I mentioned previously that I wrote a program to convert MIDI files to LilyPond
files. That program is called MidiToLily and it’s now freely available on
GitHub. It’s a console app, doesn’t have an installer, and doesn’t store things
in the registry or anywhere else. It does have command line he
guessing not because that would be too
easy.Chris
On Thursday, December 7, 2023 at 01:05:38 AM GMT+1, Stefano Antonelli
wrote:
On Wed, 2023-12-06 at 17:21 +, Chris Korda wrote:
> I spent much of the last week converting my compositions from MIDI
> files to Lily format. I tried m
supposed to go.
Chris
On Thursday, December 7, 2023 at 01:05:21 AM GMT+1, Jean Abou Samra
wrote:
Thanks for your reply. Regarding scheme code: it seems to me that the simplest
solution would be to modify event-listener.ly so that instead of storing
point-and-click data (row and column
Hi Jean,
Thanks for your reply. Regarding scheme code: it seems to me that the simplest
solution would be to modify event-listener.ly so that instead of storing
point-and-click data (row and column within the lily file), it instead stores
the pixel coordinate X, Y of the note’s (or rest’s) glyp
ure? I saw one solution has a
blue line moving through the score to indicate position, whereas another
solution highlights individual notes. How was this done? Any hints would be
greatly appreciated.
Best wishes,
Chris Kordahttps://www.chriskorda.com/index.html
\bar "|" %{ end measure 13 %}
\color "#00FF00" cis'' 4
\color "#00FF00" b' 2.
\bar "|" %{ end measure 14 %}
\color "#00FF00" fis' 4
\color "#00FF00" a' 4
\color "#00FF00" a' 4
\color "#00FF00" b' 4
\bar "|" %{ end measure 15 %}
\color "#00FF00" a' 2
\break
\bar "|." %{ end measure 16 %}
}
>>
}
\paper {
indent = 0\cm
}
\layout {
\context {
\RemoveEmptyStaffContext
\override VerticalAxisGroup #'remove-first = ##t
}
}
and although I've specified all notes be green, running `lilypond
--png test.ly` results in a black and white image.
Why is this? Why are the color statements being ignored?
Regards,
Chris
> On Oct 17, 2019, at 7:42 PM, Carl Sorensen wrote:
>
> Start of code
>
> \version "2.19.82"
> {
> \time 4/4
> \repeat unfold 1000 { c4 d e f } % TEN PAGES of music
> \repeat unfold 1000 { f1 } % + SIX MORE PAGES of music
> \repeat unfold 1000 { c4 d e f } % BUT WHEN ADDING MORE PAGES
> On Oct 17, 2019, at 5:29 PM, Chris Crossen wrote:
>
>> Thanks, Carl - I haven’t upgraded to Catalina myself for exactly that reason
>> (and Lilypond is my only significant 32-bit app!). I’ll see if I can work
>> out how to use Hans’s version.
>> Allan
>
> On Oct 17, 2019, at 4:48 PM, Allan Kinnaird via lilypond-user
> wrote:
>
> Thanks, Carl - I haven’t upgraded to Catalina myself for exactly that reason
> (and Lilypond is my only significant 32-bit app!). I’ll see if I can work out
> how to use Hans’s version.
> Allan
I have Catalina inst
Hi David,
That's a very helpful answer, thanks!
It's a bit of syntax I've not really understood, and so end up "coding by
coincidence".
Chris
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
ber \tuplet 3/2 { c8-. r4 }
R1 }>> } }
[image: image.png]
On Fri, 4 May 2018 at 14:33 Chris Yate wrote:
> Hi guys,
>
> This passage is a little tricky to write tidily on one staff, and I might
> change the way this is done. But the placing of the lower tuplet bracket
> (c
e width of
the notes in the first voice?
2) If I write this as two staves, I only want that in the *parts* not the
score. How would you achieve that with the minimum of code repetition?
(However it's eventually set, I would rather only have *one* instance of
the notes in my 'musi
On Sat, Dec 09, 2017 at 08:29:54PM EST, Andrew Bernard wrote:
> Hi Chris,
>
> Just look up the syntax for 'cross staff stems' in the NR. It's pretty
> simple.
Time allowing... I managed to take another look at the documentation.
Will have to run additional tests a
On Sun, Dec 10, 2017 at 03:16:12PM EST, David Wright wrote:
> On Fri 08 Dec 2017 at 16:21:41 (-0500), Chris Jones wrote:
> > On Fri, Dec 08, 2017 at 02:22:32PM EST, Ben wrote:
> > > (
> > > On 12/8/2017 2:09 PM, Chris Jones wrote:
[..]
> This response seems
On Sat, Dec 09, 2017 at 08:29:54PM EST, Andrew Bernard wrote:
> Hi Chris,
> Just look up the syntax for 'cross staff stems' in the NR. It's pretty
> simple.
> I don't know much about 2.18.2, but I imagine that feature is there.
> By the way, have you conside
On Sat, Dec 09, 2017 at 08:18:49PM EST, Chris Jones wrote:
> I am attaching a .png file of the "before vs. after" type.
Oops... forgot to attach the image!
Here goes.
Thanks,
CJ
___
lilypond-user mailing list
lilypond-user@
I am attaching a .png file of the "before vs. after" type.
The top version is what I achieved with the following "simple example":
| \version "2.18.2"
|
| global = {
| \key g \major
| \time 4/4
| }
|
| right = \relative c'' {
| \global
| <> <> <> <> |
|
On Fri, Dec 08, 2017 at 04:40:51PM EST, David Kastrup wrote:
> Chris Jones writes:
>
[..]
>
> Don't underestinmate the anonymous grease monkeys in printers' shops.
Far from my intention I can assure you.
As a matter of fact without being an expert I have great respect f
On Fri, Dec 08, 2017 at 03:30:00PM EST, Simon Albrecht wrote:
> On 08.12.2017 20:09, Chris Jones wrote:
> > Wouldn't this become rather painful/tedious if the gentleman who wrote
> > this particular song had had the bright idea of transposing it to
> > a fancier key lik
On Fri, Dec 08, 2017 at 03:23:35PM EST, Noeck wrote:
> Hi,
>
> this isa bad hack I would not recommend, but you *could* revert the key
> back to c major without showing it:
>
> \relative {
> \key g \major
> c'
> \once \omit Staff.KeyCancellation
> \key c \major
> d e f g a b c
> }
>
>
On Fri, Dec 08, 2017 at 02:22:32PM EST, Ben wrote:
> (
> On 12/8/2017 2:09 PM, Chris Jones wrote:
[..]
>
> (from documentation)
> "...
>
> To determine whether to print an *accidental*, LilyPond examines the pitches
> and the key signature. The key signature
I would need some help removing the autmatically generated natural signs
that I see in lilypond's output.
I coded this:
| global = {
| \time 4/4
| \key g \major
| \tempo \markup { \concat {Mouv. \super t} de Marche}
| }
|
| #(set-global-staff-size 16.5)
|
| melody = \rel
On Thu, Dec 07, 2017 at 05:42:00PM EST, Noeck wrote:
> Hi Chris,
>
> Am 06.12.2017 um 23:33 schrieb Chris Jones:
> > A closer inspection of the glyphs makes me think it is using some form
> > of Century Schoolbook. The upper-case letter "Q" for instance is quite
>
I am unsuccessfully trying to globally change the default text font that
is lilypond uses in its pdf output (title of the song, lyrics, etc.
I tried adding this statement at the top of my .ly input file
immediately after the version statement:
| \version "2.18.2"
|
| \paper {
|top-margin =
On Wed, Dec 06, 2017 at 08:22:36AM EST, Ben wrote:
> On 12/5/2017 5:28 PM, Chris Jones wrote:
[..]
> I believe it's as easy as adding:
>
> \global
> \partial 16 d'16 \bar "||"
>
> See attached. Is this what you were after? :)
Ye
How should I handle it?
Here's the "simple example":
|\version "2.18.2"
|
|\header {
|}
|
|global = {
| \time 4/4
| \key g \major
|}
|
|melody = \relative c {
| \global
|d'16\bar "||"%b00
|
nt to really understand this topic in order
to work efficiently without being constantly frustrated. "
LOL!
Yes, I think this document should be my first port of call!!
Thank you for the link!
On Tue, 5 Dec 2017 at 19:37 Urs Liska wrote:
>
>
> Am 05.12.2017 um 20:16 schrieb Chr
ument]Music
}
)
---
I am sure there is precedent for this and I need not invent it myself!!
Thanks in advance for all help :-)
Chris
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
On Wed, 29 Nov 2017 at 11:07 wrote:
> Chris:
> ...
> > \score {
> > \new Voice { \set Staff.midiInstrument = #"trumpet"
> > \relative c'''{
> >\tempo 2 = 100
> >\relative e'' { e4 \tuplet 5/4 { e16 f fis
s be posted to bugs@? Happy to do that later.
Meanwhile, if this list can find a workaround I'd be grateful. Muting just
those tuplet notes, perhaps?
Chris
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
duct,
but it is very annoying.
The following example causes at least one midi note to not be released.
The tempo marking is an issue, as at lower tempo I can't reproduce it. It
also appears to have something to do with having the tuplet yhere.
Fails in both 2.18 and 2.19.80.
Thanks in advance fo
come in)
>
> Uh, The Messiah _was_ composed and performed in English. The libretto
> was written by Charles Jennens, and basically uses Bible passages from
> the KJV version.
>
Correct. But in the spirit of accuracy and pedantry, the work is called
"Messiah".
;-)
Ch
trate why.
In my opinion sticking to conventions is never a bad idea, unless you're
doing something exceptionally unconventional (graphic scores, etc).
Good luck,
Chris
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Personally I think it's clearer to just use two staves, Treble and Bass.
Many choral basses can't read treble clef, and tenors might sing the wrong
pitch, as they're used to reading octave treble...
Chris
On Mon, 16 Oct 2017 at 14:50 Ken Williams wrote:
> I have a choral p
to the format our app uses.
We also use Finale and Sibelius if that is the source provided by our clients.
We prefer LilyPond for scores we engrave from scratch for quality reasons.
Chris
___
lilypond-user mailing list
lilypond-user@gnu.org
https:
ed, for example with other members of a choir.
Let me know if you have other questions.
Chris
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
ome engraving for us, email me privately at
>> ebo...@scoremaestro.com with your rates.
>>
>
> Hello Chris,
>
> Can you give us a little more info on the type of projects you have and more
> about what you're looking for:
> full time/part time, contract, scope, etc?
engraving and the person we normally use doesn’t have the time to handle all
our work.
If you are interested in doing some engraving for us, email me privately at
ebo...@scoremaestro.com with your rates.
Thanks,
Chris
___
lilypond-user mailing list
And which one's you, David?
On Mon, 3 Apr 2017 at 10:03 David Kastrup wrote:
>
> <
> http://www1.wdr.de/nachrichten/rheinland/deutsche-maskenbildner-meisterschaft-duesseldorf-110~_v-gseagaleriexl.jpg
> >
>
> The whole article for this makeup competition is at
> <
> http://www1.wdr.de/nachrichte
On Tue, 14 Feb 2017 at 12:18 David Sumbler wrote:
>
> > You are mistaken.
> Well, there you are then - I said I might be mistaken, and I was right!
>
Always nice to be proven correct
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gn
On 2 Feb 2017 5:00 p.m., "Hans Åberg" wrote:
> On 2 Feb 2017, at 17:52, Chris Yate wrote:
> > Did you mean, how to achieve it in Lilypond, or what is the best
engraving practice?
>
> The latter.
>
> I'd write and expect to read numbered horizontal bracket
On 2 Feb 2017 16:49, "Hans Åberg" wrote:
> On 2 Feb 2017, at 17:09, Chris Yate wrote:
>
> Did you mean, how to achieve it in Lilypond, or what is the best
engraving practice?
The latter.
I'd write and expect to read numbered horizontal brackets for each
alternat
Did you mean, how to achieve it in Lilypond, or what is the best engraving
practice?
On 2 Feb 2017 15:18, "Hans Åberg" wrote:
> When the whole section is repeated when it has alternatives, how is that
> normally engraved? Specifically, the section has two alternatives, but is
> repeated in full
great, changing things
for no reason should be resisted; but let's not resist all change for the
sake of it.
I for one really liked his approach. And accessibility is important, as is
automatically/computationally generated documentation. And my view is, if
you ref
On 30 Nov 2016 01:00, "Tim McNamara" wrote:
>
>
> The cosmetic appearance of the web site is most certainly an influential
factor in expanding the "mindshare" of Lilypond.
Completely agree.
> Take me- I am a musician. I know nothing useful about C and it's
variants, Scheme, etc. Lilypond mig
our documentation content is excellent, I'm
sure there's structural changes that could improve the presentation, and
certainly some responsive html/css... It's not my forte but I think it
might be one of yours! :)
Chris
On 29 Nov 2016 22:54, "Karlin High" wrote:
> On
those that need stuff
like accessibility screen readers for the blind.
I fully predict a "just because JavaScript is ubiquitous doesn't mean it's
good" reply from somebody ;)
Chris
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
On 29 Nov 2016 13:40, "Karlin High" wrote:
>
> On 11/28/2016 12:22 PM, David Kastrup wrote:
> > I thought the Windows EULA protested against being subjected to a VM?
>
> Buy a Windows full-version retail license for the virtual machine and
> you should be good to go.
>
> Windows 10 EULA (2)(d)(iv)
On 28 Nov 2016 23:11, "David Kastrup" wrote:
>> >
> > I don't keep up to date on this stuff, so I'm no authority. All I know
is
> > that I used to load XP into a VM using parallels and did not ecnounter
such
> > a problem.
>
> You don't "encounter" licensing problems unless you actually read
> th
. I try my best... :)
That's easy for an IT professional to achieve, certainly a step too far for
most PC users.
Chris
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
> David.
I'd suggest Supergrub. Great tool, and I've used it a number of times to
recover partition tables that I messed up. There's other options though...
Chris
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
nd technical documents out in anything other than PDF. There's many good
reasons for this, including not leaving tracked changes in there, but most
importantly it's very portable.
Chris
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
ersary" update so
may have dodged a bullet.
However, the issue here isn't how bad Windows is ;-)
It's worth pointing out, OS X is another option for running Sib.
I had quite good success with Sibelius under WINE. Years ago though and I
have no idea whether that would still wor
On 27 Nov 2016 23:49, "Urs Liska" wrote:
>
>
>
> Am 28.11.2016 um 00:41 schrieb Chris Yate:
>>
>> Hi Jacques,
>>
>> I don't know... It seems ridiculous that they have no common format -
but it's a relatively tiny industry... But I dou
ary. It makes me sad that
they don't see a market in inter-operability. If you're certain of the
benefits of your software over another, then it's a real sign of confidence
to be able to export and import to and from all of the alternatives.
On Sun, 27 Nov 2016 at 23:20 Jacques
rk to move symbols and so on about. (Though it's possible
they've improved this by version 7, and some of my friends that use it say
this is the case).
Best of luck :)
Chris
On Sun, 27 Nov 2016 at 22:22 Laura Conrad wrote:
> >>>>> "Jacques" == Ja
BB that is beautiful
On Mon, 7 Nov 2016 at 11:47 bb wrote:
> May be that is what you lokk for?
>
> http://www.vexflow.com/
>
> http://www.vexflow.com/vextab/tutorial.html
>
> Regards BB
>
> On 07.11.2016 12:25, Chris Yate wrote:
>
> On Mon, 7 Nov 2016
y
bitmaps and then render them within the Canvas, using some custom
positioning logic in Javascript.
By the way... I hope you are aware that the Javascript language has almost
nothing to do with Java?! That said, I don't know how tricky your logic is.
Chris
_
s something that's already difficult; particularly
as it utterly confuses those players that don't know how to parse it.
Chris
* yes, it could be difficult to write the same bar lines for all players.
Better I think to write partial bar lines and readable rhythms. The same
argu
On 2 Nov 2016 08:13, "Werner LEMBERG" wrote:
>
>
> > Does moving the dot-column-engraver to voice sort out the confusing
> > horizontal spacing in these situations? First time I've seen that
> > and it does interesting things to the positioning of dots.
>
> Alas, it doesn't work reliably in many
nally.
Does moving the dot-column-engraver to voice sort out the confusing
horizontal spacing in these situations? First time I've seen that and it
does interesting things to the positioning of dots.
Chris
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
The test case isn't ideal (maybe is better than , but I think
the dotted minim a needs an individual dot...
On 29 Oct 2016 20:21, "Carl Sorensen" wrote:
>
>
> On 10/29/16 3:29 AM, "Chris Yate" wrote:
> >
> >What happens with your new code with
ed
notes? E.g. << 4. // 2. >> (untested).
I think from previous test cases it may become difficult to understand
which dots behind to which notes. IIRC there's an outstanding bug about
horizontal positioning in this situation.
Chris
__
option of custom dot placement for special cases.
I'm sure there's already a way to achieve this, but it's probably not easy.
If anyone thinks it worthwhile, I will think more about a suggested
syntax... Maybe something for the LSR rather than core functionality.
Chris
_
On 27 Sep 2016 18:31, "Jan Nieuwenhuizen" wrote:.
>
> > A Lilypond build tool for all platforms to which someone's added half
> > a dozen extra unrelated targets (possibly very large ones such as
> > OpenOffice) = a terrible idea.
>
> Thanks! GUB was the first to be so generic that it could be us
ly trivial to temporarily comment out
platforms you don't need. (Although it's still breaking for me...)
Is there a buglist other than the TODO file?
By the way, should this discussion have been in the Devel group?
Chris
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
On Mon, 26 Sep 2016 at 23:05 Chris Yate wrote:
> On Mon, 26 Sep 2016 at 19:34 David Kastrup wrote:
>
>>
>> That's pretty good, actually. Not being able to do native/online
>> compilations by anybody wanting to is bad. Yes. Fixes to GUB (possibly
>> even ju
here)...
... because IMHO a build tool that takes 24+ hours to rebuild after making
tweaks to it --and that's on a high spec machine-- is not a very useful
tool.
Chris
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
eference.
IMO, Lilypond produces somewhat better looking output (with at least a
little care), and as a software engineer I really rate being able to
source-control my files properly. Everything's in git...
Chris
___
lilypond-user mailing list
lilypo
On Mon, 26 Sep 2016 at 19:34 David Kastrup wrote:
> Chris Yate writes:
>
> > Hi Phil,
> >
> > Sigh... Yes, that's basically the conclusion I'd already come to, but
> that
> > it seemed such a ludicrous state of affairs that _somebody_ must have a
>
s and be done
with it. Given
that most of my colleagues in music expect me to be able to send them .sib
files to share, it's probably inevitable. Shame.
Chris
On Mon, 26 Sep 2016 at 19:10 Phil Holmes wrote:
> Gub uses http://git.savannah.gnu.org/cgit/lilypond.git as its source. I
>
where mknetrel itself should be obtained.
My dev environment is Ubuntu 16 (or 14). Any hints or tips or redirection
towards the relevant instructions would be welcome!
Chris
---
* assuming the statement about compiling natively under Windows _does_not_
refer to using mingw gnu make, rather than some
ecessary. It should work out
> of the box without *any* links. Have you tried that?
Yep, it builds fine for me once I did "sudo apt install ..." for all the
(many) required dependencies. I *think* all I needed to do was
"./smart_autoconf.sh" and "make all"
Chri
On Mon, 19 Sep 2016 at 09:38 Chris Yate wrote:
> On 9/18/16 4:00 PM, "Carl Sorensen" wrote:
>>> >Chris,
>>> >
>>> >Here's a patch. But as Werner pointed out, it's not quite done yet. I
>>> >think I need to improve the b
On Mon, 19 Sep 2016 at 02:31 Carl Sorensen wrote:
> On 9/18/16 4:00 PM, "Carl Sorensen" wrote:
> >Chris,
> >
> >Here's a patch. But as Werner pointed out, it's not quite done yet. I
> >think I need to improve the badness scoring in order to ge
HEAD? (Or just the modified file).
I was looking at the current code on Friday to try and understand it, so it
would be good to see what you've changed. Also to have a local build with
the fix in!!
Chris
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
ensen" wrote:
>
>
> On 9/15/16 4:15 PM, "Chris Yate" wrote:
>
> >
> >Please note I'm working without her examples, but I disagree about
> >[Lilypond's interpretation of] Gould's rules, because they appear to be
> >in contradiction wi
On 15 Sep 2016 22:45, "Carl Sorensen" wrote:
>
>
> On 9/15/16 10:41 AM, "Chris Yate" wrote:>
> >
> >I think the trouble with Gould's rules is that they're inconsistent, or
> >could at least be interpreted in such a way. She says to u
d be able to decide in our own scores what logic
is used for dot placement :-)
Are you editing the code in dot-column.cc. or is there some Scheme code for
this too?
Chris
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
For the sake of argument, here's what Sibelius does in similar
circumstances, and which I think is right, and actually within the spirit
of Gould's coments.
Chris
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.o
On Thu, 15 Sep 2016 at 16:37 Carl Sorensen wrote:That
certainly is strange. I wonder why it drops to four dots instead of
> 5, given that there are 5 notes in the cluster. And the G space dot would
> only be two staff positions away from the E.
>
> I'm looking into the code now. I'll see if I
On Thu, 15 Sep 2016 at 15:22 Carl Sorensen wrote:
>
>
> On 9/15/16 7:36 AM, "Chris Yate" wrote:
>
> >Carl, the key is the last bit of Gould's text as quoted by Brian above:
> >"When a dot is forced to be two or more stave-spaces from the chord, it
On Thu, 15 Sep 2016 at 14:36 Chris Yate wrote:
> > According to Gould, I believe that dots limit 3 is the correct setting.
>
OK. On reflection, perhaps I can see your reasoning, although I disagree
that the current situation reliably produces the notation one would expect.
On 15 Sep 2016 14:27, "Carl Sorensen" wrote:
>
>
>
> On 9/14/16 9:05 AM, "Chris Yate" wrote:
> >
> >
> >
> >Attached with some extra cases I'd forgotten about (the inverted versions
> >of the final 6.
>
> According to Gou
On Wed, 14 Sep 2016 at 15:20 Chris Yate wrote:
> On Wed, 14 Sep 2016 at 15:18 Chris Yate wrote:
>
>> On Wed, 14 Sep 2016 at 14:55 Werner LEMBERG wrote:
>>
>>>
>>> > Here's some test cases. I doubt this is the best place to post them
>>> &g
On Wed, 14 Sep 2016 at 15:18 Chris Yate wrote:
> On Wed, 14 Sep 2016 at 14:55 Werner LEMBERG wrote:
>
>>
>> > Here's some test cases. I doubt this is the best place to post them
>> > (bugs list?) but they're relevant to the conversation.
>>
>
rk those examples with unnecessary dots as "OK",
rather than "FAIL"? In my opinion, they should probably be failure cases.
Chris
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
s the
double-dot the _space_below_ the "f4.." note. Which is almost certainly
wrong behaviour :(
Chris
ex.from the chord-dot regression:
\version "2.17.16"
\header {
texidoc =
"The column of dots on a chord is limited to the height
of the chord plus @code{ch
On 14 Sep 2016 04:26, "Brian Barker" wrote:
>
> At 23:50 13/09/2016 +, Chris Yate wrote:
>>
>> Could someone that owns a copy of Gould chip in with a "best practice"
recommendation?
>
>
> I've not been following this thread in detail, so I&
uld be possible to come up with conclusive
test cases for every possibility (ignoring chromatic clusters like `< c cis
d dis e f >`, which in any case aren't typeset very well by standard
methods). I'd be happy to try to come up with the test cases, but
understanding and bug-fixing Schem
On Tue, 13 Sep 2016 at 18:53 Chris Yate wrote:
>
>> However, you have found a bug I think, since it doesn't seem to work
>> correctly for your case, eliminating dots on the wrong side of the
>> chord
>>
>
This may be related (or fixed by?)
https://sourcefor
ter. As far as I can tell the default should be never to
place the dot more than one staff position away from the top or bottom note
of a chord.
Chris
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
cal case (image also attached).
\version "2.19.45"
\relative c' {
<< < g c d e f>2. \\ < bes dis e fis >4. >>
}
The question for the list being, what workarounds are there for strangely
placed augmentation dots? Perhaps suppressing the dots for certain notes?
Th
Erik,
Do you want it to reproduce that in Midi, or just create the appropriate
markup?
Could you create a mockup of what you want and post it (I'm sure it's
possible if not quite easy to create the output). It's not a style of
repeats I've ever seen.
Chris
On Mon, 25 Jul
Hi Robert,
Out of interest, what interface are you using?
Chris
On Sun, 24 Jul 2016 at 14:17 Robert Edge
wrote:
> Thank you, that is precisely what was happening.
>
>
>
> On Sun, Jul 24, 2016 at 2:49 AM, Nathan Ho wrote:
>
>> On 2016-07-23 21:05, Robert Edge wrote:
&
tions for improvement of this code. I
think it is a useful enough thing to go on the LSR if it is perhaps refined
a little.
Thanks in advance,
Chris
-
#(define transposing-score #f)
optionalTranspose =
#(define-music-function (parser location transposing-clef concert-clef from
to mus
a phishing scam. As for email spoofing,
as others have said, it's very easy to fake the "from" address.
Chris
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
o leave enough time to get to your gate, even if the
customs/security queue is quick.
Chris
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Unless you're staying for a
few days refunding the card is probably going to be a hassle.
If you do go to Trafalgar Square*, there's the National Gallery and
Portrait Gallery too, and both aree free to visit IIRC (you're
encouraged to leave a donation).
If you like museums there&
On 29 April 2016 at 22:06, David Bellows wrote:
>. I know a lot of people avoid Reddit, and for very good reasons,
I think it's almost as bad a time-sink as TVTropes. Actually, Stack
sites can be too.
___
lilypond-user mailing list
lilypond-user@gnu.or
1 - 100 of 341 matches
Mail list logo
