I just got slightly confused trying to use beatStructure, and a small edit to
the manual might help.
\version "2.18.2"
\language "english"
five = {
\set Timing.beatStructure = #'(3 2)
\time 5/8
}
seven = {
\set Timing.beatStructure = #'(3 2 2)
\time 7/8
}
\new RhythmicStaff {
% \set
2015-03-21 0:09 GMT+01:00 Thomas Morley :
>
> The 'arpeggio-property was deleted somewhere during 2.17. and I never
> managed to get back the info whether a NoteColumn has an arpeggio,
Btw, I tried again to find the commit on the tracker which removed the
'arpeggio-property (and probably the reas
2015-03-20 17:21 GMT+01:00 holl...@hollandhopson.com
:
> I’m working on some banjo tablature and I’d like to change the stem length
> for beamed stems when 2 non-adjacent strings are played together. I can use
> \override-s to lengthen and shift the stems of unbeamed notes. How can I
> change th
2015-03-20 18:03 GMT+01:00 David Nalesnik :
>
> Hi again,
>
> On Fri, Mar 20, 2015 at 9:21 AM, David Nalesnik
> wrote:
>>
>>
>>
>> Finding the path from one object to another is usually just a matter of
>> trial-and-error, following this path, following that path, until you reach
>> the pot of
Hi Holland,
this is perhaps a bit closer to what you want:
\version "2.18.0"
longStem = {
\once \override Stem.Y-offset = 6
\once \override Stem.Y-extent = #'(-7.0 . 0.0)
\once \override Stem.length = 12
\once \override Stem.layer = -2
}
\new TabStaff {
\set TabStaff.instrume
On Fri, Mar 20, 2015 at 10:14 PM, holl...@hollandhopson.com <
holl...@hollandhopson.com> wrote:
> I’d still like to find a way to extend it all the way to the first string
> position (top line of the staff). Any other suggestions?
Did you try different values for the Beam.positions? 0 is the cen
Thanks Kevin,
Beam.positions definitely changes the slope of the beam, and the stem length
adjusts accordingly. But it always terminates at the 5th string location
(bottom line of the staff). I’d still like to find a way to extend it all the
way to the first string position (top line of the staf
Hello,
I'm working on a piece without barlines or a time signature. The file is
attached below. I have tried using the \cadenzaOn command, but this seems
to produce nice output only when I use a simple time signature (4/4) and
manually bar (|) the input. Unfortunately, the rhythmic values I'm u
Hi Michael,
I have a few suggestions based on my own experience, but there are probably
a few ways to approach the problem.
I would recommend that you create a global variable for controlling the
timing in the piece. It need only contain spacer rests, and potential line
breaks (marked by \bar "",
David, Paul, and Pierre,
It will take me a short while to digest what you have shared with me,
but thank you for sharing your knowledge concerning this matter. I'll
contact you again if I do or don't figure out how to do what I need.
Regards,
Abraham
On Fri, Mar 20, 2015 at 1:06 PM, Schneidy [
Hi Holland,
When stems are beamed their lengths are controlled by the Beam's 'positions
property, so something like
\once \override Beam.positions = #'(-5 . -5)
before the first beamed note will change the length of the stems (choose
the values you want).
hth,
Kevin
On Fri, Mar 20, 2015 at 4:2
That solved it---thank you!
tisimst writes:
> Steven,
>
> The lyrics line should read "\new Lyrics \lyricsto mel \text", without
> the "=".
>
> - Abraham
>
> On Fri, Mar 20, 2015 at 1:30 PM, Steven Arntson [via Lilypond] <
> [hidden email]> wrote:
>
> I'm trying to create a simple score with
Steven,
The lyrics line should read "\new Lyrics \lyricsto mel \text", without
the "=".
- Abraham
On Fri, Mar 20, 2015 at 1:30 PM, Steven Arntson [via Lilypond]
wrote:
> I'm trying to create a simple score with voice/lyrics and piano. I'm
> basing it on a snippet I found in Frescobaldi, but
I'm trying to create a simple score with voice/lyrics and piano. I'm
basing it on a snippet I found in Frescobaldi, but entering things
myself with a few differences, as a learning exercise. The error I get
in the \score block when I engrave is:
| syntax error, unexpected \lyricsto, expecting SCM_
Dear Paul, Dear David,
Thank you very much for your kind help.
Lots of info! I'll study you links and codes during the WE.
Cheers,
Pierre
2015-03-20 19:52 GMT+01:00 David Nalesnik :
>
>
> On Fri, Mar 20, 2015 at 12:12 PM, David Nalesnik > wrote:
>
>>
>>
>> On Fri, Mar 20, 2015 at 12:03 PM, Dav
On Fri, Mar 20, 2015 at 12:12 PM, David Nalesnik
wrote:
>
>
> On Fri, Mar 20, 2015 at 12:03 PM, David Nalesnik > wrote:
>
>> Hi again,
>>
>> On Fri, Mar 20, 2015 at 9:21 AM, David Nalesnik > > wrote:
>>
>>>
>>>
>>> Finding the path from one object to another is usually just a matter of
>>> trial
Michael,
You cane use \cadenzaOn and then group your eighth notes with [ ] e.g.
deh,8[ deh,8] ees,4 geh,8[ deh,8 bes,8] ees,4 geh,8[ geh,8 c,8]
That should cause everything to work they way you are after and don't
bother to declare a time signature.
best of luck,
Shane
On Fri, Mar 20, 2015 a
Hello,
I'm working on a piece without barlines or a time signature. The file is
attached below. I have tried using the \cadenzaOn command, but this seems
to produce nice output only when I use a simple time signature (4/4) and
manually bar (|) the input. Unfortunately, the rhythmic values I'm u
On Fri, Mar 20, 2015 at 12:03 PM, David Nalesnik
wrote:
> Hi again,
>
> On Fri, Mar 20, 2015 at 9:21 AM, David Nalesnik
> wrote:
>
>>
>>
>> Finding the path from one object to another is usually just a matter of
>> trial-and-error, following this path, following that path, until you reach
>> the
Hi again,
On Fri, Mar 20, 2015 at 9:21 AM, David Nalesnik
wrote:
>
>
> Finding the path from one object to another is usually just a matter of
> trial-and-error, following this path, following that path, until you reach
> the pot of gold.
>
>
You might find the attached file helpful. Given a gr
In DOS you can use this:
@echo off
setlocal enableDelayedExpansion
set MYDIR=C:\bin
for /F %%x in ('dir /B/D %MYDIR%') do (
echo File: %%x
)
Knute Snortum
(via Gmail)
On Thu, Mar 19, 2015 at 1:18 PM, Urs Liska wrote:
>
>
> Am 19.03.2015 um 21:14 schrieb Noeck:
>
>> Hi Craig,
>>
>> on whic
I’m working on some banjo tablature and I’d like to change the stem length for
beamed stems when 2 non-adjacent strings are played together. I can use
\override-s to lengthen and shift the stems of unbeamed notes. How can I change
the length of beamed stems? It seems like beamed-lengths might ho
In fact I'm transcribing a jazz song for classical musicians. There are
tempo changes and also a passage without swing.
So I prefer to stay relatively accurate in the indications and avoid any
confusion.
Anton Curl
On 20/03/2015 15:20, Robert Schmaus wrote:
Well you *can* do that (and I've s
Hi,
On Fri, Mar 20, 2015 at 7:14 AM, Paul Morris wrote:
> There's a snippet in the lsr for accessing grobs "laterally" from another
> grob's callback:
> http://lsr.di.unimi.it/LSR/Item?id=621
>
> ...like accessing the stem grob from a note head grob. There's also one
> on showing "grob ancestry
Well you *can* do that (and I've seen it done that way), but often - the music
being improvised anyway - you don't really have a tempo indication, except for
Swing, Med. Swing, Uptempo Swing, Ballad etc., and those are just suggestions
or show how the piece was played in a referenced recording.
Dear Trevor,
Thanks a lot!
Now it works. I assume that the lyrics are connected to the first voice.
My installed version comes from the Ubuntu repositories.
Perhaps I can better install it from an installation download for the
latest version.
Niels
On 03/20/2015 02:59 PM, Trevor Daniels [via L
Niels wrote Friday, March 20, 2015 12:53 PM
> In the following example I want to add the text to the music.
> The second measure is divided in two voices.
> However the text skips the second measure.
This is the structure you need:
\version "2.16.2"
\score {
\new ChoirStaff <<
\new Staff
I don't know much about jazz. It's not the kind of music I'm usually
typesetting.
I never saw a jazz lead sheet with swing written followed by the
metronome mark between brackets. If it's the policy, I can adopt it. But
I'm curious to see some examples of it.
Anton Curl
On 20/03/2015 14:36,
If you're producing a jazz lead sheet (as the "swing" indicates), you're wrong.
\tempo "Swing" 4=125
Merely indicates that the *style* is Swing while the tempo is 125. You could
also write
\tempo "Swing" 4=200
Which would indicate that this is a swing piece of tempo 200.
Jazz tempo indicatio
On Fri, Mar 20, 2015 at 08:59:27AM +0100, Anton Curl wrote:
> Hi everyone!
>
> I'd like to put an indication displayed in all the parts but only once in
> the score, like a tempo mark.
>
> I found this syntax:
> \tempo \markup { "swing" }
> But at the same place in the score, I already have a \
Yes that's it!
Thanks!
On 20/03/2015 13:29, Cynthia Karl wrote:
I think you're looking for the \mark command, which does exactly what you're
looking for, once in the score and in each part:
<<
\new Staff \relative c'' { \tempo 4=120 \mark \markup { \hspace #30
"swing" } c d e f }
\
Dear community,
In the following example I want to add the text to the music.
The second measure is divided in two voices.
However the text skips the second measure.
When I \addlyrics { c d } immediately after {eis4( dis) eis} the text is
printed too low and the remaining music is discarded.
I als
> Message: 3
> Date: Fri, 20 Mar 2015 10:03:10 +0100
> From: Anton Curl
> To: Craig Dabelstein ,
> lilypond-user@gnu.org
> Subject: Re: 2 \tempo command at the same time
>
> That's not exactly what I want.
>
> "\tempo "Swing" 4=125" seems to mean "the tempo is Swing which
> correspond to
There's a snippet in the lsr for accessing grobs "laterally" from another
grob's callback:
http://lsr.di.unimi.it/LSR/Item?id=621
...like accessing the stem grob from a note head grob. There's also one on
showing "grob ancestry" that's helpful for this kind of thing.
HTH,
-Paul
__
Hi Abraham, Hi All,
Yes Marc, the stem direction property is definitly the one, but I think his
question is "how to?".
For instance I've come to this, which does not seem to work properly :
\version "2.19.16"
#(set-global-staff-size 25)
stil = \markup {
\override #'(filled . #t)
\path #0.01
That's not exactly what I want.
"\tempo "Swing" 4=125" seems to mean "the tempo is Swing which
correspond to 4=125". Whereas what I want is 2 different independent
indications. The same result but without the parenthesis for example.
Maybe the \tempo command is not the command to use in this
> On 19 Mar 2015, at 23:20, Martin Tarenskeen wrote:
>
>
>
> On Fri, 20 Mar 2015, Noeck wrote:
>
>> Hi Craig,
>>
>>> Do I append "for f in *.xml" to the end of my command;
>>
>> No, you put all your command within the for loop:
>>
>> for f in *.xml; do
>> /Applications/LilyPond.app/Content
Hi Anton,
Can't you do:
\tempo "Swing" 4=125
Or is that not what you are looking for?
Craig
On Fri, 20 Mar 2015 at 17:59 Anton Curl wrote:
> Hi everyone!
>
> I'd like to put an indication displayed in all the parts but only once
> in the score, like a tempo mark.
>
> I found this syntax:
>
Hi everyone!
I'd like to put an indication displayed in all the parts but only once
in the score, like a tempo mark.
I found this syntax:
\tempo \markup { "swing" }
But at the same place in the score, I already have a \tempo command:
\tempo 4=125
\tempo \markup { "swing" }
c
And Lilyp
Am 19.03.2015 um 19:56 schrieb Abraham Lee:
[...]
When I get the 'stem-attachment property of the notehead, it always
gives me the top-right value, regardless of where the stem is actually
attached. I'm hoping this will work for chords, too, though I haven't
experimented enough to know for sure.
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