Hello all,
Please consider the following snippet:
SNIPPET BEGINS
\version "2.19.46"
hornI = {
c'4 4 4 4
d'4 4 4 4
}
\addQuote "horn1" \hornI
hornII = {
\quoteDuring "horn1" s1
b4 4 4 4
}
\score {
\new Staff \partcombine \hornI \hornII
}
SNIPPET ENDS
My expectation (and de
There are two things about rehearsal marks in orchestral scores I'd like to
know about.
Firstly, how can I separate rehearsal marks (and other structural stuff like
\break or \pageBreak) from the actual musical content? Can I somehow add a
virtual staff to carry the rehearsal mark information?
Am 12.08.2016 um 16:30 schrieb Thomas Weber:
> There are two things about rehearsal marks in orchestral scores I'd like to
> know about.
>
> Firstly, how can I separate rehearsal marks (and other structural stuff like
> \break or \pageBreak) from the actual musical content? Can I somehow add a
At 16:30 on 12 Aug 2016, Thomas Weber wrote:
>There are two things about rehearsal marks in orchestral scores I'd
>like to know about.
>
>Firstly, how can I separate rehearsal marks (and other structural
>stuff like \break or \pageBreak) from the actual musical content? Can
>I somehow add a virtua
Am 12.08.2016 um 16:30 schrieb Thomas Weber:
> Secondly, how can I make rehearsal marks appear both on the very top staff
> and the top staff of the strings? As far as I can see, rehearsal marks will
> always be put at the very top staff.
>
I'm not completely sure but probably by \remove-ing
Am 12.08.2016 um 17:29 schrieb Mark Knoop:
> At 16:30 on 12 Aug 2016, Thomas Weber wrote:
>
>> Secondly, how can I make rehearsal marks appear both on the very top
>> staff and the top staff of the strings? As far as I can see,
>> rehearsal marks will always be put at the very top staff.
> See thi
On Fri, Aug 12, 2016 at 04:30:01PM +0200, Thomas Weber wrote:
> There are two things about rehearsal marks in orchestral scores I'd
> like to know about.
>
> Firstly, how can I separate rehearsal marks (and other structural
> stuff like \break or \pageBreak) from the actual musical content? Can
>
Mark,
On Aug 12, 2016, at 11:29 AM, Mark Knoop wrote:
> However I have just submitted a potential fix for this, see here
> https://codereview.appspot.com/308910043/ for its progress.
Thank you so much for doing this!
It will be a wonderful and helpful feature, when fully/properly implemented.
B
On Fri, Aug 12, 2016 at 04:29:41PM +0100, Mark Knoop wrote:
[...]
> However I have just submitted a potential fix for this, see here
> https://codereview.appspot.com/308910043/ for its progress.
[...]
Thanks so much for doing this!! Looking forward to when I can have
ScoreMarks show up properly in
Am 12.08.2016 um 15:48 schrieb Kieren MacMillan:
My expectation (and desires) would be that it would say “a2” (or whatever the
aDueText is) in m1.
Instead, it says “solo” (or whatever the soloText is).
Am I misusing either the quote mechanism or the partcombine mechanism? Or is
this expected b
On Fri, 12 Aug 2016 09:21:22 -0700
"H. S. Teoh" wrote:
> global = {
> \tempo "Allegro" 4 = 120
> s1*16
> \mark "A"
> s1*16
> \tempo "Largo" 4 = 45
> s1*16
> \mark "B"
> s1*32
>
On Fri, Aug 12, 2016 at 10:58:08PM +0200, Johan Vromans wrote:
> On Fri, 12 Aug 2016 09:21:22 -0700
> "H. S. Teoh" wrote:
>
> > global = {
> > \tempo "Allegro" 4 = 120
> > s1*16
> > \mark "A"
> > s1*16
> > \tempo "Largo" 4 = 45
> >
Werner LEMBERG writes:
>>> shouldn't \hideNotes also suppress music output to the MIDI file?
>>
>> Why? \hide\ff is nice for inserting MIDI-only instructions.
>
> Mhmm. Given that it actually makes the corresponding object only
> transparent, thus influencing the typesetting process, I wouldn'
HI everyone,
Is it possible to slash an after-grace note, so that the three grace
figures in this example all look alike?
\relative c'' {
\time 3/4
f4( \slashedGrace e8) f4( \slashedGrace e8) \afterGrace f4( { e8) } c2.
}
Thanks,
Evan
___
lilyp
On Fri 12 Aug 2016 at 07:06:04 (+0200), Werner LEMBERG wrote:
>
> >> shouldn't \hideNotes also suppress music output to the MIDI file?
> >
> > Why? \hide\ff is nice for inserting MIDI-only instructions.
>
> Mhmm. Given that it actually makes the corresponding object only
> transparent, thus in
2016-08-13 4:22 GMT+02:00 Evan O'Dorney :
> HI everyone,
>
> Is it possible to slash an after-grace note, so that the three grace figures
> in this example all look alike?
>
> \relative c'' {
> \time 3/4
> f4( \slashedGrace e8) f4( \slashedGrace e8) \afterGrace f4( { e8) } c2.
> }
Hi Evan,
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