Thanks Valentin
When I use your example, it does only display one stave and a percussion
one too - but all the notes have been compressed onto one line
But I ran with your suggestion and have now crafted what I wanted !!
I'm not proficient enough to be able to write short snippets (I'm
Hi
I'm new to lilypond but I like what I've seen so far
Using \drummode and \DrumStaff I have written a score for the agogo bells
I now want to add some "lyrics" (mnemonics) to help remember the notes
so for
agogo = \drummode {
r8 agh4 agh8 agh4 agl
agl agh
Malte Meyn-3 wrote
> Am 28.12.18 um 21:22 schrieb Philip Bergwerf:
>> When working with Lilypond I want Lilypond to print the empty measures
>> from
>> every instrument, like how Denemo is doing by default. For example:
>> instr. 1
>> has 10 measures of music. I
.) The instrument names are
helping when writing.
Cheers, Philip Bergwerf
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aldi and "stole" its output.
;-)
I hope that this information is useful for some people. OooLilyPond is
a
great tool and has literally saved my life so many times.
How did OOoLP accomplish this? - by distracting an axe murderer who
loves beautiful scores thus giving you enough t
I am working on the following score. However, when I change "S" and "A" in
the score attributes to "Soprano" and "Alto" the words get cut-off. How can
I avoid this? I had tried:
instrumentName = \markup \center-column\left-align { "S" "A" }
but that did not work.
Thanks,
Thanks, that helps!
Cheers,
Philip Bergwerf
2016-08-17 15:24 GMT+02:00 Kieren MacMillan [via Lilypond] <
ml-node+s1069038n193762...@n5.nabble.com>:
> Hi Philip,
>
> > How can i get the text above the fermata and then of course the fermata
> like the right 'c’?
>
> H
\version "2.18.2"
\relative c''{
<<{
c^\p^\<
}\\{
c,
}>>
c' c c c
c c c^\f
\bar "|."
}
%I want to make a phttp://lilypond.1069038.n5.nabble.com/How-to-make-a-p-f-crescendo-from-two-voices-to-one-voice-tp193763.html
Sent from the User mailing list archive at Nabble.com.
\version "2.18.2"
\relative c''{
c2\fermata^"text" c\fermata
}
%How can i get the text above the fermata and then of course the fermata
like the right 'c'?
%Cheers
%Philip Bergwerf
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Message: 7
Date: Wed, 10 Aug 2016 16:43:10 -0400
From: "Philip (Michael) Dykes"<thedoctor81...@gmail.com>
To:lilypond-user@gnu.org
Subject: Angled bar lines
Message-ID:<98176f98-5650-cb65-9a9e-0f2f6929d...@gmail.com>
Content-Type: text/plain; charset="utf-8"; F
Hi I need to get a section at the beginning of a piece of liturgical
music I have (Only Begotten Son) in which /*sometimes*/ a certain thing
is sung but /not /normally sung indicated. The typical manner I have
seen this done is via the use of angled bar lines the same as that of
the angled
Hello everyone,
I am puzzling with the following code:
%begin code
\version "2.18.2"
\header {
title = "Impromptu in As-dur"
subtitle = "D 835-2 (Opus 142 No. 2)"
composer = "Franz Shubert"
copyright = \markup {© "Philip Bergwerf" \i
long to see my
result and this slows me down in my working proces.
So i was wondering if lilypond could work faster if the calculations are
calculated by the gpu in stead if the cpu? Because that is another sort of
processor?
Cheers Philip Bergwerf
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e = ""
subsubtitle = ""
composer = "Philip Bergwerf"
tagline = "Copyright Philip Bergwerf 2016 Piano_Tab"
poet = "Piano_TAB"
}
%
PtStaff =
\relative c' {<<{
%voiceOne
<c~ e>8_"(c)"-"have to use a lot ties. loo
I am searching for a simple way to manually replace the notehead symbol to a
digit like a guitar-tab note. Is there a simple command to do that?
Cheers, Philip Bergwerf
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.
Cheers, Philip Bergwerf
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Elise"
subtitle = "Clavierstuck in A minor - WoO 59"
subsubtitle = " "
composer = "Ludwig van Beethoven"
tagline = "Created with Lilypond. Copyright Philip Bergwerf"
}
#(set-global-staff-size 18)
PtStaff =\relative c''
{<<{
%v1
\time 3/8
r4 \ba
ons = #'(21 19 16 14 12 9 7 4
2 0 -2.8 -3 -3.2 -4.8
-5 -5.2 -8 -10 -12 -15 -17 -20 -22 -24 -27 -29)\time 4/4 << \PtStaff >>}
\layout {
\context {
\Staff
\remove "Accidental_engraver"
\remove "
"\remove "Clef_engraver"". Why does this not
work? Where do i have to place these commands?
Regards Philip Bergwerf
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Problem solved! thank you
Cheers, Philip
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ental_engraver"" and
"\remove "Clef_engraver" in this .ly". Why does this not work? Where do i
have to place these commands to remove the clef and accidental engravers?
Regards Philip Bergwerf
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in to him about the background colour of that page while I am
it . .).
Regards,
Phil.
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Web: http://philiprhoades.org
E-mail: p...@philiprhoades.org
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Australia
E-mail: p...@pricom.com.au\include gnote2_2.ily
\new StaffGNoteTwo {
% \new Voice {
$@(let
((notes
(ly:music-property
#{
c des d dis e f fis g gis a ais b
#}
'elements)))
(map
(lambda (x)
(list-ref
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Web: http://philiprhoades.org
E-mail: p...@philiprhoades.org\include gnote2_2.ily
\new StaffGNoteTwo {
% \new Voice {
$@(let
((notes
(ly:music-property
#{
c des d dis e f fis g gis a ais b
#}
'elements)))
(map
is that the StringNumber
is written by the New fingering engraver and has
both a stencil and text property, but i have not
been able to figure out how to change them to roman
numerals.
Any help is appreciated.
Thanks,
Philip
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David,
On 2014-01-16 18:08, David Kastrup wrote:
Philip Rhoades p...@pricom.com.au writes:
\version 2.18.0
\score {
{
$(let ((random-state (seed-random-state (current-time
(make-sequential-music
(map (lambda (x)
(let ((idx (random 12 random-state
David,
On 2014-01-16 22:42, David Kastrup wrote:
Philip Rhoades p...@pricom.com.au writes:
David,
I get a GUILE error on line 5
$(let
I don't. Copy and paste error?
$@(let
but that didn't work either (obviously I don't know what I'm doing
. .)
Obviously. $ splices a single
David,
On 2014-01-16 23:24, David Kastrup wrote:
Philip Rhoades p...@pricom.com.au writes:
David,
On 2014-01-16 22:42, David Kastrup wrote:
Philip Rhoades p...@pricom.com.au writes:
David,
I get a GUILE error on line 5
$(let
I don't. Copy and paste error?
$@(let
David,
On 2014-01-17 00:22, David Kastrup wrote:
Philip Rhoades p...@pricom.com.au writes:
David,
So your first statement:
I get a GUILE error on line 5
$(let
was wrong, and my guess
I don't. Copy and paste error?
concerning your use of Paul's converted code was correct. Like
. .
If there is an argument for keeping a snippet in it's original form
because of historical significance or something - an archive could be
kept of it.
Just my 2c . .
Regards,
Phil.
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GPO Box 3411
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Australia
E-mail: p...@pricom.com.au
David,
On 2014-01-17 01:28, David Kastrup wrote:
Philip Rhoades p...@pricom.com.au writes:
David,
On 2014-01-17 00:22, David Kastrup wrote:
Philip Rhoades p...@pricom.com.au writes:
David,
So your first statement:
I get a GUILE error on line 5
$(let
was wrong, and my guess
I
Paul,
On 2014-01-17 03:44, Paul Morris wrote:
Philip Rhoades wrote
maybe we (and by we I mean you - at least initially) could enhance
this little bit of code to do what my Ruby script was doing?
Hi Phil, Unfortunately I can't afford to take this on. Sounds like it
might
be a nice
Phil,
On 2014-01-17 03:05, Phil Holmes wrote:
- Original Message - From: Philip Rhoades
p...@pricom.com.au
To: Lilypond User lilypond-user@gnu.org
Sent: Thursday, January 16, 2014 3:47 PM
Subject: Updating Snippets in the LSR when versions are updated
People,
After being bitten
David,
On 2014-01-17 03:12, David Kastrup wrote:
Philip Rhoades p...@pricom.com.au writes:
People,
After being bitten (unnecessarily) by old code in the LSR and having a
continuing argument with David about how it came about - I have to ask
-
is there any reason why all the snippets
People,
David took this discussion off-list and then accused me of not having
the guts to respond on-list . . so here the reply I sent him:
On 2014-01-17 16:00, Philip Rhoades wrote:
David,
On 2014-01-17 15:20, David Kastrup wrote:
Philip Rhoades p...@pricom.com.au writes:
David
anything in this
area? Is there any simple or otherwise stuff I could look at?
Thanks,
Phil.
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Urs,
On 2014-01-15 23:38, Urs Liska wrote:
Am 15.01.2014 13:32, schrieb Philip Rhoades:
Is there any simple or otherwise stuff I could look at?
http://lilypondblog.org/category/using-lilypond/advanced/
The only thing there that I could see was:
Programmatically Generating LilyPond
Urs,
On 2014-01-16 00:01, Urs Liska wrote:
Am 15.01.2014 13:58, schrieb Philip Rhoades:
Urs,
On 2014-01-15 23:38, Urs Liska wrote:
Am 15.01.2014 13:32, schrieb Philip Rhoades:
Is there any simple or otherwise stuff I could look at?
http://lilypondblog.org/category/using-lilypond
Paul,
On 2014-01-16 01:58, Paul Morris wrote:
Philip Rhoades wrote
It occurred to me that the next step would be to generate something
that
is a little more melodic or musical
One simple thing you can do is to only work with the notes from one key
at a
time. And I think this makes sense
occasions (20% of the time?), selected a note within [+/-]2 of
the value of the current note
- more rarely (5% of the time?) jump to another completely random note
What do you think?
Regards,
Phil.
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GPO Box 3411
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Australia
E-mail: p...@pricom.com.au
People,
On 2014-01-15 23:32, Philip Rhoades wrote:
People,
David Kastrup kindly wrote a little Scheme script for me to generate
random notes within a range and I have started using that to practise
learning Classical Guitar and I think it is quite useful for learning
to jump around
People,
On 2014-01-16 17:39, Philip Rhoades wrote:
People,
On 2014-01-15 23:32, Philip Rhoades wrote:
People,
David Kastrup kindly wrote a little Scheme script for me to generate
random notes within a range and I have started using that to practise
learning Classical Guitar and I think
.
I get a GUILE error on line 5
$(let
anyway . . I tried changing it to:
$@(let
but that didn't work either (obviously I don't know what I'm doing . .)
Regards,
Phil.
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Paul,
On 2014-01-14 07:18, Paul Morris wrote:
Philip Rhoades wrote
OK, got that working - the actual music .ly data file is slimming
down
now - but I still need to investigate why some notes needed manual
editing so they were in the right place when I converted a Mutopia
file.
Hi Phil
in all of your sheet music
files.
Yes, in the great tradition of include files - now to get to grips more
with Scheme itself . .
Thanks yet again!
Regards,
Phil.
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David,
On 2014-01-13 20:07, David Kastrup wrote:
Philip Rhoades p...@pricom.com.au writes:
Yes, in the great tradition of include files - now to get to grips
more with Scheme itself . .
It's a more rewarding enterprise these days than it has been a few
years
ago: while the limits of what
but it
occurred to me that I might be able to do this in Scheme - which would
help further the cause of learning for Lilypond. Is this a sensible
thing to do or should I just do it with ruby and plug the results into a
.ly file?
Thanks,
Phil.
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David,
On 2014-01-13 22:06, David Kastrup wrote:
Philip Rhoades p...@pricom.com.au writes:
People,
I am doing my own Alternative Notation for Classical Guitar and with a
lot of help from Paul Morris am making good progress. I was about to
write a little Ruby script to generate random notes
looking for a solution would be greatly
appreciated.
Philip Thomas
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from the website
because the standard Fedora package was too old - how long does it
usually take to update the packages here:
http://www.lilypond.org/unix.html
Thanks for some really great software! I love it!
Regards,
Phil.
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E
Alex,
They are still showing:
LilyPond 2.18.0-1
Regards,
Phil.
On 2014-01-12 12:55, Alex Loomis wrote:
The repository packages are updated rarely, the lilypond website's
packages are updated pretty much day of.
On Sat, Jan 11, 2014 at 8:41 PM, Philip Rhoades p...@pricom.com.au
wrote
People,
On 2014-01-12 13:10, Urs Liska wrote:
Am Sonntag, den 12.01.2014, 12:59 +1100 schrieb Philip Rhoades:
Alex,
They are still showing:
LilyPond 2.18.0-1
Regards,
Phil.
That's because when you go to the Download page you're getting the
latest stable release, which _is_ 2.18.0
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line spacing above ie in this example the distance between the
short dashed lines that Lilypond puts on the low E and F are are
narrower than the long line spacing. I am new to Lilypond so I guess
there is something obvious I need to do?
Thanks,
Phil.
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, Philip
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ways of pulling a
bikini off -- assuming the wearer has
agreed to that course of action -- might be convincing from at least some
perspective.
Cheers, Philip
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the match
badly. But I still find to have more
intuitive emotional and syntactic appeal than s1*0. A more neutral symbol
might be nice though.
Cheers, Philip
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Philip Thomas wrote:
Dear fellow-users,
I'm working on a vocal piece in which some lyrics are in parentheses, but
the opening parentheses don't appear in the output PDF file. The closing
parentheses are fine. By way of example, here's a couple of bars from the
piece:
Phil Holmes wrote
.
Cheers, Philip
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On Wed, Jun 13, 2012 at 12:49:16AM +0200, Philip Thomas wrote:
I'm inclined to try to knock together a draft expanded cheatsheet on
my own account and float it (e.g. in PDF format) on the user list.
On Wednesday 13 June 2012 at 01:10, Graham Percival wrote:
ok. It won't become part
connected with music input. They are people who not only love and know a lot
about LilyPond but who are kind and
helpful when confronted with (even dumb beginners') questions. You are one of
them. Thanks tons!
Cheers, Philip
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-- on drafts.
Cheers, Philip
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Blast! Resubmitted with apologies -- sent this a short while ago with an inept
subject heading. Sorry, Philip
_
Graham Percival wrote:
I cannot in good conscience encourage anybody to become
involved
with lilypond development at the present time unless
On 13.06.2012 at 14:46, Colin Campbell wrote:
I'd be willing to give you what help I can, Philip. My doc skills are
rusty but I can usually get changes done, and if we get stumped, I can
probably point you in a useful direction.
Most of my help will likely
be encouraging emails
.)
Cheers, Philip
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On 12 Jun 2012, at 20:46, Philip Thomas philip.tho...@bluewin.ch
wrote:
I remember finding some gaps in the Cheat Sheet as a new user. Might
it be worth reviewing to see whether it could be expanded and improved
without over-burdening it with detail?
On 12 June 2012, at 21:58, James pkx1
On Tue, Jun 12, 2012 at 9:46 PM, Philip Thomas philip.tho...@bluewin.ch
wrote:
I remember finding some gaps in the Cheat Sheet as a new user. Might
it be worth reviewing to see whether it could be expanded and improved
without over-burdening it with detail? If it would help for me
thinking seem to be in a sensible direction having regard to what you
said?
Cheers, Philip
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, but
it's not a very elegant solution, especially for repeated instances.
Cheers,
Philip
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-Original Message-
From: Phil Holmes [mailto:m...@philholmes.net]
Sent: Monday 11 June 2012 15:13
To: Philip Thomas; lilypond-user@gnu.org
Subject: Re: Opening parentheses in lyrics don't appear
- Original Message -
From: Philip Thomas philip.tho...@bluewin.ch
To: lilypond-user
default). This involved the elapse of many hours, the consumption
of certain beverages in some quantity, and the uttering of some very
colorful language. I felt good at the end of it, though. :)
Cheers, Philip
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Phil Holmes m...@philholmes.net wrote (11 Jun 2012 14:46:31):
It was mentioned in earlier emails (as in lots of years ago) as a possible
bug, since you can't have slurs in lyrics.
--
Aha. Not a solution, but I now have a better feel for the problem.
--
I think I'll send a
primitive-load-path:
ERROR: Unable to find file ice-9/boot-9.scm in load path
Can anyone help, please? I am running LilyPond 2.14.2 under Windows 7 64-bit
(in case that's relevant).
Cheers, Philip
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discovered.
If someone could point me in the right direction -- a relevant example would
be great -- I would be very grateful.
Cheers, Philip
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2012/5/30 Philip Thomas philip.tho...@bluewin.ch:
(...)
The problem: How do I get the Background Notes to sit happily where I
want them on page 3?
(...)
From: Thomas Morley [mailto:thomasmorle...@googlemail.com]
Sent: Wednesday 30 May 2012 23:40
Hi Philip,
how about this setup?
It adds
Can anyone tell me which glyph is used for (automatically inserted) lyrics
hyphens? They seem, to my eye, to be wider and lower-placed than ordinary
text hyphens. I would like to add them manually in certain circumstances and
I want them to match.
Cheers, Philip
From: Marek Klein [mailto:ma...@gregoriana.sk]
Sent: Thursday 31 May 2012 13:08
To: Philip Thomas
Cc: lilypond-user@gnu.org
Subject: Re: Lyrics hyphens - which glyph?
Hello,
2012/5/31 Philip Thomas philip.tho...@bluewin.ch
Can anyone tell me which glyph is used for (automatically inserted
From: Marek Klein [mailto:ma...@gregoriana.sk]
Hello,
2012/5/31 Philip Thomas philip.tho...@bluewin.ch Can anyone tell me
which glyph is used for (automatically inserted) lyrics hyphens? They
seem, to my eye, to be wider and lower-placed than ordinary text
hyphens. I would like to add
be greatly and gratefully
received. Otherwise, I'll have to choose between chopping up the \score and
having a lousy page turn.
Cheers, Philip
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On 21/5/2012 Philip Thomas wrote:
At any rate, my problem with the colliding volta bracket remains.
On 21 May 2012 Thomas Morley replied:
Perhaps you may want to try the code below, in which I used the break-
visibility-property to deal with a TimeSignature.
It's _very_ hackish and dirty
Subject: Re: Volta + rehearsal mark?
On Fri, May 25, 2012 at 4:07 PM, Philip Thomas philip.tho...@bluewin.ch
wrote:
I realize, of course, that the above is an old post, and it seems that
Markus has not been active on the forum for a few years. I came across
his post while searching
meaningless characters. If this means that his attachment has gone with the
wind, well that's just the way it is. On the other hand, if there is
something elementary that I can do in order to see the attachment, then I
would be most grateful to hear about it.
Cheers, Philip
barline at the end of bar 4. (See Example B below.)
If anyone can help me (a) to solve my problem, but also, hopefully, (b) to
understand what is going wrong with the solution I tried, I would be very
grateful.
Cheers, Philip
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% PROBLEM
at the beginning of _any_ bar appears to make
the previous barline invisible even if it has been spelt out as \bar |.
At any rate, my problem with the colliding volta bracket remains.
Cheers, Philip
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readily
admit to being rather a beginner.
Cheers, Philip
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to include the entire text in a \markup block, immediately following the
\score. Is there any way of adding this
kind of markup to the text in the markup block? Any help appreciated. Sorry if
I've missed something blindingly obvious
in the documentation or on the forum.
Cheers, Philip
by the conventional LilyPond route, and
then use Adobe Reader's snapshot feature to copy and paste it. Not entirely
satisfactory since resizing of the pasted
image results in some loss of definition of the image, but I'll work on
improving that.
Philip
in the Emmentaler font ...
Not exactly a top
priority matter, but at some stage the terminology might be worth clarifying.
Philip
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it be permissible to use
the font on the site (which uses the converted fonts), while the site
itself is not open-source?
- Philip Peterson
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on the net.
I'll let you know how I get on.
Philip
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. I would welcome receiving a some lily pond
files of say sets of jigs or reels with the resulting .pdf files. Can
anyone help?
Philip W
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Hi,
I have just been getting into using Lilypond and Open Office with the plugin. I
really like the Lotus Symphoney setup. I know that the it is based in Open
Office I was wondering if there will be a Widget(IBM's format of plugins)for
Lotus Symphony?
It would be really a helpful tool when I am
2010/1/8 Bertalan Fodor (LilyPondTool) lilypondt...@organum.hu:
Why not spend a minute to find an authoritative answer before sending
speculations to the list?
Because my memory works like a hash map, so I can find data in it constant
time, while looking in the manual or the archive is in
Robert,
are you clicking Reply instead of Reply all? I haven't seen any of
your messages since the first one, and they aren't appearing in the
archives. This can happen if you send replies just to one person and
not to the whole list.
Please keep all discussion on list - the easiest way to do
2009/12/12 David Kastrup d...@gnu.org:
Robin Bannister r...@dataway.ch writes:
c4*3 g e'2.
Mmm, that was where you started. Sorry for the noise.
You can get a better-looking result at the cost of quadrupling the
number of warnings.
{
\clef G \relative c' {
\once
I'm confused by the docs for collision resolution:
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Multiple-voices#Multiple-voices
In the example, the c2 and c8 are not merged because they have
different note-heads. But in the second bar, the e2 and e8 *are*
merged, despite having
2009/12/11 Jay Anderson horndud...@gmail.com:
I've done triple-stops like this in the past:
c4 g' e'2.\fermata
I'd prefer to do the triple-stop something more like this to avoid warnings:
\tweak #'duration-log #2 \tweak #'dot-count #0 c g' e'2.\fermata |
Unfortunately I can't make the dot
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