On Wed, 2013-12-04 at 23:37 +0100, Johan Vromans wrote:
> Richard Shann writes:
>
> > At the moment this AI step is the simplest possible, it goes through the
> > durations that you played assigning them to the nearest note lengths
> > using only whole-note 1/256th
On Wed, 2013-12-04 at 19:05 +0100, David Kastrup wrote:
> Richard Shann writes:
>
> > Thank you David (and to the others that replied), I had a go at
> > getting my head round this before I asked, I find it a serious
> > challenge.
>
> Yes.
>
> > It w
On Wed, 2013-12-04 at 16:52 +, Phil Holmes wrote:
> - Original Message -
> From: "Richard Shann"
> To: "lilypond-user"
> Sent: Wednesday, December 04, 2013 4:30 PM
> Subject: Different beaming for triplets
>
>
> > I've been asked
an improvement!
Richard
On Wed, 2013-12-04 at 18:00 +0100, David Kastrup wrote:
> Richard Shann writes:
>
> > I've been asked a beaming rule question:
> >
> > Is it possible to specify a different beaming rule if a beat is divided
> > into a triplet? In this ex
s 3/8 1/8 #'(1 1 1) #'()
breaks up the beaming at each beat so that the 1/8th notes in the second
bar are not beamed. Is there a way to frame an override that applies to
notes shorter than a certain amount, or some such?
Richard
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On Wed, 2013-12-04 at 08:23 +0100, Johan Vromans wrote:
> Richard Shann writes:
>
> > Right now I have a new entry option nearly complete - playing on a MIDI
> > keyboard and then entering the rhythm.
>
> By hitting a MIDI keyboard key in the desired rhythm?
Well, tha
On Tue, 2013-12-03 at 17:37 +0100, Noeck wrote:
> Hi Richard,
>
> sorry for the old version. I now installed Denemo 1.1.0 from the
> website. It can't use lilypond with it for some reason (it crashes
I trust you don't mean that Denemo itself crashes? Just that LilyPond
fai
On Tue, 2013-12-03 at 19:57 +0100, Noeck wrote:
> Hi Richard,
>
> >> It can't use lilypond with it for some reason (it crashes
> > I trust you don't mean that Denemo itself crashes? Just that LilyPond
>
> No Denemo does not crash. But the Print View
On Tue, 2013-12-03 at 01:20 +0100, Noeck wrote:
> > But the feedback I get about Denemo is almost entirely positive - those
> > who find it unusable just quietly switch to something else, out of
> > politeness I guess. Most unhelpful!
>
> Hi Richard,
>
> several
But the feedback I get about Denemo is almost entirely positive - those
who find it unusable just quietly switch to something else, out of
politeness I guess. Most unhelpful!
Richard Shann
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rent reason). Front-end
stuff is so easy to do with a pre-processor like Denemo.
Richard Shann
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ere
mistakes in the musicXML (there is one bar that is actually incomplete
and one with wrong notes).
Richard
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Incremental search for strings within tooltips
Execute any command
Add any command to a palette
Richard Shann
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s of identifying the point
of application of the tweak would be needed that would be robust against
editing the music. In Denemo you put the music in and then say things
like "page break here if it is for the full score layout". Such tweaks
do d
On Tue, 2013-11-12 at 19:16 +0100, Stefan Thomas wrote:
> Dear Richard,
>
> I've tried to open a lilypond-file with denemo, but it didn't work,
> unfortunately.
Yes - what I had in mind was to use Denemo to create the LilyPond you
need (then you can pass the Denemo file to
the students to do so
too. That way you get the LilyPond typesetting across the whole class.
(But I would :) )
Richard
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There is MusicXML import into Denemo which then generates LilyPond. This
used to be hopelessly broken, but now it always generates the bare bones
of the score (AFAIK). That would give an route not needing command line
expertise.
Richard
On Mon, 2013-11-04 at 00:06 +0100, Urs Liska wrote:
>
s too modern for the version 2.16, but interpolating with
the reply from Harm I get
\version "2.16"
{
\override ParenthesesItem #'font-size = #0
\override ParenthesesItem #'padding = #0.05
f'?4 \parenthesize f'4
}
which works just fine.
Thank you both for
ug? And, in any case suggestions on
how to beef up the \parenthesize to look in keeping with the reminder
accidental would be appreciated.
Richard Shann
parens.pdf
Description: Adobe PDF document
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On Thu, 2013-10-17 at 10:20 +0200, Simon Bailey wrote:
> richard,
>
> On Thu, Oct 17, 2013 at 10:05 AM, Richard Shann
> wrote:
> > < \markup {
> > \translate #'(-0.6 . 0)
> > \right-align
> > \bracket { \raise #0.7 { \fontsi
h is the default
in Denemo. You insert this by prefixing with a $ sign in the figured
bass entry box in Denemo.
Richard
On Thu, 2013-10-17 at 09:39 +0200, Simon Bailey wrote:
> On Wed, Oct 16, 2013 at 11:05 PM, Daniel Rosen wrote:
> > \version "2.17.27"
> > \figures
around the title page.
Richard
On Sun, 2013-10-06 at 15:33 -0700, EdBeesley wrote:
> 2.16.2
>
> I've added a title page to my score, the best way I could think of doing it
> was to wrap the title page and score in separate \bookpart's . The structure
> is like below:
&
tion clobber my existing lilypond?
No, it is entirely internal to the denemo installation.
> What version of lilypond that denemo installer include?
2.16, but you can point Denemo to another version.
Richard
> I want to try out denemo, but am afraid to install because the
> followi
put to a file for those who would wish for the raw
LilyPond music for inclusion in a hand-written template system.
Richard
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On Fri, 2013-09-27 at 09:04 +0100, Richard Shann wrote:
> So if you wanted some assorted
> collection of sharps and flats (E-flat with A-flat but F-sharp ...)
whoops! it would have to be weirder than that, say D-Sharp with
A-flat ...
R
On Thu, 2013-09-26 at 20:28 +0200, David Kastrup wrote:
> Richard Shann writes:
>
> > Denemo completely ignores the time-stamps on the midi input
> > stream. The midi events are serialized into a buffer by a separate
> > thread, and Denemo just picks them up in the
On Fri, 2013-09-27 at 13:41 +0800, James Harkins wrote:
> On Sep 27, 2013 12:10 AM, "Richard Shann"
> wrote:
> > Since introducing this I have had zero enharmonic misspellings in my
> > transcriptions. But this might not be suitable for some sorts of
> music,
&g
On Thu, 2013-09-26 at 19:16 +0200, David Kastrup wrote:
> Richard Shann writes:
>
> > On Thu, 2013-09-26 at 11:52 +0200, David Kastrup wrote:
> >
> >> Anway, my point is: the currently available tools are not good enough
> >> right now to save time.
> >
ll be a lot of ambiguity except for very
simple music, and correcting errors is enormously more expensive than
inputting the correct thing first off.
Richard
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h
> right now to save time.
This very much depends on the sort of music you are working with. Try
typing in the LilyPond syntax for the Vivaldi sonata movement
(https://vimeo.com/62188678) that was generated in 10 mins using Denemo
working straight from an original print and you will be convinced (I
hope).
Richard
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lerted if you enter C followed by D-sharp instead of C followed by
E-flat - it sounds on a different instrument.
Since introducing this I have had zero enharmonic misspellings in my
transcriptions. But this might not be suitable for some sorts of music,
I confess.
You may need to know about Denemo and Frescobaldi which both allow MIDI
input and generate LilyPond output.
Richard
On Wed, 2013-09-25 at 11:20 -0700, searchfgold6789 wrote:
> Hello,
>
> I was looking for a way to create Lilypond files at a better speed than just
> typing them by h
ithout-gui
--file=filename.svg --export-eps=filename.eps
with my version of Inkscape (Debian stable) the --export-bbox-page was
not valid.
Richard
> See :
> http://www.lilypond.org/doc/v2.16/Documentation/notation/graphic
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> Date: Fri, 13 Sep 2013 14:31:47 -0700 (PDT)
> From: MING TSANG
> To: Urs Liska , Kieren MacMillan
>
> Cc: David Nalesnik ,"lilypond-user@gnu.org"
>
> Subject: Re: 350 "\relative"s on all parts - is it possible to simply
> the code?
> Message-ID:
> <1379107907.22
On Tue, 2013-09-03 at 09:09 +0100, Richard Shann wrote:
> Urs,
>
[...]
>
> As to listing them all, I notice that many have tags which can be
> clicked on (e.g. as Richard Shann/Editor or Richard Shann/Arranger) to
> find more.
hmm, that was dumb of me, of course I can giv
eneralized form.
As to listing them all, I notice that many have tags which can be
clicked on (e.g. as Richard Shann/Editor or Richard Shann/Arranger) to
find more.
Finally, I know of one other contributor to IMSLP that uses LilyPond,
namely Mario Bolognani. I am not sure that he explicitly mentions
creating a beautiful score, ready for the
printer.
If anyone would like to pursue this stuff and create better videos
please let me know. The source code is all in git now.
Richard
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On Tue, 13 Aug 2013 21:55:27 +0200
Johan Vromans wrote:
> Richard Shann writes:
>
> > Yes modern GUI based tools are slow. The main problem with your
> > method, is that you have to look at the screen. Looking away from
> > the music you are transcribing is fraugh
On Tue, 13 Aug 2013 11:09:53 -0700
David Rogers wrote:
> Richard Shann writes:
>
> > You could have played the entire piece in by the time you have set
> > about looking for mistakes in the "automatic" entry systems.
>
>
> Richard: I think "playing
On Tue, 13 Aug 2013 21:11:59 +0200
Johan Vromans wrote:
> Richard Shann writes:
>
> > If you can read music fluently and have a lot of music to enter
> > sequentially into LilyPond then Denemo gives you a way of leveraging
> > your sight-reading skill to enter the
On Tue, 13 Aug 2013 18:00:01 +0200
Johan Vromans wrote:
> Richard Shann writes:
>
> > here is your problem. You are hoping that the timing of your
> > keypress could be interpreted and a duration of note estimated from
> > it. Such systems have been tried many t
On Tue, 13 Aug 2013 11:50:16 -0400
Carl Peterson wrote:
> On Tue, Aug 13, 2013 at 11:19 AM, Richard Shann
> wrote:
>
> >
> > here is your problem. You are hoping that the timing of your
> > keypress could be interpreted and a duration of note estimated from
> >
ms of speed of entry, it would not help: with the
numeric keypad method you can incorporate the slurs as you enter the
rhythm, and (with the latest version of Denemo) you can enter triplets
while not breaking your rhythm. What it would save is getting used to
switching key press of each type o
o with a samll (5Mb) soundfont not to waste people's bandwidth
when, if they care, they will use one of the many free sound fonts that
suit their needs. For my own use I have a 100 Mb single harpsichord stop
patched in, replacing the grand pi
you are playing from the bottom of the page) and the
other to complete the page turn once you have started on the top of the
new page. Denemo does this in its page mode display (but this is not a
the real typeset music, just the input for checking).
Richard
> There's a video of it being
low. There
> may be a setting for them not to output this information. If there is,
> I don't know about it.
You could write a scheme script for Denemo that would do that. Each note
in Denemo has the relevant LilyPond attached to it, so you could
> positioning at the beginning of a measure has been a problem before.
> >
> > Any suggestions for a solution?
>
> Just add \grace { s8 } immediately before the first note in VoiceII...
... or use Denemo as a front end which has a command in the Slurs menu
to automatically
fancy that would be good (but a lot of
work, of course, else you wouldn't be reading here :) )
Richard
On Wed, 2013-07-24 at 22:10 +0100, Phil Holmes wrote:
> - Original Message -----
> From: "Richard Shann"
> To: "Phil Holmes"
> Cc: "Mats Bengtss
en I had the dummy lyrics before); if there is any legitimate way of
not drawing attention to this bug I would like to hear about it. Only
MuseScore has difficulty with this bar, and then only slightly.
Richard
>
>
>
> --
> View this message in context:
> http://lilypond.1069
On Wed, 2013-07-24 at 09:42 -0700, arnepe wrote:
> I do have both Sibelius (7) and Finale (2012), if needed ...
Well Phil Holmes has done Sib 7 it seems, so if you could do the same
for Finale that would be great (the .xml files are attached to two
earlier emails from me in this thread).
Rich
Great! They are both creative commons xxx,
Copyright © 2012 Marc Sabatella
Licensed under the Creative Commons Attribution 3.0
License
the Adon from IMSLP, so ok, but you can send them direct if you like.
Richard
On Wed, 2013-07-24 at 17:05 +0100, Phil Holmes wrote:
> - Origi
On Tue, 2013-07-23 at 13:01 -0400, Carl Peterson wrote:
> On Tue, Jul 23, 2013 at 12:44 PM, Richard Shann
> wrote:
> On Tue, 2013-07-23 at 17:23 +0200, pls wrote:
>
> > (both MusicXML and their corresponding PDF/PNG files) as
> reference
On Tue, 2013-07-23 at 15:12 +0200, Urs Liska wrote:
> Am 23.07.2013 15:09, schrieb Richard Shann:
> > On Sun, 2013-07-21 at 14:03 +0200, Urs Liska wrote:
> >> Am 20.07.2013 17:57, schrieb Richard Shann:
> >>
> >>> I have been compiling some examples of Lil
On Tue, 2013-07-23 at 17:23 +0200, pls wrote:
> On 23.07.2013, at 15:03, Phil Holmes wrote:
>
> > - Original Message - From: "Richard Shann"
> >
> > To: "Mats Bengtsson"
> > Cc:
> > Sent: Tuesday, July 23, 2013 1:06 PM
&
On Sun, 2013-07-21 at 14:03 +0200, Urs Liska wrote:
> Am 20.07.2013 17:57, schrieb Richard Shann:
>
> > I have been compiling some examples of LilyPond's typesetting compared
> > with those of well-known alternatives:
> >
> > http://denemo.org/CompareScorewri
standardizing the comparisons (short of re-typing
> > music examples...).
> >
> > Richard
> It's nice to have these comparisons, but I have a couple of comments:
> - You should specify what the version number of the respective programs.
I have added the version nu
know - especially if I am not doing LilyPond justice.
My examples have a common origin in MusicXML files, but there may be
some other way of standardizing the comparisons (short of re-typing
music examples...).
Richard
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lil
op-up menu.
Richard
On Mon, 2013-07-15 at 09:38 -0700, SoundsFromSound wrote:
> Hmm, that does like quite bad.
>
> But Eluze has the right idea:
> I would just use something like
>
> f''4.- \tweak #'padding #1 \fermata
>
> ...as a temporary fix :)
>
way, which I have done for the score in
question using Denemo.
Just in case anyone has a ready answer to my email earlier (LilyPond
grace note synchronization feature) but assumes someone else has
answered it, I would very much apprecia
ctly should I be checking for before deciding to insert grace
skips in the other parts?
Richard
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Hi Urs.
I tried to send a reply earlier. I don't know if I succeeded, but the method I
suggested was not good enough anyway. Here's my second attempt at a solution to
your problem:
\version "16.0"
firstVersion =\relative e'' {e2. e4 | g2. cis,4 |}
secondVersion =\scaleDurations #'(2 . 1)\relative
Hi Urs.
In your example, if you lay the second version out as if the notes had twice
the durations they actually have, then it looks nice:
\version "16.0"
firstVersion =\relative e'' {e2. e4 | g2. cis,4 |}
secondVersion =\scaleDurations #'(2 . 1)\relative e'' {e4~ e16[ fis] e[ fis]
g4. cis,8 |}
\
a b c
}
\score {
\Mvmnt1Voice1
}
GNU LilyPond 2.16.0
Processing `test.ly'
Parsing...
test.ly:4:5: error: syntax error, unexpected UNSIGNED, expecting
SCM_FUNCTION or SCM_IDENTIFIER or SCM_TOKEN or '='
Mvmnt
1Voice1 = {
perhaps this is what Urs was referring to?
Richard
__
On Tue, 2013-06-11 at 10:38 +0200, Urs Liska wrote:
> Am 10.06.2013 18:52, schrieb David Kastrup:
> > Richard Shann writes:
> >
> >> This looks great Urs. I wrote a CriticalComment command for Denemo
> >> that allows you to attach comments to notes in a score
On Mon, 2013-06-10 at 20:42 +0100, Richard Shann wrote:
> (I guess that is why I put the \raise #6.0 in the Critical
> Commentary code in Denemo to achieve alignment with the lowest line of
> the staff).
In fact I think I see the issue you are grappling with, if the snippet
has a bass
of
music with a lot of blank space at the bottom. So it looks like you have
come to the end of the examples, but if you scroll on down past the
blank space you come to the buttons which lead on to more examples - the
one I was seeking was on the second page.
Well, thanks again
Richard
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I've just been digging around in the docs and lsr for typesetting two
time signatures right next to each other 3/4 6/8
I can see the stuff for putting one in brackets, but not for printing
both next to each other.
Anyone know where this is (I know it must exist, it is common enough),
Ri
in Denemo to achieve alignment with the lowest line of
the staff).
Richard
On Mon, 2013-06-10 at 20:40 +0200, David Kastrup wrote:
> Richard Shann writes:
>
> > On Mon, 2013-06-10 at 18:52 +0200, David Kastrup wrote:
> >> Richard Shann writes:
> >>
> >
On Mon, 2013-06-10 at 18:24 +0200, Urs Liska wrote:
> Hi Richard,
>
> thanks for the feedback. I'd be happy to design the stuff in a way that
> it can be used by Denemo and Frescobaldi as well.
>
> Am 10.06.2013 17:53, schrieb Richard Shann:
> > This looks great U
On Mon, 2013-06-10 at 18:52 +0200, David Kastrup wrote:
> Richard Shann writes:
>
> > This looks great Urs. I wrote a CriticalComment command for Denemo
> > that allows you to attach comments to notes in a score. These comments
> > can include \score {} blocks so that t
the page number and the whereabouts within the
bar would be very nice.
Richard
On Mon, 2013-06-10 at 17:09 +0200, Urs Liska wrote:
> Am 10.06.2013 16:35, schrieb Urs Liska:
>
> > Hi all,
> >
> > thanks to the feedback on this list I reviewed the interface to my
> > \
On Wed, 2013-06-05 at 07:49 -0700, Eluze wrote:
> Richard Shann wrote
> > I have just started using
> >
> > \override #'(line-width . n)
> >
> > for text markup, and I want the value n to be chosen so as to work out
> > as the distance between the
On Wed, 2013-06-05 at 16:58 +0200, David Kastrup wrote:
> Richard Shann writes:
>
> > I have just started using
> >
> > \override #'(line-width . n)
> >
> > for text markup, and I want the value n to be chosen so as to work out
> > as the distance b
mentary at the end of the work).
Could someone point me in the right direction here?
Richard Shann
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do this, but import from LilyPond into
Denemo is still in a very primitive state, so this is not of interest if
you already have spent a lot of time inputting the music...
Perhaps Frescobaldi can offer something?
Richard
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Denemo is doing nothing more than inserting skips for completely empty
measures.
Richard
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On Sun, 2013-05-12 at 11:26 +0200, Thomas Morley wrote:
> 2013/5/12 Richard Shann :
>
> > With the page pointed to by \RemoveEmptyStaves I arrived at
> >
> > \layout { \context { Staff \RemoveEmptyStaves } }
> >
> > then I discovered that my recollection was c
On Sat, 2013-05-11 at 18:45 +0100, Phil Holmes wrote:
>
> >> Look in the index for the command \RemoveEmptyStaves
> >
> > ??? that is precisely the page quoted above???
> >
> > Richard
>
>
> No it's not. Note the \ .
Ah, yes - thank you, I
On Sat, 2013-05-11 at 16:58 +0100, Phil Holmes wrote:
> - Original Message -
> From: "Richard Shann"
> To: "lilypond-user"
> Sent: Saturday, May 11, 2013 4:30 PM
> Subject: Hara Kiri staff behavior
>
>
> > I'm currently baffled by no
hat a "command" is in this context - what do I
write inside
\layout { }
to get the desired behavior? I dpn't even see anything in LSR for
this ...
Richard Shann
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On Tue, 2013-04-23 at 18:23 +0200, Janek Warchoł wrote:
> 2013/4/23 Richard Shann :
> > On Tue, 2013-04-23 at 17:49 +0200, Janek Warchoł wrote:
> >> What about this: ask the user to drag the control points. Then he
> >> doesn't have to click precisely on the
On Tue, 2013-04-23 at 17:49 +0200, Janek Warchoł wrote:
> 2013/4/23 Richard Shann :
> > On Tue, 2013-04-23 at 17:16 +0200, Urs Liska wrote:
> >> David Nalesnik schrieb:
> >> >I'm a little confused here too. I watched the demo (very cool, BTW!)
> >> &g
On Tue, 2013-04-23 at 17:31 +0200, Urs Liska wrote:
> Am 23.04.2013 17:25, schrieb Richard Shann:
> > On Tue, 2013-04-23 at 17:16 +0200, Urs Liska wrote:
> >>
> >>
> >> David Nalesnik schrieb:
> >>
> >>> Hi,
> >>>
&
On Tue, 2013-04-23 at 17:16 +0200, Urs Liska wrote:
>
>
>
> David Nalesnik schrieb:
>
> >Hi,
> >
> >
> >On Tue, Apr 23, 2013 at 9:36 AM, Janek Warchoł
> >wrote:
> >
> >> 2013/4/23 Richard Shann :
> >> > On Sun, 2013-04-21
x is a bit different in 2.16.
I have had a little read of that documentation and it seems that \shape
does not use the same data. It seems that to use \shape you would need
to know the default values of the control points, which I guess could
only be gotten with runnin
On Sun, 2013-04-21 at 10:38 +0200, Janek Warchoł wrote:
> 2013/4/19 Richard Shann :
> > Here is a short demo showing dragging the shape of a slur in Denemo
> >
> > https://vimeo.com/64408182
> >
> > The code to do this is in Denemo's git repository now.
>
On Fri, 2013-04-19 at 10:19 +0200, Wilbert Berendsen wrote:
> Op Tue, 16 Apr 2013 15:48:10 +0100
> Richard Shann schreef:
>
> > On Tue, 2013-04-16 at 15:44 +0200, Janek Warchoł wrote:
> > > Thanks.
> > > I'm wondering whether a similar feature could be e
ifferent type of syntax so I immediately
started trying to guess what the parallel syntax might be...
Well, I can get stuck into this now - thanks!
Richard
>
>
> Richard Shann schrieb:
> On Tue, 2013-04-16 at 16:59 +0100, Richard Shann wrote:
> On Tue, 2
On Tue, 2013-04-16 at 16:59 +0100, Richard Shann wrote:
> On Tue, 2013-04-16 at 09:41 -0500, David Nalesnik wrote:
> > Hi,
[...]
> > When I recently cut-and-pasted the code from the email, I had this
> > same problem. IIRC, the only problem was that a long comment line had
&
On Tue, 2013-04-16 at 16:59 +0200, Janek Warchoł wrote:
> 2013/4/16 Richard Shann :
> > On Tue, 2013-04-16 at 15:44 +0200, Janek Warchoł wrote:
> >> btw, maybe it would be possible to skip that "click on the middle
> >> line" part of you use
On Tue, 2013-04-16 at 09:41 -0500, David Nalesnik wrote:
> Hi,
>
>
> On Tue, Apr 16, 2013 at 9:01 AM, Urs Liska wrote:
> Am 16.04.2013 14:07, schrieb Richard Shann:
>
> On Tue, 2013-03-26 at 10:29 +0100, Urs Liska wrote:
>
values relative to that
point (the nothead's red dot) this would be easy to do and a more
natural interface.
Richard
(*) There is another sort of tweak that I have already implemented in
Denemo where you click on the notehead and it finds the staff center
line by calculation using the inform
test.ly", line 27: Missing or extra expression in
(if (eq? line #t) (begin (ly:stencil-add (make-line-stencil 0.05 (car
(first cps)) (cdr (first cps)) (car (second cps)) (cdr (second cps)))
cps)) (car (third cps)) (cdr (third cps))).
this is with 2.16.2
Richard Shann
_
designing of slur shapes, but it is on
my list of things to do.
Thanks to Janek Warchoł on the lilypond-devel-request list for
triggering this solution, and Harm for the brilliant red-dot markers.
Richard Shann
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adjusting
> > the layout of the music after transposition without any further user
> > intervention (though this example was not chosen to illustrate this
> > point, and another example with dynamics, tempo changes etc would do
> > that better).
> Thank you, Richard. These exa
Thanks - I've incorporated that. I think the score is ready for
uploading to IMSLP :)
Richard
On Thu, 2013-04-04 at 21:08 +1100, Andrew Bernard wrote:
> Greetings,
>
> 2.16 version:
>
> \new Staff {
>\time 2/4 fis'4 g'4
>\time 4/4
>\once \overr
n the docs now
that you have alerted me!
Richard
On Thu, 2013-04-04 at 19:41 +1100, Andrew Bernard wrote:
> Greetings,
>
> Try:
>
> \new Staff {
>\time 2/4 fis'4 g'4
>\time 4/4
>\once \override Score.MetronomeMark.outside-staff-priority = #3000
>
markup { \musicglyph
#"scripts.ufermata" } d'16 b' d'' b' d' b' d'' b' e' b' e'' b' e' b' e''
b'
}
I have tried reversing the order in whi
$" \italic " The second note" }
e c4
\once \override Score.FootnoteItem #'annotation-line = ##f
b-\footnote \markup \tiny "+" #'(0.1 . 0.1)
\markup { \super "+" \italic " Editorial" } \p
}
}
With the first footnote line ext
vide more space under the line ... any
suggestions?
Richard Shann
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