Re: Slashed after-grace note

2016-08-12 Thread Thomas Morley
2016-08-13 4:22 GMT+02:00 Evan O'Dorney : > HI everyone, > > Is it possible to slash an after-grace note, so that the three grace figures > in this example all look alike? > > \relative c'' { > \time 3/4 > f4( \slashedGrace e8) f4( \slashedGrace e8) \afterGrace f4( {

Re: \hideNotes and MIDI

2016-08-12 Thread David Wright
On Fri 12 Aug 2016 at 07:06:04 (+0200), Werner LEMBERG wrote: > > >> shouldn't \hideNotes also suppress music output to the MIDI file? > > > > Why? \hide\ff is nice for inserting MIDI-only instructions. > > Mhmm. Given that it actually makes the corresponding object only > transparent, thus

Slashed after-grace note

2016-08-12 Thread Evan O'Dorney
HI everyone, Is it possible to slash an after-grace note, so that the three grace figures in this example all look alike? \relative c'' { \time 3/4 f4( \slashedGrace e8) f4( \slashedGrace e8) \afterGrace f4( { e8) } c2. } Thanks, Evan ___

Re: \hideNotes and MIDI

2016-08-12 Thread David Kastrup
Werner LEMBERG writes: >>> shouldn't \hideNotes also suppress music output to the MIDI file? >> >> Why? \hide\ff is nice for inserting MIDI-only instructions. > > Mhmm. Given that it actually makes the corresponding object only > transparent, thus influencing the typesetting

Re: rehearsal marks: separate from content encoding and display above strings

2016-08-12 Thread H. S. Teoh
On Fri, Aug 12, 2016 at 10:58:08PM +0200, Johan Vromans wrote: > On Fri, 12 Aug 2016 09:21:22 -0700 > "H. S. Teoh" wrote: > > > global = { > > \tempo "Allegro" 4 = 120 > > s1*16 > > \mark "A" > > s1*16 > >

Re: rehearsal marks: separate from content encoding and display above strings

2016-08-12 Thread Johan Vromans
On Fri, 12 Aug 2016 09:21:22 -0700 "H. S. Teoh" wrote: > global = { > \tempo "Allegro" 4 = 120 > s1*16 > \mark "A" > s1*16 > \tempo "Largo" 4 = 45 > s1*16 > \mark "B" >

Re: addQuote/quoteDuring plus \partcombine doesn't accurately indicate a2 passage

2016-08-12 Thread Malte Meyn
Am 12.08.2016 um 15:48 schrieb Kieren MacMillan: My expectation (and desires) would be that it would say “a2” (or whatever the aDueText is) in m1. Instead, it says “solo” (or whatever the soloText is). Am I misusing either the quote mechanism or the partcombine mechanism? Or is this expected

Re: rehearsal marks: separate from content encoding and display above strings

2016-08-12 Thread H. S. Teoh
On Fri, Aug 12, 2016 at 04:29:41PM +0100, Mark Knoop wrote: [...] > However I have just submitted a potential fix for this, see here > https://codereview.appspot.com/308910043/ for its progress. [...] Thanks so much for doing this!! Looking forward to when I can have ScoreMarks show up properly

Re: rehearsal marks: separate from content encoding and display above strings

2016-08-12 Thread Kieren MacMillan
Mark, On Aug 12, 2016, at 11:29 AM, Mark Knoop wrote: > However I have just submitted a potential fix for this, see here > https://codereview.appspot.com/308910043/ for its progress. Thank you so much for doing this! It will be a wonderful and helpful feature, when

Re: rehearsal marks: separate from content encoding and display above strings

2016-08-12 Thread H. S. Teoh
On Fri, Aug 12, 2016 at 04:30:01PM +0200, Thomas Weber wrote: > There are two things about rehearsal marks in orchestral scores I'd > like to know about. > > Firstly, how can I separate rehearsal marks (and other structural > stuff like \break or \pageBreak) from the actual musical content? Can

Re: rehearsal marks: separate from content encoding and display above strings

2016-08-12 Thread Thomas Weber
Am 12.08.2016 um 17:29 schrieb Mark Knoop: > At 16:30 on 12 Aug 2016, Thomas Weber wrote: > >> Secondly, how can I make rehearsal marks appear both on the very top >> staff and the top staff of the strings? As far as I can see, >> rehearsal marks will always be put at the very top staff. > See

Re: rehearsal marks: separate from content encoding and display above strings

2016-08-12 Thread Urs Liska
Am 12.08.2016 um 16:30 schrieb Thomas Weber: > Secondly, how can I make rehearsal marks appear both on the very top staff > and the top staff of the strings? As far as I can see, rehearsal marks will > always be put at the very top staff. > I'm not completely sure but probably by \remove-ing

Re: rehearsal marks: separate from content encoding and display above strings

2016-08-12 Thread Mark Knoop
At 16:30 on 12 Aug 2016, Thomas Weber wrote: >There are two things about rehearsal marks in orchestral scores I'd >like to know about. > >Firstly, how can I separate rehearsal marks (and other structural >stuff like \break or \pageBreak) from the actual musical content? Can >I somehow add a

Re: rehearsal marks: separate from content encoding and display above strings

2016-08-12 Thread Urs Liska
Am 12.08.2016 um 16:30 schrieb Thomas Weber: > There are two things about rehearsal marks in orchestral scores I'd like to > know about. > > Firstly, how can I separate rehearsal marks (and other structural stuff like > \break or \pageBreak) from the actual musical content? Can I somehow add

rehearsal marks: separate from content encoding and display above strings

2016-08-12 Thread Thomas Weber
There are two things about rehearsal marks in orchestral scores I'd like to know about. Firstly, how can I separate rehearsal marks (and other structural stuff like \break or \pageBreak) from the actual musical content? Can I somehow add a virtual staff to carry the rehearsal mark

addQuote/quoteDuring plus \partcombine doesn't accurately indicate a2 passage

2016-08-12 Thread Kieren MacMillan
Hello all, Please consider the following snippet: SNIPPET BEGINS \version "2.19.46" hornI = { c'4 4 4 4 d'4 4 4 4 } \addQuote "horn1" \hornI hornII = { \quoteDuring "horn1" s1 b4 4 4 4 } \score { \new Staff \partcombine \hornI \hornII } SNIPPET ENDS My expectation (and