I think I used to know how to do this but I can't find any evidence of it,
but I'd like to do something that looks roughly like the following, where
the text ("fine" or "D.C. al fine") are printed below the line:
|: /— 4 —/ :|: /— 4 —/ fine :|
|: /— 4 —/ :|: /— 4 —/ D.C. al fine :|
...while separ
s Paul.
>
> There were missing brackets:
>
> At least mismatched. It should have been:
>
> R1*4 \endMarkDown \mark \markup{D.S. al Fine)
>
> Without parentheses.
>
> Happy New Year,
>
> Paul
>
>
>
> R1*4 \endMarkDown \mark \markup {(D.S. al Fine)}
>
Maybe I'm missing something obvious (it's 1:30 in the morning...it's not
unlikely!), but I'm trying to include a small two-line markup inside a
single box. The thing that seems obvious is producing two boxed lines,
which is not what I'm aiming for and is too visually cluttered for me to
accept as a
I used to know how to do this, I think, but...how do I adjust the stem
length in a metronome mark? Seems like I should be able to do something like
\override MetronomeMark.stem-length = xyz
but that *specifically* doesn't appear to be available.
Something involving .add-stem-length perhaps?
—J
On 1/17/22 15:34, James B. Wilkinson wrote:
Yes, I was using 12 because that seemed to be the one Oracle's website wanted
to send me. I'll back up to 11.
I did look in the expanded src tree and found a blue million *.java files. I
assume that the build process needs to compile all of them. Won
I'm struggling to increase the padding for a cautionary clef in a
slightly crowded line, since it's colliding with rests when there are
notes on other lines. Attached is an image of the score I'm working
with as I'm struggling to come up with a concise test snippet that
doesn't have other problems.
R2.*3
> \clef G
> g4 r r g r r
> \once\override Staff.Clef.X-extent = #'(-5 . 5)
> \clef F
> }
>
> and properly set the extent.
> HTH.
> Cheers,
> Pierre
>
> Le lun. 1 juin 2020 à 07:32, Josiah Boothby a écrit :
>>
>> I'm struggling
Hello all,
I'm trying to do something that I suspect is easily done with scheme,
but I have no idea how: I'd like to create a list of exercises that are
automatically numbered. I'm currently using instrumentName for the
numbers, to get something that looks something like this:
1. ===
On Mon, 09 Mar 2015 02:20:51 +0100
Noeck wrote:
> Hi Josiah,
>
> is this what you want?
> http://lists.gnu.org/archive/html/bug-lilypond/2010-10/msg00144.html
That got me on the right track, thank you! What I ended up with is a
bit simpler:
#(define sequence-number 0)
#(set! sequence-number (
Sorry to delve into this a bit late, but an earlier point in this
ongoing thread is relevant to work currently on my desk :)
On Mon, 28 Dec 2015 19:20:28 +0100
David Kastrup wrote:
> > flute_phrase01 =
> > flute_phrase02 =
> >
> > or similar.
>
> When would you ever want to do that?
Actually,
On Mon, 17 Dec 2012 11:52:18 +
Gerard McConnell wrote:
> Hello,
> A Microsoft security update prevents me from using Lilypond's
> OpenType Century Schoolbook L.
This baffles me, but as someone who hasn't used Windows much in the
last few years, I have no idea how to help you with this bit.
> > I'd like to collect some suggestion for a replacement font for
> > Century Schoolbook.
So far, Linux Libertine[1] has been my go-to replacement font,
especially when I want to be more economical with horizontal space.
It's not the most beautiful font in the world, but it does look good on
pape
On Tue, May 14, 2013 at 10:48 PM, Federico Bruni wrote:
> 2013/5/7 SoundsFromSound
>>
>> Hello all,
>>
>> I was just playing around in Frescobaldi tonight and I noticed that since
>> updating to v2.0.9, my menu items are now "text" and not icons*.
>>
>> See included images please: can anyone tell
> Wordpress:
> http://wordpress.org/extend/plugins/scorerender/
I tried this recently. ScoreRender appears to be sporadically
maintained and does not appear to be compatible with modern versions
of either Lilypond or Wordpress.
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When I experimented with this, it seemed that LyX required a
sufficiently recent minimum version of Lilypond. If the version of
Ubuntu you're using has an outdated version of Lilypond, LyX won't use
it.
Make sure you have lilypond version 2.14.x or greater as well as Lyx 2.0.x.
--Josiah
2011/9/1
A composer recently gave me a messy part he'd prepared with Sibelius,
and I asked him for a musicxml file on the off chance that it might
work in Lilypond and I could clean it up. With Lilypond 2.15.36
(Slackware 13.37, x86), I get the error below along with no output
file. I tried the prebuilt lil
>> I'm a bit surprised you have musicxml from Sibelius. As far as I was
>> aware, it doesn't export into _any_ useful interchange format, including
>> musicxml.
>
> Googling suggests there is an expensive 3rd party program.
Googling also suggests that Sibelius is confident of their MusicXML
outpu
> That is a python error, a bug in the musicxml2ly script.
> children is a list and index is a number but the number is higher than the
> list has items.
> Can't tell more from just that exception.
>
> Nils
Nils, would you like to see the file? I shouldn't put it out on the
internet where all can
Thank you, Mattias, for showing me this workaround!
> You could also try to import the musicxml file into MuseScore: MuseScore is
> available for Linux, Windows and Mac. It does not only read musicxml, but
> midi as well. Plus: it exports in lilypond-format!
>
> I've had success in reading a music
> can anybody tell me if I can use the 'Old Style Figure' subset of an
> OpenType font in markups?
I may be mistaken, but I don't believe there is currently a way to do
this. Perhaps post to the Bugs list as a feature request?
—Josiah
___
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On Tue, Apr 24, 2012 at 21:31, Helge Kruse wrote:
> Thanks to all for the answer. I wasn't aware of the transposed notation
> praxis for this instrument. So I think it will be best to write the actual
> notes as they should appear on the sheet. This can make discussions with the
> performers easie
On Tue, Apr 24, 2012 at 15:44, Timothy Reeves wrote:
> I've played horn for a while (albeit for only a third of a century not a
> full half century ;) and I would say that while you *may* write it with no
> key signature and accidentals where needed, it is not expected by modern
> players, who ar
On Fri, Apr 27, 2012 at 01:07, Jonas Olson wrote:
> On the valveless horn you change crooks to give the instrument a
> transposition that matches the music. That way, the music is always
> notated in C major (assuming major mode), just like how music sounding
> in B♭ major, played on a B♭ clarinet
>>> That would be hilarious. I would pay you twenty-five cents to arrange
>>> the horn parts to, say, Tristan und Isolde so that each new fingering
>>> is notated as a crook change. I'd pay fifty cents if it was actually
>>> legible.
>> Wagner sometimes got close to this. Look at the first horn pa
On Fri, Apr 27, 2012 at 11:50, Tim Reeves wrote:
> Holst First Suite for Military Band (in E flat) (1909) - written for four
> horns in E flat - those were common in early twentieth century bands - horn
> parts have no sharps or flats in key signature - nowadays the player would
> get a part that
> Vaughn Williams's Sea Symphony (finished in 1909) gives the horns no key
> signature.
In his second symphony (finished in 1914), he gives no key signature
to the horns or trumpets (both in F), but does give a key signature to
the cornets.
___
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On Sun, May 13, 2012 at 3:54 AM, Federico Bruni wrote:
> Hi,
>
> I'm sure this has been asked before, but I couldn't find anything in the
> archives. Guess I'm using the wrong keywords.
>
> I'm writing a legenda for tablature and I'm using \markup over each bar to
> explain the notation.
> As you
Just tested my example. Didn't work. Not even a little bit. The
suggestion given in the other thread is certainly the better way.
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it's already pretty easy separate the
formal and musical elements -- and in ways that are suggested and
supported in the official documentation.
--
Josiah Boothby
josi...@gmail.com
http://josiahboothby.org
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On Wed, 11 Jul 2012 12:03:45 -0700
David Rogers wrote:
> Janek Warchoł writes:
>
>
> > PS concerning the girl, she's pretty indeed, but some of the
> > /priests/ using Lily might have a problem with that :)
>
>
> I'm not a priest. However, I still don't like the picture. I don't
> mean t
On Sun, Aug 19, 2012 at 9:44 AM, Ole Schmidt wrote:
> Hi,
>
> I've just installed Frescobaldi from source on my mac, running Mac OS 10.6.8
> How can I install python-poppler-qt4 (for pdf-viewing)?
>
> When I follow the instructions I get the following error:
>
> ja?~/Public/python-poppler-qt4-0.16
On Sat, 15 Sep 2012 00:58:05 + (UTC)
Hugh Resnick wrote:
> > I'm not top posting.
>
> Jan N. himself requested that I send this question to the forum after
> becoming frustrated with it last night and tweeting about it. I
> cannot see what I am doing incorrectly that would prevent
> \compres
On Sat, 15 Sep 2012 11:24:30 +0200
Jan Nieuwenhuizen wrote:
> Hugh Resnick writes:
>
> >> Consider lumping your measures together, so: s1*3 instead of s1 s1
> >> s1
> >>
> >> —Josiah
> >
> > Perfect. Thank you so much.
>
> I'd like to ask some more silly questions here
>
> * why is this [*3
On Fri, Sep 21, 2012 at 4:04 PM, TaoCG wrote:
> pls-2 wrote
>> Hi,
>>
>> can you replicate the error in a tiny example and post the .xml-file?
>>
>> Right now I can only guess. Is there a pickup measure? Are there multiple
>> voices?
>>
>> patrick
>
> Unfortunately no. It's a very complex piece wh
I'd like to write a suggested/editorial accidental above a note that
already has an accidental to the left of the notehead, and would
ideally like the alteration to transpose when the voice is transposed.
Example:
A C-sharp with a suggested natural, transposed down a whole step
should be a B-natu
On Fri, 22 Jan 2010 21:54:44 -0200
Ezequiel Birman wrote:
> Hello.
>
> I found your post in lylypond user list of 25 Sep 2004 regarding horn
> notation and the half stopped glyph.
>
> I am facing the same problem. I've tried inserting an eps file with
> the $\oplus$ glyph, but I can't get it ri
> Something like c2^"⊕" should do the trick; it works in my little test
> sample (using 2.12.3) without needing any tweaking.
In case it's necessary (or at least useful), the circled-plus
character appears to be coded as 2295 in UTF-16.
___
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On Fri, 29 Nov 2013 15:45:33 +0100
David Kastrup wrote:
> Janek Warchoł writes:
>
> > Would you like to sponsor this? For $20 i could add special
> > accidentals to LilyPond font and adjust \flat, \sharp and \natural
> > commands to use them (and maybe others like \semiflat, if i'll have
> > t
To clarify:
> >> > Would you like to sponsor this? For $20 i could add special
> >> > accidentals to LilyPond font and adjust \flat, \sharp and
> >> > \natural commands to use them (and maybe others like \semiflat,
> >> > if i'll have time).
> >>
> >> Why not use the Unicode charpoints, like B♭,
> I noticed in a score that I've recently typeset that smallCaps doesn't
> support accented characters (which is indeed written in the manual).
...
> For now, is there a workaround?
I don't remember how I found this (possibly through searching through
the mailing list archives, because that's how
On Thu, 16 Jan 2014 15:05:50 +0100
Alexander Kobel wrote:
> I was about to ask in that direction. If for a font "ff" leads to
> collisions, and the ligature is not correct at that point, is it
> recommended to insert space or to switch the font? Or, stated
> differently: Should I consider i
On Mon, 20 Jan 2014 16:00:59 +0100
Johan Vromans wrote:
> Now I want to re-use bbb with a different value of aaa. Like a real
> variable as known from other programming languages.
>
> aaa = { c4 d e f }
> bbb = { a4 a a a \aaa b4 b b b }
> \score { \bbb }% a4 a a a c4 d e f b4 b b b
>
Hello,
Using 2.12.2, I'm wondering if I can include some sort of sectional
titling information above a tempo marking, ideally also with a markup
below the tempo indication, something like:
Henry in the Store
Superfast (4=198)
(muted)
[staff with music]
Thank you,
Josiah
__
I get an error with \vspace:
error: unknown escaped string: `\vspace'
Are we both using 2.12?
Thanks,
Josiah
On Tue, May 19, 2009 at 1:12 PM, Kieren MacMillan
wrote:
>
> Hi Josiah,
>
>> Using 2.12.2, I'm wondering if I can include some sort of sectional
>> titling information above a tempo ma
> \tempo 4 = 69 \tempo \markup \dir-column
> {
> \concat { "Tenderly, with some rubato (" \fontsize #-2 \general-align #Y
> #DOWN \note #"4" #1 " = ca. 66-72)" }
> "VARIATION I"
> \vspace #0
> \combine \fontsize #2 "PART ONE" \lower #0.7 \override #'(thickness . 1.5)
> \draw-line #'
I'm confused trying to use scheme to create a function. I've tried
several things, but the current function (dysfunction?) and
application looks something like this:
% code snippet
\version "2.12.2"
firstNotes = \relative c' { c4 d e f }
first =
#(define-music-function
(parser location trans)
> I think you have to declare two variables:
> #(define-music-function (parser location trans notes) (ly:music? ly:music?)
> #{
> \transpose c $trans { $notes }
> #})
The problem appears to be that \transpose is expecting a notename, not
a variable, so this has the same problem, and doubled.
Tha
> The only solution i know is to use the scheme equivalent of \transpose :
> ly:music-transpose
> But it is a bit harder...
>
>
>
> firstNotes = \relative c' { c4 d e f }
>
> first = #(define-music-function (parser location trans)(ly:music?)
> (let* (
> (trans-note (ca
On 4/5/07, Valentin Villenave <[EMAIL PROTECTED]> wrote:
Hello everybody, hello Jason,
I would like to add my 2 cents here: though LilyPond syntax evolves
indeed very quickly, you'll always be able to find the version of
LilyPond which was in use when you first typed your score, on
http://lilypo
if you used tags or \book to create two separate midi files, could you
either tell timidity to play one with the left channel and the other
with the right? or would you have to take a further step and combine
them into a third, stereo midi file?
On 4/7/06, Mats Bengtsson <[EMAIL PROTECTED]> wrote:
I seem to recall a question like mine coming up recently, but I can't
figure out how to apply the answers here: is there a way do this with
scheme so that this much typing could be avoided?
Josiah
On 4/9/06, Mats Bengtsson <[EMAIL PROTECTED]> wrote:
> You have to set the corresponding property ma
I also seem to recall that having custom graphics made is possible and
is not a terribly expensive sponsorship. You would have to inquire as
to the price and likelihood of implementation, though, if this is
something that interests you.
Josiah
On 4/11/06, Mats Bengtsson <[EMAIL PROTECTED]> wrote:
Honestly, I think this is the problem:
> I am afraid to lose the lilypond-snapshot 2.4.1 and remain with no
> working lilypond, which has become essential to me.
My advice would be to uninstall this with apt-get, and try the GUB
installer. Deleting the binaries doesn't uninstall the program.
Jos
so, for instance /usr/local/bin:/usr/bin if the new is in
/usr/local/bin and the old is in /usr/bin?
but with the old binaries deleted, is the old installation still salvageable?
On 4/12/06, Mats Bengtsson <[EMAIL PROTECTED]> wrote:
> Quoting josiah boothby <[EMAIL PROTECTED]>:
&g
It would be much easier to help you if we knew what operating system
(Windows, OSX, or what Linux or BSD) you've tried to install Lilypond
in. It would also help if we knew what installer you used.
Josiah
On 4/13/06, K. Vellinga <[EMAIL PROTECTED]> wrote:
> Dear Mr/Mrs,
>
> Something went wrong w
...it would also be useful to know what the problem seems to be.
Josiah
On 4/13/06, josiah boothby <[EMAIL PROTECTED]> wrote:
> It would be much easier to help you if we knew what operating system
> (Windows, OSX, or what Linux or BSD) you've tried to install Lilypond
> in. I
ing OS 10.4.6.
> I don't know what type of installer is used.
>
. . .
> I can't open the programm. Just empty documents.
>
> K. Vellinga
> Op 13-apr-2006, om 19:22 heeft josiah boothby het volgende geschreven:
>
> > ...it would also be useful to know what the
On 4/20/06, Artur Rataj <[EMAIL PROTECTED]> wrote:
> Has anyone on this list any idea why the slurs are as I described?
Try sending this to the bugs list. You might also try providing a
visual example of what it looks like (you can create a .png, for
instance). Also, please include version and ope
> Thanks. I just looked at
>
> 8.2.8 Different editions from one source
>
> When I have time I'll figure \tag out. Right now looking the doc above
> it isn't obvious how I would apply this to make transposition any easier
> than it already is for me. I know that if I can understand object
On 4/21/06, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote:
> Previously:
> >For those who are having trouble getting Lilypond files to work with
> >Illustrator or other graphics programs, I would be curious to know if the
> >following works as I just tried it on my system and the file opens fine.
> >
IOn 4/22/06, Graydon <[EMAIL PROTECTED]> wrote:
> On Sat, Apr 22, 2006 at 04:15:35PM -0700, jimmy2 scripsit:
> > Here is an example, e with accent aigue: é. It appears as it is
> > supposed to in my usual editors (pico, nedit). On the other hand, in
> > a working example with German accents which
just a hunch, try putting a space between \relative c' and the bracket, so:
\relative c' {
what you have is
\relative c'{
--josiah
On 4/23/06, Michael Brennan <[EMAIL PROTECTED]> wrote:
> Graham Percival wrote:
> >
> > The music needs to be in an explicit {}.
> > \book {
> > {
> > \mysco
I use an unoriginal combination of xterm, emacs, and xpdf. When I'm
working on a longer project, I can set up xpdf so that it's always
visible and is updated after I've run lilypond:
$ emacs -nw whatever.ly (C-a C-s C-z to save and hide the editor)
$ lilypond whatever.ly
$ xpdf -z 100 -remote m
$ emacs -nw whatever.ly (C-a C-s C-z to save and hide the editor)
excuse me, that's C-x C-s to save and C-z to hide.
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On 5/1/06, Lothar Schmid <[EMAIL PROTECTED]> wrote:
> ... For lilypond-book projects, I
> have set Kile up to make things easy. ...
How did you set up Kile? I tried to configure it to produce output with
lilypond, but gave up after two hours in frustration. A small Howto would be
really great!
If anyone can figure out how to set up context highlighting, that
would probably be the only thing missing to this. It's not necessary,
but I know that some people like to have it.
Josiah
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when installing with the GUB, how do I use the emacs mode?
Based on the instructions from the compilation guide, I tried creating
a folder in my .emacs folder called site-lisp (so ~/.emacs/site-lisp)
and copied all of the files from
/usr/local/lilypond/usr/share/emacs/site-lisp/ into it, and crea
Additionally, there is an entry for blank staff paper in the LSR.
On 6/4/06, Paul Scott <[EMAIL PROTECTED]> wrote:
Paul Scott wrote:
> Why doesn't this remove the clef sign? 2.8.4, 2.8.3
>
> #(set-global-staff-size 24)
>
> \layout{ indent = 0\in }
> emptymusic = {
> \repeat unfold 9 % Change t
http://students.washington.edu/josiah/lilypond/cuetest-page1.png
with a couple extra things to sort out (rehearsal mark and markup
overlapping with the slur), this is one way to do it:
\version "2.2.6"
\header {
title = "cuetest"
}
cueOn = \notes {
\set Staff.fontSize = #-2
I'd like to try version 2.3.x, but don't want to lose 2.2.6. Anyone know
how I can do this?
Josiah
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On Saturday 25 September 2004 11:22 am, D Josiah Boothby wrote:
> > No, this is not about bass clef :)
> > How do I make a half-stop sign? For those non-hornists, this is a
> > circle with a plus symbol inside.
>
> Try $\\oplus$ or $\\bigoplus$. They are
Aaron,
I am inferring from your last few questions to this list that you got
2.5.26 working. If my guess is correct, how did you install the new
version of ghostscript?
Josiah
On Mon, 30 May 2005, Aaron Mehl wrote:
Well that was my exact proble finding a ghoscript new
enough.
I also prefe
I'm installing 2.5.27 in my home directory. I have already compiled
ghostscript 8.15 in my home directory, but when I try compiling lilypond,
I can't figure out how to find $HOME/bin/gs. I tried
--with-gs=$HOME/bin/gs, and looking through config.make doesn't offer me
any clues.
It is probably
How would I change the font in the header? And is it possible to use
Palatino (or URW Palladio, as it may be called)? Where would I look to
find this?
Currently I'm doing it by overriding the font in individual text markups,
but this feels slow:
\header {
title = \markup { \override #'(f
How do I find out which fonts are available? I recall seeing a post about
Pango needing to be able to use the fonts, but I don't know where to look.
The font selection tools I have (xfontsel/gtkfontsel, using Debian) enable
me to find a lot of fonts, but very few of them seem to be recognized b
I have not used Ferenc's packages, but have been using the 2.4.5 that is
in Debian Sid (I'm a little mystified as to why it didn't make it into the
Sarge release) without problems.
Correction: the only problem that I had was that when I originally tried
the Sid packages, the ec-fonts-mftraced
I want to have four bars at a line and also every bar must have
exactle the same size. Because this makes it much easyer to
read. Because than all the bar line a on one line (vertical)
Actually, although jazz charts are written 4-bars to a line, and it does make
it easier to read -- because ea
Using the autopackage version of lily 2.6 on Debian sarge, I was playing
around with font selection, and was getting almost nowhere. The
documentation on the website says the following:
> By setting the object properties described below, you can select a
font from the
> preconfigured font fami
Han-Wen Nienhuys wrote:
Jamie Bullock wrote:
Hi!
Is there any chance that someone could write a lilypond engraver for
contemporary trill notation? By this I mean the use of the usual trill
sign, with a small, stemless notehead in brackets after the main note,
indicating the 'auxilliary note'
I doubt it, but you would have to go to those projects' websites to find
out for certain.
http://www.rosegardenmusic.com/
http://denemo.sourceforge.net/
-Josiah
Mehmet Okonsar wrote:
does anybody have heard of a windows build of Denemo and /or Rosegarden? Is
there
a way to have them running
You might look in the documentation under the heading "Cautionary
accidentals," which happens to be section 6.1.3.
Josiah
[EMAIL PROTECTED] wrote:
hi,
is there a way to put a natural sign manually? in this example the
natural sign is left out at the b, but i want to make sure the reader
u
Using the 2.6.0 autopackage on Debian sarge/sid, Evince (v. 0.3.0)
doesn't display the 3's in the time signatures.
An example .ly file:
\version "2.6.0"
\score {
\relative c' {
\time 3/4 d2.
\time 7/8 e2..
\time 2/4 f2
\time 3/8 es4.
\time 5/8 ges4 f4.
\time 4/8 e2
\time
Graham Percival wrote:
On 16-Aug-05, at 8:03 PM, D Josiah Boothby wrote:
Using the 2.6.0 autopackage on Debian sarge/sid, Evince (v. 0.3.0)
doesn't display the 3's in the time signatures.
Please file a bug report with evince, then. (?)
Looking more carefully
I don't kn
For the sake of completeness, I set the default version of ghostscript
to gs-gpl, ran the file through lilypond again, then viewed the file
with all of the pdf viewers that are on my system (which I believe to be
all of the pdf viewers available through the standard debian repositories).
Acrob
Will Oram wrote:
Many orchestral scores have tempo changes and rehearsal marks appear
twice: once at the top (above the wind section) and once above the
string section. It's easy to get lilypond to print \mark once at the
top; can it be told to print it multiple times as described above?
Usu
f << \global \Music >>
>>
>>
}
Will Oram wrote:
I use global blocks for many things. I tried applying them towards
rehearsal marks before writing in and got nothing. You sure you're not
using plain \markup for rehearsal marks?
Best,
Will
On Aug 17, 2005, at 3:4
Using the autopackage 2.7.6, in a Debian environment.
I'm trying to create alternative repeats that start and end inside of
measures, such as:
\version "2.7.6"
\score{
\relative c'' {
\repeat volta 2 {
\time 6/8
\partial 8
c8
c4. c4.
}
\alternative {
{ c4. c
On the download page, under the heading for version 2.6, the Fedora4
binaries are listed first. In the third text column (under "Go here"),
you are given the links to "Download LilyPond, documentation,
Ghostscript, compatibility libraries". I would suspect that these links
will give you what yo
pto.so.5) and libssl (libssl.so.5) to make it practical to revert
to the earlier versions.
Any ideas on how to resolve these conflicts?
Thanks,
Mark
-Original Message-
From: D Josiah Boothby [mailto:[EMAIL PROTECTED]
Sent: Monday, September 12, 2005 3:49 PM
To: Hermansdorfer, Mark
Cc: lil
Further, there are a number of templates in the manual. But, as Mats
points out, there is absolutely no reason not to submit more snippets --
whether they are templates or not -- to the LSR.
Josiah
Mats Bengtsson wrote:
I don't really see any clear distinction between templates and
the exampl
The easiest solution would probably be to use lilypond-book. If my
memory serves correctly that you're using 2.7, see chapter 12 in the
manual for more details. There's also a template in section 3.8. I
haven't used lilypond-book since 2.4, so things may have changed, and
it's possible that the
Unless you're interested in installing from source, which shouldn't be a
problem if you're using the ghostscript packages from Sid, by far the
easiest thing you can do is install with autopackage. It works, quite
nicely. You can install it to your home directory.
Unfortunately, there are not yet
> > by far the easiest thing you can do is install with autopackage. It works,
> > quite
> > nicely. You can install it to your home directory.
> >
> > Unfortunately, there are not yet any 2.6 or 2.7 packages for Debian.
>
> So, if I understand correctly, at the moment the only way to get 2.6 o
you might try the lilypond snippet repository:
http://lsr.dsi.unimi.it/
josiah
On Tue, 2005-09-20 at 09:30 +0200, Peter Mogensen wrote:
> Alexandre Reche e Silva wrote:
> > PS: I'm an old newbie in Lily and would like to know
> > whether is a kind of template to orchestral music
> > (woods, brass
As a small note, and a little off topic, more users will benefit more
from these discussions if the subject tag indicates what is being
discussed.
Josiah
On Tue, 2005-09-20 at 13:37 +0200, Peter Mogensen wrote:
> Trent Johnston wrote:
> > It's been on the list for a while... the windows native v
On Wed, 2005-09-21 at 21:38 +0200, Roland Goretzki wrote:
> Autopackage seems to be quite easy, I think.
> But during the install process I got the message, that I have to have a
> newer version of guile.
> And now there is a problem with installing guile 1.6.7.
>
> But this is not for this list.
On Thu, 2005-09-22 at 00:42 +0200, Han-Wen Nienhuys wrote:
> David Bobroff wrote:
> > I think this music was prepared with either Sibelius or Finale but I'm
> > not sure which (one clue; when slurs/ties pass through time signatures
> > they 'white out' as they cross them). I used to use Finale but
On Thu, 2005-09-22 at 09:33 +0200, Werner LEMBERG wrote:
> > Ties are not normally continued into second endings, but a standard
> > trick is to add a tie from an invisible note. One way is to make
> > the invisible note a grace note. In that way, it doesn't destroy
> > the rhythm.
>
> Uh, oh, u
I recall a thread on this subject a few months ago, but I have not been
able to find it in the archives.
I'm trying to create a tempo marking -- something like "Andante" -- that
only shows in the top line of a score, but when parts are extracted,
shows on all of the parts. Similar to a rehearsal
would fundable.org be a viable option? from the faq, the segment on how
much it costs:
http://www.fundable.org/help#howmuch
apparently, the price is dependent upon paypal. i am on the morning end
of an all-nighter, so it is entirely possible that i'm missing
something.
josiah
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