Re: MIDI format and MIDI resolution

that can load MIDI files should be able to read any possible resolution from a MIDI file and calculate whatever it needs for it's own native resolution from there. -- Martin

Re: Using old definition of bass figures for 6\\, 7\\, 9\\ ...

Thanks, that works fine > Please try the attached solution. > > >Werner > \version "2.24.0" > > \paper{ > #(define fonts (set-global-fonts #:music "paganini")) > > #(add-text-replacements! >`(("♭" . ,#{ \markup { \hspace #0.4 \raise #0.4 \smaller \smaller \flat } > #}) > ; add

Using old definition of bass figures for 6\\, 7\\, 9\\ ...

The special font figures introduced with 2.24 breaks old typesets using fonts provided by https://github.com/OpenLilyPondFonts Is there a way to switch to the old behaviour? Kind regards, Martin

Re: tied sharps after line break

Ah I see. Yes that's the one. Op zondag 3 maart 2024 om 18:21:59 +00:00:00 schreef Werner LEMBERG : 2. LilyPond's default behaviour in this situation is (in my opinion) sub-optimal. It's a bug known since 15 years... Werner

Re: tied sharps after line break

Op zondag 3 maart 2024 om 18:58:45 +01:00:00 schreef Hans Aikema : Does not yet cover the case Martin was looking for - omitting the second accidental in a situation of a line-break on a tied accidental. Can be done however by an explicit \omit, which should be only \once, because otherwise

Re: tied sharps after line break

Op zondag 3 maart 2024 om 18:33:26 +01:00:00 schreef Hans Aikema : On 3 Mar 2024, at 17:26, Martin Tarenskeen wrote:  Hi LilyPonders, I bumped into a situation similar to this tiny example (In the real score the linebreak happened at such a situation without a forced \break

tied sharps after line break

Hi LilyPonders, I bumped into a situation similar to this tiny example (In the real score the linebreak happened at such a situation without a forced \break but the result was the same): \relative c' { c4 c c *cis* *~* | \break *cis* *cis* cis d | } the sharp sign in the 2nd bar is

Re: eps/svg export

Have you tried opening them in any other application with/without problems> Op zaterdag 24 februari 2024 om 09:02:23 +01:00:00 schreef corde...@disroot.org: Hi everyone, I'm encountering an issue while attempting to separate a LilyPond EPS/SVG file and import it into Affinity Publisher.

Re: \partial and \compressMMRests don't seem to work together

; %% > > Hi, > > works out of the box with 2.25.13. > Please consider to upgrade. > > Cheers, >   Harm > I've recently done this: \unfoldRepeats { \relative c'' { ... \partial 8 e8 | a,8. b16 a8 a4 a8 | ... a8. fs16 d8 fs4 e8 | \partial 8*5 d4. d4 \bar "||" \repeat volta 2 { a'8. fs16 d8 d8. e16 fs8 | ... - and it works fine. No time signature change, just going from anacrusis to complete bars. The unfolded repeats are to make the MIDI work. Martin -- J Martin Rushton MBCS

Re: [large/complex projects] where should transpositions go?

some nonsense. All the best, Martin -- Wer mit dem gestern hier Vorgestellten hinreichend Erhellendes erfahren hat und auf den Geschmack gekommen ist, kann heute in den Wellenlängen des unserem Auge zugänglichen Bereiches der Elektromagnetischen Strahlung Pythagoräische Tripel suchen und einem

Re: Grandstaff multi-bar rest count shared between staves

? Cheers, Martin On Tue, 16 Jan 2024 at 14:05, Martin Brown wrote: > Where two-stave scores (eg. piano) have multiple bars rest in common > between the treble and bass parts, the number of bars rest should be placed > once, in between the two staves, not separately on each stave. How can I

Grandstaff multi-bar rest count shared between staves

separately, placing the number above the multi-bar rest symbol on each stave. Thanks, Martin

Re: Voice synthesis - thanks

responses to satisfy my curiosity. Martin On Tue, 2023-04-25 at 11:53 +0100, J Martin Rushton wrote: > I was playing back a MIDI piece and wondered if anyone had ever > combined voice synthesis with MIDI? I know that you can get MIDI > "ah"s, but I was meaning voiced from t

Voice synthesis

a use case. It just seemed the next step in the development of computer music. -- J Martin Rushton MBCS

Re: [OT] help about some questions

Wow, I didn't know that MMO was still going. I can remember handling the vinyl LPs for MMO when I worked in a library 1975-6.Martin On Thu, 2023-03-16 at 05:52 -0700, Mark Stephen Mrotek wrote: > Dario, > > While I would never discourage anyone from using Lilypond, what you > want h

Re: downlaod end installatie

Op woensdag 8 maart 2023 om 17:41:26 +0100 schreef Geert Hein : ir/Madam, I would like to download and install the Lilypond program. I work in Windows 10. So far I have not been able to install the program. Can you tell

Lilypond in Termux (Android)

Hi, Recently I discovered that LilyPond is available for Termux, a Linux-like terminal app for Android devices. Unfortunately it crashed my older (32bits) Samsung tablet, but it did run on my (64bits) phone. After my bugreport on Github something was fixed in the Guile package built for

Re: irrational meters

imeSignatureFraction is superfluous, > > the time signature already does that. > > > > > > -- > > Silvain Dupertuis > > Route de Lausanne 335 > > 1293 Bellevue (Switzerland) > > tél. +41-(0)22-774.20.67 > > portable +41-(0)79-604.87.52 > > web: silvain-dupertuis.org > > -- J Martin Rushton MBCS

Re: HTH w RTFM (Reading The Full Manual)

Thanks Jeff, this really helps! MT Op woensdag 4 januari 2023 om 22:24:09 -0700 schreef Jeff Olson : Here we are: with a new release, a new year. Do I hear any resolutions? I've been impressed by how this community helps each other by referencing just the right section of a manual, and

Re: Handbell notation

a longa or a large outside of theory books. Kind regards, and thanks for the pointers which I shall study. Martin -- J Martin Rushton MBCS

Re: Handbell notation

Thanks Pierre That section seems to point me back to my original attempt:<< \relative c' {\stemDown g'4 4 g4 4 } \\ \relative c' { s8 b'8 s8 d8 e4 d4 } >> | << \relative c' { 4 4 } \\ \relative c' \autoBeamOff { c'8 8 e,8 8 } >> 4 4 |which was adapted from the manuals.Bes

Re: Handbell notation

ing a line and a space of the staff, not a line of music, and I would think that s2 would be better. I assume the \voiceXXX clauses are to set the stem directions? Thanks,Martin On Sun, 2022-12-04 at 22:48 +0100, Pierre Perol-Schneider wrote: > Hi Martin, > Sorry but the last attempt is

Re: Handbell notation

| for the accompaniment. Thanks for making me think! Martin On Sun, 2022-12-04 at 20:39 +, J Martin Rushton wrote: > Hi Michael > I've mocked up the same two bars in LibreOffice as tablature: > > > Where you see a dot and a number, the dot indicates half a beat's > rest,

Re: Handbell notation

ve c' { 4 4 } \\ \relative c' \autoBeamOff { c'8 8 e,8 8 } >> 4 4 | for the accompaniment but it is horrible and confused.I've a feeling that need to change the g'4 in the first beat to g'8 ~ g8 to keep all the stems together. I'll report back after testing. I hope that that clarifies thing

Handbell notation

on Lilypond? As a supplementary question, does anyone know of any software that can generate handbell tablatures? Thanks, Martin -- J Martin Rushton MBCS

Re: LilyPond-2.22.2 does not work on Windows XP

On Fri, 2022-10-14 at 01:51 -0700, Aaron Hill wrote: > On 2022-10-14 12:18 am, J Martin Rushton wrote: > > For some reason best known to Microsoft Windows held > > systems down in 32-bit node for years after they were internally > > 64- > > bit. > > Mic

Re: LilyPond-2.22.2 does not work on Windows XP

node for years after they were internally 64- bit. the other thing is that Linux generally has a lighter demand on the system that Windows and will run nicely on some older machines. Come out of the dark into the light!:-) -- J Martin Rushton MBCS

Can \include gregorian.ly be used for some of the score only

Sorted. In the non-gregorian score blocks, adding \context { \Score \override SpacingSpanner.packed-spacing = ##f } ragged-last = ##f solves the issue.

Can \include gregorian.ly be used for some of the score only

I am creating a lengthy score (using \bookpart) which contains a mixture of chant and polyphony. If I use \include “gregorian.ly” it distorts the polyphony, but without it I cannot set the chant the way I want. Is there a way to confine the \include “gregorian.ly” to just the chant sections?

Re: OOoLilyPond: support for Cairo backend

Thanks for the update! I tried OOoLilyPond v1.1.6 beta on Fedora 36 with Libre Office and the new Cairo backend seems to work nicely with it. Note for other Fedora users: The lilypond-2.23.12 that is currently packaged in the Fedora repository has been compiled /without/ the cairo backend and

Re: Alternative to Frescobaldi

htly > all Frescobaldi does is pass the midi data to fluidsynth when it's > running in server mode. > > But you can probably play midi files with timiditu, playmidi, etc > even if the above won't work. > > Hopefully. > > On Sat, Sep 3, 2022, 12:14 PM J Martin Rushton < > ma

Re: Alternative to Frescobaldi

yhow, thanks very much. I've added it to the menu system and it runs up happily without a VT. Just in time for a competition I've tried for in the past, but didn't manage to get a decent score last year. Kind regards, Martin -- J Martin Rushton MBCS

Re: Alternative to Frescobaldi

On Sat, 2022-09-03 at 06:50 +0200, Jean Abou Samra wrote: > > Le 02/09/2022 à 22:43, J Martin Rushton a écrit : > > I've just spent another couple of hours clearing out previous > > attempts > > to get Frescobaldi running and attempting to sort out its > > dependen

Re: Alternative to Frescobaldi

late to this thread, but if you are on Alma Linux I'll > > run a > > VM up and figure this for you. Don''t despair. > > > > I'm not aware of any 'dependency hell' on several other Linux > > distros, > > so let me sort this out and post a set of instructions how to > > install it. > > -- J Martin Rushton MBCS

Re: Alternative to Frescobaldi

On Fri, 2022-09-02 at 19:53 -0500, David Wright wrote: > On Fri 02 Sep 2022 at 22:46:01 (+0100), J Martin Rushton wrote: > > On Fri, 2022-09-02 at 16:17 -0500, David Wright wrote: > > > On Fri 02 Sep 2022 at 21:43:25 (+0100), J Martin Rushton wrote: > > > > I've just

Re: Alternative to Frescobaldi

On Fri, 2022-09-02 at 16:17 -0500, David Wright wrote: > On Fri 02 Sep 2022 at 21:43:25 (+0100), J Martin Rushton wrote: > > I've just spent another couple of hours clearing out previous > > attempts > > to get Frescobaldi running and attempting to sort out its &g

Alternative to Frescobaldi

I've just spent another couple of hours clearing out previous attempts to get Frescobaldi running and attempting to sort out its dependency hell. Is there any alternative to Frescobaldi? I'm running AlmaLinux 8.6 if that helps. -- J Martin Rushton MBCS

Re: Prototype Frescobaldi in the browser

I have often thought of a different approach. Rather than a web verson of Frescobaldi I would like to see a remote server - similar to Lilybin - with an API that can be called from within the normal Frescobaldi program. All fancy editing and viewing features of Frescobaldi would already be

Re: Playback using Frescobaldi?

I am on Linux (Fedora) and start Qsynth before starting Frescobaldi. MIDI playback works perfectly. Op dinsdag 21 juni 2022 om 14:03:47 -0500 schreef Guy Stalnaker : Never needed to use Musecore once I found Frescobaldi. It is IMO one of the best computer applications I've ever used.

Re: Very large score (for benchmarking purposes)

have a look at https://github.com/nsceaux/nenuvar if it comes to really large and complex scores Am Mi., 20. Apr. 2022 um 01:20 Uhr schrieb Jean Abou Samra < j...@abou-samra.fr>: > Hi there, > > By any chance, would anybody have a very large score to hand (say, > something taking more than two

Re: LilyPond 2.23.8 released

On Tue, 2022-04-26 at 17:14 +0200, Federico Bruni wrote: > > On Tue, Apr 26 2022 at 08:04:40 +0100, J Martin Rushton > wrote: > > On Tue, 2022-04-26 at 00:03 +0200, Jean Abou Samra wrote: > > > I seem to recall that the Frescobaldi Flatpak package actually > &

Re: LilyPond 2.23.8 released

ng around CentOS 7.9 and doesn't work correctly under AlmaLinux. The flatpack version won't run correctly either, so beware! Martin

Re: Incipit alignment

Thanks, that’s really helpful. I had a felling it was to do with use of { } and << >> but I can never work out the logic. M. > Okay, here you go. Had to adjust the score to accommodate lyrics.

Re: Incipit alignment

Thank you Adam, your solution works nicely. I tried to add lyrics to your sample but my usual method isn’t working - can you see why? It’s an 8-voice motet by Croce. IncipitExampleRevA.ly Description: Binary data

Re: Incipit alignment

Thanks, David, that’s very helpful and certainly an improvement. I’ll keep working along the lines you suggest. M > On 19 Apr 2022, at 14:41, David Kastrup wrote: > > Martin Baker writes: > >> Ah, I thought I’d deleted everything unnecessary, but missed the >> “syste

Re: Incipit alignment

itTenor \clef "G_8" \new Voice="v3" { \TenorOne } >> \new Staff<< \global \set Staff.instrumentName = \incipitBassus \clef "F" \new Voice="v4" {

Re: Incipit alignment

ntName = \incipitTenor \clef "G_8" \new Voice="v3" { \TenorOne } >> \new Staff<< \global \set Staff.instrumentName = \incipitBassus \clef "F" \new Voice=&quo

Incipit alignment

Hello. Does anyone have a solution to the ugly alignment of the part names / incipit in the attached screenshot? I would like the part names to be left-aligned and the incipits to be of equal width and aligned. I’ve pasted some relevant bits of the code I’m using below. Adding some spaces next

Re: Non-alignment of lyrics in occasional divisi

Ah, good to know - many thanks! M > On 11 Apr 2022, at 15:26, Knute Snortum wrote: > > Just a minor point. but there's no reason to write R1*3/4. R2. works > just fine. > > -- > Knute Snortum

Re: Non-alignment of lyrics in occasional divisi

"treble" \Alto } \new NullVoice = "AltoAligner" \AltoAligner \new Lyrics \lyricsto "AltoAligner" \AltoLyrics >> >> >> } \paper{ ragge

Non-alignment of lyrics in occasional divisi

part should be stems up and the lower part stems down. Thank you for any help. Martin \version "2.20.0" \language "english" #(set-default-paper-size "a4") #(set-global-staff-size 16.2) global = \transpose c c { \key bf \major \time 3/4

N.C. in ChordNames

Hi, I am creating a little leadsheet. How do I enter a "N.C." (No Chord) in chordmode for the ChordNames context? thanks, MT

Re: new behavior of lilypond-book-preamble.ly?

Op vrijdag 1 april 2022 om 19:05:42 +0200 schreef K. Blum : Problem solved! Many thanks to Jean, Carl and Han-Wen for providing the solution. There is a new OOoLilyPond release: Only for LilyPond versions 2.23.5 and later, the

Re: When the previous typesetter states "with pedal", what exactly does this mean?

On Fri, 25 Mar 2022, Kenneth Wolcott wrote: When the previous typesetter states "with pedal", what exactly does this mean? Pianist here. For most scores trained pianists will know how and when to use the pedal even without any pedal markings. Occasionally detailed pedalling

Re: Guile V1 vs. V2?

) future I the default will definitely change, but right now I'm still hesitant. Best, Mike Andrews Tired old sysadmin I hope this wasn't too discouraging. All the best, Martin PS: For giggles, the lily configure script does some dubious stuff: checking for guile-2.2... yes checking

Re: Feedback wanted: syntax highlighting in the LilyPond documentation

ly use them since I've retired though. On Tue, 2022-01-04 at 15:48 +0100, David Kastrup wrote: > J Martin Rushton writes: > > > Interesting Aaron, but I do note that the paper is from 1983 and > > didn't > > catch on. I wonder if there is a reason for that? I've saved

Re: Feedback wanted: syntax highlighting in the LilyPond documentation

of the language to master. In passing, although Knuth uses variable width fonts in the first six pages, I note that as soon as he starts to give firm code on page 7 onwards he uses fixed width! On Tue, 2022-01-04 at 05:10 -0800, Aaron Hill wrote: > On 2022-01-04 4:19 am, J Martin Rushton wrote: > &

Re: Feedback wanted: syntax highlighting in the LilyPond documentation

; > \drummode { bd4 r r 4. 8 } > > > > > > > > where the 4. is sucked into the second r likely unintentionally. > > > > Highlighting this is helpful. When there is a general "angry fruit > > > > salad" flavor pervading the highlighting with lots of colors > > everywhere, > > > > there just is not a lot of attention one can draw to actually > > important > > > > things. > > > > > > -- J Martin Rushton MBCS

Re: Frescobaldi fails with Fedora 35 / Python 3.10

Just out of interest, what level of Frescobaldi are you using? I use the Frescobaldi version that is shipped with the Fedora 35 repositories: frescobaldi-3.1.3-6.fc35.noarch The "about" dialog inside Frescobaldi shows: Frescobaldi: 3.1.3 Extension API: 0.9.0 Python: 3.10.0 python-ly:

Re: Frescobaldi fails with Fedora 35 / Python 3.10

On Tue, 9 Nov 2021, Knute Snortum wrote: Just out of interest, what level of Frescobaldi are you using? -- Knute Snortum Level? I don't understand your question? MT

Frescobaldi fails with Fedora 35 / Python 3.10

Hi, After upgrading my Linux Fedora from 34 to 35, which now provides Python 3.10, Frescobaldi will hang with a message like: Traceback (most recent call last): File "/usr/lib/python3.10/site-packages/frescobaldi_app/qpageview/highlight.py", line 209, in paintEvent

Re: clef change in 1st ending

Ooops! Wrong thread. Sorry. On Wed, 2021-10-27 at 22:28 +0100, J Martin Rushton wrote: > Kevin, > Just a tiny typo: in the last verse of "Go where the glory waits > thee" > you have "Draw_w_ one tear from thee;" > > Regards, > Martin > >

Re: Early (very early) project: The Celtic Song Book (c) 1928

Sorry, this was posted to the wrong thread yesterday: Kevin, Just a tiny typo: in the last verse of "Go where the glory waits thee" you have "Draw_w_ one tear from thee;" Regards, Martin

Re: clef change in 1st ending

Kevin, Just a tiny typo: in the last verse of "Go where the glory waits thee" you have "Draw_w_ one tear from thee;" Regards, Martin

Re: Ornamentation in Bach's piece

here my workround for this: graceSchleifer = #(define-music-function (parser location note) (ly:music?) (make-music 'SequentialMusic 'elements (list #{ \once \override Voice.NoteHead #'stencil = #ly:text-interface::print \once \override Voice.NoteHead #'X-extent =

Re: how to not specify midi instrument?

On Fri, 27 Aug 2021, Tom Sgouros wrote: Hello all: Is there a way to get the Lilypond MIDI playback to just use whatever instrument my keyboard is switched to? There are multiple piano sounds and Lilypond always wants to use the one I like least.  If you don't specify a midiInstrument in

Re: LilyPond available on Wikipedia again

graver", but that appears to have no effect. Any suggestions? Thanks, Martin -- J Martin Rushton MBCS

Re: error :GUILE signaled an error for the expression

On 13/07/2021 20:34, David Olson wrote: (poetry unworthy of this talented group, to be sure) (but then, the text of ANY song operates at a level at least 30 IQ points below the median of the singers) (why is that?) There exists some classic research in this field:

Re: Terminology question

s that in English we would say "the soldier's weapons", but that's partly because we only have a genitive and not an ablative case. I think this is the possessive case, not genitive. -- J Martin Rushton MBCS

Re: Terminology question

t's partly because we only have a genitive and not an ablative case. Martin On 20/06/2021 04:06, Robert Gaebler wrote: David, Good point.  You could look at it as a noun adjunct.  A noun modifying another noun, serving in the capacity of an adjective, in this case. I imagine that in an inflecte

Re: crescendo hairpin terminates too early?

On Thu, 4 Feb 2021, Mark Knoop wrote: Which image? The paragraph from which you quoted ends with: "A hairpin ending on a downbeat will stop at the preceding bar line." You're right. I have been spending way too many hours behind my screen during COVID-19 lockdown. Need to get some fresh

Re: crescendo hairpin terminates too early?

On Thu, 4 Feb 2021, Mark Knoop wrote: At 08:29 on 04 Feb 2021, Martin Tarenskeen wrote: { c'4\< d' e' f' | g1\! } the hairpin ends way too early, before the barline. If you look a little further down the page you'll find "Setting hairpin behavior at bar lines". OK.

crescendo hairpin terminates too early?

Hi, https://lilypond.org/doc/v2.23/Documentation/notation/expressive-marks-attached-to-notes.en.html#dynamics says: "A hairpin that is terminated with \! will end at the right edge of the note that has the \! assigned to it." But if I try this: { c'4\< d' e' f' | g1\! } the hairpin ends

Re: last bar \sustainOff

Hi again, To answer my own question: Something like { << { c1 } \\ { s2.\sustainOn s4\sustainOff } >> \bar "|." } seems to do the trick for me. -- MT On Sun, 31 Jan 2021, Martin Tarenskeen wrote: Hi, This probably is a dumb question, but I can't find the

last bar \sustainOff

Hi, This probably is a dumb question, but I can't find the answer for this simple case. How do you put a \sustainOff at the end of a last bar that ends with one long note? { c1\sustainOn \bar "|." } If I use Staff.pedalSustainStyle = #'bracket or #'mixed the bracket is automatically

Re: How should I convert an existing ".ly" file to a MIDI file containing audible arpeggios?

On Fri, 4 Dec 2020, H. S. Teoh wrote: Some time ago I wrote a little .ly snippet to generate midi arpeggios (see attached). It takes a number N and a chord, and generates an arpeggio where the start of each subsequent note of the chord (in the order they are spelled in the input) is delayed

Re: Wikipedia scores

Thanks Federico & Andrew. @Andrew, music is a high priority with some WP editors, the problem lies with WikiMedia which is the software WP is built on. In passing, I see that non-WP users of score have not been informed. See https://phabricator.wikimedia.org/T257066#6297061 Martin O

Wikipedia scores

? Is there a known problem within LP that is causing WP problems? Can we help WP at all? Regards, Martin -- J Martin Rushton MBCS

Re: Frescobaldi+LilyPond flatpak package now available

OS amended. Sorry On 05/11/2020 21:47, J Martin Rushton wrote: Hi Federico, I welcome this since I've been having problems with Frescobaldi under both CentOS 7 and 8 for a while. I followed the setup guide on the host CentOS 7 machine and downloaded the flathub repository file.  First

Re: Spreadsheet - Python – Ly

is clever though, and can select files on the basis of the last time they were changed, or if given parameters (for instance to generate part scores). See http://lilypond.org/doc/v2.21/Documentation/usage/make-and-makefiles for Lily's take on this. Regards, Martin On 20/11/2020 16:03

Re: Frescobaldi+LilyPond flatpak package now available

release (7.9), so I'll try again on the host. If it works I'll report back. -- J Martin Rushton MBCS

Re: edition-engraver mod on first note

'\grace s8' at the beginning. (The actual duration shouldn't matter, but too long ones might add noticeable empty space.) Hope that helps somewhat, Martin On 06/11/2020 17:40, damianlegassick wrote: > Hi > > > I can't persuade edition-engraver to add an \editionMod starting on th

Re: Frescobaldi+LilyPond flatpak package now available

Hi Federico Inline On 06/11/2020 21:06, Federico Bruni wrote: Il giorno ven 6 nov 2020 alle 16:29, J Martin Rushton ha scritto: Now running as myself: $ flatpak remote-add --if-not-exists flathub https://flathub.org/repo/flathub.flatpakrepo $ flatpak remotes Name    Options flathub system

Re: Frescobaldi+LilyPond flatpak package now available

is persuade the host machine to accept sound from the VM. Thanks for your help in this, I'd guess it is an issue with down rev flatpak in C7. I'll drop a line once I've checked out Fedora, but I doubt that there'll be any problems now. Many thanks, Martin On 06/11/2020 16:29, J Martin Rushton

Re: Frescobaldi+LilyPond flatpak package now available

command didn't - just failed. I've been running this on my CentOS 7 host machine. I'll give it a try on the C8 VM since C7 is getting a bit old now. If that fails I'll try the Fedora 33 VM. Regards, Martin On 06/11/2020 15:39, Federico Bruni wrote: Il giorno ven 6 nov 2020 alle 12:02, J

Re: Frescobaldi+LilyPond flatpak package now available

ut I'm still getting a repeat of the last error message. Regards, Martin On 06/11/2020 13:49, J Martin Rushton wrote: Hi Federico, Update.  When checking nothing had changed overnight (ie after a reboot), I accidentally ran it as root again.  This time it didn't jam and I could create a new pie

Re: Frescobaldi+LilyPond flatpak package now available

fine, so I think that it must be either a permissions problem (which I though flatpak avoided), or else there is some initialisation in the root account that is not in my account. Regards, Martin On 06/11/2020 12:02, J Martin Rushton wrote: Hi Federico, Inline On 05/11/2020 22:47, Federico

Re: Frescobaldi+LilyPond flatpak package now available

Hi Federico, Inline On 05/11/2020 22:47, Federico Bruni wrote: Hi Martin Perhaps you added the flathub repository as root using the --user switch? (wrong) I didn't use --user Can you paste the output of this command both as root and as normal user?  flatpak remotes $ flatpak remotes

Re: Frescobaldi+LilyPond flatpak package now available

then hung and would not die. Any suggestions? Regards, Martin On 05/11/2020 20:48, Federico Bruni wrote: Hi folks I'm happy to announce that Frescobaldi is now available for Linux users also as flatpak on Flathub: https://flathub.org/apps/details/org.frescobaldi.Frescobaldi Advantages:

Re: Markup in scheme

Maybe this is a starting point: \version "2.20.0" \new Staff{ <>-\markup{"First markup"} <>-#(markup #:line (#:simple "Second markup")) } On 31/10/2020 16:29, John Schlomann wrote: In the following snippet, the first markup works fine. The second gives no errors, but outputs

Re: Questions From a New User

MIDI output from LilyPond is usually the way one would be able to listen to their score. While MusicXML can be converted *to* LilyPond, the reverse is not possible to my knowledge. There is an open issue [2] filed requesting a MusicXML backend to LilyPond, which would enable it to output

Re: feasibilty question: simple GUI for web-based Lilypond instance

NextCloud is that CentOS8 doesn't ship with the NC server, only clients whereas C8 has both OC client and server. Regards, Martin On 24/10/2020 10:15, Andrew Bernard wrote: That's already what I said before. I run NextCloud which is a fork of OwnCloud and vastly better. Sometimes I think my

Re: feasibilty question: simple GUI for web-based Lilypond instance

simultaneously. Oh, and for the GUI I'd second Frescobaldi. Regards, Martin On 24/10/2020 07:54, Martín Rincón Botero wrote: Hi Kieren, I’m haven’t investigated its collaborative capabilities if any, but https://www.scorio.com/web/scorio/scorio-music-notator is an online GUI for Lilypond. Some of its

Re: Downloading documentation?

On Wed, 14 Oct 2020, Damien Garwood wrote: Hi there, I've just recently started with Lilypond and am really enjoying it. If the developers are on here, I want to start by publicly offering my thanks. I would like to be able to access all the manuals locally if possible. How would I go

Re: Piano sustain pedal

Thanks Hwaen, works perfectly for my purpose. I now also found I can use this \tag command to show chordsymbols in my score without playing them automatically with those horrible automatic voicings in Midi playback :-) MT On Tue, 13 Oct 2020, Hwaen Ch'uqi wrote: Greetings Martin, You

Piano sustain pedal

Hi, I am typesetting a Piano solo score. I want to add \sustainOn and \sustainOff stuff in my lilypond source only for more realistic MIDI output, but I don't want to print the pedalmarkings in my score. How to do this? If possible without the need to have separate midi and layout versions

Re: grace notes spacing

On 11/10/2020 21:26, Kieren MacMillan wrote: Note that I had to unfold the \repeat in the lower staff, in order to easily apply the tweak to the correct moment. This is one of the [many!] reasons I use the edition-engraver: you can inject the tweak at an exact moment, regardless of how the

Re: organ - off topic

ustics of the church build around many organs, drowning the music in a sea of lingering pitches ;-) Lukas -- J Martin Rushton MBCS

Re: organ - off topic

question is interesting though, since it appears you are looking at the wrong end of the telescope! sostenuto was developed to allow the piano to emulate the organ. See https://en.wikipedia.org/wiki/Piano_pedals#Sostenuto_pedal et seq. for more info. Regards, Martin On 01/10/2020 09:32

Re: Footnotes on rest markups

} c'1 } Attaching the markup to an empty chord (<>) or an invisible grace note has the same outcome. Perhaps I need to specify a time-based footnote with a "[Context].GrobName" but I don't know what that Context or GrobName would be. Thanks, Martin On Thu, 9 Jul 2020 at 18:30, Pierre Perol-Schnei

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