Re: Dotted ottava bracket

Hi, On Fri, Feb 13, 2015 at 6:07 AM, Pierre Perol-Schneider < pierre.schneider.pa...@gmail.com> wrote: > Hi Joram, > > Two things : > 1) Ottava_spanner_engraver is part of the Staff context, see : > http://lilypond.org/doc/v2.18/Documentation/internals/ottava_005fspanner_005fengraver > 2) for som

Re: Vertical axis grob error

Hi Chris, On Tue, Feb 10, 2015 at 5:44 PM, Chris Trahan wrote: > > > One thing that I've found is than I an insert a \break and get the > messages to stop. > > [...] > The strange thing is that if I code it this way, the errors go away. > > \repeat volta 3 { >\repeat volta 2 { > c d

Re: Vertical axis grob error

On Tue, Feb 10, 2015 at 4:30 PM, David Nalesnik wrote: > Hi Chris, > > On Tue, Feb 10, 2015 at 3:56 PM, Chris Trahan > wrote: > >> When I compile a score that I'm working on I'm getting the following >> errors. >> >> programming error: coul

Re: Vertical axis grob error

Hi Chris, On Tue, Feb 10, 2015 at 3:56 PM, Chris Trahan wrote: > When I compile a score that I'm working on I'm getting the following > errors. > > programming error: could not find this grob's vertical axis group in the > vertical alignment > continuing, cross fingers > > I can't seem to recrea

Re: centering full-measure objects (notes and/or rests)

Hi, On Tue, Feb 3, 2015 at 10:30 PM, Kieren MacMillan < kieren_macmil...@sympatico.ca> wrote: > Hello all, > > I have a single chord in the last measure of my piece — unfortunately, it > isn’t centered by default: > > \version "2.19.15" > testing = { c''4 c'' c'' c'' | c''1 \bar "|." } > \layout

Re: lengthening broken ties

On Wed, Feb 4, 2015 at 3:43 PM, Werner LEMBERG wrote: > If it's convenient, have a look at the attached patch/sketch. It > > adds a property, minimum-length-left-broken, which lets you adjust > > broken bits that start a line. > > Excellent! What an improvement with just a few lines of code! T

Re: lengthening broken ties

> > > On Wed, Feb 4, 2015 at 2:29 PM, David Nalesnik > wrote: >> >> >> The example file shows how minimum-length and the new property interact >> with each other. >> >> Will also work with objects other than ties. See attached for slurs, hai

Re: lengthening broken ties

On Wed, Feb 4, 2015 at 2:29 PM, David Nalesnik wrote: > > > The example file shows how minimum-length and the new property interact > with each other. > > Attached is an image of the output of the example. ___ lilypond-user mailing

Re: lengthening broken ties

ugh, this will prove useful. Perhaps even when 14 is fixed it will be useful to have different settings for broken pieces, so I'm not so sure that this patch is interfering. --David From 66e797dc7421f9b142b8186cacfd499490d97b1f Mon Sep 17 00:00:00 2001 From: David Nalesnik Date: Wed, 4

Re: lengthening broken ties

On Wed, Feb 4, 2015 at 7:45 AM, David Nalesnik wrote: > Hi Werner, > > On Wed, Feb 4, 2015 at 12:14 AM, Werner LEMBERG wrote: > > >> > Don't know. In any case, I think the goal should be to make this >> > work with an override of 'minimum-length, rath

Re: lengthening broken ties

Hi Werner, On Wed, Feb 4, 2015 at 12:14 AM, Werner LEMBERG wrote: > > Don't know. In any case, I think the goal should be to make this > > work with an override of 'minimum-length, rather than setting > > 'minimum-length though 'after-line-breaking. > > The very problem is that minimum-length

Re: Shortening volta brackets at two (and more) staves

Hi, On Tue, Feb 3, 2015 at 4:35 PM, David Nalesnik wrote: > Hi Kaj, > > On Tue, Feb 3, 2015 at 1:37 PM, Kaj Persson wrote: > >> In the snippet collection, the "Repeats" section, there is one named >> "Shortening volta brackets". I have use for ju

Re: Shortening volta brackets at two (and more) staves

Hi Kaj, On Tue, Feb 3, 2015 at 1:37 PM, Kaj Persson wrote: > In the snippet collection, the "Repeats" section, there is one named > "Shortening volta brackets". I have use for just this, since in a piece of > music I need some extra space in order to put a mark immediately after the > volta alt

Re: lengthening broken ties

Hi Werner, On Tue, Feb 3, 2015 at 7:40 AM, Werner LEMBERG wrote: > > Folks, > > > I'm trying to work around an old problem of broken ties in tightly > setted music: They can degenerate to a dot, having no horizontal > extensions anymore. Following the example in section `Difficult > tweaks' of

Re: Naming convention brainstorming

On Sat, Jan 31, 2015 at 6:58 PM, David Nalesnik wrote: > > > On Sat, Jan 31, 2015 at 6:50 PM, Colin Campbell > wrote: >> >> Content mode as opposed to presentation mode? >> >> > Seem very reasonable to me. Another possibility might be "entry mode.&

Re: Naming convention brainstorming

On Sat, Jan 31, 2015 at 6:50 PM, Colin Campbell wrote: > > Content mode as opposed to presentation mode? > > Seem very reasonable to me. Another possibility might be "entry mode." David ___ lilypond-user mailing list lilypond-user@gnu.org https://lists

Re: Where are Lilypond Scheme functions documented?

On Fri, Jan 30, 2015 at 3:11 PM, Urs Liska wrote: > > Am 30.01.2015 um 22:06 schrieb David Nalesnik: > > > [...] what we find at > http://lilypond.org/doc/v2.18/Documentation/internals/scheme-functions: > > > *Function:* *ly:music-property** mus sym val* > >

Re: Where are Lilypond Scheme functions documented?

On Fri, Jan 30, 2015 at 2:27 PM, Peter Gentry wrote: > > >Date: Thu, 29 Jan 2015 22:16:12 +0100 > >From: "and...@andis59.se" > >To: lilypond-user > >Subject: Where are Lilypond Scheme functions documented? > >Message-ID: <54caa31c.1060...@andis59.se> > >Content-Type: text/plain; charset=utf-8;

Re: arpeggio on single note

Ming, On Thu, Jan 29, 2015 at 4:08 PM, MING TSANG wrote: > Lilyponders. > \version "2.19.15" > \language "english" > > { >a1 a'\arpeggio 1\arpeggio %m09 > } > I run the above lily code and I got the following warning message. The > arpeggio did not show on the score. > Immanuel, > Ming. >

Re: visibility of tuplet

Hi Luca, On Wed, Jan 28, 2015 at 2:56 PM, Luca Danieli wrote: > Hi all, > > I cannot show the tuplet in the next example. Does it happen to anyone > else? Does anyone know why? > > \tuplet 3/2 { > << { fis2 b4 } > \\ { e,2 a4 } >> > } 2:32\fermata | > > Apparently, you need to create a tuplet fo

Re: Beam slope tweaking

Hi Marc, On Wed, Jan 28, 2015 at 2:40 PM, MarcM wrote: > I also slopped beaming compared to the default horizontal beaming. > I looked at the example and notice the following: > > 1) by default the 2nd group of eight notes is too horizontal > 2) in the 2nd example the 2nd group of eight notes is

Re: When does a grob gets its paper-column?

Hi Urs, On Tue, Jan 27, 2015 at 6:19 AM, Urs Liska wrote: > Hi, > > in an engraver I have a reference to the current grob. > > It seems that while in the acknowledgers routing this grob doesn't have a > paper column set while in the finalze routine it has. > > Is that correct, and I have to wait

Re: staccato dots and slurs in second voice

On Mon, Jan 26, 2015 at 9:33 AM, David Nalesnik wrote: > I have something which is almost ready to be reviewed, but I need to get > several patches pushed and into current master first. > > A patch is up for review: see https://code.google.com/p/lilypond/issues/detail?id=2

Re: staccato dots and slurs in second voice

Hi Werner, On Mon, Jan 26, 2015 at 12:24 AM, Werner LEMBERG wrote: > > >> That's effectively what I'm doing. I'm changing the X-offset > >> callback because it's only there that the property > >> toward-stem-shift is read (see scm/output-lib.scm). The trick is > >> allowing two different concu

Re: staccato dots and slurs in second voice

On Sun, Jan 25, 2015 at 8:24 PM, David Nalesnik wrote: > Hi Jay, > > On Sun, Jan 25, 2015 at 7:03 PM, Jay Anderson > wrote: > >> On Sun, Jan 25, 2015 at 5:14 PM, David Nalesnik >> wrote: >> > It's definitely possible! Using a pointer to a ScriptColumn,

Re: staccato dots and slurs in second voice

Hi Jay, On Sun, Jan 25, 2015 at 7:03 PM, Jay Anderson wrote: > On Sun, Jan 25, 2015 at 5:14 PM, David Nalesnik > wrote: > > It's definitely possible! Using a pointer to a ScriptColumn, the > X-offset > > callback for Script can be modified to (1) center staccatos

Re: staccato dots and slurs in second voice

Hi, On Sun, Jan 25, 2015 at 5:50 PM, David Nalesnik wrote: > > > On Sun, Jan 25, 2015 at 2:15 PM, David Nalesnik > wrote: > >> Hi Kieren, >> >> On Sun, Jan 25, 2015 at 1:54 PM, Kieren MacMillan < >> kieren_macmil...@sympatico.ca> wrote: >> &

Re: staccato dots and slurs in second voice

On Sun, Jan 25, 2015 at 2:15 PM, David Nalesnik wrote: > Hi Kieren, > > On Sun, Jan 25, 2015 at 1:54 PM, Kieren MacMillan < > kieren_macmil...@sympatico.ca> wrote: > >> Hi David, >> >> > This situation with staccato dots is more complex, however. G

Re: Four Bars per Line/System, again :)

Hi Michael, On Sun, Jan 25, 2015 at 2:11 PM, Michael Hendry wrote: > Thanks, David. > > I'm very much at the stage of using example files and modifying them so > that > they work for me as far as Lilypond is concerned - and can't even plod > through your Scheme function definition to work out wh

Re: staccato dots and slurs in second voice

Hi Kieren, On Sun, Jan 25, 2015 at 1:54 PM, Kieren MacMillan < kieren_macmil...@sympatico.ca> wrote: > Hi David, > > > This situation with staccato dots is more complex, however. Gould says: > "Staccato dots and wedges by themselves look best centred on a stem ... > although many editions do cen

Re: Four Bars per Line/System, again :)

Hi Michael, On Sun, Jan 25, 2015 at 1:00 PM, Michael Hendry wrote: > Of course - I should have spotted that! > > Interesting, though that with the override commented out I can get 9 bars > per line, but if I exceed that by one I get 10, 10, 5, 5, 7, and the lines > with 5 bars in them are sparse

Re: staccato dots and slurs in second voice

Hi, On Sun, Jan 25, 2015 at 8:39 AM, Kieren MacMillan < kieren_macmil...@sympatico.ca> wrote: > Hi Werner, > > This lovely collection of snippets reveals oh so many problems… :) > > 1. The staccato dot should be directly at the end of the stem (see Gould, > etc.), unless it’s part of a compound/

Re: Four Bars per Line/System, again :)

Hi Michael, On Sun, Jan 25, 2015 at 10:38 AM, Michael Hendry wrote: > On 25 Jan 2015, at 15:15, tisimst [via Lilypond] <[hidden email] > > wrote: > > Michael, > > On Sun, Jan 25, 2015 at 7:49 AM, Michael Hendry [via Lilypond] < href="x-msg://

Re: Matching backslash in Scheme string (escaping characters for LaTeX)

On Wed, Jan 21, 2015 at 1:43 AM, Urs Liska wrote: > > Am 21.01.2015 um 08:41 schrieb Johan Vromans: > >> On Wed, 21 Jan 2015 08:31:53 +0100 >> Urs Liska wrote: >> >> So what's the way to match a backslash in a LilyPond string? >>> >> My guess is four backslashes. >> >> To match a backslash you

Re: Changing Laissez Vibrer ties for chords

Hi Knute, On Mon, Jan 19, 2015 at 11:08 AM, Knute Snortum wrote: > I'm using a Laissez Vibrer tie on a chord. It works fine, but I would > like to change the shape. \shape works fine but for only one tie. How do > I shape both ties? > As with the ties in a TieColumn, \shape won't work for l.

Re: box around notes

Hi Klaus, On Sat, Jan 17, 2015 at 9:54 AM, Klaus Blum wrote: > Hi David, > > one more big THANK YOU for your fast reply. > You're very welcome! > Yes, it was very helpful. > I have updated music-boxer-stencil so that it works again with the > boxEngraver. Finally I did some cleanup to my mes

Re: Dividing a measure with a dotted bar line

Kieren, On Sat, Jan 17, 2015 at 1:38 PM, Kieren MacMillan < kieren_macmil...@sympatico.ca> wrote: > Hi Harm, > > As always, an awesome answer! =) > > One thing: when I compile it (2.19.15), I get a ton of > > warning: forced break was overridden by some other event, should you > be using bar

Re: box around notes

Hi Klaus, On Fri, Jan 16, 2015 at 11:35 AM, Klaus Blum wrote: > Hi David, > thanks again. You're my hero: now it works. > > > I've added a few things so far: > > - "thickness" property can be used to control frame thickness, can even be > set to zero ("color" property and "layer" property work b

Re: Changing the endpoint of a very long slur

One more thing... On Tue, Jan 13, 2015 at 5:55 PM, David Nalesnik wrote: > > > > \shape #'( ((0 . 0) (0 . 0) (0 . 0) (0 . 0)) > ((0 . 0) (0 . 0) (0 . 0) (0 . 0)) > ((0 . 0) (0 . 0) (0 . 0) (0 . 0)) > ((0 . 0) (0 . 0) (0 . 0

Re: Changing the endpoint of a very long slur

Hi Knute, On Tue, Jan 13, 2015 at 5:32 PM, Knute Snortum wrote: > I have a slur that spans several systems and I want to change the every > last endpoint. My understanding of \shape is that this should work: > > \version "2.18.2" > \language "english" > > \relative c' { > \shape #'( (0 . 0) (0

Re: box around notes

Hi Klaus, On Sat, Jan 10, 2015 at 7:03 PM, Klaus Blum wrote: > Hi David, > > thanks for your work - this is a really great tool. > > I often work with things like this: > http://lsr.di.unimi.it/LSR/Item?id=960 > > so what I found in this thread is very

Re: "Collect" barnumbers for line and page breaks

Hi Urs, On Sat, Jan 10, 2015 at 3:50 PM, Urs Liska wrote: > Am 10.01.2015 um 22:04 schrieb David Nalesnik: > >> >> >> On Sat, Jan 10, 2015 at 2:06 PM, Urs Liska > <mailto:u...@openlilylib.org>> wrote: >> >> Hi David, >> >> t

Re: "Collect" barnumbers for line and page breaks

On Sat, Jan 10, 2015 at 2:06 PM, Urs Liska wrote: > Hi David, > > thank you for that suggestion. > I'll try to get my mind around this ASAP. > On the first sight I don't understand too much of it. But at least I > notice that I'm not afraid of these lambda, let and let* constructs > anymore. Fin

Re: "Collect" barnumbers for line and page breaks

On Sat, Jan 10, 2015 at 1:39 PM, David Nalesnik wrote: > \version "2.19.15" > > writeBreaksEngraver = > #(lambda (context) >(let ((out (open-output-file "output.txt"))) > (make-engraver > (listeners >((line-break-event engra

Re: "Collect" barnumbers for line and page breaks

Hi Urs, On Sat, Jan 10, 2015 at 8:44 AM, Urs Liska wrote: > Hi list, > > is it possible to collect the measure/measure-position values of all > breaks in a compilation and output that to a logfile? > Yes, it is possible. As far as I can tell, though, an engraver only has access to explicit lin

Re: system separator markup position

On Fri, Jan 9, 2015 at 11:07 AM, David Nalesnik wrote: (See the attached image.) > > Of course, you would still need to add some vertical space with system-system-spacing, for example. I'm not sure why LilyPond puts the systems so closely together, and doesn't add in some spac

Re: system separator markup position

Hi Neil, On Wed, Jan 7, 2015 at 4:01 PM, Neil Thornock wrote: > Thanks for the suggestion. While it does avoid the collision, it doesn't > center the separator between staves. I believe the separator is spaced > evenly between the vertical midpoint of each surrounding staff > (line-position 0),

Re: box around notes

Hi, On Thu, Jan 8, 2015 at 7:58 AM, David Nalesnik wrote: > Hi Marc, > > On Wed, Jan 7, 2015 at 7:43 PM, MarcM wrote: > >> i tried examples in this old post but none of them compile in 2.19.15. >> > > [Visible at Nabble link at bottom of message] > > Yes,

Re: Vertical alignment of text added to notes.

Hi Steve, On Thu, Jan 8, 2015 at 1:11 PM, Steve Lacy wrote: > Hi, I'm engraving some simple music for beginning violin students who are > learning to read music. > > I would prefer if the text added to notes were vertically aligned on each > line, but by default they are quite jagged: > > [image

Re: box around notes

Hi Marc, On Wed, Jan 7, 2015 at 7:43 PM, MarcM wrote: > i tried examples in this old post but none of them compile in 2.19.15. > [Visible at Nabble link at bottom of message] Yes, there have been a lot of changes to LilyPond internals since that was written. > > I created a sample example. >

Re: how to detect position of note on stave?

On Thu, Jan 8, 2015 at 7:31 AM, David Nalesnik wrote: > > \score { > \shiftDurations #-1 #0 { > \relative c' { > \time 4/2 > c c c c > \once \override NoteHead #'stencil = > > Of course, you need to remove the \o

Re: how to detect position of note on stave?

Hi Graham, On Wed, Jan 7, 2015 at 7:54 PM, Graham King wrote: > Many thanks David, > almost there... > > On Wed, 2015-01-07 at 18:09 -0600, David Nalesnik wrote: > > Hi Graham, > > > On Wed, Jan 7, 2015 at 4:39 PM, Graham King > wrote: > > I'm

Re: how to detect position of note on stave?

Hi Graham, On Wed, Jan 7, 2015 at 4:39 PM, Graham King wrote: > I'm trying to replace a note with one of two special glyphs, depending > on the note's position on the stave: if on the third line or above, stem > down, otherwise stem up. Is it possible to extend the following code to > detect

Re: system separator markup position

On Wed, Jan 7, 2015 at 3:02 PM, David Nalesnik wrote: > Hi Neil, > > On Wed, Jan 7, 2015 at 1:57 PM, Neil Thornock > wrote: > >> I found a kludge-solution: >> >> I created a new top staff, created a 0-line staff, removed all the other >> stencils, and then

Re: system separator markup position

Hi Neil, On Wed, Jan 7, 2015 at 1:57 PM, Neil Thornock wrote: > I found a kludge-solution: > > I created a new top staff, created a 0-line staff, removed all the other > stencils, and then placed that staff directly overlapping with the top of > the tall staff with explicit positioning. Whew! It

Re: many-lyrics separator (slightly OT)

Hi Francois, On Mon, Jan 5, 2015 at 4:46 PM, Alicuota618 wrote: > Anyway, "2.18.0" didnt like it. > And adapt this chinese thing (scheme) is still for me not an option. > > So I suppose its time to upgrade... > > The change I mentioned above should be sufficient to make this work with 2.18: "No

Re: many-lyrics separator (slightly OT)

On Mon, Jan 5, 2015 at 4:08 PM, David Nalesnik wrote: > > > I've adapted this to create the divider. > > A bit cleaner--overrides moved to grob definition. \version "2.19.15" \header { tagline = ##f } #(define (add-grob-definition grob-name grob-entry) (

Re: many-lyrics separator (slightly OT)

Hi, On Mon, Jan 5, 2015 at 10:50 AM, tisimst wrote: > Francois, > > > Francois Planiol wrote > > How do you: > > - set stanza # repeating at each new system? > > I'm not aware of any automagic way of doing it (but that doesn't mean it > can't be done, of course :), so in the mean time, simply ad

Re: moving the ottoava bracket, but not at the very beginning

Hi Stefan, On Mon, Jan 5, 2015 at 10:48 AM, Stefan Thomas wrote: > Dear community, > I would like to move the ottava-bracket a bit upwards. > Not at the beginning but at the 2nd bar. > Is there a way to do this? > \version "2.18.2" > Try \alterBroken: Music = \relative d''' { \alterBroken p

Re: grace note bug?

Hi Jaime, On Sat, Jan 3, 2015 at 6:02 PM, Jaime E Oliver wrote: > Hi everyone, > > I am not sure if this is a bug, or just improper use, but, when using a > single grace note expression with two notes such as: > \slashedGrace {a'32 a32} > I get the expected result. > > But when I use two subsequ

Re: Piano scoring with centered dynamics

Hi Arno, On Sat, Jan 3, 2015 at 10:47 AM, Arno Waschk wrote: > > Obviously the piano dynamics template did not make it from 2.12 to 2.18 > docs, which is a pity. Even although the example given in 2.12 seems > overloaded by other tweakings (which may or may not be helpful for users) > for my tas

Re: making a Tie more parabolic

Trevor, On Wed, Dec 31, 2014 at 12:41 PM, Trevor Daniels wrote: > > tisimst wrote Wednesday, December 31, 2014 5:09 PM > > > I took a look into the source code and here's what it says about each of > the > > "details" properties (found in 2.19.15 "lily/tie.cc" with the default > values > > found

Re: making a Tie more parabolic

Abraham, On Wed, Dec 31, 2014 at 11:47 AM, tisimst wrote: > tisimst wrote > > I took a look into the source code and here's what it says about each of > > the "details" properties (found in 2.19.15 "lily/tie.cc" with the default > > values found on IR web page and in "define-grobs.scm"): > > Hmm

Re: making a Tie more parabolic

On Wed, Dec 31, 2014 at 11:59 AM, David Nalesnik wrote: > Hi Abraham, > > > Is the documentation in the NR not being derived from the doc string of > the interface? > > Sorry, I mean "IR". ___ lilypond-user mailing l

Re: making a Tie more parabolic

Hi Abraham, On Wed, Dec 31, 2014 at 11:09 AM, tisimst wrote: > > > It certainly does say that these are supposed to be visible in the IR, but > why aren't they? What can we do to get things like this there? I'm happy to > assist if I can be given some direction... > I'm a little mystified at wh

Re: making a Tie more parabolic

Hi Pierre, On Wed, Dec 31, 2014 at 10:24 AM, Pierre Perol-Schneider < pierre.schneider.pa...@gmail.com> wrote: > Hi David, > > See the following : > > \version "2.19.15" > > \paper { > paper-width = 100 > paper-height = 50 > ragged-right = ##f > indent = 0 > tagline = ##f > } > > { a'1

Re: making a Tie more parabolic

Hi Pierre, On Wed, Dec 31, 2014 at 9:46 AM, Pierre Perol-Schneider < pierre.schneider.pa...@gmail.com> wrote: > Hi Kieren, > > Here's a bad one : > > \version "2.19.15" > > \paper { > paper-width = 100 > paper-height = 30 > ragged-right = ##f > indent = 0 > tagline = ##f > } > > { a'1 -

Re: making a Tie more parabolic

Kieren, On Wed, Dec 31, 2014 at 9:30 AM, Kieren MacMillan < kieren_macmil...@sympatico.ca> wrote: > Hi David, > > > I think that you should investigate the numerous properties listed under > details (http://lilypond.org/doc/v2.18/Documentation/internals/tie) for > finding the basic shape. > > I t

Re: making a Tie more parabolic

On Wed, Dec 31, 2014 at 9:20 AM, David Nalesnik wrote: > > > On Wed, Dec 31, 2014 at 9:12 AM, Urs Liska wrote: >> >> >> Without trying it out I'd expect Janek's \shapeII (in openlilylib) and >> using it with polar coordinates should help you. >>

Re: making a Tie more parabolic

On Wed, Dec 31, 2014 at 9:12 AM, Urs Liska wrote: > Am 31.12.2014 um 15:26 schrieb Kieren MacMillan: > >> Hello all, >> >> I’m putting together a stylesheet based on mid-20th-Century >> Warner-Chappell musical theatre vocal books, and would like to mimic >> more closely their tie shape: >> >> >>

Re: adding stems to clusters

On Mon, Dec 29, 2014 at 6:43 PM, David Nalesnik wrote: > Hi again, > > On Mon, Dec 29, 2014 at 6:06 PM, David Nalesnik > wrote: > >> Hi Jaime, >> >> I'll look into lengthening it to reach the stem. >> >> > Not at all easy, I'm afraid. A

Re: adding stems to clusters

Hi again, On Mon, Dec 29, 2014 at 6:06 PM, David Nalesnik wrote: > Hi Jaime, > > I'll look into lengthening it to reach the stem. > > Not at all easy, I'm afraid. Are you looking for the cluster-band sort of notation, or would individual clusters per stem suffice

Re: adding stems to clusters

Hi Jaime, On Mon, Dec 29, 2014 at 4:50 PM, Jaime E Oliver wrote: > Hi all, > > Is there a way to add stems to cluster events made with something like > \makeClusters { 8 8 8 8 8 } > so that there is a sense of the underlying rhythmic structure? > The Notation Manual says this isn't supported,

Re: display flat symbol in ees major

Hi, and welcome to the community! On Mon, Dec 29, 2014 at 12:16 PM, Jinsong Zhao wrote: > Hi there, > > I am try to learn LilyPond by doing. I have a score, which display a flat > symbol in ees major. However, I can't get that in LilyPond. > > \version "2.19.15" > \relative c, { > \clef "bass"

Re: undesired courtesy

Martin, On Sun, Dec 28, 2014 at 6:02 PM, catal...@hotmail.com wrote: > Hi all, > > The following code produces the desired semi-sharp but it is preceded by a > "courtesy accidental". Any idea how I can get rid of it? > Thanks! > > Martin > > > \version "2.18.0" > \language "italiano" > > \relati

Re: Beaming problem

Wim, On Sun, Dec 28, 2014 at 11:47 AM, Shane Brandes wrote: > Wim, > > you are missing the open [ for the groupings in the bottomstaff. > > regards, > > Shane > > On Sun, Dec 28, 2014 at 12:32 PM, Wim van Dommelen wrote: > >> Hi, >> >> I stumbled on a small beaming problem. Attached two small .

Re: "\\[" as music function – stack overflow

Hi Simon, On Sun, Dec 28, 2014 at 9:01 AM, Simon Albrecht wrote: > Hello, > > when I start to compile the attached file, lily takes a long time for > parsing and then exits with Microsoft’s "stack overflow/stack exhaustion" > error code. I tested this with lily 2.19.8 and .15 and on both Windows

Re: glissando to a nearby modified pitch doesn't always work inside a triplet

Hi, On Sat, Dec 27, 2014 at 2:41 PM, list_lilypond wrote: > > > My guess is that there is not enough space between the two notes where > the glissando needs to be because the pitch modifier occupies so much > horizontal space that lilypond 'decides' that the lenght of the line > indicating the g

Re: Suppress command (\arpeggio) in music variable

Joel. On Thu, Dec 25, 2014 at 12:06 PM, David Nalesnik wrote: > > > > I can't test it with the example the OP has given, since it doesn't > compile. > Ah, I see the note about changing the language of the example on GitHub. --David _

Re: Suppress command (\arpeggio) in music variable

On Thu, Dec 25, 2014 at 10:49 AM, Kieren MacMillan < kieren_macmil...@sympatico.ca> wrote: > Hi, > > > This will prevent it showing up in the output, but it'll still show up > in the midi, won't it? > > Hmmm… I think it probably will. So maybe use tags instead? e.g. (warning: > UNTESTED CODE!): >

Re: Suppress command (\arpeggio) in music variable

Hi, On Thu, Dec 25, 2014 at 10:01 AM, Ted Lemon wrote: > On Dec 25, 2014, at 10:50 AM, Kieren MacMillan < > kieren_macmil...@sympatico.ca> wrote: > > \override Arpeggio.stencil = ##f \barsSixToEight \revert > Arpeggio.stencil > > This will prevent it showing up in the output, but it'll still s

Re: Trying to replicate an obscure pedal marking from a ~1919 score...

Hi Ted, On Mon, Dec 22, 2014 at 9:16 AM, Ted Lemon wrote: > On Dec 22, 2014, at 10:04 AM, David Nalesnik > wrote: > > I always thought the traditional "Ped." looked a bit like an elephant... > > Heh! Yes, I can see that. Or perhaps like a Snuffleupagus, if that

Re: Trying to replicate an obscure pedal marking from a ~1919 score...

Hi, On Mon, Dec 22, 2014 at 8:54 AM, Kieren MacMillan < kieren_macmil...@sympatico.ca> wrote: > Hi Ted, > > > I'm curious if this is a style that lilypond can support. > > You can have the pedal line be a line drawing of Grumpy Cat if you want. > ;) > In other words: yes, this is a style [of peda

Re: How to position a markup on top of the system?

Hi Wim, On Fri, Dec 19, 2014 at 10:00 AM, Wim van Dommelen wrote: > > Hi, > > I’m trying to position an arrow on the system, please see the added .PNG > for what the composer originally wrote down on paper. > > > Changing the Y-offset moves the object but it keeps on flipping on top or > below th

Re: Ties

Hi Bill, On Thu, Dec 18, 2014 at 6:03 PM, William Marchant wrote: > > I am using the tilde to tie notes together to match the words. I get the > following error: > > /tmp/frescobaldi-R8ynF5/tmpl9Xudz/IfTouKnewSusie.ly:13:4 : > warning: unterminated tie > > a4~ g2 e4 | > > The engraving comes o

Re: Modified enharmonic.ly (from snippets)

Hi Peter, On Tue, Dec 2, 2014 at 11:38 AM, Peter Gentry wrote: > > naturalizeMusic = > #(define-music-function (parser location m) > (ly:music?) > (naturalize m)) > > \version "2.18.2" > % Bach Minuet from Partita No1 > #(set-global-staff-size 23) > \header { title = "Minuet from Partita N

Re: Chapter 3 of "LilyPond Extending" document

Hi again, On Thu, Nov 27, 2014 at 2:39 PM, David Nalesnik wrote: > > > You could search the music expression for context modifications. > Try running this to see what kind of information would be accessible to you from the music expression you'd be running \naturalizeMusic o

Re: Chapter 3 of "LilyPond Extending" document

Hi Peter, On Thu, Nov 27, 2014 at 11:35 AM, Peter Gentry wrote: > You are spot on David. I spend a lot of time transposing music for a > small band of amateur wind players. I use the said snippet as an include > file "enharmonic.ly" to tidy up the accidentals. My issue is that the > tidy up ta

Re: Chapter 3 of "LilyPond Extending" document

On Thu, Nov 27, 2014 at 6:34 AM, Peter Gentry wrote: > > This chapter headed "LilyPond Scheme Interfaces" would be most useful to > the tyro since it would help to get information into and > out of music streams. > > However it is missing from the 2.18.2 documentation which relates to the > 2.16.

Re: Programming question

Jay, On Wed, Nov 26, 2014 at 4:10 AM, Jay Vara wrote: > Yay! That works. Not sure why the other way did not work. > > I tried various ways of getting it to output to a string instead of to a > file, something like: > > #(set! (jv (with-output-to-string > > (lambda () #{ \displayMusic \music #}))

Re: Programming question

Harm, On Tue, Nov 25, 2014 at 11:54 AM, Thomas Morley wrote: attached my own attempt using Davids work and some recyceled > own codings. > Very nice! ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond

Re: Programming question

On Tue, Nov 25, 2014 at 8:49 AM, Jay Vara wrote: > Trying to force the lyric in David's program to associate with the > Staff/Voice, I added a name "jun" to the voice and see if that worked. > [...] In this case, the lyrics, that is the pitch numbers, did not show up at > all! Wonder why? > I

Re: Programming question

On Tue, Nov 25, 2014 at 12:42 PM, Jay Vara wrote: > This version seems to work. You are creating a list of lyric-events to be > fed to the parser rather than a string - is that the difference? Hopefully > I can understand your code within a few days. > > Interestingly, b-flat is coming out as b r

Re: Programming question

Hi, On Sun, Nov 23, 2014 at 3:31 PM, Mike Solomon wrote: > > > On Nov 23, 2014, at 10:21 PM, Jay Vara wrote: > > > > Given that NoteNames are really a type of lyrics, is it possible to have > a function that just takes music and returns a text string that is a lyric. > > > > For example: > > >

Re: Nalesnik's Roman number analysis code

Hi Ivan, On Mon, Nov 17, 2014 at 8:58 PM, Ivan Kuznetsov wrote: > Thank you; I appreciate that. > > On Mon, Nov 17, 2014 at 6:04 PM, David Nalesnik > wrote: > > > > Yes--I'm pretty sure I got it to work with larger columns. I'll have to > > search ar

Re: Nalesnik's Roman number analysis code

Hi Ivan, On Mon, Nov 17, 2014 at 5:38 PM, wrote: > > Mr. Nalesnik: thank you for making public your scheme code > for writing Roman Numeral/figured bass analysis: > >http://comments.gmane.org/gmane.comp.gnu.lilypond.general/70354 > > This code has been invaluable to me for writing examples f

Re: Replace slur events with skip

On Mon, Nov 17, 2014 at 7:35 AM, David Nalesnik wrote: > Ties are from note-to-note, and apparently there was thought to be no need > of both initiating and terminating events. > It does make sense--didn't mean to suggest otherwise! DN __

Re: Replace slur events with skip

On Mon, Nov 17, 2014 at 7:06 AM, David Nalesnik wrote: > Hi Jay, > > On Mon, Nov 17, 2014 at 6:37 AM, Jay Vara wrote: > >> I tried to change the tiedNoteToSkip procedure to also skip slurs. For >> some reason, it does not seem to work the same way. It skips the first

Re: Replace slur events with skip

Hi Jay, On Mon, Nov 17, 2014 at 6:37 AM, Jay Vara wrote: > I tried to change the tiedNoteToSkip procedure to also skip slurs. For > some reason, it does not seem to work the same way. It skips the first note > in a 3 note slur, but not the second. > > No time to look at this in depth, but my fir

Re: lyrics extender and acciaccatura

On Tue, Nov 11, 2014 at 10:22 AM, David Kastrup wrote: > > Not much of a surprise here. > > \new Staff << > \new Voice = "music" { \grace c'8 } > \new Lyrics \with { includeGraceNotes = ##t } \lyricsto "music" { hi } > >> > > Ah, OK. That's the solution to Jean-Charles's problem. --David __

<    4   5   6   7   8   9   10   11   12   13   >