And thank you, Gilberto for bringing that to my attention. Not sure how I
> missed it :) I'll put up a new image shortly.
No problems, Abraham, my pleasure. Good luck with this work, these new fonts
look stunning!
Gilberto
PS: quick question about the new fonts: will they also be
Simon Albrecht-2 wrote
> Am 29.07.2014 01:28, schrieb Marten:
>> Hello Abraham, Simon,
>>
>> Thanks for your solutions and quick replies :)
>>
>> I decided to try to implement Simon's third solution, as it explicitly
>> keeps the melody of the stanzas together with their texts.
>>
>> Ingenious - ha
2014-07-31 12:49 GMT+02:00 Federico Bruni :
>
> 2014-07-31 9:56 GMT+02:00 Martyn Quick :
>
> The \hideNotes and \unHideNotes is to achieve the work-around for mixing
>> bending strings with hammer-on and pull-offs (which are engraved using
>> normal slurs). This is just an excerpt of what I was t
tisimst wrote
> On Mon, Jul 28, 2014 at 1:19 PM, Urs Liska [via Lilypond]
> <
> ml-node+s1069038n165017h36@.nabble
> > wrote:
>>
>> Good idea.
>> Would you just collect votes in this thread or should we do something
>> more formal?
>>
>> Urs
> Alright everyone,
>
> Here's something more f
2014-07-31 9:56 GMT+02:00 Martyn Quick :
> The \hideNotes and \unHideNotes is to achieve the work-around for mixing
> bending strings with hammer-on and pull-offs (which are engraved using
> normal slurs). This is just an excerpt of what I was trying to engrave...
> and I think it is minimal, in
Nick Alderweireldt writes:
>> On 07/31/2014 10:20 AM, David Kastrup wrote:
>>> Nick Alderweireldt writes:
>>>
This is my first day lilypond-frescobaldi. I am really impressed by
the features.
Please have a look to the picture in annex.
Left is what is engraved using :
>>
Thanks, Mark. PostAntiqua does a pretty good job, IMHO.
--
Phil Holmes
- Original Message -
From: Mark Polesky
To: Phil Holmes
Cc: LilyPond User Group
Sent: Wednesday, July 30, 2014 8:31 PM
Subject: Re: Time signature fonts
On Wed, Jul 30, 2014 at 7:46 AM, Phil Holme
Nick Alderweireldt writes:
> This is my first day lilypond-frescobaldi. I am really impressed by
> the features.
>
> Please have a look to the picture in annex.
> Left is what is engraved using :
>
> \compressFullBarRests
>
> R1*4
>
> Right is a scan of a part of a score sheet showing the same 4
At 09:59 on 31 Jul 2014, Nick Alderweireldt wrote:
>This is my first day lilypond-frescobaldi. I am really impressed by
>the features.
>
>Please have a look to the picture in annex.
>Left is what is engraved using :
>
>\compressFullBarRests
>
>R1*4
>
>Right is a scan of a part of a score sheet show
Please see http://lsr.di.unimi.it/LSR/Item?id=570
--
Phil Holmes
- Original Message -
From: Nick Alderweireldt
To: lilypond-user@gnu.org
Sent: Thursday, July 31, 2014 8:59 AM
Subject: compressFullBarRests question (see picture in annex)
This is my first day lilypond-fres
This is my first day lilypond-frescobaldi. I am really impressed by the
features.
Please have a look to the picture in annex.
Left is what is engraved using :
\compressFullBarRests
R1*4
Right is a scan of a part of a score sheet showing the same 4 full rests.
The bar with 4 above is longer.
W
The \hideNotes and \unHideNotes is to achieve the work-around for mixing
bending strings with hammer-on and pull-offs (which are engraved using normal
slurs). This is just an excerpt of what I was trying to engrave... and I think
it is minimal, in the sense that if you remove any one part of it
Javier Ruiz-Alma ruiz-alma.com> writes:
> Need troubleshooting help with a two-line markup block.
>
If you can make a *single* block that has the same height as a
two-line column, then there is no trouble with the gap.
Somebody better at LilyPond' s markup language might be able to do this
m
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