Le 23/11/2022 à 10:32, Werner LEMBERG a écrit :
As it turns out, it’s Score.LyricHyphen.stencil I have to play with,
since in my actual score, the end of the word 'Kum -- ba -- ya'
occurs at the beginning of the coda [...]
This is an interesting case, which probably nobody has thought of
prev
Le 09/10/2021 à 16:55, Lukas-Fabian Moser a écrit :
Folks, especially those of French tongue,
how should one deal with a word like "entends-tu" in Lyrics?
{
c'8 8 8
}
\addlyrics {
En -- tends-tu
}
If I am not mistaken, the dash (is it one?) between "tends" and "tu" is
mandatory, and it
Le 04/02/2019 à 10:17, Andrew Bernard a écrit :
I want to remove some staves containing only rests and yet retain others in
my quartet score. [When there is a long solo I want the other parts
suppressed, but when just one instrument is at rest I want the empty staff
to show in the set of four].
Le 25/05/2018 à 17:42, David Sumbler a écrit :
The only thing I have managed to establish is that it seems to be
related to the 1st violins and cellos, which have staves arranged thus:
<<
\new Staff
\ScoreThreeCelloA
\new Staff \with { \RemoveAllEmpt
Le 01/06/2017 à 03:01, Hwaen Ch'uqi a écrit :
Greetings Kieren,
Yes, I had considered that but had hoped that there would be a
smoother solution that would not then require me to change
shortInstrumentName for each part to reflect the desired abbreviations
to follow.
You can type
\once \set
Le 18/05/2017 à 10:20, Gianmaria Lari a écrit :
I want to write a score with some didactical annotation in different
language (french and italian).
In case I decide to generate two separate score, one in italian and one in
french, what's the best way to manage the source?
What I did when engra
Le 03/12/2016 à 22:28, Graham Percival a écrit :
On Fri, Dec 02, 2016 at 07:50:50PM +0100, Jean-Charles Malahieude wrote:
I've already given it a try, but get stopped by some errors I don't know how
to resolve (I've no knowledge about perl). Three patches are available for
any
Le 02/12/2016 à 02:10, Paul a écrit :
Hi Carl,
On 12/01/2016 12:44 PM, Carl Sorensen wrote:
One thing that is note mentioned in your quote is that texinfo separates
semantics from appearance. It is this precise separation that allows one
to make big but consistent changes in the appearance of
Le 24/11/2016 à 21:11, Thomas Morley a écrit :
2016-11-23 18:53 GMT+01:00 Jean-Charles Malahieude :
Still not finalized, but here are Campra's Festes vénitiennes.
Urtext.ly does'nt generate the MIDIs, as opposed to Conducteur.ly
many thanks for your score.
I first compiled it wi
Le 08/05/2016 à 16:27, Urs Liska a écrit :
The issue with that kind of score is that one needs two independent
scores with identical page breaks.
AFAICS there's still no alternative to doing that manually, though.
Has anyone tried to build it as one markup with three columns (left
pianist,
Le 08/01/2016 18:50, Ryan Michael a écrit :
Hello I have the following score block:
\score {
\new StaffGroup <<
[...] >>
\markup {
\fill-line {
Hello hello hello
}
}
\layout { }
\midi { }
}
However I get the error:
syntax error, unexpected \markup
Just move your ma
Le 11/12/2015 16:43, Federico Bruni a écrit :
Ragged comes from standard printing terminology: non-justified text is
described as "ragged right".
ok, thanks
non-justified is the synonym I was looking for
As a joke, pardon the French speaker, I would say it is the difference
between frog ea
Le 14/11/2015 15:22, Federico Bruni a écrit :
Hi all
I'm trying to format directly in LilyPond an interview (the single text
only part of a book). I don't want to use lilypond-book and LaTeX just
because of this minor part of the book.
I've two questions:
1) There's any way to place the text o
Hi all,
How could I find the culprit in a 5 staves score which looks all right?
The logs say
--8<--
Processing `/home/jcharles/Partothek/Campra/Fetes_Venitiennes/Conducteur.ly'
Parsing...
Interpreting music...
Interpreting
music...[8][16][24][32][40][48][56][64][72][80][88][96][104][112][120]
Le 10/09/2015 15:00, Peter Bjuhr a écrit :
On 2015-08-26 22:10, Urs Liska wrote:
This thread makes me wonder: what's the average age of LilyPond users
and developers?
Remind me in two weeks and I'll start a poll on Scores of Beauty ...
I send in this reminder not because I'm especially inte
Le 12/05/2015 17:18, Shane Brandes a écrit :
I agree no useful way to make a solid conclusion on numbers. I also
know several people that use Lilypond but either don't need the
functionality to the point they need to be here on this list or don't
want to have the clutter in their inbox and simply
Le 28/04/2015 10:03, ArnoldTheresius a écrit :
Hello,
if the first-page-number is different than 1, then the page-links in the PDF
(i.e. TOC, \page-link, \label & \page-ref) lead you to the wrong page.
E.g. first-page-number = 3; then a link to page 4 will lead you to the 4th
page, but this is pa
Le 26/12/2014 10:59, Wilbert Berendsen a écrit :
Dear all,
A new release of Frescobaldi is out with some new features, bug fixes
and improvements.
Changes: https://github.com/wbsoft/frescobaldi/blob/v2.17/ChangeLog
Download: https://github.com/wbsoft/frescobaldi/releases
(source and Windows ex
Le 11/11/2014 17:22, David Kastrup a écrit :
David Nalesnik writes:
On Tue, Nov 11, 2014 at 9:53 AM, David Nalesnik
wrote:
Hi Jean-Charles,
The problem I see here is that the X-parent of the LyricText is being set
to the NoteColumn of main note rather than to the grace note. (Perhaps
tha
Hi all,
Trying to align a syllable to acciaccaturas, I came across an extender
problem:
The extender should stop *before* the rest, not when encountering the
next acciaccatura.
\version "2.19.15"
Music = {
r4 \acciaccatura { c'8 } e'4~ e'2~
e'1
r4 \acciaccatura { e'8 } c'2.
}
TextKO
Le 08/08/2014 08:46, Janek Warchoł disait :
Hi,
2014-08-05 18:54 GMT+02:00 Pierre Perol-Schneider
:
Hi,
2014-08-04 23:57 GMT+02:00 Micah Walter :
I have a whole measure rest. I would like the dotted half-note glyph,
which specifies the rhythmic value, but I would also like it to be centered
Le 09/05/2014 01:04, KarlHammer disait :
Jean-Charles Malahieude:
On my way to typeset a mass by Monteverdi, I'm blocked with some
ligatures (see
http://musicofyesterday.com/historical-music-theory/expanded-history-musical-notation-part-4/
for examples)
You seem to equate ligatures
Le 08/05/2014 17:35, Federico Bruni disait :
2014-05-08 16:49 GMT+02:00 Pierre Perol-Schneider:
Can I ask you why? It's because of the license restrictions
(NonCommercial clause is not accepted by Mutopia)?
Because I'm no Mutopia user.
Now the right question would be why am I not a user ?
Le 08/05/2014 10:18, Éditions IN NOMINE disait :
Hi Jean-Charles !
Here's what I'm using for black mensural, adapted to your snippet :
\version "2.19.3"
mens = \once \override NoteHead #'style = #'neomensural
blackBrevis = {
\once \override NoteHead #'stencil = #ly:text-interface::print
\onc
Hi all!
On my way to typeset a mass by Monteverdi, I'm blocked with some
ligatures (see
http://musicofyesterday.com/historical-music-theory/expanded-history-musical-notation-part-4/
for examples)
I can code the first one in its 8th image like this:
<< \tag #'Urtext { \[ d1 e1*3/4 \] }
Le 21/01/2014 19:14, Tom van der Hoeven disait :
below you will find an example. It is made such that on the first page
there is no room left.
As you can see I use the last page in order to get the number of pages
of a book.
I found this solution on the internet, it works but it is not straight
f
Le 01/01/2014 18:50, Noeck disait :
Hi all,
* The French translation is probably rather poorly done by me.
Corrections and other comments to all language versions are welcome!
Good job! Thanks (I'll give the links on the French list when updated).
- Commentaire % … und %{ … %}
+ Commentaire
Le 30/12/2013 17:50, David Kastrup disait :
We are proud to announce the release of GNU LilyPond 2.18.0 - the new
stable release.
Thank you David and every contributor!
Cheers,
Jean-Charles
___
lilypond-user mailing list
lilypond-user@gnu.org
https
Le 27/12/2013 03:54, Kieren MacMillan disait :
Hi Jean-Charles,
Problem is that the reset occurs at _every_ book-part; you then cannot open a
part on an act basis.
There should be a property:
\paper {
first-page-number = 3
}
That would solve it! =)
Best would be to have it "calculat
Le 22/12/2013 01:23, Kieren MacMillan disait :
For Bach, thanks to David Nalesnik and Thomas Morley, a function to center an
unique note and align it with R1\fermataMarkup (like in old scores).
Nice! Is that part of the regular distro now?
No. By the way, you've to be absolutely sure ther
Le 16/12/2013 22:59, Kieren MacMillan disait :
Hello all!
I would love to hear from anyone who has engraved a full opera or
musical (with at least vocal score plus full score) in Lilypond.
Have you looked at Nicolas Sceaux's works (http://nicolas.sceaux.free.fr/)?
For my part, I re-typeset K
Le 21/11/2013 17:50, Stig Johan Berggren disait :
\version "2.12.3"
global = { \time 4/4 \skip 1*3 \time 3/4 \skip 2.*2 \bar "|." }
flute = \relative c'' { R1*3 d2. c }
Replace
\new Staff << \global \flute >>
with
\new Staff << \compressFullBarRests \global \flute
Le 17/11/2013 06:52, Werner LEMBERG disait :
In other words, I can live with ragged-bottom compression if lilypond
emits a warning that it has to compress a page – and lilypond should
also emit the corresponding page number in the warning message.
I don't know if this would be easy, but it wo
Le 21/08/2013 15:05, Thomas Morley disait :
Hi,
playing around with some code to answer a request about setting
BarNumber for the first measure at the German lilypond forum
http://www.lilypondforum.de/index.php?topic=1529.0
I've found:
\version "2.17.24"
\layout {
\context {
\Score
Le 23/07/2013 22:45, Robin Bannister disait :
Jean-Charles Malahieude wrote:
Could anyone help me finish this BWV246 project?
Well, I don't know anything about figured bass but it seems that
LilyPond's square brackets are not intended to be spread apart.
add_brackets is called even
Hi!
I'm trying to reproduce editorial markings in figured bass like in the
enclosed image, but get nowhere even after having read the sources.
I admit I don't fully get the add_brackets function in
lily/figured-bass-engraver.cc and need someone to correct my commenting
of these lines I find
Hi all,
I need some help in order to reproduce the enclosed image.
I don't care replacing the parentheses used in the original by brackets,
but impossible to get only either the opening or closing bracket, even if
\displayMusic {
\new Staff \with { implicitBassFigures = #'(99) } {
\figure
Le 02/06/2013 20:18, Thomas Morley disait :
2013/6/2 Jean-Charles Malahieude :
Only nitpicking, as you can notice, is that it is the right side of the
digits (9, 5 and 6) that get aligned on the center of the note and not the
"full box".
True, though regard the output of the foll
Le 03/06/2013 17:32, Mark Stephen Mrotek disait :
Good Day!
A piece begins with an anacrusis – see attached file “without.ly.” When
the “g” is notated as an appoggiatura to the “f” – see attached file
“with.ly” – some dreck appears.
Both hands don't have the same duration since one of them (R
Le 02/06/2013 17:50, Thomas Morley disait :
In the attached code I tried to affect BassFigure. Not sure whether
it's the best way, though it works.
In addition I added code to affect ChordName and FretBoard, too, and
reworked the definition for `read-out'.
As far as I can observe with such a
Le 02/06/2013 16:47, Alberto Simões disait :
Hello
I am running lilypond version 2.17.17 (MacOSX), and something that never
had happened to me before just occurred:
A dotted bar is not showing.
I am using the standard \bar ":" but the bar do not get printed.
If I use a standard bar | I get it.
Le 02/06/2013 14:14, Thomas Morley disait :
2013/6/2 Jean-Charles Malahieude :
Le 31/05/2013 22:02, Thomas Morley disait :
maybe of interest for you:
http://lilypond.1069038.n5.nabble.com/center-NoteColumn-td34436.html
Attaching the most recent version of the code, your example included
Le 31/05/2013 22:02, Thomas Morley disait :
maybe of interest for you:
http://lilypond.1069038.n5.nabble.com/center-NoteColumn-td34436.html
Attaching the most recent version of the code, your example included.
Many thanks to David Nalesnik.
HTH,
Harm
It helps, but I cannot find a way to
Le 31/05/2013 22:24, Jean-Charles Malahieude disait :
Le 31/05/2013 22:02, Thomas Morley disait :
I'll have a look on it tomorrow, since my eyes are quite tired now.
I wanted to mimic Breitkopf's original with the last bar (and the book
contains 80 scores).
Many, many thanks to
Le 31/05/2013 22:02, Thomas Morley disait :
2013/5/31 Jean-Charles Malahieude :
Hi all,
When the final bar of a score contains a single note in one staff (or
voice) and the other a full bar rest, is there an easy way to
automatically center them both and obtain something more pleasant than
Hi all,
When the final bar of a score contains a single note in one staff (or
voice) and the other a full bar rest, is there an easy way to
automatically center them both and obtain something more pleasant than
what is produced by default?
Thanks for any pointer or advice for building a functi
Hi all,
I need, for an examination paper, to add a ballooning over two
consecutive notes. So far, so good I can play with the slopes, but how
can I adapt the engraver to include the accidental (in other words
emphasize the C-sharp, not just the C) and add some padding between the
object and t
Le 23/03/2013 18:13, Trevor Daniels disait :
Noeck wrote Saturday, March 23, 2013 5:55 PM
This is explained very concisely and without examples in the NR, see
http://www.lilypond.org/doc/v2.17/Documentation/notation/aligning-objects
I disagree. As an average user, I feel quite lost in this s
Le 24/08/2012 16:59, Mike disait
On 24 août 2012, at 16:52, Mogens Lemvig Hansen wrote:
I am not a native English speaker, but aren't the segments of a bridge
between the vertical supports called spans? If that's right, one could find
the Italian word for such segments and lift the lilypond
Le 23/08/2012 21:36, Mike disait :
On 23 août 2012, at 21:28, Tiresia GIUNO wrote:
On Thu, 23 Aug 2012 21:07:34 +0200
"address@hidden" wrote:
Chipping in as this issue came up in a talk I gave in France a few
years ago.
It seems that it'd be good to standardize this in Romance languages
as
Le 18/03/2012 14:53, James disait :
Jean-Charles,
I don't understand how Lyrics work in LilyPond or what your last
paragraph means (it is meaningless to me, sorry - I play trumpet, I
don't sing, so never need to read or use lyrics in a score)
I was hoping that you could give me a texidoc string
Le 18/03/2012 14:53, James disait :
Jean-Charles,
I don't understand how Lyrics work in LilyPond or what your last
paragraph means (it is meaningless to me, sorry - I play trumpet, I
don't sing, so never need to read or use lyrics in a score)
I was hoping that you could give me a texidoc string
Le 18/03/2012 12:38, James disait :
Hello,
On 18 March 2012 11:33, Jean-Charles Malahieude wrote:
Le 17/03/2012 11:14, Reedmace Star disait :
In the first line, Alice and Eve alternate strictly in singing, so their
lyrics get collapsed:
ALICE EVE ALICE EVE
maybe that the
Le 09/03/2012 05:20, ornello disait :
What is the right way to write a grace note at the beginning of the score (or
after a clef/time/key signature change)? Here is my attempt:
[...]
But this issue does not mention a workaround? Does anybody know a trick?
Have a look at the "Known issues" i
And I just found a solution that works even better for me...
%%% previous stuff
\cadenzaOff
\bar "|"
\appoggiatura b4
\set Timing.measurePosition = #(ly:make-moment 0 4)
%%% subsequent stuff
...by setting the measurePosition *after* the grace/appoggiatura and
before the first "beat" o
Le 18/11/2011 15:05, Sebastian Canagaratna disait :
I can write these part in different scores, but the midi comes in
different files.
If you'd like to have _all_ sections in one "concatenated" MIDI, you
just have to create a "musical expression" indicating what is the
sequence. Don't forget
Le 07/11/2011 09:22, Kieren MacMillan disait :
Situation: Lilypond 2.15.x Staff has been "french-ed" by
\RemoveEmptyStaves; one particular MultiMeasureRest needs to be
visible
What's the current best practice for doing this?
What I would do, if enough spacing in the other staves, is forcing a
Le 03/11/2011 20:02, David Kastrup disait :
\paper {
tocname = "Inhaltsverzeichnis"
}
#(define-markup-command (toc layout props) ()
(interpret-markup layout props (ly:output-def-lookup layout 'tocname "none")))
\markup \toc
But the list is a bit longer (cf. enclosure)
I first def
Le 03/11/2011 20:02, David Kastrup disait :
Jean-Charles Malahieude writes:
Le 03/11/2011 19:02, Michael Ellis disait :
This allows me to do
\set midiInstrument = #(cueInstrument 'get)
in my cueNotes and similar functions and the choice of instruments can
be set within the .ly
"Inhaltsverzeichnis" looks better in
German than "Table des matières". So I had to find a way to collect all
the strings that should be adapted in one place (per language) and set
this preference in one dedicated file that gets included in each master
file.
Cheers,
Jean-Cha
Le 24/10/2011 12:57, Frederick Bartlett disait :
In setting an a apella SATB piece and the (generated) rehearsal
piano part, I would like to create two PDF files with different
linebreaks.
Each part has many occurrences of a variable "midBarBreak" defined as
{ \bar "" \break } so as to break up
Hi all,
I've spent a while in searching how to achieve my needs, but with no
success, until now.
Let's say that Arthur plays with "Matriochkas": lots of basic files
that get included and distributed in an Act-file (bookpart), all the
Act-files being included in an Opus-file (book).
The fu
Le 14/10/2011 11:32, Francisco Vila disait :
2011/10/14 Ed Gordijn:
Hi Jean-Charles,
This is quite a large work. Nice work and good promotion for Lilypond!
Indeed. I usually post these sort of news to our Spanish list.
You may!
I have a question. Many publish on Mutopia. Others on CPD
Hello all,
Just to inform you that I've typeset the 1843 Taylor's edition of the opera.
It is available at
http://www.cpdl.org/wiki/index.php/King_Arthur_%28Henry_Purcell%29
Cheers,
Jean-Charles Malahieude
___
lilypond-user mailing lis
Hi all,
For the piece I'm typesetting, I need a continuo part containing a
reduction of the SATB.
As I encounter many warnings like
/home/jcharles/Partothek/Arthur/Act5/E/ntenor.ily:36:5:
Warning : already have slur
f8[
( e f g] f4) d e4. fs8
/home/jcharles/Partothek/Arthur/Act5/E/nbass
Le 18/06/2011 16:46, Jean-Charles Malahieude disait :
Le 18/06/2011 15:57, Kieren MacMillan disait :
Hi Jean-Charles,
In the book I'm engraving, it happens that some instruments get "tacet"
for certain pieces. In order to generate a full table of contents, I
treat them through
Le 18/06/2011 15:57, Kieren MacMillan disait :
Hi Jean-Charles,
In the book I'm engraving, it happens that some instruments get "tacet"
for certain pieces. In order to generate a full table of contents, I
treat them through "Devnull". The problem is that I often get what follows.
In this tiny e
Hi all,
In the book I'm engraving, it happens that some instruments get "tacet"
for certain pieces. In order to generate a full table of contents, I
treat them through "Devnull". The problem is that I often get what follows.
In this tiny example, I would like the "devnull" to not take any
ve
Hi all!
When using a separate book for generating instrumental parts, is there a
easy way to get rid of the superfluous "instrument" appearing with each
bookpart?
---8<---
\version "2.13.61"
\book {
\header {
title = "The Book Title"
instrument = "instrument"
}
\bookpart {
\header {
titl
Le 05/05/2011 21:44, Reinhold Kainhofer disait :
Am Donnerstag, 5. Mai 2011, 20:45:48 schrieb J.-Charles Malahieude:
On my way to typing "King Arthur", I'm trying to reproduce what is
on the attached image: the choir enters on the last syllables of
the soloist.
Is there an easier to achieve thi
Le 18/01/2011 20:21, Marc Hohl disait :
Am 18.01.2011 18:56, schrieb Graham Percival:
On Tue, Jan 18, 2011 at 05:24:11PM +0100, Marc Hohl wrote:
These functions should be bundled in a snippet, or perhaps
included in the lilypond distribution?
Start by adding it to LSR.
Done.
http://lsr.dsi.
Le 15/08/2010 11:43, Xavier Scheuer disait :
I'd like to know if someone has an idea which font is used to write
"Ped" (command \sustainOn ).
Is it based on an existing font (and which one)?
Just have a look at Appendix A.6 of the notation manual...
Cheers,
Jean-Charles
__
Hi, all!
Some time ago, Werner asked on the devel-list in a thread about "setting
the number of pages for a score"
http://lists.gnu.org/archive/html/lilypond-devel/2006-02/msg00211.html
My main concern is to make
lilypond handle the above described situation automatically --
lilypond's normal
Forgot the list!
On Thu, Nov 05, 2009 at 10:52:59PM +0100, David Kastrup wrote:
Graham Percival writes:
> LilyPond 2.13.7 is out. This release theoretically works on osx
> 10.6, without breaking anything on other OSes,
Not even lines?
Those aren't breaks; they're... carriage returns. Duri
Hi,
I've been trying and trying.
Removed settings, changed some, but I just can't get a good A6-sized sheet.
These are my files:
http://www.ff.fm/downloads/ptfm.ly
http://www.ff.fm/downloads/ptfm.pdf
It seems to me, I'm getting an A4 pdf.
But the biggest problem is getting the staffs and meas
anks in advance, for them as well as my wife.
Cheers
Jean-Charles Malahieude
French translator of LilyPond
ENGLISH : YOUR-LANGUAGE
A (note)
accidental
ancient minor scale
arpeggio
ascending interval
B(note)
bar
bar line
baritone clef
bass clef
beam
beat
bind (équivalent de t
Hi everybody,
Sorry to bother you with this, but my wife requires your help:
She teaches music here in Manosque (Southern of France) and since the
ITER program is in development, she has to deal with beginners (between
6 and 8 years old) just arriving from their mother country and not
famili
Le 14.09.2007 17:23, Graham Percival disait :
http://lilypondwiki.tuxfamily.org/index.php?title=Doc
Sounds very promising. I like this progressive discovery.
Just one question: due to the alignement and their "timing effect",
wouldn't it be judicious to move the "grace notes" to the "1.2.6
>> 2007/8/1, Francois Planiol-Auger :
>> Yes I know, its a newby question. And I found nothing really helpful
>> that defines it in relation with lilypond.
>> Can somebody explain?
>
> 2007/8/1, Valentin Villenave :
> If I understood correctly (English is not my native language),
> something yo
Le 20.07.2007, Romel Anthony S. Bismonte disait :
I came into this question right at the end of typesetting a piece.
Here's the (minimal) code:
\version "2.10.25"
\paper {
ragged-right = ##t
}
\score {
<<
\new Voice="twinkle" \relative c' {
c c g' g
<<
Le 12.07.2007, Daniel Boronka disait :
I'm writing multiple lines of music and some parts come in later by a
few lines (or sometimes a page or 2). Does anyone know how to make to
empty bars and empty lines not show up until needed? See example
below:
Have a look at section 8.3.2 Hiding stave
Le 10.07.2007, Paul Harouff disait :
I've been having the same problem trying to put multiple hymns in a single
file with the priest's prayers before and after each hymn. LilyPond handles
music great, but plain text is a pain. I had given up and started pasting
the music into a Word document as
Le 05.07.2007 09:23, Jesse Engle disait :
Hi everyone,
I've recently installed TeTeX on my Mac, and I'm excited to begin using the
TeX typesetting software in conjunction with Lilypond. My problem is that,
because `lilypond-book`, `latex` and `dvips` are used to produce the output,
I'm not s
As a complement to what we discussed some days ago, here is how I
managed to give everybody his own score of the cantata.
Since I don't manage to deal correctly with Latex neither with
lilypond-book, and the emacs lilypond-mode is self-sufficient for a
pdf output and the midis that will be bur
Le Dimanche 14 Mars 2004 22:09, GoochRules! a écrit :
> Greetings,
>
> Does lilypond handle "f8( f4)" and "f8~ f4" differently? Is ...~ ...
> simply a short cut for ...( ...)? What about "f8( f1)( f2)" vs. f8~
> f1~ f2?
>
>
> --M Peltzer
As indicated in the glossary (not only for non-Engli
Le Vendredi 12 Mars 2004 00:05, Paul Scott a écrit :
> Roland Goretzki wrote:
> >Hello list, hello Zbynek,
> >
> >You wrote:
> >>Is way to define linebreak (or pagebreak) in files with \score sections?
> >>Breaks are on other place at score and on other place at part.
> >
> >AFAIK You can give the
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