Pop versions of classical music

a website somewhere of pop versions of classical music that have made the British charts - can't think of it offhand. -Mike ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Specifying a different number of systems on pg 1 ?

On 23 Jun 2015, at 02:05, Larry Kent wrote: > > My apologies..I'm sure I've seen this in the documentation or on this > list somewhere, but today when I actually need this, I can't find a way to do > this. > > I want to have 3 systems per page, except only 2 systems on the first page. > >

workaround for a lyrics bug

Hey all, I’ve posted a bug to the bug list about notes clumping after lyrics, but as I’m on a tight schedule with this one piece, I’m also posting it to the list in hopes that someone has seen this bug and knows of a workaround: %{ A terminal lyric in the ossia staff causes notes to skip a me

RE: TextScript extra-offset in Scheme

Not in front of my computer, but off the top of my head, there are staff -padding and use - skyline properties for the text script. You can play around with making these ##f in addition to outside staff priority and see if that helps get you closer to what you're after. Cheers,MS Sent fr

Re: Flat - with "2" number

> On Aug 8, 2015, at 7:55 PM, Server Acim wrote: > > Hello, > I want to ask you a very important question. > > Turkish Music is divide two kinds in it inside. > One of is "Turkish Classical Music". Its roots are based of Ottoman Impire. > And "MAKAM" word is based some series. The title of mak

Re: LilyJAZZ

> On Aug 23, 2015, at 2:56 PM, BB wrote: > > I tried LilyJAZZ as it was published (about 2013 ?) but never got it to run > properly. > http://lilypondblog.org/2013/09/lilypond-and-lilyjazz/ > > > My actual atempts with a testcode from

interesting implementation detail of \partcombine

I just realized that when one uses spacer rests instead of full-measure rests in a voice that is being part combined, if there are full-measure rests in the other voice, those rests will be shifted up. Not a biggie, but perhaps it should be documented if it is intended behavior or fixed to work

Re: Analysis brackets with text [was: how to get notes without tails?]

My go-to solution (which is hackish) has been to create a tuplet over spacer rests and change the tuplet number text.  Cheers,MS Sent from my Samsung device Original message From: Paul Morris Date: 31/08/2015 05:32 (GMT+02:00) To: David Nalesnik Cc: lilypond-user

vertical kerning problem

Hey all, I have a nasty vertical kerning issue where the mezzo forte above the tenor’s “off” is sandwiched between the lyrics “Oz.” and “to” in the alto. Does anyone know how to force the dynamics (and therefore the tenor staff) below the lyrics in this case? Cheers, MS PastedGraphic-2.pdf

Re: vertical kerning problem

> On Sep 12, 2015, at 1:06 PM, Thomas Morley wrote: > > 2015-09-11 15:31 GMT+02:00 Mike Solomon : >> Hey all, >> >> I have a nasty vertical kerning issue where the mezzo forte above the >> tenor’s “off” is sandwiched between the lyrics “Oz.” and “to” in the a

syntactic equivalent for if __name__ == '__main__' in lilypond

Hey all, I’m developing a score where I’m including a lot of smaller .ily files into a bigger one and I often want to compile these .ily files by themselves. Currently, I’m following the pattern of creating a new .ly file for the individual compilation, but that results in jostling between fil

giant font size doesn't increase stem size

Hey all, If I do something like \once \set fontSize = #10 d8 I get a gigantic flag and note but no (visible) change in the stem. Is there a command that will get the stem bigger too? I’m on the latest dev version. Thanks! Cheers, MS ___ lilypond-u

weird fill-line behavior

Hey all, Any suggestions how to get even spacing in the example below? It is bunching up in all sorts of unpredictable ways... Cheers, ~Mike \version "2.19.30" #(set-default-paper-size "a4" 'landscape) #(set-global-staff-size 15.15) themeA = { \time 3/4 c

Re: weird fill-line behavior

On Nov 25, 2015, at 9:49 PM, Noeck wrote: > > Hi Mike, > > I replaced \fill-line with \justify-line and it looks much better. > > This is mentioned in the change log: > http://lilypond.org/doc/v2.19/Documentation/changes/index.html > It looks like it causes the spa

RE: unpacking a list

Check out: http://stackoverflow.com/questions/28753729/how-to-manually-flatten-a-list-in-racket-scheme Cheers, ~Mike Sent from my Samsung Galaxy smartphone. Original message From: Urs Liska Date: 28/11/2015 10:24 AM (GMT+02:00) To: lilypond-user Subject: unpacking a list Hi

trouble with end bar and open-repeat (volta) bars at same place.

Is there any way to have an endbar (\bar "|.") AND the begin-repeat for my \repeat volta 2 {} simultaneously? I'm attempting to typeset a typical Mozart Menuetto/Trio (Sleigh Ride K605 #3) with a DC al Fine that ends after the last \alternative in the Menuetto. The beginning of the Trio must

Re: trouble with end bar and open-repeat (volta) bars at same place.

oliday shopping. Again, thanks. On 12/14/2015 07:17 PM, Thomas Morley wrote: 2015-12-15 3:13 GMT+01:00 Thomas Morley : 2015-12-15 2:38 GMT+01:00 Mike F. : Is there any way to have an endbar (\bar "|.") AND the begin-repeat for my \repeat volta 2 {} simultaneously? I'm attem

Re: trouble with end bar and open-repeat (volta) bars at same place.

#x27;m going to doublecheck the notes to make sure, play with T.Morley's advice, and decide whether to follow the older score you linked to or the newer 4-part arrangement. On 12/14/2015 06:51 PM, Mark Stephen Mrotek wrote: Mike: Looking at the piece http://petrucci.mus.auth.gr/imglnks/u

Re: trouble with end bar and open-repeat (volta) bars at same place.

T.Morley, you pointed me in the right direction. This gave me the \bar"|." I wanted to end the Menuetto with, but still no \bar"|:" to kick off the Trio. Turns out it was something to do with the \splitBar that I used to get my \mark "Fine" AND my \mark \default. As near as I can tell, \spli

Lilypond takes up vertical space for empty staves

Hey all, In the sort-of-minimal example below, Lily is taking up staff space on the first and second system when she shouldn’t. Is there any way to get her to not account for the empty staves instead of leaving that space? Cheers, MS * \version "2.17.0" marksLollipop = { \time 5/6 \te

Re: Lilypond takes up vertical space for empty staves

Answered my own question - the problem in the real example came from using spacer rests instead of multi-measure rests. Sorry for the noise! ~Mike > On Jan 4, 2016, at 6:12 PM, Mike Solomon wrote: > > Hey all, > > In the sort-of-minimal example below, Lily is taking up sta

warning for duplicate definitions

Hey all, I’m combining several documents into a large book tonight and I am positive that I have: legato = \markup \italic “legato” in at least 10 documents. I’d like to consolidate these into a style sheet but I’m worried that I’ll miss some, so it’d be useful to issue a warning for duplica

best solution for book making with multiple scores and multiple titles but w/o page breaks between pieces

Hey all! \bookpart forces a page break between pieces in a suite, which I don’t want, but otherwise I like how it prints robust titles for each work. Is there a way to do everything that \bookpart does minus the page breaks? I can create top-level markups instead of using the \header, but it’d

different margins for footer and music

Hey all, Is it possible to have different margins for the footer and for the music in LilyPond? I’d like to place page numbers to the left and right of the music’s margin but they seem to be flush with the music’s margin no matter what markup hacking I try. Cheers, MS

Re: different margins for footer and music

> On Jan 14, 2016, at 10:27 PM, Robin Bannister wrote: > > Mike Solomon wrote: > >> I’d like to place page numbers to the left and right of the music’s margin > > How about duping \fill-line? > > evenHeaderMarkup = \markup \fill-line { > \with-dimensions #&#

RE: Algorithm for calculating slur shape

None of it is published but all of it is in the C++ source code and is pretty clear! Cheers,MS Sent from my Samsung Galaxy smartphone. Original message From: Michael Kassler Date: 22/01/2016 12:49 AM (GMT+02:00) To: lilypond-user@gnu.org Subject: Algorithm for calculating sl

RE: lyp - a Package Manager for Lilypond

Congratulations!This is a wonderful accomplishment and I am looking forward to getting some of my packages in good shale and contributing them. Do you have a contributor's guide yet? Cheers,MS Sent from my Samsung Galaxy smartphone. Original message From: Sharon Rosner Date: 2

Re: I'm not smart enough to figure out the math for this.

> On 08 Mar 2016, at 22:00, Michael Rivers wrote: > > I'm trying to make a snippet for students with intentional mistakes for them > to correct. I want the time signature to say 4/3, but for the music to > actually be in 3/4. Should I use "scaleDurations", and what should the ratio > be? Or is t

Re: HELP: Trill line without 'tr' written before it

> On 16 Mar 2016, at 11:21, George wrote: > > > (I'd like the zig-zag line to appear directly > after the note head, with no extra text, > just the line.) \version "2.18.2" \new DrumStaff \with { instrumentName = #"Güiro " shortInstrumentName = #"Guir. " } { \stopStaff \override Staff.Sta

Re: HELP: Trill line without 'tr' written before it

> On 16 Mar 2016, at 13:38, David Kastrup wrote: > > Simon Albrecht writes: > >> On 16.03.2016 11:42, Mike Solomon wrote: >>> \once \override TrillSpanner #'bound-details #'left #'text = ##f % this is >>> how >> >> IIUC t

Re: visual structure vs musical structure

> On Apr 9, 2016, at 2:34 AM, Gianmaria Lari wrote: > > I have a music score like this: > > a a a a > b b b b > c c c c > r1 > a a a a > b b b b > c c c c > > > > Then it would be nice to create a variable > > fragment = > { > a a a a > b b b b > c c c c > } > > and write the score in the

Re: Holst's "Mars"?

Here's a band version that might save you a bit of work: http://www.omet.ca/scores/Mike_Blackstock_2/ - 'Mars from the Planets' bottom of page Originally in musicXML here: http://musescore.com/user/15251/scores/48167# On Sat, Jan 26, 2013 at 9:52 PM, Evan Driscoll wrote: > I was surprised to loo

Re: Mutopia

I give free web hosting accounts to lilyponders. You can have your own drupal installation (or whatever), so if you just need a place to host your files, that's an option. M. PS git and viewgit are installed as well On Sat, Feb 23, 2013 at 11:58 AM, Noeck wrote: > Hi, > > I have some pieces (voca

Re: Excellent paper on 'Copyfraud'

ur ISP is clueless about the DMCA - and sadly, many are - then much of the above discussion is moot :( On Sat, Mar 9, 2013 at 12:31 PM, Urs Liska wrote: > Am 08.03.2013 14:18, schrieb Mike Blackstock: >> >> This paper might be of interest to anyone typesetting public domain >>

mcat: join midi files

Here's a nice little utility that joins (concatenates) multiple midi files into one file: http://www.cap-lore.com/EnglishSuites/code/Transmog/mcat.html ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-u

Re: EPS file

On 5 juin 2013, at 07:46, Nikolay Kirov wrote: > Hello! > > I have a specific question: How to split a EPS file, producing by LilyPond > For example: > http://nikolay.kirov.be/2010/folk/td_093_1_01.eps > I would like to cut the file horizontally to obtain 2 files - one for the > text and on

Re: REQUEST: \whiteout using grob stencil instead of bounding box

; or whatever) property, and have it simply "outline" the grob. Of course, if > this were implemented, it would be great to retain the current behaviour > (i.e., the bounding box whiteout). > > Thanks, > Kieren. > > p.s. Mike: If you've got time for some more

Re: Spacing problems with triplets

On 19 juin 2013, at 16:24, Tim McNamara wrote: > Occasionally LilyPond will render triplets in an ungraceful manner: > > > > > And > > > > All the quarter note triplets in the piece which are not under a volta > bracket are rendered with nice, attractive spacing. I have seen this before

Re: lilypond blog address: final decision. please state your opinion.

On 20 juin 2013, at 12:56, Urs Liska wrote: > Am 20.06.2013 11:17, schrieb Phil Holmes: >> - Original Message - From: "Janek Warchoł" >> To: "LilyPond Users" ; "Graham Percival" >> ; "Han-Wen Nienhuys" ; "Jan >> Nieuwenhuizen" >> Sent: Thursday, June 20, 2013 10:08 AM >> Subject: lily

Hiding multi-measure rests in multi-voice polyphony

Hey all, If I have four voices on a staff, is there a way to tell LilyPond to hide a multi-measure rest if there are notes in the measure and to only ever print one at a time? Kinda like \partcombine but for more than two voices. Cheers, MS ___ lilyp

Re: Automatic production of simple practice scores

On 21 juil. 2013, at 17:42, Carl Smith wrote: > Hi all > > This is my first post to the list, so I'd like to say thanks > for your work. LilyPond looks awesome. > > I have a client who needs a little program writing, and I > wanted to run it by you guys first. This is what he asked > me for...

Re: Create different pdf layers

On 1 août 2013, at 11:15, Urs Liska wrote: > I have brought this up before without success. But as my interest reappeared > I'll try it again with a slightly more specific question. > > When LilyPond finally renders its objects 'on paper' how complicated would it > be to allow it to print on l

Re: frescobaldi on mac

On 16 août 2013, at 11:04, chiffonMyst wrote: > Philippe, > > I tried using the complete path and thats what was giving me that error. > > I did a sudo port select --set python python 27 and it said it switched to > python27. > > I tried running the complete path on the setup.py and still re

Re: question about multiple parts

On 21 août 2013, at 15:11, Dave Phillips wrote: > Greetings, > > I'm writing another article about the state of music notation software on > Linux, and I decided to score some of my older pieces as focus projects. I'm > using the Frescobaldi program on Ubuntu 12.04, everything is going very

Re: [ANNOUNCE] Scale Matcher website built with LilyPond

Wow, terrific. Any thoughts on adding a graphic that will grab more attention in links to the site [ie Facebook, Google+ ...] ? On Sat, Aug 24, 2013 at 7:51 AM, Adam Spiers wrote: > Hi all, > > Thought you might be interested to hear that I built a new music > harmony website which uses LilyPond

Re: [ANNOUNCE] Scale Matcher website built with LilyPond

instead of the top one when the page is linked to: http://blackstockweb.ca/logo-demo.png Just a thought. Great app; I'll be using it myself - thanks! -Mike On Sat, Aug 24, 2013 at 9:50 PM, Adam Spiers wrote: > Thanks. You mean like a logo icon? I'd be delighted to use one, but

Re: [slightly OT] polymeter (was "Re: chopin example")

On 26 août 2013, at 17:11, Kieren MacMillan wrote: > Hello all, > > This thread reminded me that I wanted to let you all see the first few pages > of a recent commission, which ended up requiring polymetrics across line > breaks, etc. > > I love the way it turned out, and I can't imagine how

Survey on the use of \transparent in markups

Hey all, Do any of you have scores where you use the \transparent command in markups? For example, { c''4^\markup \transparent \draw-circle #10 #1 ##f r4 c''2^"foo" | } I'm doing some work on development and it would be useful to see how \transparent is used in real scores. Cheers, MS__

Re: Testers needed for 'lilyglyphs' package

On 2 sept. 2013, at 16:40, flup2 wrote: > Hello, > > I'll take some time later this week to look carefully, but a first good news > is that I was able to compile the manual after installing the missing fonts > on 2 different computers :-) > > 2 years ago, I developed such a package (far less co

Re: Score examples

lurs placements) -Mike On Mon, Sep 2, 2013 at 8:50 AM, Urs Liska wrote: > Hi, > > I'm compiling a selection of examples to show LilyPond's output quality. > I'm aiming at a collection of ca. 5 examples (1-page excerpts) of LilyPond > scores tweaked to publication qual

Re: Project Completed(-ish): 120 R.H. Studies by Giuliani

Wow, Terrific. I put them at http://www.omet.ca/scores/Mike_Blackstock_2/Giuliani_Mauro/120/120-B.html for reference - I hope that's ok (let me know if not and I'll take them down) On Fri, Sep 6, 2013 at 2:31 PM, Kale Good wrote: > Hello all, > I haven't had a chance to do a serious proof read

Re: A Question and Apologies

On 8 sept. 2013, at 10:48, "Phil Holmes" wrote: > Concerning etiquette - please don't send such large attachments to the > mailing list. It's trivial to reduce its size below 100k which is far more > manageable - there are people who help here who are on dial up. > > I now understand what yo

Re: Horizontal note spacing

On 1 oct. 2013, at 13:59, LaurenH wrote: > I'm looking for a music writing program that will allow me to precisely > control horizontal spacing for use in a psychology sight-reading study. > Though I've found information on how to pad accidentals etc I was wondering > if someone could help with

Re: NR 1.7.1: can't understand a sentence about scaling font size

On Oct 11, 2013, at 8:06 AM, Federico Bruni wrote: > In NR 1.7.1, Selecting notation font size, I have: > Font size changes are achieved by scaling the design size that is closest to > the desired size. > > What is design here? > All the pararagraph is well explained, except for this sentence.

Re: Help to beging please

On Oct 11, 2013, at 8:52 PM, Pierre Perol-Schneider wrote: > 2013/10/11 > Hello, > > Hi Eric, > > Exemple, for the piano, how to have two key in a partition? > > I suppose you mean "clef" : one for each hand. > > > Someone living to Paris? > > I do ; how can I help you ? > Hey Eric,

Defining bar checks in a variable

Hey all, Is it possible to do something like this: bc = { | } { a a a a a \bc } And have the bar check kick in? Cheers, MS ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Defining bar checks in a variable

On Oct 14, 2013, at 5:32 PM, David Kastrup wrote: > Mike Solomon writes: > >> Hey all, >> >> Is it possible to do something like this: >> >> >> bc = { | } >> >> { >> a a a a a \bc >> } >> >> >> And have

Update on graphical notation package

n make the show and I'd be happy to meet up w/ you afterwards to show you the score & the way I made it in Lilypond. Cheers, Mike P.S. Sorry for any spelling mistakes in the score...I've had trouble w/ pango fonts recently, which has led to

Re: Online Lilypond

This one appears to be idle but as they say appearances can be deceiving. Work has shifted a bit towards setting up a collaboratve development environment so others can take part in development, with two of us laying a foundation - we'll be putting the code in svn on the vex.net server and using Ec

Re: Update on graphical notation package

Hey all, On 10/24/10 9:13 PM, "Valentin Villenave" wrote: > On Mon, Oct 25, 2010 at 1:36 AM, Mike Solomon wrote: >>    I forget if I sent this out or not - sorry in advance for any double >> postings!  A score I wrote using the graphics notation package that I >&

TabStaff.minimumFret on more than one TabVoice

For a guitar score that I'm working on, I'd like to be able to specify two TabVoices, and have a different TabStaff.minimumFret setting active for each voice. The idea here is that the lower voice is playing on open guitar strings, while the upper voice has moved up the neck and is playing higher

Re: TabStaff.minimumFret on more than one TabVoice

well that was easy enough. thanks guys ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: wiki or blog with lilypond

Wkisophia: http://wikisophia.org/wiki/Main_Page Just enter lilypond code between tags and it'll be rendered and embedded in a wiki page. -Mike On Sat, Nov 6, 2010 at 10:41 AM, Marc Mouries wrote: > Dear Lilyponders, > > As i go about learning violin with my kids, I create

keeping dynamics, etc out of TabStaff and/or TabVoice

isplay notes, and nothing else? Of course I could just copy and paste the notes, sans markings, but I'd rather not if I can avoid it, since any subsequent changes would have to be done in two places. Thanks, Mike. ___ lilypond-user mailing list li

Re: keeping dynamics, etc out of TabStaff and/or TabVoice

On Mon, Nov 8, 2010 at 1:20 PM, Xavier Scheuer wrote: > Cc to the list. > Please "reply to all".  ;-) oops ;-) > Yeah, I did not check (but that's why I said 2.13.38). > So it solved now, right? that's right, thanks much -- Mike _

Re: layout questions

erhaps playing with these two properties individually would do the trick? Cheers, Mike On 11/15/10 5:36 AM, "David Bobroff" wrote: > I'm typesetting from an ugly hand-written part. It's a trombone part to > an orchestral piece and, therefor, consists largely of multi-measure &

Re: how to get half-bar used in Bach Music?

Could you send an example (PDF, png, etc.)? Cheers, MS Le 21 nov. 2010 à 00:00, Marc Mouries a écrit : > thanks Nick. A half-bar is Bach's writing was a bar containing the same > number notes but only went over the staff from the 2nd to the 4th lines. > > On Nov 20, 2010, at 11:20 PM, Nick Pa

Re: showing counterpoint in solo music

changes all notes without the appropriate tag to skips (tail end recursion with an if clause should do the trick). I'd type it up but I only have my iPhone on me. Cheers, Mike Le 21 nov. 2010 à 00:08, Marc Mouries a écrit : > > I am typesetting some Bach solo work and want to em

Re: GPL vs. LGPL

Why not have a look at www.omet.ca and then send me a note? Sounds like omet has the beginnings or 'proof-of-concept' of what you are trying to do - the dojo toolkit has tons of stuff that can be used for this type of app. -M On Thu, Nov 25, 2010 at 6:23 PM, Feifan Zhou wrote: > What was the rea

ANDLINUX: Easy virtualization option

e, and I wouldn;t dream of switching back. -Mike <>___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: ANDLINUX: Easy virtualization option

I hadn`t noticed that - thx for pointing it out. I`ll keep an eye out for 64-bit version. On Tue, Dec 7, 2010 at 6:52 PM, Marc Mouries wrote: > thanks for passing the info. that's interesting. Too bad is supports only > 32 bits OS. > > On Dec 6, 2010, at 8:54 PM, Mike Blackstoc

Re: musescore

I have around 2800 FB friends, nearly all of them musicians, and I plan to do some Lilypond advocacy - hence my friend request. I'll need some 'backup' debaters/advisors etc. and so if anybody would like to send me a friend request, well the more the merrier. I think we can get quite a few convert

Re: text inside the staff close to the notes

ot; >> >> \relative c'' { >> \override Stem #'transparent = ##t >> \override NoteHead #'stencil = #ly:text-interface::print >> \once \override NoteHead #'text = \markup { A } >> a >> \once \override NoteHead #'text = \markup {

Re: beautifully reworked wiki page

Bravo! My one comment is that the q=60 marking looks a little off & is different than some commensurate markings in the docs. Otherwise, sweet! MS On Dec 17, 2010, at 8:09 AM, Jan Nieuwenhuizen wrote: > Hi, > > Han-Wen noticed the new and reworked > >http://en.wikipedia.org/wiki/GNU_Li

Re: beautifully reworked wiki page

fact the same and I am just in denial? ~Mike On Dec 17, 2010, at 10:03 AM, Alexander Kobel wrote: > On 2010-12-17 14:09, Jan Nieuwenhuizen wrote: >> Hi, >> >> Han-Wen noticed the new and reworked >> >> http://en.wikipedia.org/wiki/GNU_LilyPond >> >>

Re: Lily Dances -- lilypond-user Digest, Vol 97, Issue 111

u.org >> >> When replying, please edit your Subject line so it is more specific >> than "Re: Contents of lilypond-user digest..." >> >> >> Today's Topics: >> >> 1. Lily dances (Mike Solomon) >> >> >> --

Re: Lily dances

On Dec 22, 2010, at 5:10 PM, Federico Bruni wrote: > 2010/12/22 Mike Solomon > Hey all, > > I am embarking on a new project to make lily dance. > > Attached are 3 files: > > 1) svgdance.svg (best viewed in something that's not Internet Explorer - > click on

Re: Lily dances

On Dec 22, 2010, at 10:21 PM, Jan Warchoł wrote: > 2010/12/22 Mike Solomon > 1) svgdance.svg (best viewed in something that's not Internet Explorer - > click on the notes and/or accidentals and see what happens!) > > Cool! Thanks for sharing :) > > cheers, >

Re: More SVG madness

incarnations of a score that blend seamlessly into each other. Obviously, this becomes orders of magnitude harder once audio linkage is involved for the reasons described above. Merry Christmas! ~Mike On Dec 24, 2010, at 3:19 PM, James wrote: > Mike > > On 23/12/2010 21:48, Mike Solomon wrote:

SVG instrument names misaligned

rsion into Bezier paths in the SVG that displayed as beautiful lilypond lettering. Thanks! Mike \version "2.13.44" \paper { left-margin=4\cm } \score { \new StaffGroup { << \new Staff = "mordant" { \set Staff.instrumentName = \markup { \right-column { "en

Happy New Year

I hope it's not too off-topic to wish everyone the best success in their Lilypond projects. 2011, give us your best ;) M. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Solfege Resources -- 404 bach chorales in Lilypond format with Movable Do solfege.

gt; copyrightability to minuscule variations would simply put a weapon for > harassment in the hands of mischievous copiers intent on appropriating and > monopolizing public domain work." > > ------ > > > Obviously, laws vary from country to co

Re: Solfege Resources -- 404 bach chorales in Lilypond format with Movable Do solfege.

Just to clarify: anything is copyrightable of course - there's no laws that I'm aware of that prevent people from asserting a copyright; question is, can it/has it a chance of standing up? M. On Mon, Jan 3, 2011 at 2:09 AM, Mike Blackstock wrote: > Interesting. > > I spent

Workarounds for impressionistic music

Hey all, For class the other day, I had to typeset a Debussy example, and I found that Lilypond does not like some of the hairier passages in Debussy. To wit: \version "2.13.46" tuptrans = { \override TupletBracket #'transparent = ##t \override TupletNumber #'transparent = ##t } arps = \rela

Re: Workarounds for impressionistic music

S On Jan 15, 2011, at 1:19 PM, Carl Sorensen wrote: > On 1/15/11 9:39 AM, "Mike Solomon" wrote: > >> Hey all, >> >> For class the other day, I had to typeset a Debussy example, and I found that >> Lilypond does not like some of the hairier passages in D

Tempo indication prolongs StaffSymbol #'line-count

Hey all, \version "2.13.46" markings = { s1 \mark \markup { \musicglyph #"scripts.ufermata" } \tempo Langsam s1 s1 } foo = { b'1 \stopStaff \override Staff . StaffSymbol #'line-count = #1 \startStaff b' \stopStaff \override Staff . StaffSymbol #'line-count = #5 \startStaff b' | } \score { \ne

Odd vertical spacing of lyrics

Hey all, The following snippet is giving me the attached output w/ the soprano line shifted way up after the line break. Is there any way to get the soprano correctly aligned (w/o changing the distance between systems - this minimal example approximates a larger one w/ many systems over severa

Re: Odd vertical spacing of lyrics

f the first 2.14 bug fixes (if not 2.14 itself) - thoughts? Cheers, MS Is there a way to add this to the issue tracker. On Jan 19, 2011, at 3:42 PM, Jan Warchoł wrote: > 2011/1/18 Carl Sorensen >> >> On 1/18/11 8:26 AM, "Mike Solomon" wrote: >> >>&g

Feature? Bug? (part 1)

Hey all, In the attached png, you'll see that the feathered beam resets to 0 feather @ the line break. Actually, it even regresses a bit: you'll see that it's actually fatter at the linebreak than it is a couple beats after, after which it starts to spread out again. I would argue that the la

Feature? Bug? (part 2)

Well, no, I lied, just plain bug. I can't imagine this being a feature. But, before I start working on it, does anyone have a clean work-around to get the bendAfter spanning the line break correctly? Cheers, MS <> \score { \new Staff << { s1*3 \break } \relative c' { s1*2 \times 44/72 {\cresc

Feature? Bug? (third and final part)

To round out my feature/bug tryptych (yes, this is the day that I make my score not look crappy...sorry for all the traffic @ once...) <> \relative c'' { b1 \stopStaff \override Staff . StaffSymbol #'line-count = #1 \startStaff \tempo "Langsam" b1 b1 b1 } \relative c'' { b1 \stopStaff \override

Re: Feature? Bug? (part 1)

} { s8 s2 s1 \break } >> r4 | } Thanks! ~Mike On Feb 6, 2011, at 10:41 AM, Bernardo Barros wrote: > hi mike, > > could you provide the code? I can think in a workaround, but this > would be very ugly. ___ lilypond-user mailing list lilyp

Re: Italic bar numbers

On Feb 7, 2011, at 12:09 PM, Jayaratna wrote: > > Dear members, > > I have been asked to print bar numbers in italic fontface. > I checked the documentation and this forum, but if I've not missed it, i > could find no help. > Any suggestion? > > Thanks, > Andrea > \relative c' { \override Sc

Re: Feature? Bug? (part 1)

beambug.ly Description: Binary data probably not the most minimal example in the world, but it gets the job done! Cheers, MS On Feb 6, 2011, at 11:35 PM, Colin Campbell wrote: > On Sun, 2011-02-06 at 10:14 -0500, Mike Solomon wrote: >> Hey all, >> >> In the attached png

lilypond art

For a course I teach, I have an anonymous feedback system on my site. I get some pretty fun stuff sometimes, and today I got this: The filename was effiiu.jpg :) ~Mike___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/l

Re: 99 bottles of beer on the wall

I posted all 17 .png pages to my facebook wall :) On Sat, Feb 19, 2011 at 3:24 PM, Graham Percival wrote: > Wow. Brilliant work here: > http://99-bottles-of-beer.net/language-lilypond-1351.html > > (I was doing a google search for "lilypond music function", > because I couldn't remember the exa

Re: [OT] Vivi, the Virtual Violinist, plays LilyPond music

This is F*G great! Especially the Bach BWV 1006 - I could have sworn it really was a kid playing. http://percival-music.ca/audio/bwv-1006_1.wav.mp3 On Thu, Mar 3, 2011 at 11:53 AM, Graham Percival wrote: > Hi all, > > My PhD research has swept me into the direction of automatic music > perfor

Accessing the name of the input file from inside LilyPond

The reason I'm doing this is kinda technical, but suffice it to say that I can't hardcode the file name into the markup in advance. Cheers, Mike ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Accessing the name of the input file from inside LilyPond

On Mar 11, 2011, at 6:52 PM, Graham Percival wrote: > On Fri, Mar 11, 2011 at 06:33:43PM +0100, Mike Solomon wrote: >> I'm trying to find a way to access the name of input file (i.e. >> foo.ly) from inside LilyPond. I know that this information is >> stashed in the p

MAC help

I'm helping a friend install on Mac OS X 10.6.6 but I know nothing about the Mac. I found this in the archive: http://lists.gnu.org/archive/html/lilypond-user/2011-03/msg00246.html Is that the right approach for her? Thank you in advance for any Mac tips,

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