--- Begin Message ---
I mentioned previously that I wrote a program to convert MIDI files to LilyPond
files. That program is called MidiToLily and it’s now freely available on
GitHub. It’s a console app, doesn’t have an installer, and doesn’t store things
in the registry or anywhere else. It doe
> From: Michael Wagner
> Subject: Puzzled about r1 issue in 3/4 time
> Date: October 23, 2019 at 2:59:06 PM CDT
> To: lilypond-user@gnu.org
>
>
> I am seeing some behavior I don’t understand. I have ended the music for
> “Silver Bells” into lilypond, and I am seeing a puzzling error.
>
> The
The first sentence of the Bar numbers subsection of section "1.2.5 Bars” states:Bar numbers are typeset by default at the start of every line except the first line.However, the 2nd line of the output of the following snippet does not get a bar number:
BarNumberProblem.ly
Description: Binary data
_
> On Nov 24, 2018, at 9:51 AM,Aaron Hill wrote:
>
>
> Message: 1
> Date: Fri, 23 Nov 2018 10:34:39 -0800
> From: Aaron Hill
> To: lilypond-user@gnu.org
> Subject: Re: v2.19.82 documentation unusable?
> Message-ID: <3cf7a16e59434b69a91678193e225...@hillvisions.com>
> Content-Type: text/plain; ch
>
> Message: 2
> Date: Fri, 29 Jun 2018 13:18:18 -0500
> From: Karlin High
> To: lilypond-user@gnu.org, David Wright ,
> crimsonsunr...@protonmail.com
> Cc: torsten.haemme...@web.de, David Kastrup
> Subject: Re: \bookparts and scaling
> Message-ID:
> Content-Type: text/plain; charset=utf
> On Nov 12, 2017, at 12:12 PM, Cynthia Karl wrote:
>
>
>> On Nov 12, 2017, at 10:35 AM, lilypond-user-requ...@gnu.org wrote:
>>
>> \version "2.18.2"
>>
>> \header {
>> ? title = \markup { \char ##x00c6 "nigma" }
>> }
>
> On Nov 12, 2017, at 10:35 AM, lilypond-user-requ...@gnu.org wrote:
>
> \version "2.18.2"
>
> \header {
> ? title = \markup { \char ##x00c6 "nigma" }
> }
>
> \score {
> ? \new Staff = \relative c' { c1 }
> }
>
If you’re using Frescobaldi, the easiest way is to go to "Tools/Special
Characters
>
> Message: 5
> Date: Sat, 1 Apr 2017 12:39:23 -0700 (MST)
> From: tisimst
> To: lilypond-user@gnu.org
> Subject: Re: An 'interpreter' for lilypond
> Message-ID:
>
> Content-Type: text/plain; charset="us-ascii"
>
> On Sat, Apr 1, 2017 at 1:22 PM, Son_V [via Lilypond] <
> ml-node+s106903
> --
>
> Message: 2
> Date: Mon, 17 Oct 2016 23:24:51 -0400
> From: Ben Beeson
> To: lilypond-user
> Subject: Trouble Combining Repeats and Closing Bars in tunes
>
> Hi,
>
> I am looking at a 4 - part tune where the first and third parts are
> repeated and the seco
> Message: 5
> Date: Sun, 4 Sep 2016 17:41:42 +0200
> From: Jacques Menu Muzhic
> To: Andrew Bernard
> Cc: Jacques Menu Muzhic , lilypond-user
>
> Subject: Re: v2.19.47 on Mac x86
> I run El Capitan 10.11.6:
>
> menu@macbookprojm:~/Documents/LaTeX/PartitionsLilypond > uname -a
> Dar
> On Aug 27, 2016, at 02:24:41 +0300,Timofey Misarenkov wrote:
>
> Message: 2
> Date: Sat, 27 Aug 2016 02:24:41 +0300
> From: Timofey Misarenkov
> Subject: Dynamic marks and vertical space
>
> The sample code below has one flaw: it wastes too much vertical space
> due to \ff. In the real case i
Sat, 9 Jul 2016 16:51:25 +0200 Thomas Morley :
> Subject: Re: Problem coloring Ambitus ledger-lines
>
> 2016-07-09 16:22 GMT+02:00 Patrick Karl :
>> The following MWE:
>>
>> \version "2.19.38"
>>
>> music = { c'4 c''' r2 }
>>
>> \score {
>> \new Staff \music
>> \layout {
>> \context
> On May 5, 2016, at 7:05 PM, Carl Sorensen wrote:
>
>
>
> On 5/4/16 8:00 PM, "Cynthia Karl" wrote:
>
>>
>> In my experience, all are available through links, but never the ones
>> given in the digest.
>
> Links on digest work for m
> Message: 4
> Date: Fri, 29 Apr 2016 20:21:28 -0500
> From: David Wright
> To: Flaming Hakama by Elaine
> Subject: Re: attachments and digest mode
>
> On Fri 29 Apr 2016 at 17:05:05 (-0700), Flaming Hakama by Elaine wrote:
>
>> I will note, however, that the suggestions about using images or
> On Apr 27, 2016, at 3:57 AM, lilypond-user-requ...@gnu.org wrote:
>
> Message: 4
> Date: Wed, 27 Apr 2016 10:56:53 +0200
> From: Gianmaria Lari
> Subject: duration using variable
>
> In the previous example the cC variable contains a quarter note (and a
> quarter bichord) and I would like to
On Thu, 10 Mar 2016 06:04:57 -0700 (MST) tisimst
schrieb:
>
> HTH,
> Abraham
>
> P.S. Some of the power users on this list filter inline images, so if you
> wouldn't mind making the image an attachment next time, I know they'll
> appreciate it. :-)
Why on earth would anyone filter inline image
> Date: Wed, 02 Mar 2016 14:37:44 +
> From: Graham King
> To: LilyPond Users
> Subject: Impossible or ambiguous (de)crescendo in MIDI.
> Message-ID: <1456929464.11804.791.ca...@oberon.tremagi.org.uk>
> Content-Type: text/plain; charset="us-ascii”
>
> 2) The second problem arose when I fin
> Message: 6
> Date: Tue, 5 Jan 2016 21:55:42 -0700
> From: Colin Campbell
> To: lilypond-user@gnu.org
> Subject: Re: When to Use Pound Signs
> Message-ID: <568c9e4e.6060...@shaw.ca>
>
> On 16-01-05 09:47 PM, Andrew Bernard wrote:
>
> I wonder if the spaces delimited by the lines are thorpes? I
(note newfound knowledge used to create a new topic without hijacking a thread.)
I’m engraving a piece that has what appears to me to be an unusual-looking
polyphonic chord (beat 3, music is \time 4/4):
So far the closest I can come to that chord is:
with the following code:
StemShift.ly
> On Dec 21, 2015, at 3:10 AM, Simon Albrecht wrote:
>
> Pardon, did you want to include any text with this e-mail?
> Also please remember editing the subject line.
>
> Yours, Simon
>
No, it was an error, completely inadvertent. Please accept my abject apologies.
Pat Karl
Sent from my iPhone
> On Dec 20, 2015, at 6:16 PM, lilypond-user-requ...@gnu.org wrote:
>
> Send lilypond-user mailing list submissions to
>lilypond-user@gnu.org
>
> To subscribe or unsubscribe via the World Wide Web, visit
>https://lists.gnu.org/mailman/listinfo/lilypond-user
> or, vi
> On Nov 29, 2014, at 9:51 AM, Phil Holmes wrote:
>
> - Original Message - From: "Patrick or Cynthia Karl"
> To:
> Sent: Saturday, November 29, 2014 3:41 PM
> Subject: Why does \skip extend an extender
>
>
>> In the following snippet:
>>
I’m engraving a piece that ends with a D.C. al Fine. Also the key at the
beginning of the piece is different from the key at the end of the piece. So,
in order to cue the performer, a final key change is issued for the initial key:
\version "2.19.32"
{ \relative c'' {
\key g\major
\re
> Message: 1
> Date: Thu, 1 Oct 2015 15:33:51 +0200
> From: Urs Liska
> To: lilypond-user
> Subject: Stacked letters in markup
> Message-ID: <560d363f.9010...@openlilylib.org>
> Content-Type: text/plain; charset=utf-8
>
> Sorry, I have to ask this *without* looking for a solution before. Just
>
> Message: 6
> Date: Wed, 16 Sep 2015 12:45:27 +0200
> From: David Kastrup
> To: Frank Wuest
> Subject: Re: Ties and repeats
>
> Frank Wuest writes:
>
>> Hi everyone,
>>
>> Hi, David,
Most of your responses on the lilypond-user Digest come to me as of late so:
>> Is there a way to accompli
The following snippet seems to show a problem getting a slur-event to appear in
music generated by \cueDuring:
\version "2.19.23"
A = \relative c'' {
\set Staff.instrumentName = "A"
c( d e f)
g f e d
}
\addQuote "a" \A
B = \relative c'' {
\set Staff.instrumentName = "B"
<>^
> On Aug 4, 2015, at 10:04 AM, Kevin Barry wrote:
>
> On Tue, Aug 4, 2015 at 3:53 PM, Cynthia Karl wrote:
>> Is there a useful way to get closer association of a staff and a dynamics
>> context in the following snippet?
>
> Two things suggest themselves, although y
Is there a useful way to get closer association of a staff and a dynamics
context in the following snippet?
\version "2.19.23"
musicA = \relative c'' {\repeat unfold 24 c4 \break \repeat unfold
24 d4}
dynamicsA = {s1 s\p s s\f s s s1\p s\mp s\mf s\f s\ff s\fff}
musicB =
Suppose I have a piece of music to perform that has both simple and difficult
passages. It would be helpful if I could derive a practice piece that had only
the difficult passages. My first attempt at doing this is:
> \version "2.19.20"
>
> music = \relative c'' {
> c1 d
> \tuplet 3/2
> On May 7, 2015, at 6:00 AM, lilypond-user-requ...@gnu.org wrote:
> Message: 4
> Date: Thu, 7 May 2015 21:00:40 +1000
> From: "B~M"
> To: lilypond-user@gnu.org
> Subject: repeated _\markup{} at same distance from staff...?
> Message-ID:
>
> Content-Type: text/plain; charset="utf-8"
>
> D
>
> Message: 4
> Date: Tue, 28 Apr 2015 19:46:29 +1000
> From: Andrew Bernard
> To: Urs Liska , lilypond-user@gnu.org, David
> Nalesnik
> Subject: Re: Tie engraver
>
> Hi Urs and David,
>
> Thanks so much. Yes, my chords are in voices so the slurs all face the same
> direction according
> Message: 6
> Date: Tue, 28 Apr 2015 09:48:51 +0200
> From: Urs Liska
> To: Werner LEMBERG
> Subject: Re: How to determine if a font is a fallback font?
>
> Am 28.04.2015 um 09:38 schrieb Werner LEMBERG:
>>> Is there a function to retrieve the "font name" from a given file
>>> name? It would b
> Message: 3
> Date: Sun, 26 Apr 2015 23:14:32 +0100
> From: Anthonys Lists
> To: lilypond user list
> Subject: Putting text IN the staff
> Message-ID: <553d634...@youngman.org.uk>
> Content-Type: text/plain; charset=utf-8; format=flowed
>
> Simple problem, I can't find the solution ... :-)
>
>
> Message: 2
> Date: Sun, 26 Apr 2015 10:09:13 +1000
> From: Andrew Bernard
> To: lilypond-user@gnu.org
> Subject: Re: odd behavior with acciaccatura in 1st position
> Message-ID:
> Content-Type: text/plain; charset="utf-8"
>
> Aha - of course you are correct! That?s the true root cause of th
>
> Message: 1
> Date: Wed, 22 Apr 2015 17:11:34 -0400
> From: Kieren MacMillan
> To: Noeck
> Subject: Re: Do we really offer the future?
>
> Hi Joram (et al.),
>
>> just use point-and-click in Frescobaldi which brings me
>> quickly to the place where I want to change something.
>
> That feat
> Message: 5
> Date: Tue, 21 Apr 2015 19:43:02 +0200
> From: Urs Liska
> To: lilypond-user
> Subject: Font access testers needed
>
> Hi,
>
> I'd like to have a few people who are interested in testing and
> discussing a new way to select music and text fonts in LilyPond. When
> finishing the
> Message: 4
> Date: Thu, 16 Apr 2015 15:28:35 +0100
> From: "Trevor Daniels"
> To: "Phil Holmes" , "LilyPond User Group"
>
> Subject: Re: Windows performance
> Message-ID:
>
> Content-Type: text/plain; charset="iso-8859-1"
>
>
> Phil Holmes wrote Thursday, April 16, 2015
> Message: 5
> Date: Thu, 09 Apr 2015 13:45:39 +0200
> From: Reinhold Kainhofer
> To: LilyPond User Mailinglist
> Subject: Double clef when using cueDuringWithClef with a simultaneous
> clefchange
> Message-ID: <5523.7040...@kainhofer.com>
> Content-Type: text/plain; charset="utf-8
> On Apr 6, 2015, at 2:04 PM, lilypond-user-requ...@gnu.org wrote:
>
> Message: 3
> Date: Mon, 06 Apr 2015 21:04:22 +0200
> From: Reinhold Kainhofer
> Subject: Staff ends before \clef, \time and \key
>
> Hi all,
> It's been quite a while since I last used LilyPond, and I finally
> decided to w
> Message: 3
> Date: Fri, 20 Mar 2015 10:03:10 +0100
> From: Anton Curl
> To: Craig Dabelstein ,
> lilypond-user@gnu.org
> Subject: Re: 2 \tempo command at the same time
>
> That's not exactly what I want.
>
> "\tempo "Swing" 4=125" seems to mean "the tempo is Swing which
> correspond to
>
> Message: 4
> Date: Thu, 19 Mar 2015 20:06:23 +
> From: Craig Dabelstein
> Subject: musicxml2ly
>
> Is there a command for converting a whole folder of xml files to lilypond,
> rather than doing them one by one?
In any OS with a bash-like shell:
for f in *.xml
do
musicxml2ly [option.
> Date: Fri, 06 Mar 2015 16:00:10 -0600
> From: Cynthia Karl
> Subject: Re: Quoted music and midi
>> I wouldn?t consider that a problem... if I quote the violin part in a
>> trumpet part, I wouldn?t expect to hear the brass honking away in the
>> MIDI rendition. Quo
> On Mar 8, 2015, at 4:07 PM, Menu Jacques wrote:
>
> Hello Pat,
>
> I tried:
>
> {
> \time 3/4
> \clef "bass"
> \repeat tremolo 6 e8 -\markup {\draw-dotted-line #'(5.1 . 2.3)} |
> }
>
> but the slur doesn’t show up.
Try:
{
\time 3/4
\clef "bass"
\repeat tremolo 6 e8^\markup {
e #6
>\shape #'((-2 . 0.2) (-1 . 0.2) (0 . 0.2) (0 . 0.6)) Slur {s4( s s)}
>>>
> }
> %
>
>
> give the same rest
>> Le 8 mars 2015 à 19:25, Klaus Blum a écrit :
>>
>> Hi Jacques,
>>
>> there is already a snippet that mi
> Message: 2
> Date: Sun, 8 Mar 2015 18:37:15 +0100
> From: Menu Jacques
> Subject: Slurred staccato in a tremolo
>
> Is there a way to get the slur above the tremolo in the sample below, as
> found in the attached manuscript image?
>
> Thanks for you help!
>
> JM
>
>
> \version "2.19.15"
>
>
> Message: 3
> Date: Fri, 06 Mar 2015 14:17:08 -0600
> From: "Christopher R. Maden"
> Subject: Re: Quoted music and midi
> On 03/06/2015 11:36 AM, Cynthia Karl wrote:
>> The printed output is fine: but although it makes a midi file with
>> two chann
Consider the following snippet:
\version "2.19.16"
music = \relative c'' { c,4 d e f | g a b c | }
\addQuote "music" \music
moreMusic = \relative c'' {
r2 \quoteDuring "music" s2
r2 \quoteDuring "music" s2
}
\score { <<
\new Staff \music
\new Staff \moreMusic
>
The following snippet:
\version "2.19.15"
staffSize = #(define-music-function (parser location new-size) (number?)
#{
\set fontSize = #new-size
\override StaffSymbol #'staff-space = #(magstep new-size)
\override StaffSymbol #'thickness = #(magstep new-size)
#})
Ab = \relative c' { f4
> On Feb 28, 2015, at 2:57 PM,Peter Teeson :
>
>
> My lead sheet is coming along fine thanks to your help.
> But I have this question:
>
> 1. How can I make the lyrics to the bridge start after the 2nd repeat?
> Right now they appear as a 3rd stanza.
Bridge = \lyricmode {
\override Lyr
> On Feb 28, 2015, at 11:50 AM,Peter Teeson wrote:
>
>
> Hi:
>
> 1. How can I break the composer text so it appears like this on the score:
> Music: Thomas 'Fats' Waller
>& Harry Brooks
composer = \mar
The Notation Manual seems to allow a naked duration to represent the last pitch
with that duration. The following extract from the NM shows what I'm talking
about:
(you'd think that since we're only on p6, it would be easy to find the explicit
permission to do this, but I can't find it. Ma
>
> Message: 5
> Date: Sat, 14 Feb 2015 20:20:37 +0100
> From: Thomas Morley
> To: Patrick Karl
> Cc: lilypond-user
> Subject: Re: lilypond-user Digest, Vol 137, Issue 62
> Message-ID:
>
> Content-Type: text/plain; charset=UTF-8
>
> 2015-02-14 18:18 GMT+01:00 Patrick Karl :
>> I have ru
> On Feb 7, 2015, at 9:07 PM, Kieren MacMillan
> wrote:
>
> Hi Cynthia,
>
>> In fact the output generated is just nonsensical. Two stacked augmentation
>> dots? That just doesn’t seem right.
>
> No, it’s perfectly sensible, if you want (need) to make it visually explicit
> that there are
>
> Message: 2
> Date: Sat, 7 Feb 2015 18:24:30 -0800
> From: "Mark Stephen Mrotek"
> To: "'Cynthia Karl'" ,
> Subject: RE: Problem with r2. in two voices
> Message-ID: <00c201d04346$5ef30160$1cd90420$@ca.rr.com>
I don’t understand two things about the following snippet:
\version "2.19.15"
Aa = \relative c'' {\oneVoice r2. }
Ab = \relative c'' {\oneVoice r2. }
\score {
\new Staff <<
\time 3/4
\new Voice \Aa
\new Voice \Ab
>>
\layou
> On Feb 4, 2015, at 11:38 AM, Cynthia Karl wrote:
>
>
>> On Feb 4, 2015, at 11:05 AM, Hans Aberg > <mailto:haber...@telia.com>> wrote:
>>
>>
>>> On 4 Feb 2015, at 16:26, Cynthia Karl >> <mailto:pck...@mac.com>> wrote:
>>
> On Feb 4, 2015, at 11:05 AM, Hans Aberg wrote:
>
>
>> On 4 Feb 2015, at 16:26, Cynthia Karl wrote:
>
>> This is on a MacBook Pro running OS X 10.10.2.
>
>> Is there any way I can get midi2ly running on this computer?
>
> It works with a script,
When I do: midi2ly —help
I get:
Patricks-MacBook-Pro:mi2ly.0.12 pat$ midi2ly --help
Traceback (most recent call last):
File "/Applications/LilyPond.app/Contents/Resources/bin/midi2ly", line 54, in
import midi
ImportError:
dlopen(/Applications/LilyPond.app/Contents/Resources/lib/lilypond/
Is there any way to modify the following snippet and get “Fine” at the end of
the 1st system and “A” at the begin of the next system. The “A” is discarded
because it is deemed to be simultaneous with the “Fine”.
The chief reason for using a rehearsal mark for the “Fine”, of course, is to
produ
> Message: 2
> Date: Sat, 31 Jan 2015 13:31:14 -0700
> From: Paul Scott
> To: lilypond-user@gnu.org
> Subject: 2.19.15 slur accidental collision
> Message-ID: <20150131203114.GA12158@joy3>
> Content-Type: text/plain; charset=us-ascii
>
> Hi,
>
> I am trying to make a slur not collide with an ac
> Message: 6
> Date: Wed, 28 Jan 2015 00:02:13 +0100
> From: Thomas Morley
> To: Chris Trahan
> Cc: LilyPond User Group
> Subject: Re: Repeats - Strange behavior??
> Message-ID:
>
> Content-Type: text/plain; charset=UTF-8
>
> 2015-01-27 23:35 GMT+01:00 Chris Trahan :
>> I have two examp
urations in the other staves.”
I think that your solution will not always fix the problem satisfactorily.
>
>
> Thanks,
>
> From: Cynthia Karl mailto:pck...@mac.com>>
> Subject: Re: Rehearsal marks and grace notes at the beginning of bars
>
> >
>
> Message: 4
> Date: Sun, 25 Jan 2015 22:22:02 -0800
> From: Flaming Hakama by Elaine
> To: lilypond-user@gnu.org
> Subject: Rehearsal marks and grace notes at the beginning of bars
> Message-ID:
>
> Content-Type: text/plain; charset="utf-8"
>
> Hello everyone,
>
> I ran into a problem
I'm confused about the "Using tags" subsection of section "3.3.2 Different
editions from one source":
> Known issues and warnings
> Calling \relative on a music expression obtained by filtering music through
> \keepWithTag or
> \removeWithTag might cause the octave relations to change, as only
.19.15. Do Release
Notes for the various releases exist? That would show, e.g. all differences
between v.2.19.15 and v.1.18.2 or between v.2.19.15 and v.2.19.14? Or between
the current stable versionj and the current developmental version?
>
> On Thu, 2015-01-22 at 22:19 -0600, Cyn
> On Jan 22, 2015, at 6:06 PM, Rutger Hofman wrote:
>
> On 01/23/2015 12:28 AM, Cynthia Karl wrote:
>> I'm trying to duplicate the behavior shown in the next two images:
>>
>> The major things wrong with this output are:
>>
>> * the rests sh
I'm trying to duplicate the behavior shown in the next two images:
(the dash above the eighth rest in the upper line in beat 1 of measure 4 is an
artifact; ignore it)
My best effort so far is:
\version "2.19.15"
\paper {
ragged-right = ##t
}
#(define percussion '((lobongo default #t 3)
> On Jan 20, 2015, at 7:14 AM, Noeck wrote:
>
>
> 4. To find the override for staccatos, I tried to find the property of
> Script that specifies the direction. I used the Frescobaldi autocomplete
> and typed \override Script. and Ctrl+Space which showed me
> that there is a property called dire
> Date: Mon, 19 Jan 2015 23:18:31 +0100
> From: Noeck
> Subject: Re: Staccato
> Am 19.01.2015 um 20:29 schrieb Cynthia Karl:
>>
>>> On Jan 19, 2015, at 1:20 PM, Ed Gordijn >> <mailto:ed.klari...@gmail.com>> wrote:
>>>
>>> Hi Cynth
> On Jan 19, 2015, at 1:20 PM, Ed Gordijn wrote:
>
> Hi Cynthia,
> > Is there a way to get the second snippet to produce regular staccato dots?
>
> You van use \dotsDown or \dotsUp
>
> Greetings, Ed
>
It’s difficult to tell exactly what those commands do, but I don’t think
they’re intended
Section 1.285 "staccato" of the 2.19.15 LilyPond Music Glossary says: Staccato
is indicated by a dot above or below the note head. Gardner Read ("Music
Notation: A Manual of Modern Practice") agrees with this and has a little
picture showing a stem-up note with a dot just beneath the note-hea
The following snippet is based on the afterGrace snippet on p.136 of the
2.19.15 Notation manual:
\version "2.19.15"
\score {
<<
\new Staff \relative c'' {
d1~\afterGrace
d1\startTrillSpan { c32[ d]\
Consider the following snippet and the attached graphic (--png) file it
generates:
\version "2.19.15"
\paper {ragged-last-bottom = ##f}
music = {
\mark \default \repeat unfold 8 s1
\break
\mark \default \repeat unfold 8 s1
\break
\mark \default \repeat unfo
>
> Message: 7
> Date: Mon, 12 Jan 2015 20:10:20 -0800
> From: Jim Long
> Subject: Re: snippet throws programming errors
>
> On Mon, Jan 12, 2015 at 05:25:55PM -0600, Cynthia Karl wrote:
>> The following snippet:
>>
>> \version "2.19.15"
>
The following snippet:
\version "2.19.15"
music = \relative c'' { e2 g, }
\score {
\new Staff << \key c \major \music >>
\layout {
\context { \Voice \consists "Ambitus_engraver" }
}
}
throws the following two programming errors:
* programming error: Note-column with
The following snippet shows several problems:
\version "2.19.15"
\include "articulate.ly"
S = \relative b' {
\set Staff.instrumentName = "S"
\clef treble
c4 c16\prall e r8 r r r r
c4 c c c
}
A = \relative c'' {
\set Staff.instrumentName = "A"
\clef treble
c4 c c c
c4 c c c
}
\sc
> Message: 2
> Date: Sat, 20 Dec 2014 21:57:00 + (UTC)
> From: Justin
> Subject: Autochange for two voices
>
> Hello,
>
> I am trying to typeset scales for two hands on the piano like so :
> http://postimg.org/image/bq0hqyv1z/
>
> I was able to get to this point: http://postimg.org/image/
> On Dec 10, 2014, at 5:02 PM, vegasart...@hotmail.com wrote:
>
> Message: 4
> Date: Wed, 10 Dec 2014 13:54:28 -0800
> From: Do something Artistic
> To: "lilypond-user@gnu.org"
> Subject: FW: Whole measure rests in Compound duple meter
>
> Can't figure out why sometimes these don't go through
In the following snippet:
music = \relative b' {
c4 d e f
f g a b
c,1
}
Lyrics = \lyricmode {
c d e __ _
_ \skip 1 \skip 1 \skip 1
C
}
\score {
\new Staff \music
\addlyrics \Lyrics
\layout { }
}
I wa
I am using LilyPond 2.19.15 on a mac running OSX 10.10 (Yosemite).
The following snippet (from section 2.7.2 Displaying Chords of the Notation
Manual):
\version "2.19.15"
\new ChordNames {
\chordmode {
c2 f4. g8
}
}
fails with the following in the log file:
Drawing systems...
Layout
Recently you posted:
> It seems clear to me that I am mis-formatting something.
>
> What I am trying to do is is to put multiple tunes on a single page
> as for a "set" of tunes for a dance. The problem that I'm having is
> that many of these tunes start both the "A" part and the "B" part
> with
On Oct 14, 2014, at 3:30 PM, Peter Crighton wrote:
> 2014-10-14 21:54 GMT+02:00 Patrick or Cynthia Karl :
>
> When I compile the following:
>
> \version "2.19.15"
>
> Drum = \drummode {
> \set Staff.midiInstrument =#"woodblock"
> hiwoodbl
When I compile the following:
\version "2.19.15"
Drum = \drummode {
\set Staff.midiInstrument =#"woodblock"
hiwoodblock4 wbh8 wbh wbh wbh wbh4
r4 r8 wbh8 r4 r8 wbh8
wbh4 \repeat unfold 12 { wbh16 }
}
\score {
\new DrumStaff \with { drumStyleTable = #percussion-style
> Message: 5
> Date: Mon, 13 Oct 2014 21:08:41 +0200
> From: David Kastrup
> Subject: Re: parallel music with selective repeats
>
> Patrick or Cynthia Karl writes:
>
>> I have a piece of music that needs to have all staves but one repeat, and
>> that non-re
I have a piece of music that needs to have all staves but one repeat, and that
non-repeating staff is twice as long as the repeating. I tried the following
but got no joy:
\version "2.19.15"
musicA = \relative b' { c d e f }
musicB = \relative f' { f e d c }
\score {
<<
\new Sta
On Aug 31, 2014, at 5:14 AM, Phil Holmes wrote:
> - Original Message - From: "Patrick or Cynthia Karl"
> To: ; "Paul Morris"
> Sent: Saturday, August 30, 2014 8:27 PM
> Subject: Re:lilypond input filename access (Paul Morris)
>
>
>
>>
> Message: 8
> Date: Sat, 30 Aug 2014 08:34:40 -0700 (PDT)
> From: Paul Morris
> To: lilypond-user@gnu.org
> Subject: Re: lilypond input filename access
>
> Patrick or Cynthia Karl wrote
>> Is there a way to access the input filename that lilypond was invoked with
&
Is there a way to access the input filename that lilypond was invoked with in
order to include it in text output to the pdf file generated?
___
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Sorry for the poor Subject.
On Aug 2, 2014, at 10:01 AM, Patrick or Cynthia Karl wrote:
>
> I frequently need do something like: in order to
> show that one of the two notes is preferred, but the other one is acceptable.
> The problem is that the "-2" in the \tweak
I frequently need do something like: in order to
show that one of the two notes is preferred, but the other one is acceptable.
The problem is that the "-2" in the \tweak command is an absolute value, i.e.,
it is not relative to the fontSize being used. If the fontSize were -3, e.g.,
then t
>
> Message: 3
> Date: Fri, 18 Jul 2014 16:06:40 +0200
> From: Thomas Morley
> To: Urs Liska
> Cc: lilypond-user
> Subject: Re: justified paragraphs in bookTitleMarkup
> Message-ID:
>
> Content-Type: text/plain; charset=UTF-8
>
> 2014-07-18 13:58 GMT+02:00 Urs Liska :
>> Am 18.07.2014
I'm trying to do a score where one group of instruments splits and plays
different music for a while. I guess that this might be an instance of
"ostia", but I am required to place the new music on two staves in their own
staff group. What I came up with is the following:
> \version "2.18.2"
>
Sorry for not having changed the subject appropriately.
On Jun 29, 2014, at 9:40 PM, Patrick or Cynthia Karl wrote:
>
>> Message: 2
>> Date: Sun, 29 Jun 2014 22:04:05 +0200
>> From: Thomas Morley
>> Subject: Re: What is it with \bar "||"?
>>
>
> Message: 2
> Date: Sun, 29 Jun 2014 22:04:05 +0200
> From: Thomas Morley
> Subject: Re: What is it with \bar "||"?
>
>
> Actually it is a little more complicated.
First of all let me say that I appreciate everyone's patience with me. I have
learned more that I thought I would from this dis
I recently had a problem with a \bar "||" at the end of a line suppressing the
initial repeat sign in the following repeat volta section. The answer was to
use some magical \bar instead which cured the problem. It was not clear to me
then why the \bar "||" seemed to cause the following section
> Message: 6
> Date: Thu, 26 Jun 2014 20:20:16 +0200
> From: Marc Hohl
> Subject: Re: Repeat volta not at beginning of piece doesn't get
> initial repeat bar line
> [...]
>> Sorry, that doesn't work for me, result is the same. I assume you're saying
>> to replace the \bar "||" with \bar
I'm trying to set a John Dowland piece (Come Ye Heavy States of Night) which
has a single initial time signature of "4/2 2/2" followed by measures that are
either 4 half-note beats or 2 half-note beats long, in quasi-random fashion.
It's clear that if I can get that time signature printed, I ca
> In lilypond-user Digest, Vol 139, Issue 98 Message: 6, Jay Anderson wrote:
> Date: Thu, 26 Jun 2014 08:53:23 -0700
> From: Jay Anderson
> To: Patrick or Cynthia Karl
> Subject: Re: Repeat volta not at beginning of piece doesn't get
> initial repeat bar line
>
Section 1.4 of the Notation Manual says about volta repeats:
volta The repeated music is not written out but enclosed between
repeat bar lines. If the repeat is at the beginning
of a piece, a repeat bar line is only printed at the end of the
On Jun 10, 2014, at 3:32 PM, Thomas Morley wrote:
>>
>> I get this error with the following lilypond file, called test_guile.ly:
>>
>>\version "2.18.2"
>>
>>#(include-special-characters)
>
> Hi,
>
> you need to do it in \paper
>
> \paper { #(include-special-characters) }
>
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