parts. Is there any way (either through Lilypond or
postscript or similar) to subtract and/or intersect two stencils/paths?
On Tue, Sep 11, 2018, 17:22 David Kastrup wrote:
> caagr98 caagr98 writes:
>
> > I have a couple of scores with limited space. For readability, I
> > s
I have a couple of scores with limited space. For readability, I
sometimes draw white outlines around overlapping elements (to cut out
parts of volta brackets or similar). This works fine within the same
system, but in some cases, the overlapping elements (an articulation
and a volta bracket) are i
If you want a more lightweight way to do it, this function should also work:
⋘
removeBreaks =
#(define-music-function (mus) (ly:music?)
(music-filter
(lambda (v) (not (music-is-of-type? v 'break-event)))
mus))
⋙
On 05/08/18 14:17, Jan-Peter Voigt wrote:
> Hi Herbie,
>
> this
This code:
⋘
\version "2.19.81"
bk = \book{\bookpart{\score{a}}}
\bk
⋙
gives a strange error:
⋘
GNU LilyPond 2.19.81
Processing `bpart.ly'
Parsing.../usr/share/lilypond/2.19.81/scm/lily-library.scm:243:5: In procedure
ly:book-process in expression (process-procedure book paper ...):
/usr/share/
In my opinion, Lilypond is excellent for writing sheet music, but not very good
for composing. I usually use MuseScore or Qtractor for composing, then
(manually) convert it to Lilypond to make sheet music.
On 03/22/18 16:35, Jonas Daverio wrote:
> That may seem like a stupid question, but I've b
I think \tempo (and a few other commands such as \repeat\alternative, \set, and
\override) are hardcoded in the Lilypond compiler using methods not accessible
through Scheme, so you can't make that kind of functions yourself. You can make
functions with optional arguments, though. I think the sy
On 02/25/18 22:24, Gianmaria Lari wrote:
>
>
> On 25 February 2018 at 15:05, Caagr98 <mailto:caag...@gmail.com>> wrote:
>
>
>
> On 02/25/18 14:50, David Kastrup wrote:
> > In the mean time, you could define a void function and let it just call
&g
On 02/25/18 14:50, David Kastrup wrote:
> In the mean time, you could define a void function and let it just call
> toplevel-score-handler on your scores. Of course, this would no longer
> allow you to place those scores in a book or bookpart.
Why not call add-score (defined in scm/lily-library
Okay, that makes some amount of sense (but not much). But why doesn't it give a
warning or anything? And I still don't know why extenders need an associated
voice in the first place.
On 02/16/18 10:49, Torsten Hämmerle wrote:
> Hi,
>
> As soon as associatedVoice has been set to /anything/, Lily
It doesn't seem that voice is actually used for anything; setting
assocatedVoice to "" lets extenders be used without any other apparent effects.
So why is there such a difference between having no associated voice and having
a nonexistent one?
___
li
I'd suggest either moving the DynamicsPerformer to the Staff context or
replacing the \upper with << \upper \dynamics >> (and the same for \lower).
Normally, dynamics only affect the voice they are in, which in your example is
a different voice from the ones the notes are in.
On 02/04/18 01:55,
1) Lilypond won't place lyrics on rests, and not on tied or slurred notes
(except the first). Since everything in the tuplet is disqualified by one of
those criteria, the lyric must go on the e.
2) \relative only affects the next music expression; in this case the tuplet.
Thus, the e isn't insid
x27; add tweak./
>
>
> That is going to be a huge improvement!
>
>
> @David
>
> /I have seen no comment whatsoever about what you find wrong with using/
> /\single \omit Accidental in the way I showed in the code example I gave./
>
>
> I'm sorry,
If you attach the tilde to the individual notes rather than the entire chord,
that should work. That is, ` ` rather than `~ `.
On 02/01/18 00:30, Rohan Srinivasan wrote:
> Hi all,
>
> I am tying two chords together. Is it possible to have the top tie be above
> the note and the bottom tie to b
won't work with
edition-engraver or similar.)
On 01/31/18 21:56, Stefano Troncaro wrote:
> I just tried it, but unfortunately it appears to only work when used inside
> the chord, and I need to find a way to do it from outside.//
>
> 2018-01-31 17:39 GMT-03:00 Caagr98 <mailto:caag
You could try \single instead of \once, as in .
On 01/31/18 21:27, Stefano Troncaro wrote:
> Hello again everyone!
>
> Suppose I have the following example:
>
> \version "2.19.80" \language "english" command = { %What should go here to
> omit the sharp while keeping the natural? } \score { \new
Okay, thanks for the heads-up. I guess I'll rename it to `hole` instead.
On 01/04/18 19:05, Kieren MacMillan wrote:
>> I checked with `lilypond scheme-sandbox` to see that it didn't exist...?
>
> Lilypond contains both a function
>
> http://lilypond.org/doc/v2.18/Documentation/snippets/editorial
I checked with `lilypond scheme-sandbox` to see that it didn't exist...?
On 01/04/18 18:56, Kieren MacMillan wrote:
> Hi "Caagr98",
>
>> I also made this function to add holes in the bracket (requires setting the
>> bracket's layer to -1):
>> whiteo
Dammit. I did look it up in the source code, but then I wrote it wrong here.
On 01/02/18 00:19, David Kastrup wrote:
> Caagr98 writes:
>
>>> On 01/02/18 00:07, Mark Stephen Mrotek wrote:
>>>> Hello,
>>>>
>>>>
>>>>
>>&
Are you thinking of `\set tieWaitForChord = ##t \grace {blah} blah \unset
tieWaitForChord`?
On 01/02/18 00:07, Mark Stephen Mrotek wrote:
> Hello,
>
>
>
> A command exists that allows the notes of a grace to be tied to the following
> chord, e.g.,
>
> \grace {c8~ e~ g~} 2.
>
>
>
> I tho
\tweak Y-offset #0
\tweak outside-staff-priority ##f
-\markup {
\with-dimensions #'(0 . 0) #'(0 . 0)
\with-color #white
\filled-box #x #y #0
}
#})
On 01/01/18 19:36, Trevor wrote:
>
>
> "Caagr98" wrote 01/01/2018 18:17:37
>
\repeat volta 2 {R1}
\alternative {
{a4 a a a a a a a}
{R1}
}
In this example, the volta is moved very far up because of that one note. This
is very ugly IMO. Is there any way to insert a hole in the line and have the
note stick up over the volta?
___
On 12/29/17 20:26, Carl Sorensen wrote:
> Variables can only be defined at the top level. See the Notation Reference
> 3.1.4
That's not entirely true. You can define variables in \paper, \layout, and
\midi blocks too.
Also, you could use the (ly:parser-define! k v) function inside a bookpart,
st
property to determine whether it should be placed at the start or end of the
tie.
I feel kinda bad for requesting this without having anything to contribute in
return :(
On 12/28/17 21:42, David Nalesnik wrote:
> Hi,
>
> On Thu, Dec 28, 2017 at 1:37 PM, Caagr98 wrote:
>>
That function seems rather destructive: removes all properties on existing
articulations (including tweaks, direction, and midi stuff), and doesn't seem
to handle anything other than ArticulationEvents at all. Dynamics, slurs, ties,
etc are removed. Also, this version has no way to exclude a not
Sometimes when having a long section of staccato, it's a bit tedious to add -.
to all notes, so then it's useful to have a function which automatically adds
an articulation to all notes. I have one such function here:
addArticulation =
#(define-music-function (event music) (ly:event? ly:music?)
That gives exactly the same output as the baseMoment version.
On 12/15/17 04:26, Vaughan McAlley wrote:
> On 15 December 2017 at 12:58, Caagr98 <mailto:caag...@gmail.com>> wrote:
>
> I tried that at first, but it made *everything* beam together, including
> rest+
I tried that at first, but it made *everything* beam together, including
rest+three eights or stuff containing sixteenths.
On 12/15/17 02:54, Ben wrote:
> On 12/14/2017 8:21 PM, Caagr98 wrote:
>> I'm currently writing some sheet music in 2/4. I'd like measures containing
&
I'm currently writing some sheet music in 2/4. I'd like measures containing
four eights to be all beamed together, but everything except that should use
Lilypond's default rules. How can I achieve this?
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This should work:
\paper {
bookTitleMarkup = \markup \sans \bookTitleMarkup
}
You might also want to modify `scoreTitleMarkup`, `oddHeaderMarkup`, and
`evenHeaderMarkup` the same way.
On 12/13/17 16:58, Edward Neeman wrote:
> I apologize if this is an obvious question: is there a way to set
A DrumVoice has different musical content than a Voice (uses the `drum-type`
NoteEvent property rather than `pitch`, generating different midi output, etc).
However, a RhythmicStaff only changes how the staff looks, not the actual
musical content. Thus, there's no need for a separate RhythmicVoi
In `engraver-init.ly` (line 111 on my version), there is a line saying `\alias
"Staff"`. That line makes the DrumStaff context listen to `\set Staff.*` as
well as `\set DrumStaff.*`. (DrumVoice is similarly aliased to Voice.)
They're both equal, so I'd recommend using `Staff.*` for consistency.
That works for that particular example, yes. Doesn't work for anything other
than exactly two kana per kanji, though.
On 12/06/17 23:50, Carl Sorensen wrote:
>
>
> On 12/6/17, 2:00 PM, "Caagr98" wrote:
>
> I'm trying to insert a bit of Japanese text
I'm trying to insert a bit of Japanese text in some markup. Putting the text
itself works fine, but as soon as I try adding furigana (small kana above the
kanji), it looks terrible. Is there anything I can do about that?
——
\version "2.19.80"
#(define-markup-command (furi layout props kanj
You can add your own language which contains those two aliases:
#(define a (assoc-ref language-pitch-names 'nederlands))
#(set! a (acons 'aseh (ly:make-pitch -1 5 THREE-Q-FLAT) a))
#(set! a (acons 'eseh (ly:make-pitch -1 2 THREE-Q-FLAT) a))
#(set! language-pitch-names (acons 'nederlands2 a languag
This seems to work, thanks!
\version "2.19.80"
{
\clef F
\key bes \major
\time 3/4
\set tieWaitForNote=##t
f,8_~[ c_~ g_~ bes_~ es'_~ g'^~]|
\grace { \once \hideNotes 8 } R2.|
}
On 11/21/17 14:54, David Kastrup wrote:
> Caagr98 writes:
>
>> Yeah, I
ld be fairly easy to replicate this using some invisible
grace notes. Do you know if there is any such function?
On 11/21/17 14:43, Ben wrote:
>
> On 11/21/2017 8:40 AM, Caagr98 wrote:
>> It's better, but they still don't extend to the end of the bar.
>>
>> Also, I p
/2017 8:28 AM, Caagr98 wrote:
>> In the attached image, it looks like several LVs streched to the barline.
>> However, if I simply try to write the notes with LVs, the arc is
>> ridiculously short (see second image). How can I make that look proper?
>>
>> I could repla
In the attached image, it looks like several LVs streched to the barline.
However, if I simply try to write the notes with LVs, the arc is ridiculously
short (see second image). How can I make that look proper?
I could replace it with a pedal, but I want to replicate it as faitfully as
possible
That looks like you're creating a new score for the third line. It has
indentation, no measure number, a new clef without a courtesy clef, etc.. It
looks like you intended to place both staves in parallel inside a PianoStaff,
but you've somehow put them in different \score blocks instead.
On 11
music-length (make-sequential-music
l
(l '()))
(do () ((ly:moment On 14 November 2017 at 11:30, David Kastrup <mailto:d...@gnu.org>> wrote:
>
> Gianmaria Lari mailto:gianmarial...@gmail.com>>
> writes:
>
>
In the first version, you're applying the \fermata post-event to the c2, which
is perfectly valid. In the second one, you're applying it to the {...}, which
doesn't make sense. I'm afraid I don't know any good solution, though.
On 11/14/17 13:21, Patrick Smith wrote:
> This works:
>
> \version
then reset
to normal.
On 11/13/17 13:25, Gianmaria Lari wrote:
>
> On 13 November 2017 at 11:21, Caagr98 <mailto:caag...@gmail.com>> wrote:
>
> You can change `Voice.midiExpression` (0≤x≤1) in the middle of a note,
> which changes dynamics/volume. I don't k
You can change `Voice.midiExpression` (0≤x≤1) in the middle of a note, which
changes dynamics/volume. I don't know whether you can do that to one specific
note without affecting other simultaneous ones, but you can just create a new
voice for that.
On 11/13/17 11:16, Gianmaria Lari wrote:
>
>
What you're doing is just creating a text script, not an articulation. I use
the following code to create a custom real articulation; you'll obviously have
to adapt some of it to fit yours.
```
#(define (draw-unaccent grob)
(let ((stil (make-path-stencil '(M -0.435 0.435 C -0.435 0.185 -0.250
I would do something like this (which is still manual, but a bit more readable):
```
<<
{
e8^"rall." d c c c4 c
}
\tag midi {
\tempo 4=50 s8 \tempo 4=45 s8 \tempo 4=40 s8 \tempo 4=35 s8 %etc...
}
>>
```
You'll have to use two scores, one of which has `\removeWithTag midi`, to make
You can use \tag and \removeWithTag for that.
On 10/27/17 18:04, bb wrote:
> For a backing track I want a melody line and chords printed on a lead
> sheet - standard with lilypond.
> But a midi should have an aditional kickdrum/bassdrum for rhythm. The
> notes should not be visible on the lead she
I think you could use a combination of \transposition and \transpose.
\transposition changes how the pitches are written, but not the midi.
\transpose changes both.
On 10/27/17 13:50, bb wrote:
> A /transposing instrument/ is one in which the absolute pitches of the notes
> played on the instru
Using \magnifyStaff on the PianoStaff context gives the following error:
/usr/share/lilypond/2.19.65/scm/music-functions.scm:2513:19: In procedure
ly:context-property in expression (ly:context-property Staff (quote
magnifyStaffValue)):
/usr/share/lilypond/2.19.65/scm/music-functions.scm:2513:19:
What's the best way to change the size of a PianoStaff? Trying to put
`\magnifyStaff` on the PianoStaff causes the following error:
/usr/share/lilypond/2.19.65/scm/music-functions.scm:2513:19: In procedure
ly:context-property in expression (ly:context-property Staff (quote
magnifyStaffValue)):
/
On 09/18/17 19:46, Joel C. Salomon wrote:
Omitting the coda alternative, this would be the natural way to input
repeats of the form “D.S. al Fine”. I would suggest “\repeat ds” (and
“\repeat dc”, unless you want to add magic that recognizes the start of
a piece) as the syntax.
There is already
I think the default tempo is 60 quarters per minute, but I'm not sure.
On 09/17/17 21:58, Larry wrote:
Hi everyone!
I'm new and I'm learning as I go. I've got the Fescobaldi installed and
my inputs are slow. I know the tempo command can speed this up but I
could not find what the default temp
7;s any problem at all with having a \break within
an "ottava-zone". have you tried it?
and should it be obvious what the grace spacer is for?
Best,
Robert
Am 07.09.17 um 18:01 schrieb Caagr98:
I currently do it with the code below. It works, but it feels wrong.
Is there
I currently do it with the code below. It works, but it feels wrong. Is
there some better way to do it?
```
\ottava 1
c'''4 4 4 4
\ottava 0
\grace s32
\ottava 1
d'''4 4 4 4
\ottava 0
```
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Sometimes, I want to have some tweaks that apply to only a particular
PDF, but some that apply to all. Is there some way to do that?
With the following example, I'd like the C to be red, the E to be blue,
and the D and F to be green. However, the green tweak isn't applied. Is
there some way to
That is indeed a very hacky solution, but it works great. I'll probably
want to \tag out the skip during midi generation, though. (It seems
using graces also allows you to put multiple \marks at the same moment,
which is neat.)
For the record, how exactly does that space-alist override work?
If you want a note that is three *whole notes* long, you could use a
dotted \breve. If you want a note that is three *measures*, just use
ties. Having notes that cross barlines is just confusing for everyone.
On 08/31/17 14:40, Bernhard Kleine wrote:
c\breve is two measures long, c\longa four
There are some properties such as midiExpression and midiPanPosition (or
whatever it's called); does something similar exist for bends? Or is
there some other way to insert bends?
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Can't you just surround it with quotes?
On 08/18/17 14:14, bb wrote:
I tried to write
"Cmaj7"
in lyrics mode under a Cmaj7 chord. Lilypond obviously interprets the 7
as a lenght? Is there a solution?
Regards BB
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When using \set skipTypesetting, stderr is *flooded* with messages
saying `programming error: asked to compute volume at ...`, `programming
error: no current dynamic`, and `continuing, cross fingers`. This makes
it rather difficult to see if there are any actual errors, since those
are printed
Huh, can't say I've heard of \fixed. I always use \transpose c c'',
which seems to have the same effect. It looks stupid in the code, though.
And yeah, absolute mode is a lot easier than relative. If I want to
duplicate a measure, I prefer just duplicating it instead of having to
adjust the oc
How about \repeat volta 2 { c1 d1 e1 \alternative {{d1} {f1}} }? IMO,
that makes more sense both syntactically and semantically - the way I
see it, that example is four measures repeated, with the last measure
being different. With the current syntax, it's three measures repeated,
and... wtf is
If you're using 2.19, you might be able to use `thrice = \repeat unfold
3 \etc`. Otherwise, you'll have to use the explicit version.
On 07/21/2017 04:22 PM, David Griffel wrote:
I'm a fairly inexpert lilypond user. I've used simple macros before, but
this one fails:
thrice = \repeat unfold 3
I did just that a while ago. Here's the script I used (I had a few
additional parameters, though):
```
#(define (movement title suffix music)
(list
#{\bookpart {
\header { title = #title }
\score { \removeWithTag midi $music \layout {} }
}#}
#{\book {
\header { ti
According to `strings whatever.pdf|grep FontName`, the only fonts in the
output PDF are Emmentaler and Tex Gyre Schola. Since Emmentaler is for
music symbols, it's probably Tex Gyre Schola (bold, in the case of titles).
On 07/20/2017 08:56 PM, Reilly Farrell wrote:
For editing and consistency p
I have no idea what that specific AST comes from (did you invent it
yourself?), but I think you're looking for (make-music) expressions,
which are what is created from music expressions before being passed to
the engravers. Check out \displayScheme (or (display-scheme-music)
(talking about lisp
I would suggest adding separate functions for adding standalone text
grobs. Would make a lot more sense than handling some types of objects
differently.
On 07/12/2017 09:47 AM, Jan-Peter Voigt wrote:
Hi again,
I merged your PR, so \time and \tempo should work now. And I prepared a
PR myself
E-ink displays are supposed to be just like normal paper, aren't they?
On 07/10/2017 03:43 PM, Wols Lists wrote:
On 10/07/17 14:28, Karlin High wrote:
On 7/9/2017 2:16 PM, Wols Lists wrote:
But out in the park, it was hard to stop the music blowing everywhere
That DOES sound like a problem.
I didn't notice any timing problems with \time. Of course, if you use it
to add a time signature somewhere weird it gets broken, but that happens
with inserting random time signatures in the source as well. If used
responsibly, it works fine.
My \tempo patch seems to work (needs some more test
After some research, it seems edition engraver only _pretends_ to insert
arbitrary objects - it actually only supports a select few types of
objects. Not including \tempo and \time. \time can be worked around
rather easily (see snippet below), but for \tempo, it seems I'd have to
modify the sou
I'd expect the two scores created by this to be identical, but the
second one only has the \key applied (other stuff such as \bar and <>^""
works too), not the \time or \tempo. What am I doing wrong?
Also, it seems only the fourth argument is used for selecting editions
(with \editionID); what
On 07/09/2017 11:07 PM, Thomas Morley wrote:
Hi,
please always post an (minimal) example demonstrating the problem.
I wasted some minutes to reproduce your first problem. But I was
annoyed not being able to do so. Hence I decided to try solving the
problem instead of continuing finding an code-e
I guess I'll just have to go with EditionEngraver. The main reason I
didn't use it before was that I couldn't figure out how to install it,
but I managed to figure that out.
On 07/09/2017 07:38 PM, Simon Albrecht wrote:
On 09.07.2017 18:24, caag...@gmail.com wrote:
As you can see on the scree
On 07/09/2017 06:29 PM, Jacques Menu Muzhic wrote:
> Hello caagr98,
>
> The second score in the example below can help you solve the first issue.
>
> JM.
That makes them aligned vertically, which I'm not too bothered about. It
doesn't help with horizontal alignment, tho
As you can see on the screenshot, both texts are misaligned. The first
one, a \tempo, is placed *under* the rehearsal mark instead of next to
it. The second one, the name of a song, is too far too the right, since
it's attached to the note instead of the barline (it's a <>^"").
How can I move
On 06/27/2017 09:48 PM, Simon Albrecht wrote:
> You have to redefine bookTitleMarkup and/or scoreTitleMarkup in a
> stylesheet that you use only for the full score, and enclose the
> entire \markup expression in \markup \larger \larger {} or the like.
I tried that, but as you pointed out, it does
In this piece I'm writing, the headers look perfect on each individual
part (A4), but they look ridiculously small in the full score (which is
on an A2). Is it possible to automatically scale them without affecting
the music, and without affecting the headers on the parts? (Aside from
giving a
That is, the file where the currently executing function is defined, not
the file it's called from.
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On 06/21/2017 11:10 PM, Johan Vromans wrote:
If you have a non-infinite recursive include it will continue.
I think that would require solving the Halting Problem first.
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ore = #unaccent
```
Thanks for the help!
On 06/15/2017 04:07 PM, Pierre Perol-Schneider wrote:
Hi caagr98,
How about:
\version "2.19"
unaccent = -\markup
\translate #'(0.6 . 0)
\stencil
#(make-path-stencil
'(M -0.435 0.435
C -0.435 0.185 -0.250 0 0 0
On 06/15/2017 03:42 PM, Kieren MacMillan wrote:
Hi caagr98,
I'd rather not have to install extra fonts for my scores to work...
You don't have to install extra fonts — just find a font that's already
installed and has that glyph.
That's exactly what I mean - I don'
I'd rather not have to install extra fonts for my scores to work...
Isn't there any way to do it with markup or stencils?
On 06/15/2017 03:38 PM, Kieren MacMillan wrote:
Hi caagr98,
As in https://en.wikipedia.org/wiki/Accent_%28music%29#Anti-accent_marks.
How do I write the firs
As in https://en.wikipedia.org/wiki/Accent_%28music%29#Anti-accent_marks.
How do I write the first of those? \lheel is similar, but it's not the same.
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Try removing the brackets ({ ... }) around the \markup.
On 06/13/2017 04:46 PM, Jaime Oliver La Rosa wrote:
Hi all,
I am using the following code to place diagrams in a score:
c^\markup
\center-column {
\override #'(size . .75)
\override #'(thickness . 0.05){
\wood
Couldn't you do \new Dynamics { \alignAboveContext = "upper" s4/p }?
On 06/02/2017 09:00 PM, Kieren MacMillan wrote:
Hello all,
No compilable code/snippet here… just a thought-experiment/question for
discussion.
Is there any way (currently possible, or relatively easily coded) that items in
\transposition doesn't affect the generated score, it only affects the
midi output. To transpose the score, do \new Staff { \transposition f
\transpose f c {...} }. (In your case, the << >> can replace the inner {}.)
On 05/31/17 19:09, Jérôme Plût wrote:
I am typing a horn part in F. In the at
On 05/30/17 11:13, Jan-Peter Voigt wrote:
I doubt that checking all characters in the string are in the range
'0'-'9' is faster then string->number.
Don't forget the optional leading hyphen, base specifiers (#x, #o, #d,
#b), etc.
However, do keep in mind that (integer? (string->number x)) ac
On 05/27/17 05:06, Jon Arnold wrote:
I'm trying to print a note simultaneous to a rest but have the rest be
in normal \oneVoice position. (This is to illustrate a harp muffle of a
single note.)
This is basically how I'm doing it (minus the complicated code of
replacing the stem glyph):
http://lilypond.org/doc/v2.19/Documentation/notation/different-editions-from-one-source
That link should contain most information you need. If you want the
scores in different PDFs, replace the `\score {...}` with `\book {
\bookOutputSuffix "French" \score {...} }`.
On 05/18/17 10:20, Gianmar
You could also try using the technique described here:
http://lilypond.org/doc/v2.18/Documentation/notation/expressive-marks-attached-to-notes
, *Creating a delayed turn*.
On 05/09/17 12:36, Kaj wrote:
On 2017-05-09 at 10:47, Ivanov Dmitry wrote:
Code:
\version "2.18.2"
\relative f'{
f8_\ma
Source please? Most search engines aren't particularly helpful when
searching special characters.
On 05/08/17 23:28, Dave Hartley wrote:
# finally get my head around the difference between $( ) and #( ) 😁
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Yeah, that seems to work, thanks!
I'd prefer if it didn't reduce the left margin, but there's no point in
being picky. I guess it can be fixed by tweaking the X-offset and the
scaling factor. I'm considering experimenting with modifying the stencil
expression itself, though.
Getting the drum
Basically, I want to show a rest with indeterminate length for all
parts, except the drumset, which is to make undefined creepy noises, and
the cymbal, which should do a drumroll-crescendo (not sure if there's
any fancy name for that) before the rest of the parts resume playing.
I've attached
Wouldn't the <>\stopGroup extend the group one note too far?
On 05/02/17 10:06, Thomas Morley wrote:
2017-05-02 8:29 GMT+02:00 Urs Liska :
Hi all,
I'm trying to apply event functions to music passed into a music function
like that:
\version "2.19.57"
test =
#(define-music-function (mus)(ly:m
I'm using Polymark (LSR 976) to be able to print song names (in
medleys), codas, etc. at the same time as rehearsal marks. However,
using a `\polyMark Center` (or empty) at the same time as a `\polyMark
Left` draws the Left diagonally above the Center (assuming the Left is
defined last). I'd li
`pdftitle` seems to be exactly what I was looking for. I also added
`midititle = #pdftitle` for good measure.
On 04/25/17 02:21, Thomas Morley wrote:
2017-04-25 2:18 GMT+02:00 Thomas Morley :
2017-04-25 1:43 GMT+02:00 :
```
title = \markup {
\concat {
"W"
\scale #'(15/22 . 15/22
```
title = \markup {
\concat {
"W"
\scale #'(15/22 . 15/22) \combine
"o"
\translate-scaled #'(0 . 1.2) "a"
"ndering"
}
}
```
This is extracted as "Wandering" (or at least that's what Atril shows).
I want it to be "W[ao]ndering" (or maybe "Wꜵndering"), because it's
s
By PDF title I mean the one shown in the PDF viewer's title bar. It
seems to be extracted from the header:title field, but in my case, the
title contains some complex markup and isn't extracted properly. Can I
override the title somehow?
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Seems the latest devel version (2.19.59) has fixed that bug, so it's
probably not important anymore.
On 04/24/17 19:43, David Wright wrote:
Well, I can't take a view on that because AFAICT the source in the OP
only contained kanji (complicated-looking) characters. Would that be
correct? Could y
I did some further work on it. It looks pretty great, IMO. It works with left-
and right-aligning, too. No scaling horizontally (just 1sp margins), but it
automatically scales vertically.
```
#(define (expand-add pair n)
(cons (- (car pair) n) (+ (cdr pair) n)))
#(define (expand-mul mul pair)
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